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hephaestuscrew · 2 years ago

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"Minkowski's been talking about Sondheim again…": Minkowski's love of musical theatre and what it reveals about her characterisation and her relationships

TL;DR: Renée Minkowski's love of musicals, while it might seem just like a mundane character detail, is used to give depth to her character because it contrasts with expectations of her from both the listening audience and the other characters. Her willingness or unwillingness to share this interest in different circumstances reveals her relationships with other characters at various points. Since this is a long one, if you'd rather read it as a document, you can view it here: Google Doc version.

"She actually really cares about these talent shows": Episode 8 (Box 953)

In the early episodes of Season 1, Minkowski is presented (largely through Eiffel's unreliable perspective) purely as a strict no-nonsense authority figure without much emotional depth, the kind of person who only likes things that are useful, purposeful, or mandated by Command. In contrast, musical theatre is a creative pursuit that has nothing to do with the mission of the Hephaestus and is viewed by many people as fairly frivolous or silly. The gradual exploration of Minkowski's passion for musicals is one of the many ways that the show expands and challenges our understanding of her as a character.

The first indication that we get of her interest in musicals is through her entry into the infamous talent show, something that is required as part of the mission. Minkowski really cares about 'crew morale' activities in general, even when they actually have a negative effect on morale and even before she's friends with any of her crew (for example, the Christmas and Thanksgiving dinners in the earlier stage of the mission), perhaps partly because doing things in the "right way" is important to her.

But Eiffel senses that the talent shows aren't just about rules for her: "it’s bad enough when she makes us do something just because it’s military protocol, but I think that she actually really cares about these talent shows". This might be the first indication that we get of Minkowski caring deeply about anything that isn't inherently part of her role as a Commander. Moments like this are part of the gradual process of giving us insight into her character beyond the Commander archetype that she tries to embody. And yet, she only indulges her theatrical passion because something mandatory gives her permission, or an excuse, to let another part of herself out.

Of course, to satisfy the needs of a talent show, she'd only need to provide a performance of a few minutes. But Eiffel mentions "the second act of the play" - which along with Hera's comment that "Isabel isn't the biggest role in the play" - implies that Minkowski was intending to put on the whole of Pirates of Penzance as her talent show act, rather than a few of the songs or some kind of medley. (I suppose that Eiffel could be exaggerating or Minkowski might have been planning to do extracts from different parts of the play, but I prefer the interpretation in which Minkowski gets to be more ridiculous.)

Even though no one else would be willing to be in her production of Pirates of Penzance, Minkowski casts Hera as Isabel, a role with two lines and no solo singing. I found some audition notes for this play which said "The traditional staging gives [Isabel] more prominence than the solo opportunities of the part suggest, so she must be a good actress" which does make me sad in relation to Hera's inability to have a more significant role by being physically present on stage.

It’s sweet that Hera still wants to take part though. She tells Eiffel "Pirates of Penzance is a classic of 19th century comic opera", so either she’s absorbed what Minkowski has told her about the show, or she’s done her own research and formed her own opinions. I enjoy the fact that Hera is the one Hephaestus crew member who shows potential to share Minkowski's musical theatre appreciation; I like to think that this is something they could explore together post-canon.

Anyway, I'm obsessed with the idea that Minkowski was planning to play every character except one in Pirates of Penzance, a show which is designed to have 10 principal characters and a chorus of 14 men. It seems that her contribution to the talent show was supposed to be an entire two-hour two-act musical, with costumes and props, in which she would play almost all of the parts. This is very funny to me as the perhaps predictable consequence of giving an ambitious and frustrated grown-up theatre kid a position of authority and asking them to arrange a talent show. Minkowski knows that the audience will be made up of her subordinates who are theoretically obliged by the chain of command to watch and listen, so she absolutely tries to make the most of that opportunity. There's probably also a degree to which she limits other people's involvement in her musical because - as with her other endeavors - she wants the outcome to be almost entirely within her control (something that is usually pretty much impossible in as collaborative a medium as musical theatre).

Of course, Minkowski's behaviour in most of the talent show episode is affected by her being drugged by Hilbert. This creates an exaggerated situation which is the first real opportunity for Minkowski to be something other than the strict sensible authoritarian Commander and the foil to Eiffel's jokey laid-back attitude. I don't agree with ideas that being intoxicated brings out anyone's true self (especially in the absence of consent for the intoxication), but it seems pretty clear that being under the influence of whatever was in Hilbert's concoction caused Minkowski to fully commit to a level of manic enthusiasm for her musical production that might have otherwise been obscured by her professionalism. It's a particular kind of person who belts showtunes when drunk, and Minkowski is that kind of person, even if that's not how she wants to present herself. (As a sidenote, I seem to remember that they took Emma Sherr-Ziarko's script off her to help her sound more drunk. It's an excellent performance.)

Minkowski wants interval ice cream. She wants "pirate costumes" (and she'll threaten to shoot a man to get them). She wants "swashes and buckles". She wants whatever props she can get her hands on (including a real cannon). This show is important to her, even though only three other people will witness it and two of them actively don't want to be there. It’s important to her for its own sake.

Eiffel says Minkowski wants "a second pair of eyes to tell her if the prop sabre for her Major-General costume was a bit much…" While I certainly wouldn't put it past Goddard Futuristics to have a prop sabre on the station for no apparent reason, it feels more likely that she might have made it or adapted some existing item. Which suggests that maybe she was that passionate about the props even before Hilbert drugged her.

Even so, it does feel significant that Minkowski's love of musicals is only revealed in the episode in which she is drugged, exhibiting lowered inhibitions, exaggerated behaviour, and an "impaired euphoric effect". Her love of musical theatre is initially revealed through a professional structure that provides permission, and then further emphasised by a forced intoxication that exaggerates some impulses that perhaps she already had.

"Some hobbies other than making trains run on time": Episode 17 (Bach to the Future)

After Eiffel tells to find Minkowski to find something else to do while her work duties have quietened down, they have the following exchange:

EIFFEL: You must have some hobbies other than making trains run on time. Something to do with friends? Boyfriends? MINKOWSKI: Of course I do, but, well, there aren't really a lot of opportunities for rock climbing or trail hiking in the immediate vicinity.

Even though this quote doesn't mention musicals, I've included it here for two reasons. Firstly, it's very funny to me that, even after the talent show debacle, Eiffel acts like he's never had any evidence of Minkowski's hobbies. She tried to perform a whole play almost single-handedly and it didn't occur to him that this might indicate an interest of hers outside of work. I think this reflects the fairly two-dimensional view that Eiffel has previously had of Minkowski, which her interest in musical theatre didn't fit into.

Secondly, it feels notable that Minkowski doesn't mention musical theatre here. She wants to show that she has non-work interests, but without undermining her own authoritative image. Her interest in rock climbing and trail hiking - while it may be genuine - fits with how she wants to be seen as a Commander. These are hobbies which portray her as physically capable, with a high degree of stamina and a willingness to adapt to perhaps less hospitable surroundings. Of course, Minkowski does have these traits and they serve her well on the Hephaestus. But there's not really anything particularly surprising about her expressing these interests. The surprise in this scene comes from the reveal that she has a husband, a character detail which - like her love of musicals - isn't something we'd necessarily expect from the archetype-based view of her we are initially presented with.

Her interest in rock climbing and trail hiking never come up again, because these details don't really deepen her characterisation (or at least, they aren't really used to deepen her characterisation beyond proving that she isn't entirely all-work-and-no-play). In contrast, Minkowski's love of musicals is brought up over and over because it shows another side of her that she struggles to reveal on the Hephaestus, and that allows more interesting things to be done with her characterisation.

"You wanted to write showtunes": Episode 35 (Need to Know)

Alongside the more high stakes discoveries prompted by the leak from Kepler's files, we also learn that Minkowski applied to - and was rejected from - the Tisch Graduate Musical Theater Writing Program.

Up until this point, we've only had evidence that Minkowski enjoys performing in musicals. But here we learn that Minkowski doesn't just love watching or performing in musicals - she wanted to write them too. This suggests a creative side to her that we never see her fully express.

The course

The Tisch Graduate Musical Theatre Writing Program claims to be the only course of its kind in the world and it accepts just 30 students each year. The current application process requires applicants to: upload play scripts or recordings of songs they've written; answer a large number of extended response questions about their creative process and views on musical theatre; write a 'statement of purpose' which has to talk about why they are applying and include 3 original ideas for musicals; provide a professional resume and a digital portfolio; complete an exercise of writing in response to a prompt; and undergo an interview. The process might have changed somewhat since Minkowski would have been applying (which, if it was soon after she finished college, might have been around the early 2000s) or it might be different in Wolf 359's alternate universe, but I think we can safely assume that applying to this course was a serious undertaking that required an intense amount of commitment and work.

Applying to a course like that isn't something you do half-heartedly or on a whim. You couldn't apply to this course if you hadn't done a fair amount of musical theatre writing already. (The course requires applicants to choose to apply as bookwriters, lyricists, or composers, but I'm not going to make a guess here as to which of these Minkowski went for.) The fact that Minkowski wanted to study this course suggests that she was seriously considering trying to make a career out of musical theatre writing. In Once In A Lifetime, she tells Cutter that commanding a space station has always been her dream job, but we've got evidence here that it wasn't her only dream job. There's something kind of funny and kind of sad about the idea that writing musicals was her back-up / fall-back career path. She does not like to make life easy for herself.

