#this was longer than I thought lol

[starloststellar]

adelynn hi !! <3 how are you doing?

how are we feeling about midnights!! what is your fav track and a lyric you adore? <33

btw i'm LOVING the layout, it's so pretty!!

hope you're having a beautiful day and taking care, virtual hugs!! <3333

akjdshgf hii nika!! i'm good bestie how are you?! <33

midnights is absolutely amazing!! it's a totally different sound and vibe and i love it so much!! it's super hard to choose one favourite lol so some of my favourites are sweet nothing, karma, lavender haze, anti-hero, bejeweled, paris, maroon, sotb, mastermi- (i'm gonna stop before i name every track). oh for lyrics i feel like this is lyrically more different than usual and ngl some songs i do not understand lol. but my fav songs in terms of lyrics would be anti-hero, dear reader, vigilante shit, wcs and the great war heheh

thank u so much bestie!! hope u have the bestest day sending soo many hugs ilyy 🥺💕💕

[joonieskinks]

happy two years on tumblr to me today!! 🥳

here’s my favorite shy boy to celebrate

simon ghost riley who is too nervous to talk to you or approach you. you’re just so naturally gorgeous and put together, he’s afraid he’ll say something wrong and scare you off. so he just continues to observe from afar. kinda feels pathetic, like he’s back in elementary school, but he can’t help it.

you’re the pretty diplomatic relations officer on the 141 team, a newer addition who helps with all the paperwork and policy. you work more with captain price, however you conduct meetings sometimes and talk to the guys here and there for their opinions.

simon ghost riley who still remembers the first day you spoke to him, everything you said, hell, the first time you so much as looked into his eyes. your gorgeous smile turned his tummy upside down and he has the stunning image of you engraved into his mind. little did he know, you thought he had the prettiest, bluest eyes you’ve ever seen.

you make excuses just to touch him too, handing papers over for him to sign and slipping your hand over his. or going to walk past him but then holding onto his arm to tell him good morning. simon thinks you do this with everyone because you’re so open and kind like that, but you save all your special attention for him only.

simon ghost riley who one day has had enough of johnny stealing your attention and asking you out right in front of him. he’s sick and tired of kyle making up the dumbest reasons to include you in physical training just to touch you and “help your form”.

enough of that shit.

so he takes things into his own hands and comes storming into your meeting with price. both of you look up rather surprised at the sudden and brooding intrusion, right in the middle of some document reviewing-

“we need to talk.” simon declares, eyes unmoving from yours, intense, desperate… if didn’t have your understanding of him, you’d think he wanted to beat you up.

“riley, this is hardly the appropriate time, we-“

“it’s okay, captain. we’ll be quick, yeah?” you nod at simon and he immediately turns around to the hallway. you get up slowly, looking at price and he matches your “okay then” look.

simon ghost riley who is pacing, he’s cracking his fingers and playing with his belt loops. it suddenly hits him that he’s finally gonna be alone with the woman he finds absolutely irresistible. can he control himself? will he make a fool out of himself? will you reciprocate if he goes through with this? if you don’t, then what? fuck.

“simon?” you start, closing the office door behind you, leaving you two alone. “everything okay?”

he’s fawning over your big doe eyes, full of concern and empathy for him, utterly focused on him. it makes the crotch of his pants tighten and he has the strongest urge to pull you to him. he’d take you in the hallway up against the wall here if you’d let him. but he’s getting ahead of himself-

“uh- yea. good.” he manages to stutter out. god, he’s never felt this nervous in his life. for once it feels like he truly cares what will happen to him. he cares for you, wants something with you. well, only one way to find out. no more stalling. enough of this shit.

simon ghost riley who strides towards you, taking off his mask and bringing your head into his hands. he connects his lips to yours before you can process. you just feel warmth and you lean into him. his fingers dive into your hair, deepening the kiss and he’s over the moon. you actually seem to want him too, you’re reciprocating and his nerves are eagerly replaced by thoughts of you moaning out his name as your hands move to his waist.

when you pull back for air, you’re met with Simon’s eyes glazed over by lust for you. his lips are pink, puffy and he’s still looking at yours like he’s not had his fill of them yet. “want you… ‘long time” he murmurs out before reconnecting. he’s overcome by your taste, your warmth and your fingers slipping into his pants. it makes him moan into your mouth, his hands flying to your hips, pushing you roughly up against the wall.

simon ghost riley who only raises his eyebrows as if to ask the question and you’re rapidly nodding. yes, yes, god, yes please take me.

“all yours” you whisper against his mouth, arms crossing behind his neck. the possessiveness that he tries to push down comes bubbling up and escapes his mouth with a groan.

he hoists you up, grasping your ass and your legs wrap around his waist.

“always been yours, si”

“good. ‘cus now you’re gonna be a good girl and show me.”

[anatomical-puppet]

my source is that i am autistic about horror

[gothizashi]

another animation!

[ping-ski]

hihi!! i got the COOLEST opportunity to be a spot artist for @LMKFanzine aka Megapolis Mania! and guess what? LEFTOVER SALES ARE OPEN NOW!

run along now and go check it out! we all worked super hard on it <3 https://lmkfanzine.bigcartel.com

[clipartdinosaur]

Griddlehark Fics

I have read an absolutely insane amount of Griddlehark fanfics in the past few months so I figured I could make a like...list of all of my favorites that I bookmarked. I'm not sure if anyone will use this but if anything it will be for my own self-indulgence LOL. Just a heads up, this list WILL contain spoilers up to Nona the Ninth, so proceed with your own discretion. Anyway here we go!

(♥︎ = favorite!)

Short (<15k):

"By the Sword" by JeanLuciferGohard (2.6k)

The Reverend Daughter of the Ninth, Necrosaint, Ascended, the greatest bone adept in an Age, does one push-up, and collapses. Harrow does not beg for her cavalier. Harrow rakes her hair back and snarls, “Nav, I am going to unzip your cranial sutures. One by one. And zip them up again sideways.”

"Your Necro Questions Answered" by Magichorse (8.8k)

Syndicated columnist "Nav the Cav" offers a sympathetic ear to cavaliers across the galaxy and dispenses practical, no-nonsense, real talk advice on how to properly manage and care for your necromancer.

"A Lesson in Bones" by Magichorse (3.8k)

One of the laboratory trials at Canaan House compels Harrowhark to swap bodies with her cavalier. What will Gideon do with the power of the most talented bone adept in generations at her disposal? Nothing good, probably.

"Visions of Gideon" by tothewillofthepeople (13k)

Oh my god they were roommates...

"true love's kiss, or something equally nauseating" by corpsesoldier (4.6k)

She was where she needed to be. She was going to pull her necro out of this godforsaken tomb, end the game of musical bodies they were playing, and then everything would be all right. Harrow would be alive. And Gideon was going to give her shit for approximately the next myriad for not just taking what she’d offered and saving them a whole lot of trouble.

