#this scene's an icon it's a legend and still is THEE moment

[sunnydaleherald]

The Sunnydale Herald Newsletter - Monday, November 14

BUFFY Andrew is our—actually, he's our hostage. ANDREW I like to think of myself more as a (makes quote marks in the air with his mitted hands) "guestage"

~~Get it Done~~

[Drabbles & Short Fiction]

Meeting Place (Gen, PG) by badly_knitted

Stumbling Towards Happiness (Buffy/Angel, PG) by a2zmom

Victorian Era Fanged Four Fic Recs (Fanged Four, Not rated) by somekindofadeviant

Welcome to Zaun (League of Legends crossover, T) by Lokihatemywriting

[Chaptered Fiction]

The Time We Had Chapter 27 (Buffy/Spike, NC-17) by Dusty

Colonial Bride Chapter 12 (Buffy/Spike, Adult Only) by Feanix88

Restful Souls Chapter 2 (Buffy/Spike, PG-13) by violettathepiratequeen

The Road to Hell.... Chapter 23 (Buffy/Spike, NC-17) by All4Spike

Daisy in the Dark Chapter 2 (Buffy/Spike, PG-13) by Dusty

Even Ground Chapter 13 (Buffy/Spike, NC-17) by honeygirl51885

Learning To Be Love's Bitch Chapter 14 (Buffy/Spike, PG-13) by Desicat

Odd Ducks Chapter 13 (Buffy/Spike, G) by violettathepiratequeen

Vacation with a vampire (Sequel to The Sphere) - Part 2 Chapter 5 (Buffy/Spike, NC-17) by Coraline

Bound Chapter 31 (Buffy/Spike, NC-17) by RavenLove12

[Images, Audio & Video]

Art: Lil Spike sticker by crybabyclubhouse

Art: Spuffy icons 27 icons by mcgnagallsarmy

Art: BTVS “Every Outfit” “No Place Like Home” Xx by whatshisfaceblogs

[Fandom Discussions]

Angel in Waiting in the Wings by herinsectreflection

Xander and Buffy's relationships by wikiangela

thinking about buffy saying “i think you don’t want us to let you go” in Something Blue by silvermars

the double-edged sword of fuffy by faith-thee-slayer

BtVS rewatch: SEASON 7 continued by Stoney

Does the blood of a Mohra demon return a vampire’s soul? by flow

Discussion of 6.08 "Tabula Rasa" - Aired 11/13/01 (UPN-US) continued by multiple posters

I just finished my first viewing of BTVS .... by Raising_Brahmer

I'd rather have a angel/blade crossover by Current_Ad_9850

Choose the best emotional scene from the list by Opening_Knowledge868

I wish we got a full crossover with Buffy & Angel by Almighty_Push91

Your favorite Angel Investigations lineup? by jdpm1991

Is this a shoutout to Buffy’s musical episode? by DrPepper450

Any Harmony stans up in here? by DrPepper450

Giles always held contempt for Xander, but they still shared some great moments by InfiniteMehdiLove

I wish they handled the whole "willow over-doing it with the magic" thing a different way by lunabuddy

Does Xander only want women he can't have? by Almighty_Push91

[Requests]

Someone here was gonna write a psychological paper on Buffy characters by AJ_Babe

[Articles, Interviews, and Other News]

Buffy The Vampire Slayer: 10 Funniest Tweets About The Series by Screen Rant

Submit a link to be included in the newsletter!

Join the editor team :)

[filthyjanuary]

7-12 and 16-20 for the asks!

7. What do you dislike about your favourite season?

i think season 2 is the best, but as i’ve said before, my favourite is 4 solely because the first few eps i watched were from s4. i think season 4 is very solid and even though it’s a season that HURTS BAD because of everything happening between sam and dean, i think the show earns the conflict for the most part. the literal only thing that still haunts me is that the STUPID VOICEMAIL THAT GETS ALTERED IS NEVER ADDRESSED. like i hate more than anything that sam still thinks dean said those things. like i know jared’s said that sam knows dean loves him but i don’t care!!! sam /and/ dean deserve to know the voicemail was changed.

OH also literally everything with anna milton. she deserved better <3 sorry the fridged you and gave part of your arc to a man, queen.

also sam and dean should’ve found out cas let sam out of the panic room.