The revelation

This information is revealed against Minkowski's will. It's not something she wanted people to find out, and she isn't happy about them knowing:

JACOBI: "Dear Renée, thank you for your interest in the Tisch Graduate Musical Theater Writing Program..." MINKOWSKI: Oh, come on! JACOBI: (pressing on) "We are sorry to say, we will not be able to offer you a spot in this year's blah blah blah." Oh this is too good. You wanted to write showtunes? MINKOWSKI: Number one? Shut up. Number two, why are my personal records on there?! [...] How is it in any way relevant?! JACOBI: Oh, I think it's very relevant. I mean, if you're sending someone to pilot ships in deep space, you want to make sure that they can, you know... paint with all the colors of the wind. Jacobi CRACKS UP - and, although to a lesser degree, so does Lovelace. Minkowski looks at her: really? LOVELACE: Sorry, Minkowski. It's... it's a little funny. MINKOWKSI: No, it isn't!

Minkowski seems defensive and embarrassed here. She obviously doesn't trust everyone there with this revelation (Jacobi, Maxwell, Lovelace, and Hera are all present). She considers this information to be "personal" and irrelevant and not even "a little funny". She's used to reactions like Jacobi's (and to a lesser extent Lovelace's); in Ep41 Memoria, she says "most people think it's hilarious that I like musicals" (see below for more thoughts about this quote). But the fact that these mocking reactions are expected doesn't mean that they don't bother her. She wants so badly to be taken seriously and, in this scene, her interest in musical theatre seems to be incompatible with that. Jacobi reacts the way that he does because of the idea that I've already expressed, that a passion for musical theatre does not fit with the serious authoritative image that Minkowski has often presented. It's not the typical hobby of a soldier, especially not a Commander.

To me, the way Lovelace laughs suggests that she might not have previously known about Minkowski's love of musicals, or at least perhaps not the full extent of it. At any rate, it's definitely news to Jacobi. And Minkowski clearly hasn't talked about it enough for it not to feel like a big reveal for her.

The rejection

It's notable that this reveal is not just that she wanted to write for the stage, but also that she failed to get into a course that might have helped her work towards that goal. This of course compounds Minkowski's discomfort at having this information revealed. Not only did she want to write showtunes, but she encountered rejection in her attempts to do so. This detail implies that perhaps it wasn't just the appeal of her spacefaring dream that stopped her going down a theatrical career path.

I'm about to move more into headcanon territory rather than just straightforward analysis, but I personally believe that, while Minkowski auditioned for a lot of musicals (particularly as a child / young person), she was never cast as the main role. She seems embarrassed about her interest in musical theatre in a way that (at least judging by people I've encountered) people who were always the lead in their school / college productions don't tend to be.

We don't have much evidence about her actual level of singing/acting ability, given that she is inebriated during the only time we hear her sing in the podcast. However, it resonates with other aspects of her characterisation to imagine that Minkowski was generally good enough to get an ensemble part but never quite good enough to be cast as a main part. I think she might see only ever being cast as part of the ensemble, and failing to get into the Tisch Musical Theatre Writing programme, as slightly more down-to-earth examples of the same pattern as her repeated rejections from NASA. She is desperate to prove herself. She is "someone who very much wants to matter. To do something important." When she casts herself as almost every part in Pirates of Penzance, she is finally taking the opportunity to be a main character, an opportunity which I imagine had been denied to her over and over in both a literal and metaphorical sense.

"It's just from a play I saw once": Episode 41 (Memoria)

The next scene I want to talk about is from a memory of Hera's, which took place on Day 57 of the Hephaestus mission and in which Minkowski appears to be talking about the Stephen Sondheim musical Sunday in the Park with George:

MINKOWSKI: Oh, it's just from a play I saw once. It doesn't matter. (BEAT) The guy who sings it is this famous French painter. And his entire life is kinda falling apart. But he can always turn what's happening around him into these beautiful paintings. HERA: And? MINKOWSKI: And... That's, I don't know. Reassuring, maybe? (BEAT) I don't know why I'm going on about this. You don't care. HERA: I think it's interesting. MINKOWSKI: Yeah? Most people think it's hilarious that I like musicals. HERA: I don't see what's funny about it. MINKOWSKI: Well, thank you Hera, but you're not exactly... you know. HERA: I'm not... what?

There's a couple of different things I want to pick out from this exchange. Firstly, the line "Most people think it's hilarious that I like musicals" makes me sad. I don't think she's talking about people on the Hephaestus there. Judging by the quote I talked about from Bach to the Future, Eiffel definitely wouldn't have registered Minkowski's love of musicals at this stage, and I doubt Hilbert cares at all about the hobbies of his fellow crew members. So Minkowski is talking about experiences that she's had on Earth, of people mocking her interest in musicals and thinking it doesn't fit with who she is. You can hear the impact of those experiences in Minkowski's reluctance to elaborate, in the way she says that something she obviously cares about doesn't matter, in her assumption that Hera doesn't care.

Secondly, this scene is a complicated one for Minkowski and Hera's relationship. On the one hand, Minkowski freely talks to Hera about something she's passionate about, and Hera listens and expresses interest. Hera validates Minkowski's interest in musical theatre without making a thing of it being weird and Minkowski thanks her. Again, it’s shown as an interest they could could potentially share.

But on the other hand, it seems like part of the reason Minkowski feels able to open up to Hera is because at this point Minkowski doesn't see opening up to Hera as fully equivalent to opening up to a fellow human. She doesn't just accept Hera not making fun of her interest; instead it seems Minkowski is about to imply that this lack of judgment indicates Hera's difference from humans (although she does have the decency not to say it outright). Minkowski's expectation of judgment from others contributes to her saying something very hurtful to Hera here. (This kind of potential consequence of negative self-attitude is explored a lot with Eiffel, so it's interesting that Minkowski can sometimes have a similar issue.)

Minkowski and Hera's conversation is interrupted when:

The DOOR OPENS. EIFFEL: Hey, Minkowski, we've - What are you guys talking about? MINKOWSKI: We were just discussing how I'm going to take away your hot water privileges if you don't reset the long-range scan.

Eiffel can obviously tell that he's walked in on a conversation that is about something other than work, or he wouldn't have asked. But Minkowski actively chooses not to tell him that she was talking to Hera about musicals. Perhaps she doesn't know how to open up to a human subordinate about it. Perhaps she doesn't trust him not to make fun of her. Perhaps she just doesn't have any impulse to talk about her interests with him. Either way, if Minkowski's love of musicals is something which reflects a side of her personality outside of her Commander role, this is a moment where she chooses not to take an opportunity to share that side of herself with Eiffel. This reflects the emotional distance between them three months into the mission, which forms a nice contrast with the next couple of quotes I'm going to talk about.

"Composition. Balance. Harmony.": Episode 54 (The Watchtower)

When Eiffel comes directly face to face with alien life, he discovers that music is the human invention that fascinates the Dear Listeners:

EIFFEL: You haven't figured out music? BOB: ORDER. DESIGN. TENSION. COMPOSITION. BALANCE. HARMONY. EIFFEL: (low, to himself) Minkowski's been talking about Sondheim again…

I only learned in the course of writing this post that in this moment the Dear Listeners are almost exactly quoting a repeated phrase used throughout Sunday in the Park with George. The titular protagonist lists various combinations of these qualities in multiple songs in reference to his art. In the closing song, the lyrics are "Order. Design. Tension. Composition. Balance. Light. [...] Harmony." It's not only Eiffel's references that the Dear Listeners are incorporating into their speech - they've picked this one up from Minkowski. This also suggests that some element of her appreciation for musicals and the way she talks about them has fed into the Dear Listeners' understanding of the human phenomenon of music. The Dear Listeners aren't just parroting - they understood the quote enough that they left out the word "light", arguably the only quality in that phrase which isn't a big part of music as well as visual art. Eiffel likes music too, but I don't think that this is how he'd talk about his favourite songs.

This is a refrain about finding order and beauty out of the chaos and uncertainty of life, which was also the aspect of Sunday in the Park with George that Minkowski focused on when talking about it in Memoria. It suggests that art/music could be something governed by rules and principles, which is potentially something that appeals both to Minkowski and to the Dear Listeners.

Eiffel's response to this reference is one of those little hints that reminds us that Eiffel and Minkowski have spent a lot of time together and that not all of that time has involved them being at each others' throats or actively in a life-or-death situation. Some of it has just been Minkowski going on about a musical she loves and Eiffel (willingly or not) paying enough attention that he recognises this phrase as a Sondheim quote that Minkowski has talked about. I suppose that this quote might have been in Eiffel's pop-culture-brain anyway, but judging from Eiffel's general tastes and the fact that I don't think Sunday in the Park with George is one of the more commonly known Sondheim musicals among non-musical fans, it seems more likely that this quote is something he only knows because Minkowski has talked about it.

Eiffel sounds exasperated at the mention, like he's heard Minkowski talk about Sondheim far too much. But I'd argue that this still says something positive about their relationship, when we contrast it with a couple of other moments I've already mentioned. Firstly, when her previous musical theatre ambitions are revealed to Jacobi, Maxwell, and Lovelace in Need to Know, Minkowski seems embarrassed and defensive. Secondly, in the memory from Memoria, she avoids telling Eiffel that she was talking about this same musical. Yet, by the time The Watchtower takes place, Eiffel is sick of hearing Minkowski talk about Sondheim. She doesn't have the same barriers up in sharing her interests with him, even though he doesn't have the same interests. I think this is a demonstration of how comfortable she feels with him. It's a hint at the kind of easy downtime that they've sometimes shared.

"One day more": Episode 61 (Brave New World)

Eiffel recognises another musical reference of Minkowski’s in the finale. As the crew are preparing for their final confrontation with Cutter and co., Minkowski quotes Les Misérables, mostly to herself - but Eiffel recognises the lyrics and joins in:

EIFFEL: Hey - chin up, soldier. We're almost through. Just one more day, and then we're done. MINKOWSKI: Yeah, one more day. (more to herself) The time is now, the place is here - one day more. EIFFEL: - one day more. They both stop, dead in their tracks. MINKOWSKI: Did you just - ? EIFFEL: Was that what I - ? They look at each other: No way. And BURST INTO LAUGHTER. EIFFEL: Man... this is really it, huh? The end of everything.