"The Big Warm Dark" by decalexas (haelstorm) (2.7k)

Gideon Nav knows how to swing a longsword, brandish a rapier, bridge the gap between life and death, punch the dead in the face, and maybe overthrow an Empire along the way. What she doesn't know how to do is reach for the girl who made all of this possible.

"carrion comfort, despair (not feast on thee)" by NotAFicWriter (5k)

Some time after Alecto wakes, Harrow and Gideon finally have a moment to speak to one another. Hearts are bared. Teeth are bared. Intentions are bared. It all comes at great personal cost (emotional honesty).

"never exhale all the way" by pigflight (1.2k)

Harrowhark paints Gideon's face.

"such an almighty sound" by CountingNothings (10k)♥︎

“I need you to marry me,” Harrow says, a propos of absolutely nothing that Gideon can see. And, uh, okay, this is not what childhood best frenemies say to each other upon discovering that both of their graduate programs have weird residence requirements. “What,” Gideon asks, “the fuck?”

"A Handsomely Dangerous Thing" by zoicite (1.5k)

Had Harrow ever looked at Gideon and felt pride before? Surely not. It sat like a tumor in her chest, a cancerous lump that had grown where it did not belong.

"How it didn't happen" by Nary (1.5k)

"How did you lose it?" Coronabeth asked, more softly than her sister's shrill voice. The group assembled at Canaan House barely knew her, and yet here they were, asking the most irritatingly personal questions, and acting as if they were being kind and thoughtful by prying into her secrets. "I dropped my pen into a vat of acid and reached in to grab it without thinking," Harrow said dryly. Coronabeth recoiled, screwing up her pretty nose. Ianthe looked unsure whether to believe her or not. Their meatslab of cavalier just stared blankly. "The Daughter of the Ninth House was blessed in this manner from her birth, as a symbol of her strength and power over the mysteries of necromancy," Ortus interjected. Harrow glared at him. "Oh," Coronabeth said, an expression of disgusting sympathy on her flawless face. "But then you would never have known who your soulmate was!" Harrow's glare intensified. "My soulmate is bones."

"Halcyon Nights" by Morike91 (10k)

It was hard to tell what was worse: feeling the full warmth of those unguarded honey eyes fall on Harrow, or watching them narrow in recognition and contempt, their warmth now hotter with something else.  “What can I get you?” It has been at least four years since Harrow last heard the voice of Gideon Nav, but it was still as familiar as her right hand. 

"I completely fucking hate you" by ClaraZorEl (7.5k)

In the coming weeks, Harrowhark learns an unfortunate great deal about Gideon Nav. The kind of porn she likes, the number of bread rolls she can fit into her mouth at once, that she always leans too heavily on her left leg when she fights but can do fifty-seven push-ups in a row without stopping, that her biceps rates 11/10 on the scale of good biceps, that her laugh rumbles like an army of skeletons, and most importantly, that she can’t fucking stand her. Gideon Nav is so grating that Harrow has no doubt she will be her undoing. OR Harrowhark Nonagesimus has been invited to Canaan University's ball. But to successfully represent her house, she needs a cavalier, and unfortunately, her only option is her least favourite barista from her least favourite coffee shop.

"A Thousand Teeth, Yours Among Them" by pipistrelle (7k)

"In the end, she poisoned Ortus; so it was Harrow Nova who walked out to the shuttle a half-step behind the Daughter of the Ninth, the chain of Samael Novenary wound about her offhand wrist, the black blade of the Ninth at her side."

"The Only Prayer We Know" by pipistrelle (12k) [Part 2 of "A Thousand Teeth, Yours Among Them"]

It's like a bad joke: two cavaliers (alive) and two necromancers (one dead) walk into a rebel faction of humanity, looking for a new life -- in every sense of the phrase. What they find is each other, and (in some cases) themselves.

"The Flames of Hell Are Warm" by silverapples (7k)

In which Harrow is a repressed evangelical Christian and Gideon performs burlesque in a lesbian nightclub. Feat. nipple pasties, chewing gum, and a steaming mug of gay coffee (wake up and smell it, Harrow).

"Necro Business" by rnanqo (1.6k) ♥︎

“Gideon,” you said carefully, “I will need to examine your mouth. Various structures, primarily the jaw, but also the lingual muscles—the tongue—” You stopped there. Your cheeks were going red, probably with indignity. “Yeah,” I said, a bit too loudly, “yeah, sure. Do it.”

"Holy Cross, Alaska" by softieghost (10k) ♥︎ ♥︎ ♥︎

Harrow meets Gideon. They go through it together.

"my love will be your armor" by TheKnightsWhoSayBook (2.3k)

"The princess has a right to bestow her favor on whoever she wishes to win a match," Gideon tells her. "Are you going to?" "Why would I? I don't want to marry him," Harrow answers bitterly. "Do you want me to win?" Princess Harrow will be engaged to the winner of the tournament, and her only champion is her useless bodyguard Sir Gideon Nav, who isn't going to save her. Unless...?

"The Meaning Of The Word" by pipistrelle (8.4k)

Harrow, along with a good percentage of Canaan University's necromancy students, has the flu. Gideon has a lot of feelings that she is in no way equipped to handle. It's a tough week.

"(i shine only with the light you gave me)" by sashawire (1.7k) ♥︎

God prods, gently, “Even just starting with their physical description, and we can go from there.” “Imagine,” you say, from somewhere outside your body, “the worst shade of orange you’ve ever seen in your life.” * Harrowhark receives her saintly title.

"i will learn to love the shears" by corpsesoldier (4.7k)

The avulsion trial left Harrow's hair in a sorry state and Gideon offers up her expertise with a blade. Or, Gideon gives Harrow a haircut.

"The Titty Texts: A Work of a Stupendous Titty Nature" by EleniaTrexer (3k)

Gideon accidentally sends Harrow boobs. And then just keeps on sending them.

"can we start over?" by breeeliss (10k)

Gideon needs a tutor. Harrow needs someone to get her out of college gym class. All in all, a pretty straightforward arrangement to make with your ex.

"Dark Mode Enabled" by senseoftheday (12k)

Tech Company AU in which a certain Sales bro with no filter decides to ruin Harrow's life (and feature roadmap) by initiating the cross-functional project from hell. At least, Gideon has the decency to work remotely, and Harrow's new office crush makes some pretty great coffee.

"deconsecrated graves" by emotionsandphenomena (4k)

Gideon and Harrow got out of the cult they were raised in. Okay, what's next?

"settle up in heaven" by liesmyth (3k) ♥︎

“Isn’t this arrogance, Harrow?” Kiriona says. “Think you could fix what God couldn’t?”

"Quoth the Maiden" by Sarsaparilla (10.9k)

The bold outlaws Nova Hawk and Gideon meet for the first time on a narrow log-bridge. But is it really their first meeting? Or: what if Robin Hood and Little John were both lesbians?