8. Thoughts on Sam’s demon blood arc

i love sam’s demon blood arc. his hot girl summer! in all seriousness, it makes perfect sense. mystery spot sets it up that sam goes dark when he doesn’t have dean, and s4 is the natural progression of that. i love sam being hellbent on revenge, and the blood drinking was hot sorry not sorry. like obviously the end result wasn’t stellar and the handling of the demon blood as an addiction was handled rather shittily in the show, but overall this arc is near and dear to me and if i couldn’t have the boy king, i’m glad i got this instead. and it brings up some really interesting concepts that get explored really well in fic.

9. Thoughts on the Moc arc

i hate this arc mostly because like dean was terrible...which makes sense, but even after the mark was gone it’s like... he never /really/ pulls himself out of that place. it also just dragged on for FAR too long. like it didn’t need to be like 30 episodes or however long. i do like that it gave us demon!dean being like sexythreatening, and that scene of sam cradling dean’s face and begging him to tell him that he had to kill all those people and just the general sam is dean’s colette of it all. also the end of s10 with sam on his knees and dean telling him to close his eyes is deeply fucked up and i love it for that reason and obviously that happened bc of the MOC storyline.

10. Fave underrated ep

i am highkey obsessed with 1x04 phantom traveller, 2x07 the usual suspects and 4x19 jump the shark and i feel like most people don’t really care about those episodes or bring them up much. phantom traveller is just interesting bc i think the character moments are fun and i am obsessed with plane crashes for some reason. the usual suspects i just adore because it’s really a great exploration of HOW WELL sam and dean know each other and just how alike they are. and unfortunately i really like the cop lady in this one. jump the shark was the second episode of supernatural i ever saw and for some reason something in my brain latched onto adam and never let go. i love him so much (i know it’s not really him in the ep but ukno) and i love how much you learn about sam and dean through it too.

11. Thoughts on BMOL

boring. like...the actors were not good at their accents. they wanted what bela talbot had in s3. i just didn’t find ‘the british are evil’ a compelling storyline in a supernatural show.... like girl i live in real life you don’t need to preach to me about the british. also like they set up ketch to be evil like worse than toni who i already hate because she tortures/sexually assaults sam by having him kill magda i guess? but then they end up redeeming him and he survives longer than both mick (affectionate) and toni (derogatory), like seriously one of the worst Big Bads they’ve ever had.

12. Thoughts on Mary

to be honest, i think bringing her back was kind of a stupid idea in the sense that the ENTIRE SHOW starts because of her death. but i felt like HAVING DONE THAT, trying to deconstruct her image as like this nuclear housewife was compelling and the whole clash of sam and dean who just want their mom versus mary who left her kids as a an infant and a small child and now has these grown men who are older than her needing things she doesn’t know how to give was very interesting. and i wish they’d done more with that. 

16. Any criticisms of their world building/lore

well i think everyone’s said it better than me that they can’t seem to get their stance on monsters straight at all and the show suffers for it. i also hate how like the later seasons especially just blatantly retcon so much. the prime example is the garden of eden in s5 vs s15.... the s5 version was so much more interesting and i hate that they brought it back just to destroy their own lore. the whole concept of the abrahamic god being like the ‘real’ god vs other gods just being minor annoyances didn’t like...make sense or feel good either. i also would’ve loved more exploration of like what the fuck it means to be a vessel and also exploration of other monsters/urban legends. like ok we get it ghosts/demons/vampires/werewolves sure w/e but there’s so much to pull from. it got repetitive and there’s so many other things they could’ve tried. hell the SECOND EPISODE of the show mentions black dogs and we never actually encounter one. or like chimeras... like there’s just plenty to dig into and they just get lazy.

17. What did you like about s15?

15x20 <3 also just...jack....that’s my son! MICHAEL/ADAM IN 15X08!!!! i think there were a couple moments i liked in like...the gambler and last holiday, and i thought belphagor was funny. oh! also sam’s nightmare visions were kinda fun even tho they led back to lucifer :/

18. Thoughts on Lucifer

he was a really excellent and intimidating villain in s5.... and frankly i enjoyed hallucifer as well because sure he was presented comedically but he was a deeply dark presence hanging over sam as a reminder of what he suffered. everything after that...sucked!!! it sucked!!!!! overstayed his welcome, letting him out of the cage again totally nullifies sam’s sacrifice and frankly he lost every smidge of intimidation factor he ever had. he was just annoying and whiny and pointless and sam should’ve killed him <3 fuck that guy.