It feels really important that Minkowski and Eiffel share this moment of togetherness before she tries to send him back to Earth and before the rest of the action goes down. I think there’s some nice symbolism about them finding a way to communicate that they both understand. Making references is Eiffel's thing, and musicals are Minkowski's thing, so this is a synthesis of their two approaches. Again, there's a contrast with Minkowski's previous unwillingness to share her musical theatre passions with Eiffel (at least without the mitigating circumstances of a mandatory talent show and some kind of intoxicating substance).

I talked about the significance of the fact that they reference this particular musical in this post from ages ago. I don't think it's too much of a spoiler for Les Misérables to say that the revolution that the song One Day More is building up to does not end well for the revolutionaries. When Eiffel says "Just one more day, and then we're done", it encompasses both the possibility that the crew will escape to travel back to Earth and the possibility that they will all die. Minkowski's reference to a famously tragic musical suggests that it's the latter possibility that's at the forefront of her mind (right before she tries to send Eiffel away from the danger). But Les Misérables is also a story about people standing together in solidarity against powerful oppressive forces, which gives particular resonance to the way that this reference brings Eiffel and Minkowski together in a moment of being completely on the same wavelength as they prepare to fight Cutter and Pryce's plan.

When they laugh here, it's not about the 'hilariousness' of Minkowski's interest in musicals, it's about their unexpected unison - Eiffel's recognition of Minkowski's reference and Minkowski's surprise at the fact he joined in. It's a laugh of togetherness, of shared understanding, of friendship. It's a moment of lightness in dark times. And that moment is provided by Minkowski's pop culture interests, not Eiffel's. In spite of all they've been through, she's not lost that part of herself, and in fact, she's more open about it, at least to Eiffel.

I'll finish by highlighting what Eiffel says when he's trying to get into character to impersonate Minkowski so he can turn the Sol around:

EIFFEL: Umm... yes, this is Lieutenant Commander Renée Minkowski. I'm... uh... well I sure love schedules, and, uh, musicals. And that man, who I married…

I just think this is a nice example of Eiffel not defining Minkowski solely by her professional Commander role. Sure, she likes schedules (probably in a personal as well a professional capacity to be fair), but she also loves musicals, and her husband. It is a fairly reductive overview of her as a person, but it feels reductive in a fond way, like these things are part of Minkowski's brand to Eiffel in a way that he might affectionately tease her about. (Credit to @commsroom for this thought.) His view of Minkowski has come a long way from "our resident Statsi agent" or even just "you must have some hobbies other than making trains run on time." He doesn't see any contradiction or inherent humour in Lieutenant Commander Renée Minkowski's appreciation of musicals.

Conclusion

Minkowski's love of musical theatre is used to deepen her characterisation and is one of the ways in which we gradually begin to see her complexity beyond the strict Commander archetype. The degree to which she is prepared to share this interest at various points is used to illustrate the nature of her relationships with other characters: a general unwillingness to show a less serious side of herself; a complicated potential shared interest with Hera; and the growing understanding between her and Eiffel.

If you read this whole thing, well done / thank you 😄 It wasn't meant to be this long - it just happened… Feel free to share your thoughts!

#It's Minkowski Essay Time again!#This is over 4700 words and still doesn't cover it all...#I hadn't quite realised there was so much to say!#Wolf 359 #w359 #If anyone is more familiar with 'Sunday in the Park with George' and has thoughts on why it might particularly appeal to Minkowski #I'd be interested to hear #I listened to the soundtrack and read the Wikipedia plot summary #but I don't think I really got it #My other significant bit of research was that #in order to see what applying to the Tisch Graduate Musical Theatre Writing Program involves #I had to create an account as if I was actually applying #which might be the oddest thing I've done for character analysis #If it interests anyone I could do a post with more detail about that application process #cos it looks insanely intense #Renée Minkowski #Renee Minkowski #the empty man posteth #I hope no one takes things I have said here as critical of musical theatre people btw #I'm just talking about general perceptions #In general I do enjoy musicals myself from an audience perspective

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otterlyfoolish · 1 year ago

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Eat Crow

(Zombieman x GN!Reader)

Warnings: Mentioned Human Experimentation, Animal Death, Abandonment, Implied Child Abuse/Neglect, Swearing, Blood & gore (come on this is ZM), self-harm (ZM does some reckless things), there's probably other things in here that I can't think of right now so if you're particularly sensitive maybe you should just avoid this,

Tags: Pining, borderline romance, strangers to friends, maybe lovers (in the future), Reader is starved for any kind of companionship, Unstoppable force & Immovable object, oneshot, angst, comfort (very barely), open-ended ending, so much build-up for a fucking oneshot, not edited so sorry

Word count: 11k

Summary:

Zombieman had what he thought was a simple case: "Find the source of the toxins in the assigned area."

One of his specialities is investigating contaminated or toxic areas - places that only robots or cyborgs could reach, areas where organic matter struggled to make it out alive. Other heroes would be dispatched to a monster infestation, and he would be sent to the local ghost town. This was fine to him - he would describe himself as more of an investigator than a hero anyways. So, in one way, this task was like no other.

In another way, he's never seen a case as peculiar as this. A product of human experimentation, just like him. He's never really had a case like this before. Curiously, they didn't seem to want to admit it. He can't blame them for their decision either - especially not after he found out some reasons why. And it's not like he could have found out the normal way - after all, what's considered poisonous to a dead man?

So, he couldn't quite complete his investigation - at that point, he couldn't really confirm or deny his suspicions. That is until he saw their touch wilt a crow's life within seconds.

...Well, the crow is already dead. You just have to eat it now.

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Ao3 Link here, if you prefer reading there!

A/N: I'm mostly writing this to ward off my impulses for the other idea I have for ZM - I can't start another multi chapter fic on him when I've not even finished the other one I'm writing right now... (TBH if I just dedicated my time writing this into that, I might have been able to finish it... Uhhh I just won't think about that)

I've kept this on the drafts so long, but now I've finally vomited it out (I ran it through a spell checker, not even edited) - I hope that it's coherent because I struggle editing so much, and I don't know if I have it in me to make it more articulate than it is... Uhhh story isn't fluid sorry (>>_>>)

But if I used the wrong pronouns for the Reader (anything that's not they/them) please feel free to point it out since it is supposed to be Gender-Neutral!

---

"QUARANTINED AREA AHEAD"

"TOXIC WASTE NEARBY"

"LEAVE NOW"

The danger signs were littered everywhere.

From the very moment he even came near the location - even miles away, he was warned not to approach. As he got closer, the signs and fences only increased in frequency. Just a few caution signs at first, illustrated by the humble exclamation mark. Then the potentially comedic skull and bones - pirates would be overjoyed at the sight of so many of them. And finally the unnerving biohazard symbol appears. He's never liked the look of it - maybe because he doesn't understand what it was actually supposed to be, or maybe it reminded him too much of Dr. Genus' lab - the same symbols were also hung up everywhere, the scientist liked to be organised after all.

The final hurdle was in sight now - a chain-linked fence with barbed wires that had rust collecting on the bright red sign that hung brazenly on the door.

"DANGER: YOUR LIFE IS AT RISK FROM THIS POINT FORWARD"

He nodded at the final warning as if letting the inanimate object know that he acknowledges the danger, then swung his axe against the metal lock, easily snapping it in half. Time must have also wore the lock down, helping the process of decay because it behaved far too flimsy.

If most people showed me as much concern as these signs did, then I would be out of a job.

He pushes on the door, the hinges on the door creak loudly as if it was doing a drum roll for his demise. As he walks through, he's careful to shut the door behind him and lock it with another one - the one he brought in preparation for this. As he does so, he notices that the key for it must have fallen out on the way over. It was his fault for not repairing the hole in his pocket after tearing it from his last brawl.

No way out now I guess...

He takes the cigarette out of his mouth and rubs the cherry on the back of his hand before he drops it on the floor, crushing it with his black boots. Just as quickly as the cigarette left his mouth, another replaces it, the lighter coming up as if joined together with the cigarette. The nicotine was too addicting, he didn't mind the lethal poison that accompanied the chemical potentially affecting his body.

He's been critiqued on his bad habits by a fellow hero before, the smoke was just flat out unhealthy to have near people, so he should stop.

(He puts it nicer than what was actually said - Tatsumaki had gathered the all of the smoke in the room with her powers and stuffed it back into his lungs, hissing out hostile remarks as she did so. The product of a particularly bad day. Apparently she couldn't find any monsters to kill, and that caused her foul mood. It doesn't help that he was probably the closest thing to a monster she found that day.)

Even so, Zombieman couldn't disagree with the comments made, and though he never stopped smoking, the thought always flashed in his mind for the briefest of moments.

But this time he lit it without any guilt of others. This was a completely isolated area, where the air was already considered toxic to all organic matter. What's the harm of adding a little bit more poison in the air?

He dragged a large cloud of smoke out from his lips as he exhaled, almost like a sigh of relief from the long journey. Almost drearily, his eyes followed the grey mist drift through the air before it quickly dissipated into the atmosphere, the very last remnants of it lingered in one spot before fully turning transparent. His red pupils slowly fixated on that spot as he spotted the building he was headed towards.

...Break over. Back to work.

His arm slung the axe over his shoulder, resting the weight of the metal head in the crook of his neck as he continued his descent to his destination. He walked with calm confidence, not fitting of a man that's entering a toxic waste zone, but that suited him.