"twice in a blue moon" by sinshine (8.7k) ♥︎

Gideon snapped out of her depressing reverie and blinked at her. "That's a really good idea." "Obviously," said Harrow, and it was only a little bit condescending. "Step one, sneak out of the party. Step two, acquire the necessary items at a store. Step three–" Harrow gestured vaguely at the deer in Gideon's hands– "And step four, profit." [G&H rush to fix a smashed snow globe that Dulcinea made so that Cam doesn't kill them before the clock strikes midnight at their NYE party. The fact that Gideon is back in her hometown after a long time away and she and Harrow have unresolved romantic tension is secondary and definitely won't be a problem.]

"It Came From Planet Slut" by LockedTombMemes (8k)

Well. Evidently going undercover to an Idan society fling in order to deliver a message to a high-profile BoE agent was a tits-out kind of look.

"Apostate's Yuletide" by sinshine (12.6k)♥︎

Gideon raised one eyebrow comically high. She smiled easily, erasing any hint of the anxiety that Harrow might have sensed. "What's with all the questions today?" Harrow huffed indignantly and fidgeted with the blanket draped across her lap, worrying the frayed hem with her fingers. "I thought your ego would appreciate the interest." "Yeah, but it's weird coming from you. I'm used to you monologuing, not playing twenty questions." "Perhaps it's a Christmas miracle," suggested Harrow, with an expression so absolutely devoid of joy that Gideon couldn't help but laugh. [Harrow and Gideon burn down a church on Xmas.]

"when it's over" by Adertily (2.5k)

Harrowhark had sworn to herself to live to see the girl in the locked tomb awaken. Alecto has risen. Now God is dead, along with everyone who had ever been dear to her - and Gideon has returned as a distorted creature. The war is over. Harrow wishes she could be too. Or: A character study based on Harrow's suicidal ideation and Gideon's determination to never run anywhere unless she absolutely has to.

"Supernova Bloom!" by sinshine (13k)

"It's just for a week, and then you never have to see me again," said Gideon. "I don't have time to find anyone else." And, "Please." Slowly, Harrow took her hand off the door and cautiously turned around. Gideon watched a dozen unspoken questions flicker across her face. She voiced none of them, but eventually settled on an expression of grim resignation. "I suppose I could suffer you for a week." [Gideon needs help getting her new flower shop ready for the grand opening. Harrow needs cash.]

"I still need your teeth around my organs" by sinshine (7.8k)

Although she was a beloved Daughter and a talented necromancer, Gideon's greatest vice was that she dearly loved to fuck around and find out. Knowing this, perhaps it shouldn't have been as shocking when she lifted one of Nova's hands, flipped it over, and kissed her palm. [4 times Gideon kisses Harrow, 1 time Harrow kisses Gideon]

"cuckoo, cuckoo" by sashawire (1.2k)

What Wake gives it is not a name. To do so would be a moronic, unnecessary cruelty. But she does deign to give it the microscopic dignity of a title, a goal, a purpose. Bomb. Eighteen years later, in the rubble of a once-sacred home, Harrowhark Nonagesimus reaches up and touches Gideon Nav’s grit-covered, blood-rimed face, splits a laugh like the world is ending, and calls her “flower.” * Six times God's unwanted daughter was nicknamed, and once she wasn't.

"my teeth will only cut your lips, my dear" by sashawire (<1k) ♥︎

Gideon chomps into her tongue as hard as she can convince herself, stifling a very dignified squawk. Her eyes water, Emperor’s left tit that fucking hurts, but—it works. Blood weeps from the bite marks, creeping down the back of her throat, up into her nasal cavity, staining her teeth. Okay. She has blood in her mouth. Blood that, somehow, needs to get into Harrow’s mouth. * Step #6: Consume the flesh.

"fifteen percent concentrated power of will" by surreptitiously (9k)

Teaching someone to do a push-up is a love language, when that person is very annoying.

"GHAZAL WHERE I'M BEGGING YOU TO TOUCH ME" by igneousbitch (12k)

You had your body and I had mine, and it was a miracle. Your hands against my face were a miracle. The rest of your meat attached to your hands was a prayer answered and a promise broken, but we were flush and gasping and alive, and Harrow—I really thought you might’ve kissed me then. But I felt it happen. The way your breath suddenly stilled, and your body locked up beneath mine, remembering. How with splintering gentleness, you pushed me away. “I’m so sorry,” was the second thing you said upon waking. The first thing had been my name. Stranded in a safehouse on an Edenite moon, Gideon and Harrow try to put themselves back together.

"catch you on the flip side, sugar lips" by corpsesoldier (4.9k)

Maybe if Harrow's brain runs enough scenarios, she'll find a way to keep what she's lost.

"hand to heart, I swear" by corpsesoldier (5k)

Gideon has a broken heart, and there's only one necromancer who can fix it.

Medium (15-30k)

"If you're doing it right you'll break their ribs" by almostnectarine (22.4k)

"How do you know Nonagesimus has gone somewhere dangerous?" asked Isaac. "Have you wired some kind of alert system?" "It's, uh. It's on the schedule," said Gideon. "I just... forgot. Because of the bread." Nobody was convinced by this, least of all Gideon. "It's a Ninth House thing," Gideon went on, backing away with increasing desperation. This was a slightly more plausible explanation, if only because nobody wanted to look too closely at what fell under the awful skeletal-ribbed and rotting umbrella of Ninth House things. "Gotta go—!" And she was out the door, gone. But it wasn't a Ninth House thing, except inasmuch as it was happening to the only two representatives of the noble and decrepit Ninth House on this quite literally godforsaken rock. Gideon knew Harrow had gone somewhere dangerous—knew that Harrow was back in the lab where they had only just completed a horrible trial—because she could see it, clear as day: an awful overlay on her vision of that terrible dangerous room and a pair of terrible dangerous hands drawing some kind of ward next to the plinth. The hands were definitely Harrow's. This was definitely a problem.

"If Home Is Where the Heart Is (Then We're All Just Fucked)" by JeanLuciferGohard (17k) ♥︎

When Gideon Nav gets a call that her ex-girlfriend, who never bothered to change her designated emergency contact, is in the hospital, she goes against her better judgement and responds. Everything after that just gets more complicated.

"blue gray green lavender" by smolranger (29k) ♥︎

Laser Radial sailor Gideon Nav just wants pass her classes, win a few regattas, and keep her head down. FJ sailor Harrowhark Nonagesimus has grand plans to qualify for the Olympics, preserve her parent's legacy, and save her home town. Despite the ties binding them together, the two have kept their college lives carefully separate for two years. But when Harrow's helm, Ortus, suffers a concussion mid-way through the fall season, their carefully separated lives collide. Harrow needs someone capable of taking Ortus' place for the remainder of the season or her Olympic dreams — and Canaan College's entire sail team — are in peril. And Gideon is her only option.

"Daughters of Hungry Ghosts" by zoicite (24k)

Harrow and Gideon and times they have (and also have not) shared a bed over the years.