19. Most uncomfortable moments throughout the show for you?

answered here

20. Define the different eras in a few lines or words (s1-5, s6-7, s8-11, s12-15)

this was meant to be short... and then it wasnt... sorry.

kripke: PEAK SUPERNATURAL. racist AND sexist but like i frankly do not care because the actually storytelling is so GOOD. COHERENT. i long for what could’ve been had the strike not kneecapped s3 and we’d gotten boyking, but hell the arc we DID get... so good. so fulfilling. aesthetics go off the charts. character dynamics so good!!! conflicts are earned!!!! there was a fucking vision here and it was unique and interesting and the show was COMMITTED TO IT. literally iconic television i love her so much. eric kripke needs a therapist but i’m glad he wrote this show instead of going to see one. 

gamble: sera THEE gamble.... overarching storylines kinda weak, but SO FUN! i had fucking fun! soulless sam is a comedian, godstiel was the last time cas was remotely interesting, like!!!! she gave us everything!!!!! gets slandered way too much by this hell fandom like yes the leviathans were stupid but the were FUN and the character moments in s6-s7!!! so good!!!! lots of excellent MOTW eps as well, which... as we know...i love. when the show lost gamble, it lost something great, i’ll die on this hill. i love u #girlboss.

carver: there’s a lot of good here and a lot i despise. dean steadily grows darker throughout the show but there’s like a real VEER into being awful in s9 that the show never recovers from. it makes dean very unlikeable for the rest of its run, mostly by virtue of the show not realizing how unlikeable it’s made dean because it needs him to always be right so the fact that he’s basically turned into john is never like....addressed in any meaningful way. some storylines (MOC!!) dragged on for too long, while others were way too short (TRIALS!!!) but ultimately i think there were some good ideas here and moments i’m fond of. season 11 is Beautiful. i love her so much. there’s some really excellent eps in s11 and the character moments are good.

dabb: i literally hate it here (jack sweetie you are not included in this assessment you’re doing great). it was just stupid. the characterizations of EVERYBODY sucked and fell flat. way too obsessed with pandering to the loudest faction on twitter. took the wreckage of dean that carver left and full destroyed him. like straight up could’ve done something meaningful if they’d bothered to address it at all but they literally didn’t ever make dean be accountable for his actions??? can’t tell u what cas was doing it was so forgettable he obviously had no purpose literally the only scenes i remember were a couple where he’s being cute with jack and that one ep where he and sam go to that old-timey town and sam gets brainwashed. sam like... exists, and his character is intact but it’s only intact because the writers that were left didn’t want to bother giving him anything meaty to do to so the were like *spins wheel* leadership arc that goes nowhere, and he just exists being kind and compassionate and putting up with too much shit. BUT HE HAD REALLY FUCKING EXCELLENT MOMENTS WITH JACK and that alone is why i think it’s worth the slog. sam/jack is my favourite dynamic on the show following sam/dean so...unfortunately based on that.... i can’t just burn the whole dabb era but seriously... way to make every character a hollow, one-dimensional shell.

send me supernatural asks

[wonderfulworldofmichaelford]

Psycho Analysis: The Sanderson Sisters

(WARNING! This analysis contains SPOILERS!)

Ah, Hocus Pocus, everyone’s favorite campy Halloween cult classic. Objectively speaking, the movie is probably no better than a made-for-TV cheesy 90s Disney movie – and funnily enough, this film’s director would go on to make plenty more of those, seeing as he would do the High School Musical movies and The Descendants – as it has all the hokey writing, late 80s/early 90s cliches you’d expect, and some truly boring main characters.

But, thankfully, it has three of the most charismatic women you could imagine camping it up and firmly cementing their status as Halloween icons for all time: The Sanderson sisters, Winifred, Sarah, and Mary. These three are the reason this movie is held so near and dear to people’s hearts, and frankly, without them this movie would just plain suck. With them, it still sucks, but in a fun way, elevating it beyond “so bad it’s good” and into the realm of endearing camp alongside such masterpieces as Venom.

But enough of all this; just like when you’re watching the movie, you’re here for the girls, so let’s talk about them.