The thrill of an investigation was too addicting, he didn't mind about the dangers that had been constantly waved in his direction.

Perhaps the danger even added to the thrill of it.

-----

"Toxic waste land...? Hm." He murmured to himself as the read over the file they sent him. The low clicking of the train wheels was just as faint as his voice as he spoke. Zombieman positioned himself to a quiet corner of the fairly empty train, the folder in front of him messily sprawled out, but in a fairly controlled manner.

He had requested it to be in paper format, call him old-fashioned, but he viewed the information to be more tangible that way. Besides, he often breaks the phone the Hero Association provides him anyways. Once Child Emperor had leaped at the opportunity to make him an 'unbreakable' phone after hearing the staff members talk about how this was the 'fourth one this week', it had a pretty good run, but he still lost it in the end.

...It makes him feel bad to bother the kid for another one, so he'll just do this until Isamu notices and chucks him another. He'll treat it more carefully this time, he didn't realise just how much shitter the one's he gets from the Hero Association is. Isamu really was a genius, but he didn't want to pressure him too much.

He flips through the information provided, it was choppy. The testimonies didn't seem clear, and there wasn't a lot found by HA. Well, a lack of information never stopped him. His red eyes scanned the pages, picking up what he deemed the most vital snippets of data and committed it to memory.

"...Laboratory...", "...Mithridate...", "...Antidote...", "...Pancea...", "Dozens died from poisoning", "...Scientists Evacuate...", "...Local Town Falls Sick From Mysterious Illness...", "...Abandoned Area...", "...No Organic matter found in the vicinity..."

He concluded after reading it, there used to be a remote laboratory out this far that was focusing on creating strong antidotes. But it seemed that they weren't able to control it effectively enough, and apparently some sort of sample hadn't been contained properly had caused many of the scientists to die from poisoning. It seems that even though they tried their best to clean the place and dispose of the source, there was still trace amounts lingering and many workers became sick. The entire building was forced to evacuate - and a few years later, apparently some of the people that had lived nearby had to be admitted to the larger general hospitals. It started happening too frequently without any obvious cause and people started moving away. Satellite scans showed that the grass around this place slowly started dying, and bird avoided migrating near the area all together.

All in all, an typical case for him. He predicts the following days to be somewhat laid back. His only objective was to find what was the source. The implication in that was that he didn't even have to get rid of it, only report back.

There was something bothering him though. Like when you feel your feet shift a little too much - you're nervous but you don't know why. Or when you felt a pair of eyes watching you, but you couldn't place who in the crowd of people would spend so much time on you.

Current suspicion: There was something more to this case.

They could simply send one of their many drones to check out the area, scope out if there's a leak that's causing the increase of toxins detected. But they sent him.

His first thought: They suspected there was a monster there, and wanted him to kill it.

He could do that, they often do when they're worried about a particularly dangerous monsters most heroes couldn't defeat without wearing it down massively. But they didn't say anything in the report - they kept it hidden from him. To feign ignorance of the missing piece of the puzzle before even asking him for assistance.

...But why?

He's never shown hesitation to brutalise monsters. It's written in his fucking Encyclopedia page - something Bang had showed him after his disciple had pointed it out to him, and the old man just had to pass on the message, chuckling at the descriptors. Something something about how gore and death followed him or something along those lines.

...Is it related to Dr. Genus?

He clenches the paper a little too tightly, crumpling the otherwise pristine pages. The Hero Assocication might have had an inkling to his past. He never talked about it much, but did they find out? He wouldn't put it pass them - staying private in this day and age was getting more and more difficult by the day even if it would do both parties good if they stayed in their own lane. If they did know about his days of being an experimental sample, why were they assigning him to this case?

...Was this their way of turning their cheek the other way? By letting him confront his own past alone?

"...Sir?" He hears the train conductor walk over to him, nervously eyeing him up as the scowl on his face grows deeper at the thought of meeting the Doctor again. "This is the last stop." He hears as he snaps out of his thoughts, tilting his head up to look at the lady.

"...Thanks."

"...Are you sure about getting off here? There's nothing for a few dozen miles..."

"I'm sure. Thank you." He said, picking up the axe he had placed on the wooden floorboards, but didn't raise it above his head to rest on his shoulder like usual. Instead, he kept the metal head close to the ground, the blade pointed towards him and never her. He didn't want to alarm the lady.

"No, it's fine... I've not seen someone get off at this stop for perhaps a couple years now... It's nice to see people still come here in this little corner of the world - you know there's a forest a hour or so west from here? Beautiful place, you should check it out." She rambled on, the smile on her face causing the corners of her eyes to wrinkle. "Used to go there when I was young, took this same train out. I'm just a little too old for that now."

He nodded politely at her, taking note of the sun spots speckled on her skin. "...You're still younger than me, so there's no need to talk like that."

Besides, it's a privilege to be able to age. I'm sick of looking at the same damned thing everyday.

"Oh, aren't you a charmer..." She laughed, slowly escorting him down over to the train doors. He trotted after her, his boots made a small sound with each step he took. "Don't forget, the next time this train will be here is at eight tonight. Don't be late or you'll have to spend the night camping." She said, only getting a simple nod from him before the doors closed on her.

...A forest? I guess the toxins or whatever hasn't spread that far yet then...

As he walked away, he raised his axe back up and slammed it back on his shoulder, resting it there. Something of an reminder that he's on duty.

He's grown used to the weight of the axe.

-----

The building is fairly large - almost industrial. He could see it as a speck in the distance, but as he approached, he see that it's size wasn't anything much to be scoffed at. Definitely not at big at the ones he's seen at HA, but still, impressive.

As he approached the laboratory, he could see a... Fully-clad yellow figure running full speed at him.

Like second nature, he pulled out the guns from his sleeves and swung his axe back down to his midsection, his palms tightly gripping the weapons. It couldn't be a civilian - they would be fatally ill at this point from being this close to the site.

His blood-coloured eyes scanned the person (or perhaps monster) sprinting up at him. At closer inspection, he could tell that it was a human wearing a hazmat suit.

...Zombieman slowly retracted his desert eagle back into his trench coat and the axe also returned to its last position. There didn't seem like there was an danger yet, more so someone he needs to interrogate.

...Maybe there's still some people working here without anyone knowing?

They were... waving at him? He raised his thin eyebrow at them, shifting over to a more relaxed stance than before. He waited for them to approach - and as this mysterious figure got closer, he could hear muffled shouting from them as their hand waving in the air got more frantic. He noted that in their other hand, there was a blue gas mask.

He debated snuffing out his cigarette, but kept it in his mouth. It's not like they would be affected judging by the protection they're already wearing.

By the time they were close enough to him so that he could hear their words, it didn't matter since they were huffing out their lungs trying to breath in as much air as they could. Sprinting must have been hard - the hazard suit and heavy boots didn't help do them any favours either.

"...Are you alright?" He asked, staring down at him as they doubled over. The sound of their heavy breathing was clear even through the thick suit.

Regardless of their exhausted state, they sluggishly yanked him down to their level and slapped the spare gas mask onto his face. "...uckING STUPID!"

The impact of the plastic against his face caused him to glare at them with squinted eyes as he took the mask. He didn't bother dodging it - it's not like the action was malicious anyways. The force of which the firm plastic wasn't painful enough for him to make a noise, but he still grunted from the shock of their actions. "...What'd you say?"

They didn't respond, seeming satisfied with the fact he taken the respirator from them already and just crumpled back over on their form. He gave them a moment to gather their breath. "...Don't you know that this is a toxic area...? What the hell are you doing without any equipment...?"

He crouches down to their level, seeing as they were still catching their breath and he couldn't quite hear between their suit and the small distance. "I don't need it. What are you doing here?"

They tilted their head over to him, seeing that he had taken the blue mask off and just hung it around his neck by the strap. "...I live here."

Live? Not work?

"...Then don't you know that this is a toxic area?" He parroted the question back to them, trying to look into their eyes, or face, only to see that the glass they see out of is a reflective surface. Only his red eyes locked on with his own. His

"The inside of my house is safe, when I go out I wear this." There's something about the way in which they said it which made him think that they had rolled their eyes at him as they spoke.

"House?" He brushed off their attitude quickly, he didn't really care about it to begin with anyways, "what house?"

"Why would I tell a stranger where I live?" They snapped back, getting back up on their feet. Zombieman quickly followed suit. "What are you doing here anyways?"

"I'm a Hero. I've been sent here to find the source of the poison in this area." As if on cue, their head tilted at him in disbelief. He goes on to answer further, hoping it would dispel any more of their suspicion. "...You can call me Zombieman."

He could tell even without any facial expressions to help him nothing he said was convincing. "...Alright, 'Hero Zombieman'... If you've been sent here to investigate, then why didn't they send you off with any equipment with you? We both know that this isn't the safest place to be."

A reasonable question, he supposes. He just hopes that the answer he gives them is just as logical in their eyes. "I can't die - hence my name."

"...Can't die?" They repeated slowly, taking a few steps back from him. He could see the distrust in their body language, and he wanted to fill the gap quickly - they probably had a lot of information on this area he didn't. "...Don't lie to me, everything dies."

He nodded at them, trying to indicate that he acknowledges their suspicion then pulled his gun back out. They're not given much time to react to it, as the muzzle was pointed at his temple, his finger on the trigger. "I'll prove it."

Just as he pulled the trigger ever so slightly, he notices in that split second they've close the distance between them instantly. Their hands shooting out to tear the weapon out of his hands-

Only for him to tilt it ever so slightly upwards from its original position in surprise - instead of the bullet going through his skull at a straight line, it was just angled slightly differently, shooting through the top of his skull.