"Disney World, Florida" by softieghost (24.6k) [Part 2 of "Holy Cross, Alaska"]

After the events of Alaska, Harrow thanks Gideon the only way she knows how: devotion. -- Chapter 3: The journey concludes. More confessions.

"we've got a good thing goin' " by sinshine (14.6k) ♥︎

“Not to sound ungrateful, but being here makes me wish that you had left me for dead,” said Harrow. Gideon had been staring hard at the face of the fountain’s statue. She was pretty sure that it was carved in the likeness of Naberius himself, but she didn’t want to say it out loud and make it true. She shook her head and turned to Harrow. “Leaving me to live out eternity in your bony sock puppet of a body? Hard pass.” Palamedes and Camilla shared a look. It was the mutual understanding of two people who had been trapped in close quarters with the bickering of Gideon Nav and Harrowhark Nonagesimus for far too long. [Team 69 hide out in Babs's vacation home. Because it's not like he's using it anyway.]

"Cake by the Ocean" by zoicite (15k)♥︎

Okay, so the thing was, Gideon had always been shit at plans. She knew that. Everyone knew that, but this--she really didn’t think it would be this hard! Gideon’s voice was like the least memorable thing about her. Bargaining her voice for a well-shaped set of human legs--that really should have worked in her favor.

"careful fear and (un)dead devotion" by sinshine (23k)

[Gideon and Harrow wake up back in their own bodies but both of them are missing large parts of their memory. Camilla tries not to kill everyone.]

"who ya gonna call?" by igneousbitch (24k)

“Fret not, honeybun.” Gideon shook her red hair out of her eyes, belligerent. “I’m not totally sold on your whole skepticism thing.” “Well,” Harrow said, ignoring the nickname. She turned to the rest of the room, clearing her throat politely before addressing the empty air. “Ghosts, if you’re real, give us a sign. Make a noise. Move something. Send a shiver down our backs. Whisper softly into Nav’s left ear—” “I seriously fucking hate you.” - (Casual sex and paranormal investigation. Not necessarily in that order.) (or: the Buzzfeed Unsolved AU in which Gideon is ready to fight a ghost, and Harrow just wants to be haunted.)

Long(>30k):

"Beneath a Blue and Foreign Sky" by zoicite (35k)

Harrow has a decision to make.

"A Heart Full Of Sutures" by Rohad (40k)

All Gideon wanted was to get outside and ride her motorcycle. No part of that plan had included eight weeks in Canaan Medical Center with a broken Pelvis and the meanest little doctor this side of the eastern seabord.

"Midnight at the Mithraeum" by zoicite (66k) ♥︎

It'd been two years since Gideon Nav gathered her wine key and her gaming license and escaped The Locked Tomb, a speakeasy-style cocktail bar managed by the hateful Harrowhark Nonagesimus. Now, dealing tables at The Mithraeum Hotel & Casino, things were really looking up. So when Gideon scored a date with the most beautiful showgirl in the Gilded Halls of Ida, the last thing she expected was to wake up married to her old nemesis and former coworker. The story starts the night of Gideon's date and alternates between the events leading up to the wedding and the weeks that follow as Gideon tries to navigate life married to someone who claims to want nothing more than to forget she exists.

"Between the Devil and the Deep Blue Sea" by pipistrelle (90k)

Being the journal of Reverend Daughter Harrowhark Nonagesimus, chronicling the journey of the Emperor's warship Cenotaph on its hunt to slay an immortal Resurrection Beast. Or: the Moby Dick crossover AU that nobody asked for.

"The Darkest Night, The Brightest Light" by eternaleponine (50k)

Harrowhark has known for a long time that her home's financial situation is dire, and not getting better. She has plans to fix it all, but can't implement them until she turns eighteen in a few months. When her parents announce that the best (perhaps only) way to save Drearburh is to marry off its heir, Harrow realizes the timeline has changed and she needs to take action now to save her home... and herself. Desperate times call for desperate measures, after all. Enter Gideon Nav. Detested foe, and Harrow's only hope.

"putting your fist through a thick sheet of glass (i know you don't want to)" by oretsev (46k)

Harrowhark Nonagesimus and Gideon Nav have always been at each other’s throats, and the animosity has only intensified since the death of Harrow’s parents. But when a car accident leaves Gideon without any memories of her past, Harrow sees a chance at the clean slate she’s wanted for years. Becoming involved in Gideon’s recovery assuages some of the guilt, but as she and Gideon become closer and increasingly involved in each other's lives, Harrow worries that some of her secrets may be more than she can atone for.

Ongoing:

"semi-charmed kinda life" by strangedelight (182k+) ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎

Gideon asked questions. Harrow surprised her with answers. They reached an agreement; they decided to be smart, to be patient. Gideon made a promise, Harrow gave her one in return. Wait and see. OR the year is 1994, and Gideon and Harrow leave their small town for life in the city. OR team 69 roommates au only this time it's the 90s

"Intern the Sixth" by apocalypticTaco (33k+)

ADDRESSING THE HEIR TO THE NINTH HOUSE, OR PRESUMED EQUIVALENT: PALAMEDES SEXTUS, HEIR TO THE SIXTH HOUSE, PRESENTS HIS COMPLIMENTS TO THE NINTH AND REQUESTS A FORMAL ARRANGEMENT WHEREIN HIS MASTER WARDEN AND CAVALIER APPRENTICESHIP UNDER THE NINTH FOR FOUR YEARS IN EXCHANGE FOR THE SIXTH’S SERVICES. *Details to be discussed. Please turn to back page. Timeframe variable. Services and agreements variable upon the Ninth's request. An internship of this caliber is highly unprecedented and likely unheard of, but any information valuable to the Ninth and into the Tomb will remain undisclosed upon request; Primary experience and study is required as the Master Warden has already decided upon such being his final thesis prior to his end studies. No takebacks, no denials. Pleased to meet you. Palamedes Sextus, Heir to the Sixth and Master Warden and Camilla the Sixth, Cavalier Primary and Warden's Hand of the Library

TO THE MASTER WARDEN: FORMALLY REJECTED.

"What's Eating Gideon Nav?" by labyrinthineRetribution (40k+)

After a miserable fifteen years at Blessed Saint Anastasia's School for Girls, Gideon's luck finally changes.

"We Have Always Lived in the Apartment" by labyrinthineRetribution (171k+)

John looks up from his Jack and Coke in drunken curiosity. "What's with the face, Harrowhark?" he asks, genuinely concerned. "Contrary to popular belief," Gideon butts in, "her face just fuckin' looks like that, bitch." She tends to use "bitch" as liberally as commas when off her ass. "You're piss drunk," you shoot back. "And you, my good bitch, are just as contemptible as the day you clawed your way up from Hell." - It is Harrowhark Nonagesimus' birthday, and it only gets worse from there.

PWP (basically):

"I'll hold in these hands all that remains" by corvidlesbian (6.5k) ♥︎

“Do you want me to try?” Gideon said. “What?” “You got all hot and bothered without me trying. Do you want me to try?” Their newfound habit of cuddling gets interesting.