Actor: The leader of the bunch is Winifred, and she is played by Bette Midler. Bette Midler has called this her favorite role ever, and seeing how she acts in this, it really shows. A running theme with these three is that they just absolutely ham it up, and Bette Midler goes above and beyond with Winifred – she’s not just a ham, she’s the whole damn hog. In fact, in a lot of ways, she hogs the spotlight, what with her hamminess being so magnetic and the fact that she is clearly the brains of the operation. But that’s not to say the others are bad.

Sarah Jessica Parker plays… Sarah. Funny how that worked out. She is the hot and dumb one, and boy oh boy does she play that role to perfection, though of course she does manage to be creepy and sinister when the scene calls for it – that song of hers has become iconic for a reason.

Finally we come to Mary, played by none other than Peggy Hill herself, Kathy Najimy. Najimy does a great job, she plays her role well, but out of the three I feel like she has the most trouble standing out. Which isn’t to say she’s bad, far from it – she doesn’t have the bombastic personality of Winifred nor the complete ditziness of Sarah.

Here’s the thing, though: if any of these three weren’t here, or weren’t portrayed by these specific actresses, they’d fall apart, the movie would fall apart, game over man, game over! The film only works because these three have such great chemistry, such great interactions, and such great weirdness to them that if even one of them were gone or they just weren’t in synch, things would be a lot less fun.

Motivation/Goals: Like most evil witches in fiction, these three want children, specifically so that they can drain their vitality with a magic potion so that they can be young and powerful forever. This gets them hanged 300 years before the main story starts, and when they come back, they reuse this goal with a bit more urgency: they now need to drain the vitality from children before the sun rises and turns them to dust, as their resurrection is set to only last a single night otherwise. Frankly, the fact that their goal is killing and sucking the life out of children is the only thing that’s keeping the audience from rooting for them, because the actual protagonists of this film are so unremarkable and cliché that it’s pretty hard to want to see them stop the funny and charismatic witches,

Personality: Winifred is clearly the one who got all the brains, which makes sense as she is the leader. She’s a lot quicker on the uptake and realizes things more quickly than her ditzier sisters, as well as a lot more proactive and pragmatic in general. She does the spellcasting, she brews the potions, she just inhabits the role of leader naturally. It helps that of the three she has the most outwardly intimidating presence.

Mary is the middle child, and her personality is somewhere between the two sisters: she’s ditzy, but not to Sarah’s level, and she’s got some common sense and wits, but definitely not on Winifred’s level. This is kind of why I said she has a hard time sticking out personality-wise before, as she’s the epitome of the awkward middle child. However, she does excel at her role as a predatory child tracker, able to sniff out their victims with ease. It’s also implied, but not outright stated, that she’s a much bigger eater than her sisters; she is noticeably chunkier than the others, after all. And considering their diet… it’s definitely not a good idea to undersell that Mary is definitely a wicked witch.

Then we come to Sarah, who is an absolute ditz and the epitome of a dumb blonde… and yet, she is also one of the most dangerous, as she has a sort of siren-like power to draw children to her with her singing. In fact, while she does come off as a ditzy goofball for the most part, her interactions with children paint a rather… uncomfortable picture, one that reveals her true nature.

I think it’s worth noting that despite how ditzy both Mary and Sarah are, both of them also have the common sense to point out to Winifred that, when Sarah has called numerous children to their house, they really don’t need to bother with the protagonists anymore. In this moment, Winifred decides to reject common sense and go after them because one of the heroes called her ugly. It sort of highlights just how petty and irrational Winifred can be, and how despite her disdain for her sisters, she’s really not so different from them in the end. It’s also worth noting that Mary and Sarah, while clearly evil due to their association with Winifred, are actually pretty nice and mostly harmless otherwise, to the point where you could make a case that without Winifred around, they’d probably not be villains at all.

But if that were the case, we wouldn’t have a movie, and then we wouldn’t be here, huh?

Final Fate: Of course these three fail to suck out any vitality by sunrise, with Winifred’s stupid little vendetta damning her and her sisters. The rays of the sun turn Winifred to a statue and cause Sarah and Mary to explode, with Mary even getting a moment to wave goodbye in resigned sadness as she bursts into a dust cloud. After her sisters are gone, Winifred’s statue explodes spectacularly.