They froze up at the sight - the pink of the bone and the pink of his brains, the smell of blood was thick and metallic. They could smell it even through their suit, and nothing about their protection could block the sight of his hand. Limp. In your grasp.

Zombieman examined at them from the corner of his eyes, feeling that their hands was trembling slightly through the thick gloves they wore. It was from either the sight of his skull being blown open or the fact they thought he was now dead.

...I wanted to close the gap between us, but not physically...

"...Proof enough?" He asks, moving his head to face them. They practically leaped back, even in the chunky boots and protective gear they were wearing, they found themselves a couple feet even further than before.

...Was that too much?

No, I only shot myself. That's nothing.

...Am I too numb to gore compared to the average person?

"...Yeah. Yeah. I believe you." They say, their voice shaking as they watched the hole slowly fill itself back up again. First the grey matter in the brain, then the pink plating of the skull, and finally his pale skin and dark hair. It was as if nothing had ever happened - the only proof that they had was the dark streaks of blood that ran down his temple and the small splatters of flesh that had ended up on them. They did their best to quickly compose themselves."...So... Uhm... Do- do you need anything...?"

He nodded, feeling a twinge of guilt at their reaction. Yeah, it was too much to witness. Next time, he'll just cut his hand off or something. "Could you get me into that laboratory? I want to inspect it to see if I can find anything inside."

"...I can do that, follow me." They agreed, probably still in shock and stiffly placed one foot in front of the other, their hands having the same nature of movement - almost mechanically.

He was quiet for a minute, looking around the building. He wanted to ask more questions about them, but he had a feeling he needed to build back some sort of foundation of trust again if he wanted any good answers. Short, snippy ones aren't bad, but more detail is better this time.

"...What's your name?" He starts off simple.

They slowly moved their head over in his direction, stopping in their tracks. He briefly thinks for a moment that asking for that was too soon, but when he hears your name slowly uttered from your lips the thought is gone. He could sense the uncertainty of his character coming off in waves, but you still chose to tell him.

He nodded, "I'll keep that in mind."

"...And I don't think I'll be able to forget yours." He could hear you mumble faintly as you took long strides over to the entrance door. "Mr. 'Can't die'..."

...I don't mind if you were able to find a way to change that name of mine.

He didn't correct your words, and accepted his newfound alias. "How come you have access to the lab?"

It took you a while to respond, at first he just thought you didn't hear him or maybe you were busy fiddling with the keypad on the door, but it seems that you were considering telling him or not.

...Zombieman lowered his axe, resting it at his side. He may still be on duty, and it's not even the weapon he used to shoot himself, but it's not like he needed it this very moment. And if it helped soothe your worries even a little, then it will have been worth it.

When you get the door open, you turn back around to face him. He still can't see your eyes, but he could feel yours staring at him - cautiously inspecting him and his intentions before opening the door. "...This is where I live." You answered him.

...Huh, it worked.

He hummed appreciatively through his cigarette, reaching up and holding the door open for you. You paused your movements for a moment and nodded back, "...Thanks."

"No problem." He replied back, then followed after you, shutting the door after himself. When he walks in, he realises that the entrance is double sealed - one door after another to ensure that as little toxic gas leaves or enters. "So, you live in a lab...?" He says, practically repeating already known information in the hopes you'll slip out a little more data for him to piece together.

"Mhm. There's lab equipment everywhere." You say, though not intentional, your tone was pretty dismissive. It makes him wonder if he should play the long game or the short game.

He sticks to the former - besides, if he's really pressed up for time for whatever reasons, he can resort to more... forceful methods.

You open the other door, pressing even more buttons on the security system before beckoning him to follow through, holding the door open for him. "Quick - if you're there for too long, the doors will automatically shut and won't open without a special password."

"Oh." He nodded, the sounds of his boots increasing before the heavy door clicked securely shut. The two of you were now locked in together - he wonders if you're more anxious than him about the situation. One hand hand, he could be locked in with a mad scientist and be subjected to experimentation once again. On the other hand, he was a man that doesn't exactly have any indication of sane mental health paired with the fact he has a fair variety of weapons on his person ready to go any moment.

...They should be more scared than me.

"Do you work here?" He asks, trying to place down the foundations of trust.

"Yeah...?" You say, your thick gloves grabbing the other and pulling them off. "I'm... something of a researcher. Or something along those lines." The way you said it could be viewed as avoidant, or simply distracted - judging by the way your now exposed hands was fiddling with the hazard suit, taking it off and throwing them into a large plastic container off to the side of the door. Presumably to be disinfected and reused. "I've just been told to stay here until the toxins reach an acceptable level. Then I'm free to leave."

He narrowed his eyes at you, taking mental notes on your choice of words and actions. It was entirely unconscious behaviour, akin to second nature - Zombieman was already crafting a mental corkboard of everything he knew about this place and you. You took the final piece off, your large headpiece, finally revealing your face to him.

His eyes fixated on you, his red irises re-examined your figure, taking new mental notes to add to his corkboard. His eyes found their way following a sweat drop that traced the side of your face, a small trail of liquid trailed down your facial features before the head of it became too small to follow anymore. He briefly wondered it that sweat was a shade or two darker than it was supposed to be, but concluded that it was just the lighting of the room. "...Hot in that thing, huh?"

"...Huh? Oh, yeah. I guess I'm not really used to it..." You say, not noticing him observing you.

...Not used to the hazmat suit, I don't recognise them from the list of scientists provided, and they're uncertain about their role.

Current thoughts: You've turned out more suspicious than he thought.

-----

Nervously, your eyes kept glancing over to him, drinking in every detail of him that you could with each glance. At first, you thought it was the glass of your suit playing tricks on your vision when you spotted his red eyes, but even when you took your headpiece off and looked over him again, they were still red.

Blood red, to be more specific, especially now that you had a very, very recent reminder of the colour of blood.

His skin was almost porcelain white, but there was something of a grey undertone to it. His hair was a ink black and his getup didn't have a single drop of colour - the only thing you could even perhaps suggest that had a hue was the buckles of his (many) belts strung tightly against his chest. Everything combined, this monochrome sense of fashion contrasted with his striking red eyes and dark eye bags made it incredibly easy for you to focus on his face. Basically a sinkhole of attention.

Zombieman... From that name, you'd expect more decay, but...

...He's handsome. You concluded, as you kept finding your eyes shifting over to him as you showed him about the place. But he's also scary. Why would he shoot himself to prove a point...?

"Are you gonna show me around...?" He asked after what must have been you staring a little too long at him.

"Sorry." You say, turning your head away from him. Despite looking at him so carefully, you couldn't pick up on his mild discomfort. You try to remedy the situation, giving a honest reason to your actions should suffice, right? "...I was just thinking that you're very visually appealing."

The answer seems to shock him, or at the very least, throw him off his feet a little. His eyes widened at your response before he tilting his face slightly to his right clearing his throat into the sleeve of his trench coat. His left hand seemed to tighten his grip around his axe. "...Thank you."

You think that you shouldn't have said that - was he uncomfortable? You don't really have much of a chance to interact with people, and it's leaves you wondering your next move.

...Should I apologise? What did I do wrong? Is there such thing as too honest?

On quick glance back up at him, tells you that if he did feel uncomfortable by you, he's recovered. He's leaning against the plain white walls with his axe by his side. You note the fact he still hasn't raised it back onto his shoulder - whatever the reason for this, it somewhat made you feel more relaxed.

"...Uh, I'll take you around the first floor first...? It's mostly just like laboratory equipment, but it might help you?" You say, trying to gauge his reaction.

He simply nodded, and as you took your first step, so did he. You glanced back to see that he was a step or two closer behind you than before as you walked down the large white hallways.

...I hope that he leaves soon.

Just before you stepped through into another set of doors, there was a few equipment littered on the walls of the lab. Coats, gloves, masks. Though, you've used and ruined most of them at this point.

Please, please, leave.

You watched him place down the gas mask you had given him earlier alongside the other ones lined up on the wall for anyone to take. The others were faulty at this point, the one he put back down was one of the only ones that still functioned at this point.

It's not safe here, even for you.

-----

"...That thing..." You say, gesturing to him, your index finger waved over his face a couple times. "...smells terrible. Do you need it or something?"

He raised one eyebrow at you, wondering if his breath smelt for a moment before realising what you were saying. "...My cigarette?" He asked, taking it out of his mouth, bringing it a little closer to you to confirm your request. Your lips tightened and your eyebrows narrowed at the distance decreasing. So it is. "I suppose that I don't need it."

"Yeah, that... cigarette." You say, slowly rolling the word out on your tongue as you took a step back. "If you don't need it, can you get rid of it? There's vents all over the place, but I'm worried that smell will linger if you keep using it."

"...Sure, do you have an ash tray or something of that kind?" He asked, rubbing the lit part of the cigarette over the back of his hand. The burning sensation felt like it was shorter each time - the initial burn from the very first time he put out his smoke was almost exciting to feel. Now, it feels like pointless rebellion.

You looked at him, blinking. It took you a second to respond to him, trying to think of what would be suitable. Your eyes glanced around the room, landing on the shelf of conical flasks, before the blanket hung up on the wall that's placed there in case of a fire emergency.

...He thinks he likes the way your features scrunched up as you rapidly skimmed through all of the available items. You looked like you were in in deep thought over something rather minor - maybe he likes the way you took him so seriously, or was it the way you were so confident you could find a replacement within the confines of the room within seconds?

It didn't take you too long to find something. "...There's sand bins. Will that do?"

"Mhm." He nodded, and you walked over to the bucket filled with sand - presumably, it was to put out fires, but it could also be repurposed for a more crude use. Your hands wrapped around the bucket's handle, planning to bring it over to him, but he simply just followed after you and smothered the cherry into the sand. There was no chance of it catching fire now.