"sting of a wasp" by brightbolt, imperfectlyctor (42k) ♥︎

"You’re a virgin,” Gideon said, testing it out. "Huh." Harrow didn’t like the sound of that huh. She knew Gideon’s noises, and that was a thoughtful, sinister huh. That was the same huh she’d made before putting canned tuna in Crux’s work boots. Her eyes narrowed. “What.” Gideon cocked her head to the side. “Is there a reason you’re waiting?” There was no judgement in the question— only genuine curiosity. Perhaps it was this that made Harrow more inclined to answer. “I don’t have the time to look for someone new,” She shrugged. “And my available pool is… somewhat limited.” “Well,” Gideon said, with just a hint of conspiracy in those glittering golden eyes. “If you ever want to change that, you have my number.” What? What? Harrow blinked. “What?” Or: the five times Gideon and Harrow successfully bone, and the one time they don't.

"Suckle, Honey" by zoicite (7.9k)

“You crave my juice,” Gideon accused. “I do not crave your juice.” “Fuck, you do though. You went off to explore that study alone, without your cavalier, using a key that I nearly gave my life for, and then you snorted some powder that made you crave my juice! Harrow. I never would have let you sniff powder from a ten thousand year old jar.” This was untrue--Gideon probably wouldn’t have noticed Harrow breathing in a puff of jar powder until it was too late--but it sounded like something Camilla Hect might say, so Gideon went with it anyway. Camilla definitely would have stopped Palamedes from accidentally sniffing old as fuck Eighth House jarred juice addiction powder.

"Five Times We Hatefucked and One Time We Didn't" by rnanqo (8k)

“Fuck you,” you said. “Fuck me yourself, you coward.” You ran a hand through my hair, fisted it, and pulled my head up. From here I had a spectacular view of your weird blown-out seething expression, like I was the worst thing you’d ever seen. Also a view up your blood-crusted nostrils. Choice. “Maybe I will, Griddle,” you said. “Maybe I will stop fucking you over and start fucking you." Gideon and Harrow realize, abruptly, that their hatefucking is no longer hatefucking.

"a call to motion" by groundedsaucer (coasterchild) (10k) ♥︎

Harrow and Gideon watch a porno.

"put her canine teeth in the side of my neck" by stranded_star (8.8k)

Harrowhark Nonagesimus is getting a PhD and a divorce. Against her better judgment, she goes out to the bar to celebrate and meets an incorrigible, absolutely ripped salt-and-paprika butch who takes her home and gives it to her good. To her horror, it's the best night of her life, and she sneaks home with her tail between her legs. Harrow has more important things to worry about - like raising her daughter and building the next stages of her career. But when her daughter's favorite teacher, someone named Griddle, turns about to be the Gideon she met at the bar, she's forced to contend with allowing herself (and her daughter) to find the happy ending she never thought they'd have. Featuring MILF!Harrow, Teacher!Gideon, and a very amused Camilla Hect.

"The Wound That Swallows" by seelieunseelie (7.8k)

Harrow can make out an uncomfortable amount of detail about Gideon’s body beneath. Powerful, strong as ever, yet somehow vulnerable for its supplication below Harrow’s. “Are we gonna get this over with?” Gideon says in a voice softly scratchy. She blushes then when Harrow sits on the edge of the bed. “It will hurt,” Harrow says. “Yeah,” Gideon says. “I think I can handle it.”

[bluewolfangel01]

I feel uhhh so silllyy for requesting this but what if sheep mc snapped at like the brothers cuz there’s no way their 100+ year old asses are still acting like angsty teenagers (MC has a delusional joy moment😔😔😔)

It's okay, this is a very interesting request and I'm glad to do it 😁

I will specifically be writing Mc as a sheep like in the manga cause tiny pissed off sheep going off on tall and powerful demons is hilarious (sorry for the wait btw)

angy Mc is funny Mc and you can't change my mind

(I headcanon that the brothers sense their sin on Mc/you btw)

-Angy Mc-

Satan was the first one to sense something was up after a few minutes after his brothers and him started arguing

At first he wasn't sure what he was sensing, until he realized that he felt his sin, pure festering wrath

The worst part? He realized that it coming from Mc, who oddly enough was just sitting quietly on the couch, blankly staring at their phone in front of them

Satan went quite

Which caught the attention of the other brothers, who also turned their shouting at Satan, and even though Satan was very tempted to strick back at them, he held his tongue for once

Mc: "Can you all not fight, argue, or yell FOR ONE DAY?!"

It was at this point the brothers knew, they f#cked up (and went silent)

Mc: "Honestly, I know yall are brothers and demons so this kinda stuff is bound to happen but for Diavolo's sake this is getting ridiculous!"

Mc: *points hoof at Belphie* " Belphie. I know you're the avatar of sloth and therefore sleep a lot, but you can't solve all your problems and grief by sleeping the time away constantly, and the youngest brother brat thing doesn't always make you endearing!"

Mc: *points hoof at Beel* "Beel. I know you have survivors guilt but Lilith ended up living with humans like she wanted, Belphie doesn't need you standing up for him all the time, and you needn't continue to try to fill the hole inside you by eating in a restaurant that has no more food when you could just go down the street to another food place!"

Mc: *points hoof at Asmo* "Asmo. I know you ~get it on~ mainly to distract yourself from your troubles, to make yourself forget even just for a bit, sometimes but you can't push those feelings down forever, so actually talk with someone, anyone, about whats bothering you rather then trying ignore it! And stop hitting on your brothers, it's kinda weird!"

Mc: *points hoof at Satan* "Satan. I know you have an inferiority complex when it comes to Lucifer, but for the love of Diavolo, you wouldn't be called Satan, avatar of wrath, if you were like Lucifer in the first place. You have blonde hair and like cats, Lucifer has black grey-ish hair and likes dogs. AND THATS JUST THE START OF THE CONTRASTS! You are your own person, get that through your thick skull!"

Mc: *points hoof at Levi* "Levi. I know that it's easy to compare yourself to others and not at least feel somewhat bad about yourself but how do you not realize that you're the best tech wiz we got, an amazing gamer, and the most dedicated being I've ever seen in my life! So if you think that you're not good at something think again!"

Mc: *points hoof at Mammon* "Mammon. How in the whole Devildom is the Avatar of Greed almost always poor?! Also I know you are a material gorl, but items and things can't fully fill the void that you feel, so stop acting all emotionally constipated and just ask for affection if you want it!"

Mc: *points hoof at Lucifer* "And you Lucifer. I know you're the eldest and the prideful one, but there is such a thing as shouldering too much and being stubborn to a fault! Ask for help and for Diavolo to lessen your workload every once in a while! And stop not telling your brothers important things, rather then being all secretive to try to 'protect them' youre just hurting yourself and them cause of it!"