Best Scene: I don’t think there’s really anything that comes close to the sister’s spellbinding performance of “I Put a Spell On You,” at least in regards to all three of them together. I mean, if you get a singer like Bette Midler to star as a villain in your movie, why would you not have her sing? Only a complete hack who doesn’t know how to properly utilize actors would waste a singer in a role where they don’t sing.

The thing is, these three are together all the time, so there’s not much room for individual moments for them to shine otherwise… or there wouldn’t be, if they didn’t showcase Sarah’s absolutely terrifying power, leading her number “Come Little Children” to being her standout moment, and the moment that really drives home the incredibly uncomfortable undertones she exudes.

Best Quote: I think Winifred gets the best quote in the whole movie, which occurs when her zombified ex Billy Butcherson (played by Doug Jones, who you may remember for his critically acclaimed role as Mac Tonight in the McDonald’s ads). Billy tells her to go to hell, and she retorts with: “Oh! I've been there, thank you. I found it quite lovely.”

Sarah, of course, has her villain song: “Come little children, I'll take thee away / Into a land of enchantment / Come little children, the times come to play / Here in my garden of magic.”

And, unfortunately, in this regard I think Mary gets the shaft. Despite her definitely being funny and entertaining, she just doesn’t have the same level of standout quotes as her sisters.

Final Thoughts & Score: So as I was writing this, I was thinking of what their score could possibly be. I thought I’d probably have to lower their score, because aside from them, this movie is just corny early 90s cheese… but then I thought, what’s wrong with that? And why should these three suffer a lower score due to the rest of the movie’s failings? That isn’t their fault. Hell, these three are the reason to watch the movie. If anything, the movie’s failings are drowned out by just how charismatic and enjoyable they are to watch.

Much like their fellow child-hating hag the Grand High Witch, the Sanderson sisters are blessed with fun, funny, charismatic actors who aren’t afraid to ham things up and know just what kind of move they’re in and absolutely revel in it. They saw they were playing three stereotypical fairy tale witches and decided to have a blast with it, and in doing so they managed to transform an otherwise corny Disney film into the Halloween legend that this film is. I wouldn’t say these three are particularly deep or complex, but they have a very fun dynamic and add a lot of spice to an otherwise bland plot. Between them and Doug Jones, they give you a lot of reasons to come back and watch this film over and over.

Obviously, these three are getting a 9/10, only held back from a perfect score because yes, sometimes the camp can be a bit much, even for me. But I’m just not heterosexual enough to give these three ladies anything lower. I still have to unfortunately say Mary is the weak link here, but it’s only comparatively speaking, and I’d probably bump these three down to a 7 if she wasn’t here. I really can’t stress enough that there dynamic is so utterly important that even one of them not being there would spoil things. They just don’t make evil trios like this anymore.

[womenofcolor15]

It's Been Long Overdue, But Missy Elliott Is FINALLY Getting Her Props & We Stan!

MTV is giving Missy Elliott her flowers while she's still here. So, we're strolling down memory lane to celebrate her most iconic videos. Also, the network is setting up a pop up interactive museum ahead of her receiving the Michael Jackson MTV Video Vanguard Award at this year's VMA's. More inside...

Earlier this week, MTV announced that the musical legend will receive their prestigious Michael Jackson Video Vanguard Award at the Video Music Awards on August 26th.

  I am Humbly Grateful to be receiving the MichaelJacksonVideoVanguard Award I Thank my FANS “Supafriends” who fought diligently to see this day come @KidFury @crissles who rooted for years 4 me I am crying happy tears Thank you God @MTV @vmas am SO HUMBLED pic.twitter.com/udfhBNc78k

— Missy Elliott (@MissyElliott) August 12, 2019

  There will also be performances by ASAP Ferg, Big Sean, H.E.R., Lizzo, Lil Nas X, Megan Thee Stallion, and Normani.

This honor is long overdue, but to celebrate before the big night, we recapped some of Missy’s best music video moments.

"The Rain (Supa Dupa Fly)" - We’re sure that when you think of Missy, this is the first video that comes to mind. One of the most impactful, legendary and innovative music videos ever, Missy showed us right away that she was on another planet creatively and that the rest of us peasants should not try and keep up. From the iconic black, oversized jumpsuit, to the cameos from everyone from Puff to Lil Kim to Total, everything about this video is pure perfection.