You nodded at him, then pointed at another table with glass equipment on top, giving a rather detail explanation to him as you picked up different parts - he was barely listening, his mind quickly filing away this odd morsel of information about you as he got back to his actual work.

...Have they never seen a cigarette before?

I mean, public smoking places are less and less common nowadays, but still...

He thought your behaviour was strange, but it'd be rude to point out. He let you continue guiding him around the lab. Besides, if you felt comfortable enough to tell him to stop smoking, then you must be somewhat amicable towards giving him more intel.

-----

The two of you finish the tour of the first floor, and you glanced over to the clock on the wall. "...I'm gonna head off to lunch. You can join if you want." You say, walking away from him and into another room. He peered in - seems like a break room for staff. He debated joining you, or wandering off on his own to investigate.

The former wins as he argues that he could just wander about later. It didn't seem like you were rushing about to get him to leave quickly anyways. If anything, he'd say you enjoyed the company judging by how he often caught you waiting for him to catch up when he spotted something of interest. Or when you stared at him intently when he spoke, taking his questions to heart.

...Or it could be for another reason. Tons of people flocked to Amai Mask for one big reason, Zombieman just... never suspected he'd be on the receiving end of the same kind of attention.

...'Visually appealing.' What is that supposed to mean?

As he enters the break room, he spots you waiting patiently by the microwave. There's a rather large pile of delivery boxes collected in the corner of the room. Perhaps one would feel shame at a 'guest' of sorts seeing the mess, but you didn't seem to care much. Upon noticing him, you opened the microwave door and added another packet of food.

I guess I'm eating too now.

He stands next to you, pretending to also wait for lunch, but in reality he just stared at you from the corner of his eyes. It doesn't take you long to return the action, your pupils also shifting over to his direction.

The two of you share eye contact until you turn away and go back to staring at the packets of food spinning around in the microwave. He lets out something of a cough, then goes to check his phone, (It's not like the could just whip out the files he had brought with him right in front of you anyways), maybe you were on the lists of scientists, and he just doesn't remember you that well.

Your eyes are casted away from your lunch, catching the glimpse of movement in the corner of your eyes. "...Whoa, you have a real nice phone..."

He tilts his head up at you, then turns the screen off before giving his device a quick spin for you to see if you wanted. You nodded at this, as if you were some sort of phone collector inspecting the goods before buying.

"No," he shakes his head, giving it a closer inspection as he spun it despite already giving it a verdict. "It can't even withstand falling off a skyscraper."

"...I don't think that's a good way to measure it." You say, a ghost of a smile on your lips. "Here." You fiddled with your pockets, before pulling out what he thinks is a brick at first as you carelessly held it out to him. "Here's one I found a couple years ago. Under my Dad's desk."

"...Maybe I do have a nice phone." He says, staring down at the device as you let out a small laugh out at him.

The phone was pretty old.

The equipment in the lab also looks quite old, but I don't know enough about it to know if it's actually old, or if it's just old compared to Isamu's hoard of equipment.

It seems like you had enough money to deliver food to yourself, but not enough to fund your research. You probably aren't being paid.

Probably because you aren't a real researcher.

But his conclusion just brings more questions than answers - why would you stay out here if you aren't getting paid well? You've been tasked with staying here until the toxins have subsided, but why would you do that? Money clearly wasn't the reason - maybe it was something more personal. His eyes meandered across the room until it landed.

Maybe it was your Dad.

"...Say, your dad worked here too?" He asks, slowly reaching out to take the phone from you, feigning fake interest in the device in your hands. His cold fingers brushed against your skin making your breath hitch - practically throwing the phone away from yourself.

He caught it before it collided against the surface of the table, but he wasn't even looking at the phone anymore as his eyes shifted over to you, examining your body language quickly to figure out what caused that reaction from you.

You held one hand in the other, your eyes fixated on him, one foot back and holding your breath as if you were waiting for one of you to drop on the floor. The two of you shared a look, the room sinking into a tense quietness. Just as he was about to speak, apologise, anything that felt right to say, you babbled something to dispel the tension.

"O-Oh! Yeah!" You exclaimed, slowly taking your footing back to it's original position. He didn't care so much about the answer anymore after your reaction but still, he listened. "My mother did too. Uh, both of them worked together. H-here."

"Huh..." He nodded, accepting the fact the two of you will skip past that moment. He felt his hand tingle from where your skin touched it - it was almost the same sensation as the one he used to get when pressing the lit part of the cigarette against his skin. Burning, hot. Maybe painful to a normal person but an fleetingly exciting moment to him. "And then you started working here too?"

"...Uh, yeah. Been here for a long time." You say, the words slow to come out. Your eyes drifted away from him and your hand slowly reached back over to the phone he had caught and placed on the table before retracting it back into your pockets. "Actually, I've been here... for a really long time."

He nodded, "how long?"

You didn't answer him at first, only tilted your face over to his direction. You looked... lost. Like you weren't sure what you were doing, or what's even going on. A sense of distant confusion with a vague or faraway goal. "I... don't know."

He frowned. You didn't seem like you were bad-intentioned, but you also seemed like a vital part of this mystery. "How come?"

You pursed your lips, turning away from him again before the microwave went off. The beeps echoed through the silence of the lunch room.

"...Lunch is ready." You say, opening the door of it. "You don't have any allergies do you?"

"No, but even if I did," he made some sort of general motion towards himself. You made a 'Ohh' sound. Some colour returned to your face that he didn't quite realise had left it.

...They don't know? How is that possible?

Also, their parents worked here, and now they do as well. They're most likely staying here not out of choice - are they trapped here? Threatened to stay? Guilt? You couldn't pay most people to stay in such a dangerous area.

"I've just been told to stay here until the toxins reach an acceptable level. Then I'm free to leave."

...What kind of messed up family business is this?

Zombieman could only see the rabbit hole grow deeper the longer he looked in - yet he'll jump head first anyways. He was never much for self preservation.

That same trait comes the thought: if he touches your hand again will it burn the same thrilling way?

-----

After you showed him around the whole lab, he concluded that there was nothing there was still working - and even if there was, it wasn't anything large-scale enough to cause such a large waste area. In fact, the only experiment he saw was you spitting into a test tube and then running it through a machine. Something to do with how it can detect what kinds of chemicals are inside it.

But that machine was clearly broken since he recognised many of the listed items inside to be toxic. You had explained that you had fixed it up after finding it in the storage room, but since that room wasn't well maintained, there was a chance that the toxic air was just stuck inside it now. At least, that's the conclusion you came to, and he didn't see a reason to deny it.

Apart from that, it was mostly you just explaining what each room was and the equipment inside. The tour was over quicker than he thought - but there truly wasn't anything noteworthy. The past researchers had taken all of the papers with them, so he couldn't snoop around to see if there was any information he was missing. It didn't seem like you were trying to hide anything either. You've always seemed like you were honest - perhaps a little apprehensive, but most of that was mostly because, well, he was a stranger in your home.

"That's all... I think I'll get going to bed soon, do you need anything or..."

"No, that's all." He said. "I think I'll get going."

"...At this time?" You ask, seeing him walk out to the door, trying to open it. His hands pressed randomly against the wall's buttons. Quickly, you walked over to him. "Are you going home?"

"I've missed the train, so I can't really go back, but I've been given a recommendation to visit a forest." He says, watching you as you brushed his hands aside to help him open the sealed doors. It burned like before, "I think I'll go check it out," he thinks he wants to feel it again."...Then I'll probably come back with a fresh mind."

"...Seriously?" You asked, pulling the door open for him. "You're gonna spend the nights in the woods?"

"Well, it takes a while to walk over. By the time I get there, it might be sunrise." He says, walking through the first set of doors. Your eyes nervously switched between him and the door, unsure if he was really going to walk back out into the toxic wasteland. "Thanks, I'll see you tomorrow. Or if I find the source of the poison, this will be the last you'll be seeing me."

"...Yeah. That's... fine." You nodded, now trotting over to him, hand hovering over the keypad to let him out. The inner set of doors shut tightly behind you, a slight hissing sound as the air was compressed in the room, ensuring that none of the toxins got in as the vents whirred faster in anticipation. "Here, I'll let you go."

He paused, looking over at you. "Don't you need your hazmat suit?"

Your index finger stopped over one of the buttons as you started pressing the password to get out. "...No, it'll be fine. My parents said that I have a higher immunity to this sort of stuff anyways."

"...Okay, if you say so." He nodded, accepting your words. Every rotting bone in his body was screaming that there was something off about the way you said it, but his heart didn't utter a single peep in protest. He wonders if you're hiding the truth from him judging from his physical reaction to your words.

You nodded back at him, your eyes flicking back up at his for one more time before the door opens, a small gust of wind blew his hair back a little as the heavy entrance opened itself - exposing the two of you to the chilly evening air. "...It's nice meeting you." You say, your words as distant as you could muster with your almost wistful expression.

"...You too." He nodded simply, taking a step out, his boots landing on the dirt footing outside. He paused then turned his head back, speaking again as if he couldn't leave without finishing his all of his thoughts. "Real pleasure to meet you."

You blinked at him repeatedly, taken aback. There was... a slight smile on his face? You weren't given a chance to respond back before the doors let out loud 'beeps' rapidly and the doors slammed down.

He turned back around, taking a couple steps forwards as he languidly pulled out a cigarette and his lighter. His eyes casted over the cherry of the cigarette, watching it catch a flame as he took in a deep, slow breath, inhaling as much of the smoke he could. Impatient, he'd usually call himself for trying so hard to get the taste of the poison as quick as he did just moments after lighting it. It's just getting him more hooked on the nictotine (if he could be anymore addicted), it'll kill him faster (if he could die). But this time he won't fault himself even with all the negatives.