Silence was all that could be heard in the House of Lamentation, the brothers still as statues with varying amount of widened eyes, staring at the small being that they cherished that had just ripped into them so aggressively

After a minute ofa dead silent pause, Mc turned off their phone, hopped off the couch and started walking to the living room exit

Mc: "Honestly, I didn't expect to become a therapist for demons when coming here, and now I can't even read my enemies to lovers book in even somewhat peace.... I don't get paid enough for this."

They then disappeared from the brothers' sight, left to wrap their heads around what just happened

And the arguement that started it all? Who was going to make dinner that night

[kbsd]

don't worry guys, i fixed it

[ask-queen-arti]

Soooo, you loved so much that you were violent yet were so violent you couldnt love? Yikes thats one heck of'a ratio there.

(a only semi-serious ask, to start of with, anyways I wish you luck with da blog! Have a good day and or night!)

[tangents-within-tangents]

Thoughts on Echo as amputee/disability representation

First and foremost, I am not disabled or an amputee and I don’t claim to speak for those communities (and if I was I couldn't speak for everyone). What little I do know mostly comes from this youtube channel (@oakwyrm), this post, and other research I’ve done for my writing (and like one amputee I kinda knew in passing). By all means correct me and add to the conversation, I just have some thoughts I want to share because I haven’t really seen this discussed anywhere

Overview

So Echo is interesting. He is a triple amputee which is pretty rare in media. His disabilities come from extremely traumatic circumstances: injured in a near-death experience, imprisoned and dehumanized as an experiment with no autonomy over what happened to his body.

There are a few moments in the shows where Echo is treated… questionably. Like this bit where Rex uses him as an example of the Separatists' evils to convince the locals to fight back:

To be fair, yeah Echo’s treatment does prove that the Techno Union is not neutral like they claim. The modifications that everyone is gasping in horror at here obviously weren’t made with comfort and accessibility in mind, nor with Echo’s consent. But you still just want to be sure that “They took away his freedom, his humanity, they tried to turn him into a machine” is about using him as a living computer, not the fact that he is missing limbs. 

The Batch is also pretty insensitive toward him and his trauma imo, which is weird considering they've supposedly also faced discrimination for their mutations

Disabled people do have to deal with stuff like this in this day and age so I guess it can speak to those experiences. I think especially him being mistaken as a droid (and Hunter going along with it (bruh)) might resonate with some people. 

Aside from that stuff, Echo isn't really treated any differently as a character/person which is really good (as low of a bar as that is).

We get this moment in CW where Echo contemplates that yeah things are gonna be different now

While also (imo at least) showing that he is still the same person regardless, evidenced by the fact that he just echoed Rex :,) I also think it's significant that he joins the Bad Batch on his own terms and we're given a really emotional scene to specifically show that he's not just like 'lumped in with the other misfits' but that it is his choice to go where he feels his place is.

A lot of people, myself included, are disappointed that TBB didn't have more time to explore Echo's PTSD, but I think the one panic attack scene we did get is really good. Even thought it's minor it at least is an appropriate reaction from a guy who was medically tortured (which is more than I've come to expect from Star Wars shows lol)

And it's really sweet to see Omega showing Echo some empathy and consideration.

It would have been nice to see more of his adjustment period, and other side effects like chronic pain and maintenance, but there’s a lot of daily life stuff the show never had time for (i.e. we don’t know if he removed his prosthetics to sleep, but we also never saw him sleep anyway). His disabilities might take on a background role (much like the character himself sadly) but for the most part they aren’t invisible or erased, nor do they define his character and arc.

Physical Appearance

Okay this one is bit dicey, bc on the one hand, yes complaints that Echo’s paleness (most likely caused by burns from the explosion or chemical burns from the cryo-chamber) is whitewashing are totally valid. But I also think you can draw comparisons to real life conditions that affect pigmentation/complexion (like you know burns). So while I understand why a lot of fanart will depict him with his original skin tone and with hair, consider that there are real people who have to live with temporary or permanent changes to their appearance, and the idea of “fixing" him by making him look more like his old self can be problematic.

It's also interesting to note that Echo could act as a reversal of the 'disabled/disfigured = evil' trope. He's pale and bald and wears black and red, which is so often visually associated with villains, but we all know Echo is the bestest boy™

The Headpiece

Echo’s headpiece is interesting because within the show we don’t actually ever learn much about it (idk if there is more info in books or whatever bc i don’t have them so?). He didn’t have it in CW so we know it didn’t come from the Techno Union and therefore Echo probably had more choice with it. We don’t know its exact purpose but it’s most likely related to his scomping abilities. When he is hacking with his scomp in CW, before he has his headpiece, it’s clearly very mentally straining:

We don’t see him struggling like this in TBB once he does have it (though that could be bc he got more used to it over time). There doesn't seem to be much of an impact when he removes his headpiece in s3 ep14-15, except that he gets stuck in the ports every time he uses his scomp which is not something we’ve seen before: 

There might not be an exact real-world equivalent, but the headpiece is some kind of accessibility aid. It means that someone specifically designed a device to help him adapt to the changes the Techno Union made, as well as a helmet that integrates it. It’s removable and visually very present, much like a cochlear implant would be. (A lot of people actually headcanon it to act partially as a hearing aid, since it makes sense that Echo’s hearing would have been damaged in the explosion, but there isn't really any indication of this in canon.) The headpiece is never really acknowledged in the show, but I think that's a good thing. It's something he needs/wants and it just exists, completely normalized, and that's pretty cool 👍

Legs

Sigh... So from the very first episode of TBB I was really disappointed that the animation team or whoever completely visually erased Echo’s prosthetic legs (I think we all were, honestly, if fanart is anything to go by). It’s one thing when he’s in armor because he would probably want to protect his prosthetics, but we literally see him in his blacks and there is no indication whatsoever that he lost his legs even though it was not left up for debate at all in CW:

Like ??????!?

This is just really strange to me! Idk what went on behind the scenes with this decision but I don’t really see why it would be that much harder to animate or anything since it’s 3D and they've done it before. We do see some pretty sophisticated cybernetic technology in Star Wars canon that mimics real limbs:

But Luke’s fancy hand is technically 20ish years from now, so Anakin and Maul are more of a representation of what level we could expect here

So yeah, for no apparent reason, his leg amputation is effectively, visually and narratively nonexistent. Which is not great 👎

Arm!

The scomp on the other hand (uh lol!) is the complete opposite and I kinda love it!

At first I, like many others, thought it was a bit odd that they didn’t give Echo a prosthetic arm. Losing hands is basically a Star Wars tradition at this point, so robotic arms/hands are well established within the worldbuilding: 

We aren’t necessarily given a canon reason for why Echo doesn't get a cybernetic arm (again unless it's in some lore book I haven’t read, sorry). General fanon explanations I’ve seen are that he either couldn’t because the Techno Union wired the scomp too far into his nervous system, and/or the resources to give him one were deemed too expensive for a clone (what about his legs tho?), or that he chose not to, usually because he thought the scomping was useful. 