"Get Ur Freak On" - Holllla! This is exactly what folks around the world did when Missy dropped this video. In the early 2000’s at a time where music started to transition, Missy continued to stand out. In this video, she gave us swamp realness with futuristic looks and choreography. Fun fact: This video was filmed in an old bakery in Glendale, California.

"Sock it To Me" - While many of us were too young to be listening to the lyrics of this song, the video nonetheless was nothing short than amazing. Directed by Hype Williams, we find Missy, Lil Kim and Da Brat all dressed up as space invaders on a remote planet. “Sock It To Me” displayed Missy’s creativity and innovation once again. Ugh, her mind.

"Pass that Dutch" - We all recognize Missy as a magnificent writer, producer, and rapper but let’s not forget our good sis dances down! In “Pass That Dutch," Missy quickly reminded us that she can hang with the best of them in the dance category.

"Beep Me 911" - Only the real ones knows about this one! Missy takes us into her version of Barbie world filled with beautiful black women (dolls), while singing and trying to get answers from her dirtball boyfriend. Even Timbaland and Magoo (youngins, go Google Magoo) joined in on the fun as Ken dolls. This one can be marked as one of the underrated, yet very significant moments for Missy.

"Lose Control" - Missy nabbed hype man Fat Man Scoop and fellow dancing diva Ciara for this classic. If you were a part of dance group, you had a routine to Lose Control.

"Work It" - Show us someone who’s never attempted the choreo from this video and we’ll show you a liar. In a visual ode to old school hip hop, Missy and her bad a** break dancing buddies did what needed to be done. Missy is so good at what she does, that many didn’t realize “Work It” is really about sexy time with bae, because everyone was focused on how amazing the video was.

"She’s A B*tch" - Another Missy and Hype Williams collab, “She’s A B*tch” let the world know Missy was not for play play! This video was more than great choreo and Missy wearing a bald cap.  This was a statement to the industry (and the world) that women can stand in solidarity and that we can lead and are not confined by society’s standards. In 2017, Missy brought back her iconic look at the VH1 Hip Hop Honors: The 90’s Game Changers Awards. We stan a feminist icon.

"WTF (Where They From)" - Released in 2015, Missy had to remind us that she’s still twenty years ahead of whatever else your faves are doing. “WTF” highlights a mashup of Japanese pop culture and hip hop. There’s a cameo from Beyonce dancers, Les Twins, and we even see marionette versions of Missy and Pharrell Williams.

"Not Tonight (Ladies Night)" - Back when unity in female rap was a thing, Missy along with Lil Kim, Left Eye, Angie Martinez and Da Brat gave the world a feel good anthem that ladies all over the world could relate to. With cameos from SWV, Queen Latifah and Mary J.Blige this star studded video is a fan fave. While the song is technically Kim’s track, Missy on the hook was like your favorite ice cream on a summer’s day.

Musical genius indeed.

By the way, MTV is celebrating all things Missy Elliott!  Following news that the multi-talented icon would be receiving the Michael Jackson MTV Video Vanguard Award at this year's VMAs, MTV will be hosting an interactive pop-up museum.

MTV has teamed up with Pepsi for an interactive social media experience which will highlight all of the genius work Missy has contributed to the music industry over the years. It'll also spotlight several of the creative visionaries that worked with her behind-the-scenes to create some of her most legendary music videos, including costume designer June Ambrose, directors Hype Williams & Dave Myers, choreographer HitHat and more.

Fans will get to turn up inside the Supa Dupa Fly Lounge, a nail bar and a host of original "photo activations" that will bring to life several of Elliott’s most memorable videos like "The Rain," "Gossip Folks," "Lose Control" and more.

  The Museum of @MissyElliott is opening this weekend in NYC. #MuseumOfMissy #MissyElliott

RSVP here: https://t.co/Cpo9OfesFt pic.twitter.com/7e4E1k4wUA

— Monica.dev (@waterproofheart) August 21, 2019

  The museum experience will take place at 632 Broadway in New York City on Saturday, August 24th (11am - 7pm) and Sunday, August 25th (11am - 6pm). However, the tickets are already sold out!

We can’t wait to see Missy accept her award at the VMA’s. She is an innovator in every sense of the word and while this honor took long enough, we’re happy Ms. Elliott is finally receiving her things!

  Photo: Getty Images

[Read More ...] source http://theybf.com/2019/08/22/its-about-time-missy-elliott-to-recieve-michael-jackson-vanguard-award-at-mtv-vmas