Smoking won't help relieve this... feeling, but it won't make it worse either, he supposes.

His boots forcefully move his body forward as he let out a low grumble.

Move. He urges himself. This is ridiculous. I barely know them.

"Wait!" He heard from behind him, and he found his head turning around without his input. "...I have some sort of car in the lab. Do... you want me to drive you to the forest...?" You ask, holding something of a car key attached to the lanyard around your neck, jangling the sliver object.

...Zombieman knows that it's not the first time you smoke you become addicted. It's the second time.

"Yeah, that's be great." He responses, the cigarette practically falling out of his mouth as he spoke, but he barely cared, only catching it in his hands and crushing it in his palm. It burned - but he barely felt it.

He didn't know that infatuation worked in a similar way to chemical addiction.

-----

You drove him over to the forest, his voice quietly murmuring out the directions for you to drive him. He had made some sort of comment on the car being a off-road vehicle, but you didn't fully get what he was trying to say.

The interior of the car was cold, the heater was very slowly warming it's way up. He insisted that it didn't bother him, but even so, you tried cranking that bloody thing up all the way. There's not much fuel in the car to begin with, but you didn't mind using it on him. It's not like you were going to be driving again.

"Keep going straight, try to avoid that rock if you can." He says, his hand motioning towards the obstacle on the ground.

"O-okay..." You nodded, trying your best to keep the car steady. There was practically sweat dripping down your arms from your nervousness. "Like this...?"

"Mhm." He nodded, "do you not drive often?" He asked, noting your anxious features that was crawling it's way up your face.

"No, uh, can- can you tell...?" You say, pressing the accelerator a little harder, making the car go faster.

"Well, we've been either going 20 or quadruple that. You've not really decided on a constant speed to drive at." He said, pointing a finger at the speedometer. "Also, I've been the one controlling the stick shift since you keep putting it in the wrong one."

"...Ah."

"I think you don't even know how to drive, but I don't really mind." He says, leaning his arm out the window as he blew out another cloud of smoke out of the vehicle. "You got the air bags, so you'll be fine even if we crash."

"...Maybe I'm just a really bad driver." You mutter, feeling your face grow hot even in the cold breeze that came in through the window.

"It's not a maybe." He says, turning back to you, "but it doesn't matter. I appreciate your help. I'll teach you how to drive for real after we get to the forest."

You raised an eyebrow at him, "You can drive?"

"...Eh." He makes a non-committal sound until you shot him a questioning glance, making him answer you properly. "...I don't have a valid licence, but I can drive."

"...So you're just as qualified as me?" You laughed, "or perhaps just as unqualified as me?"

"No, I've passed before. It's just that I've not driven in so long I don't know if I pass the current standards." He answers, maybe a little quickly as you chuckle at his explanation, not exactly buying his answer. "I should still be valid to drive."

"What are you, a old man?" You laughed, the car slowing down as your foot released the pedal, your mind too distracted by what he just said to properly process both things at once. "How could your licence just expire?"

"I had a licence before I was used for human experimentation and I've not had the time to try to renew it." He answers causally, taking in another breath of the smoke before breathing it back out. "I think."

You almost completely stopped the car before turning your head back over to him. "...Huh?"

He turns back to you, staring back into your eyes as your face grew pale at his words, unsure of what to say in response to him. "It's not a secret. I just don't talk about it."

"...Oh." You nodded, then took your hands off the wheel and your foot off as well. "...Is that why you can't die?"

"...Yeah." He nodded, then blew out one last cloud of smoke before he rubbed the light out on his skin again. There wasn't a moment of hesitation between his actions and words - he's too used to the pain he inflicts on himself. The slightest pink tinge on his skin from the burn is gone within less than a second.

The car let out a splutter, filling in the silence that took place in the car. Then stopped dead in it's tracks. "...Uh oh." You glanced down at the screen in front of you, trying to see what went wrong. "...I think we're out of fuel."

"...Mhm. Yeah." He agreed, glancing over to you. "It's fine, we're mostly there anyways." He says, nodding his head forward as he indicated towards your destination.

Your eyes casted over to the view in front of you - you didn't even realise until he pointed it out, but the two of you reached the forest he was guiding you to earlier.

It was dark, the bark of the trees was jet black against the faint light that shone down on the trees. You could barely see past them to see their fellow family. You've never seen them before in person - it was much larger than you had expected. The air smelt... clean.

Even so, it doesn't keep your attention for long as you looked back over to the man next to you. His pale skin contrasted strongly against the darkness outside, his red eyes shifted over to you, and you could pick up on the slight tinge of metal from the dried blood from earlier.

He didn't look human. He didn't have the warm undertones of blood running underneath people's skins. His response to pain was too lukewarm. He had no reaction to being in such grave danger. 'Zombieman' fit him.

"...Shall we go?" He offers, clicking open the car door for him to leave. "You can stay if you want."

"...No, I'll join you."

But he was still far, far more human than you were.

-----

The two of you wandered out into the woods. You flicked your flashlight on while he bravely moved forward in the dark, unafraid of any possible dangers that would be lurking in the woods.

"...Are you looking for something in particular?" You asked, your eyes flicking back over to him as you carefully shined down towards the ground to see where you were placing your heavy-duty boots.

"No." He replied back, still moving like a man on a mission. "The train conductor said that I should drop by here if I had time. I have time."

"...Do you think you'll find your source of poison?" You asked, your voice wavering towards the end, almost backpedalling last second in the hopes he didn't hear you.

He tilted his head backwards, glancing back towards you when you asked. "...I think it's from your home. I just don't know how yet."

*...How honest.

Well, I suppose that he doesn't really have anything to be afraid of anything he can't die. There's not much reason for him to lie.

"...I see." You nodded, your palms feeling slightly clammy after his answer.

...I wonder if he opened up about his past in the hopes that I'd also be more honest with him.

He continued to stride ahead, not taking any particular detours, walking in a straight line forward as he dragged his axe across the ground. It was still low to the ground.

...I hope not. Because I think it's working.

Then, you heard a branch snap off in the distance. You froze up instantly, your feet stuck on the dirt as your head swung over in the direction of the noise as you tried to find the source.

Finally, Zombieman stopped walking, standing still as he tilted his head in the same direction as the sound, the two of you almost perfect mirrors of each other.

"...We have company." He says, as he takes a step over to the sound, swinging his axe upwards to lean rest on his shoulder as he began to stroll over. You think you heard the metallic 'click' of his gun as well. "Let's give them a proper hello."

You flicked your head back and forth, from him to off in the distance of where the car was. Even if your vehicle couldn't move and was useless, you'd still rather go and hide in there over wherever the hell he was waddling off to. "C-Can we not...? If I die, I die."

He didn't acknowledge you maybe he didn't hear, only pressing on and got further and further away from even as the flashlight didn't reach that far ahead. You flipped a coin in your head to decide your choice to join him or leave. You mentally cursed yourself. Repeatedly.

...I guess I'm going too...

Even your feet protested against your brain's decision, but you ignored it and willed them to go on.

It didn't take long for him to stop in front of a bush, looking down at the source of the sound. You think that he's already taken care of the problem before you step past the shrub blocking your vision to see what he was looking at.

"...That's a crow...?" You murmured, your eyes fixed on the bird struggling to get off the ground - there was a sense of pure curiosity even at the sight of the animal in pain. "It's... small."

Zombieman barely paid attention to your words - it wasn't that he didn't find them interesting, it's just that he want to focus his efforts on something else right now.

"Mhm, it might be young." He nodded as he stepped out from behind the shrub. The bird started letting out sounds - perhaps to try to warn the man to step back, but he continues forward. "I think the wing is broken." he explains, pointing to the broken branch next to the animal with his axe. "I guess it hit the tree pretty hard and this is the result."

"Oh," you watched him crouch down to the bird, gently picking it up. It squawked louder as he picked it up to inspect it. "...So, do we help it?"

"...I don't know if we can." He replies back, picking it up with both hands, leaning the head of the axe in between his head and his shoulder as if he was taking a phone call with it. "...Have you ever taken care of a bird before?"

"...I've barely even seen a bird before, I'll be honest." You say, the works almost slipping out without you thinking much of it. He flicked his eyes over to you questioningly but didn't verbalise his thoughts. He was still intent on playing the long game.

"I guess we can take it back to the car for now." He says, his fingers clutching onto the torso of the bird firmly as he tried to support it's wing. Do you have any equipment in the car?"

"Maybe...? There's stuff in the back, we could try helping it." You say, nodding along with him as he began to walk back out the woods, you walking in front to guide him out with the only source of light between the two of you. "...Being a hero must be hard work." You mutter under your breath, your eyes flicking back to him practically cradling the animal in his arms as he steadily supported it to prevent it from hurting itself anymore. It's stopped crying at this point. "You even have to tend to the needs of even animals."

"Nothing worth doing is easy." He responses, picking up on your quiet words, his boots unshakeable even as he stepped on multiple uneven tree roots. "...Besides, this isn't my usual work. I investigate dangerous areas or suspects. My information isn't useful without someone to put it to good use. Helping others is inherently heroic. What I do isn't." He says, almost putting himself down as he spoke even if he didn't intent to. His tone was blunt and factual - he wasn't looking for reassurance.

"...Someone has to be the tester. Any important situation needs one." You say, your words sounding almost rehearsed as you spoke. Like you've heard it many times before. "...You fill a role no one else can."

He shifted his attention away from the crow, his head lifted up to look at you as you spoke. You didn't turn your head around though, only faced forward. He couldn't see what kind of expression was on your face.