Regardless, I actually really love this choice (and it's the whole reason I made this post), because here's the thing: There’s a lot of problematic tropes out there that either erase/cure disabilities or compensate them with perks (like how pretty much any blind character is actually not blind by some sort of magic power). With amputees that is done with robotic arms. The character is still an amputee or course, and there is still value in that representation, if this story from Mark Hamill that makes me tear up is anything to go by:

but for the most part these characters function like anyone else, just with a limb that looks a little different. It’s no more than a video game skin, an able-bodied actor with a green screen glove. It “cures” the disability, or it actually makes the character even stronger than usual: 

It usually makes sense within the world of the story, but the reason it’s not so great in my opinion is that in the real world we just do not have technology anywhere close to that yet. Prosthetics can more or less replace any mobility from lost legs, but not for all the complexities of a hand (and even if they could the average person wouldn’t be able to afford it).

So

I think it's actually really super cool that Echo’s scomp bypasses the canonically-established amputee erasure and functions much like a stump would irl. He integrates it into his movements and everyday life and it’s (as far as I know) a lot closer to an everyday amputee’s experience. 

It doesn’t define his character, it doesn’t hold him back, he lives a full life, the other’s don’t treat him any differently, and he’s still a total karking badass 

The only additional thing is that he sometimes uses it as a weapon (which given his story, I think it’s cool to see him taking back autonomy in a way, and we only see that like twice)

And also the scomping, which could be seen as the 'added/compensating superpower' trope. But narratively it's no different than if he was plugging in with a hacking gadget of some kind (he didn't necessarily "need" to lose his arm for it) and it’s not like Echo is completely defined by this skill. Personally, I think it's well worth the positives of him actually having a visible and realistically impactful amputation. 

I see a lot of posts or comments out there that say stuff like “how come Echo doesn’t get a hand?” or fanworks that do give him one and I just think it’s a bit of a shame. If he did get a robotic hand, it just would have disappeared the same way his legs and Anakin’s arm did (aside from that one time he got yoinked by a magnet). When Echo did “get a hand” in the last two episodes there were comments like “yay he finally got a hand! but it doesn’t even work” but I was actually so relieved that it didn’t! Bc for one thing that wouldn’t make any sense, he grabbed it off a droid, it wasn’t designed to implement with his scomp, that would be really complicated. But more importantly because it again refused to erase/cure his disability! It functioned like a real-world cosmetic prosthetic (useless beyond appearance) which is exactly what he needed it for, so that he could blend in better with his disguise.

And he continually took it off throughout the episode and ditched it at the end. He only used it for the necessity of a stealth mission, he doesn’t feel the need to visually “fit in” in his daily life. 

And, last but very much not least, he made a dad joke and from my intel that is very accurate representation!

TLDR: Echo’s scomp is actually really cool from an amputee representation perspective, especially within Star Wars, and I think that deserves some appreciation 

[northern-passage]

a little update.. what i'm working on/prologue changes so far:

no prologue! it’s chapter 1 now

removed the option to leave clementine behind. you have to take them with you :3c

removed height options (sorry!)

in general, edited the cc to flow better

combat preferences have been adjusted-- all still the same but i've made it more obvious how each specialty works mechanically which will hopefully make fights more intuitive to win (or lose, if you want)

genderlocked the sibling. officially a Sister

edited a LOT of dialogue; hopefully it's an improvement and feels more natural

restructured the wraith fight so that it's consistent with the fight in blackwater. with the changes made to the combat preferences this should make the combat system overall cohesive now <- i'm still working on this currently but i am HOPING to finish it by the end of this month.

i have pretty much rewritten the entire prologue. wasn't my plan at the start but here we are... so things are quite different. but also the same. i also streamlined a lot of the choices & branches and cut/combined ones that i felt were just excessive.

i plan to update once i've finished making & importing these changes, and i will probably limit the demo to chapter 1 (previously the prologue) until i get through and edit chapter 2 (previously chapter 1) because i really don't want to have the demo be inconsistent for however long it takes me to get through the next edits. hopefully this will not take that long, and then i'll put chapter 2 & and part 1/what's already been published of chapter 3 back up. and then!!! i will move on to finishing chapter 3.

i know this probably isn't the update you all were hoping for but i'm excited for the next steps with tnp :-)

[fistfuloflightning]

I’ll never get there, but if I put the work in, maybe I’ll get close enough that I can chase just behind perfection — and have a front-row seat as you achieve it.

Chapter 20, Cultivate by @neonghostcat

[fulgurbugs]

alright i’m done take it off my hands

[retroautomaton]

✨NEW starscream zine’s now up!✈️

just a whole bunch of little comics and if that’s up your alley, give it a look!

Now on Ko-Fi! ☕️

[olasketches]

sukuna with his hair down send post

[marley-manson]

Hawkeye and Frank are the two most diametrically opposed characters on Mash. They clash politically, ideologically, emotionally, intellectually, and even physically on more than one occasion. There is virtually nothing they agree on. But they do have one significant similarity: both Hawkeye and Frank are notably, pointedly effeminate.

Hawkeye is the central protagonist, so he's written to be likeable, even admirable, especially in the first five seasons of the show when satire dominated rather than character drama. He's the character who makes the correct political points and voices the show's ideology, and male audience members are encouraged to identify with him and aspire to be like him. He's witty, he's smart, he's charismatic, he dodges consequences a lot, he's highly skilled in his work, and he has a strong personality and natural leadership qualities.

Frank is the main antagonist up until the end of season five. He's written for audiences to hate him, mock him, and occasionally be horrified by him. He's dull-witted, incompetent, awkward, easily led and manipulated, and always gets his comeuppance. Few audience members are likely to aspire to be more like Frank Burns.

And yet, while most likeable protagonist/detestable antagonist duos in American popular media would also be differentiated in terms of gender performance as a matter of course - the effeminate villain being a standard stock character, always set against a ruggedly masculine hero - Mash takes a different approach.

From his core personality as a sniveling, weak-willed follower, to the way other characters, including Hawkeye, routinely make fun of him by comparing him to a woman or insinuating that he's gay, Frank Burns certainly fits the part of weak, emasculated villain. What's more interesting, and much less commonly seen in Hollywood media, is that Hawkeye is portrayed as just as unmanly, and just as, if not more prone to having it pointed out in the show.

Often Hawkeye's jokes at Frank's expense include the implication that Hawkeye is attracted to him himself, and not necessarily as "the man." He jokes, "Guess it's a marriage, Frank. I know I can do better, but at my age, can I wait?" in Hawkeye, Get Your Gun; he switches from calling Frank one of his vampire brides to taking the feminine part in post-coital pillow talk after siphoning his blood in Germ Warfare; he kisses or tells Frank to kiss him in Major Fred C. Dobbs, For the Good of the Outfit, and Bulletin Board, etc.