-----

You opened the car door for him, letting him gently lower the bird onto the passenger seat of the car. The warm air that was somewhat there from the car heater was no longer in the vehicle, now it also reached the temperature of the cold air around you. Neither of you minded, but you still couldn't help the goosebumps crawling up your arms as a strong gust came every so often.

"Go watch it, I'll go check the back of the car." Zombieman said, resting the animal down before he swiftly walked away to open the boot of the car.

"O-Okay..." You nodded, briefly watching him move away from you two before you looked back down to the bird.

It had black ruffled feathers, and bright dark eyes. Eyes that seemed to stare deep into your inner being. It let out another echoing caw as it tried to fly again, getting up on it's feet. You quickly stepped forward, trying to discourage it's escape with your body. You hoped that you didn't actually have to touch it.

It stared up at you, then cried loudly. Clearly something of a battle cry as it then tried to fly - but was only able to hop forward.

You let out a fumbling cry of shock, your eyes seeing it fall off the car in slow motion. You had to catch it- You aren't wearing gloves- You can't touch it-

You have to catch it-

Your body moved on auto-pilot as your hands shot forward to catch it from falling to the dirt floor. Your brain knew, it fucking knew what would happen if you touched it, yet it still commanded it to move forward due to whatever fucking human nature you had left.

It's feathers grazed against the skin of your hands. Your body froze. It was warm. It was warm to touch even in the cold weather cooling the both of you down.

"Good catch," you heard distantly. You felt like you were submerged in a pool of ice water - you struggled to hear whatever was around you. Your eyes were frozen in place. Your body didn't listen to you. "Here, I found a first aid kit in the back."

You didn't process his words. You only watched the lively bird stumble on it's footing as you caught it. It blinked at you with something you'd call indignant anger. It would be right to be angry at you in a moment.

"You can put it down now," Zombieman said, clicking open the clasps on the box and pulled out some bandages. "We need to support it's wing with something strong." He carried on, unravelling the white gauze.

When he saw that you didn't listen to him, he reclarified for you. Maybe you didn't know what to get. "A straight strong stick should do. Go find one."

You still didn't move, and he finally looked up. He stared at you questioningly, not quite understanding the guilt ridden expression on your face until he looked down at your hands.

The black feathered bird was flopped over on your hands, it's eyes closed. It slumped over on it's wings and feet in a strange way. It's beak was open wide, trying to get something out that was never really there.

"...I think..." You say, your head turned over to face him, but he didn't really think you were looking at him. "I think your investigation is over."

...The crow was getting colder.

-----

"...I'm kinda like you." You started, sitting down in the car with dirt in stuck in your fingernails. You insisted on burying the crow before you explained everything. It was a request he easily granted - you had dug into the soft soil with your bare hands and covered the corpse with the same hands that killed it. "I'm... also like this because of human experimentation."

"...Go on." He said, nodding along.

"The lab, I'm sure you already know this, but they wanted to create antidotes. Something that would cure any poison. They obviously experimented on animals, but in the final stages, they wanted to test on a human subject. It was almost to fruition I think. And... My parents brought me in. I grew up in the lab." You sighed. "I wonder if they're even my real parents... What if..." You trailed off, the suspicions had clearly been weighing in your head for a long time. "...Never mind. That doesn't matter anymore. Anyways, one of the vials they gave me apparently wasn't the correct one. I started absorbing the poison in my body, almost like a storage box. No one realised at first."

"...Something happened, huh?" He said, picking up on your choice of words.

"...Yeah, they gave me some particularly strong poison or something to test out how my body would respond to the antidote they prepared. They didn't anticipate that I'd be able to absorb it alongside with the antidote." You let out something of a dry laugh. "That... was the last time I ever touched my mother. They cleared me to leave and I went up to her to say hi. She... collapsed on the ground, convulsing seconds later. After that, no one approached me without hazmat suits again. They quickly stopped working, after something else happened and they fled. My father was the last to go."

"...And that's when he gave you the instruction to stay until the level of toxins were acceptable?" He asked for confirmation. To which you nodded at him.

...Seeing everything fall into place has never felt so unsatisfying to him before.

He gave you a measured nod, his eyes never leaving the sight of your hunched over figure. "...So he sends you money to keep you somewhat alive?"

"...I don't know if he knows if I'm still alive." You shook your head. "Hell, I don't know if he's still alive himself. It's been... years. I only have the bank transactions from him as m only form as contact. I... still don't know if I killed my mother or if she's recovering somewhere."

He let out a quiet curse under his breath, leaning his arm against the window as you continued speaking.

They lived like this for years. Years.

"...I know what that place is, Zombieman." You say, your nails pressing tight against your skin, digging in. "I didn't want to admit it."

"...A prison?" He tried guessing when you didn't speak for a while, only to be met with a humourless laugh.

"Coffin. It's a coffin for me. I was born into a live burial - I'll live and die there." You say, your voice completely monotone. It was like a reporter going about the facts of the day. "The furthest place I've been from here. This... forest. And just by going once, I ruined the place. I can't just... leave. This was already a mistake."

He listened to you, watching the way you clutched yourself for some sort of support. He stayed quiet, examining your features carefully. Nothing on his corkboard prepared him for this - but perhaps his own personal experience of being on the other side could help.

He slowly forms the thoughts in his head - there wasn't much he could remember when he first left the lab he had escaped from, but he tried his best to gather what he could. What would have comforted him best? Well, probably the death of Dr Genus.

It was just a tad too slow - you had began speaking again.

"...When are you going to end me?"

He turned his head over to you, too quickly. "What?"

"You found the source of the poison." You say, leaning over to him from your seat. His breath hitched as you got closer. "You've known for a while, haven't you? So when are you going to do it? In my sleep? With a gun? Or an axe?"

It probably doesn't help, but at the mention of his weapons his eyes find their way over to their positions. "...I'm not going to murder you." He says, but didn't get up. He let you look down at him from where you were - it was probably the little bit of power you still had over him in your eyes. "You haven't done anything wrong."

"I made that crow die." You state, your retort coming back far too fast. "You saw me. One touch from me killed it. It was barely even a few seconds."

"...That doesn't warrant the death penalty." He sighs. "Nothing you've done deserves punishment of any kind, it's not your fault. None of it."

You stared at him with an unreadable expression on your face, he struggled to place what you were feeling at the moment despite it being the most vital time for him to be able to. "...I have a question," you say, almost reluctant to interrupt him. "If there was something that could only cause harm, why keep it?"

He doesn't given himself much time to think of his answer, knowing that the longer he took the more insincere he would sound to you. "I know many people who's only speciality is violence." He starts out, leaning a little closer to you as you took a step back from him, giving him more space. "...We call them heroes. Or monsters, depending on their intentions."

"...Are you one of these people?" You ask, your words feeling heavier than he expected for such a short question.

"I'd say so." He responded, his voice flat as he continued speaking. "...But a lot of people suspect me as a monster too. "

"...You're more than that." You said, tilting your head at him with scornful befuddlement. You looked upset, but not at him.

"Aren't you the same?" He mirrored the simple question to you.

There's silence from you, until he hears a small sniffle and you bring up one hand to wipe at your eyes. He's frozen solid for a second until he reaches over to a box of tissues nearby and offered it to you.

"No..." You shook your head. "No thanks, my tears will just melt it... Tried it, trust me..."

"...Yeah, that's what tissues tend to do in liquid long enough." He cracked the dry joke, trying to lighten your mood and still offering the box to you, just slightly further away.

"...No, they're..." You pinch the bridge of your nose and let out a shaky sigh as you forced yourself to bite back the tears. "My tears are corrosive. Highly corrosive."

"...Huh." He said, putting the box aside and stood up. "Would you like my coat instead?"

"...Why on Earth would I want that?" You say, the last of the tears running down your face as you stopped wiping it with your hands.

"...It's work clothes, I can get these replaced for basically free. It's cheaper than those tissues." He shrugged, trying to make another attempt to cheer you up seeing that you had stopped at this point. They were more stressed tears than anything, so your crying wouldn't have lasted long anyways.

You blinked at him before letting out a laugh, "no, no... It's okay... I don't want to accidentally hurt you. I'm fine now anyways."

"Mhm." He nodded, watching you sit back down on your seat. "...You know, I have a really, really smart colleague. He might be able to help you leave if you want."

"...Really?"

"He's the smartest person I know. And I've been kicking around for a while." He states a chuckle on his lips as he spoke. The only other person he could think of being close to Child Emperor was Dr Genus. There wasn't a chance in hell he'd let him anywhere near you.

"...Do you think he'd be willing to help?" You ask, the lilt of your voice going up a little higher, a sense of hopefulness leaking into your tone. "Or wait, would he be safe? I don't want to hurt him by accident..."

He nodded at your concerns as you spoke. "I've seen him analyse venomous monsters during the heat of battle and create antibodies on the fly. I think there's a strong chance."

"...Wow, he sounds really smart. Is he a hero like you?"

"Yes," he nodded, something you'd describe as pride adorned his features. "He's more of a hero than me, though. I could learn a lot from him."

"...I think you're far more of one than you think you are."

He's silent, staring back into your eyes. It takes the both of you a moment before either speaks. His voice breaks the silence gently, his words slow and purposeful as he spoke.

"...I think we should get going soon. We need to catch that train."

#zombieman #zombieman x reader #one punch man #opm x reader #OtterlyFoolishWritings #someone who can't die + someone that kills everyone they touch = love story #or at least a potentially funny dynamic imo #tbh i feel like I could write a (short) multi-chapter fic off this idea but I Probably Won't because I have issues with Time Management #other running thoughts are that I wanted to write more about MC's past #I feel like they could be very fun to write and then delve into with ZM as he gets to work sniffing shit out #But I wanted to keep the “”vibe“” of mystery even if you knew all the plot twists from the summary before hand #x reader

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