Other times, the jokes Hawkeye makes about himself are virtually identical to the jokes made at Frank's expense - their respective attractions to Margaret as a potentially dominant sexual partner, eg, with both Frank and Hawkeye portrayed as eagerly submissive. For instance, in 5 O'Clock Charlie Hawkeye jokes about tying Frank to Margaret's tent, then dismisses the thought with, "He'd probably love it. I know I would." And Hawkeye/Trapper and Frank/Margaret are sometimes paralleled as dual couples, Hawkeye and Frank usually being framed as the more feminine partner in each.

And of course, unconnected to Frank, there are many, many more examples of Hawkeye's effeminacy, both in jokes and in personality traits.

Hawkeye is a self-professed coward who is loud and proud about how terrified he is to be stuck in a war zone. He's emotionally open and highly empathetic, always willing to listen to others' problems and discuss (or scream about) his own. He abhors institutional violence and faces every enemy combatant with his hands firmly in the air. When authority is thrust upon him he strives to relinquish it, and uses it as little as possible.

More shallowly, he has little interest in sports and exercise, derides masculine hobby magazines like Field and Stream and Popular Mechanics, is incapable of performing mechanical tasks to the exasperation of others at least four times (Comrades in Arms which explicitly frames this emasculating, In Love and War, Patent 4077, and Hey, Look Me Over), mocks traditional masculinity in many ways, and enjoys musical theatre and Hollywood gossip. And he makes and takes literally hundreds of jokes about being unmanly and having sex with men himself, many more than he makes at Frank's expense.

But while the jokes are at Frank's expense and meant to belittle him, they're rarely made at Hawkeye's expense, especially in the first five seasons. Hawkeye doesn't make the jokes out of self-deprecation, he makes them out of pride and a desire to differentiate himself from the army men he's surrounded by. He's almost always in on the jokes others make about him, rather than offended - Potter telling him to file a paternity suit against his rival in Hepatitis makes him laugh delightedly, and Trapper's remarks on his effeminacy, such as Miz Hawkeye in Hot Lips and Empty Arms, are sometimes lightly teasing but always a regular aspect of their dynamic that Hawkeye enjoys playing up. Frank doesn't make any jokes directly mocking Hawkeye's masculinity that I can recall, beyond vague "pervert" and "degenerate" remarks, which, while often historically homophobic, in the show's context tend to be treated as a reference to his heterosexual endeavours.

Frank's effeminacy is a point of mockery and derision, but Hawkeye's is a point of pride, and not intended to make him any less likeable to an audience. Antagonists don't get to score points off of Hawkeye by mocking his feminine traits, but Hawkeye makes fun of Frank regularly by mocking his feminine traits.

This difference in framing can partially be explained by the nature of their respective gender performances.

While Hawkeye and Frank are both effeminate, they're effeminate in many opposite ways. Frank is weak-willed while Hawkeye is strong-willed. Frank is unappealing to most women, while Hawkeye is something of a lady's man. Frank cannot face his fears to rise to a challenge, but Hawkeye can. But on the flipside, Frank refuses to admit to fear while Hawkeye openly proclaims it. Frank strives to attain authority while Hawkeye refuses it or takes it on only begrudgingly. Frank is obsessed with guns to a freudian extent while one of Hawkeye's most famous monologues of the show is a speech about refusing to carry one. Frank worships the concept of traditional masculinity even while he can't perform it himself, while Hawkeye mocks the concept and would refuse to perform it even if he could.

The Sniper is an excellent case study of these contrasts. In this episode, Hawkeye is effeminate and at ease with it, while Frank is desperate to prove himself masculine. Frank and Margaret flirt with strong Freudian overtones while Frank shoots a gun while nearby Hawkeye flirts with with a nurse with a line about "tasting" her. Hawkeye connects with the nurse he's wooing by relating to how scared she is and huddling in fear with her, while Margaret demands that Frank prove his masculinity by going out and taking down the sniper himself. Frank carries a gun while trying to approach the sniper, while Hawkeye carries a white flag. Frank tries to make fun of Hawkeye for wanting to surrender, but he can't bring himself to approach the sniper while Hawkeye does.

This contrast of gender performance is a consistent aspect of Hawkeye and Frank's dynamic throughout the show, but The Sniper makes it a central theme so it's a useful example to show how their relationships to masculinity are a deliberate aspect of their dynamic.

And while Hawkeye makes fun of Frank's femininity, it's significant that he also regularly makes fun of Frank's masculinity - his love of guns (eg The Sniper), his sexual affairs (eg the exchange about Frank as a "fantastic performer" in Yankee Doodle Doctor), his numerous attempts to exert authority (eg Welcome to Korea), his desire for socially approved success (eg Hot Lips and Empty Arms), etc.

Both masculine and feminine sides of Frank are comprised of negative character traits, while Hawkeye embodies the best of both - emotional expression and healthy ways of coping by talking about his feelings; bravery but not machismo; intelligence and skill as a doctor rather than an officer; empathy and a willingness to listen; sexual prowess but largely through his love of foreplay rather than his dick game (which, in the context of the early 70s, is a somewhat feminine attribute that distinguishes him from a typical traditionally masculine man); etc.

Hawkeye demonstrates some of the most appealing and healthy qualities of both masculinity and femininity while Frank demonstrates, or strives to demonstrate, the more toxic qualities of both. Through including a few positive masculine traits in the mix, the narrative is able to depict Hawkeye as likeable, admirable, and desirable in his effeminacy while Frank is depicted as loathesome in his. Hawkeye gets one of many, many women in The Sniper by showing vulnerability, while Frank only appeals to Margaret, and Margaret is portrayed as borderline pathological in her sexual attraction to violent masculinity (the scene where Frank excites her with his gun, for example, also includes an electra complex joke, and there's a running rape kink gag in this episode as well).

Another aspect to consider when it comes to differentiating Hawkeye and Frank's respective femininities is hypocrisy. Similar to how Frank and Margaret's affair is mocked because they can't admit to it while Hawkeye and Trapper's affairs are glorified, part of what makes Frank's effeminacy so mock-worthy, while Hawkeye's feminine qualities are a source of pride and rebellion, is that Frank refuses to admit to them.

Frank desperately wants to be the ideal heroic army man and often play-acts the part, poorly. When Hawkeye mocks him by calling him a woman, for example, he's drawing attention to Frank's failure to live up to his own ideals. And when Hawkeye calls himself a woman, he's mocking those same ideals. The message is that Frank is pathetic not so much for failing to be traditionally masculine, but for wanting to be traditionally masculine at all.

Ultimately the ways Hawkeye and Frank perform masculinity and femininity are pointedly in opposition, from which masc and fem traits they embody, to how proudly they embody them. The show itself draws attention to these gendered similarities and differences between Frank and Hawkeye through a constant barrage of jokes, and even whole scenes and episodes. In this way the show portrays Frank as a hypocritical loser who wants to be masculine but fails to embody all but the worst traits, and Hawkeye as a cool, admirable guy who disdains the traditional pillars of masculinity and embraces his own effeminacy.