#thomas doherty base icons

[argentangelhelps]

151 ICONS OF THOMAS DOHERTY IN HIGH FIDELITY

all icons are free to use with credit to @argentangelhelps !

you may edit to your liking (add borders, psds, textures ect)

do not use for : celebrity/real person rps or paid commissions, everything else is up to user discretion. (don’t make me change this rule)

they are edited (sharpened) in ps, however they are meant to be used under the psd of your choice! if you choose to use them as they are they should work just fine! they are 75px square and do not come with any borders.

all screencaps used are my own, and they are available for download should you be interested (send an ask to this blog!)

FACECLAIM INFO : thomas is white (scottish)

TRIGGER WARNINGS : drinking, shirtlessness, kissing/implied intimacy

the zip file is free to download on my PAYHIP!

LIKE OR REBLOG IF YOU SAVE OR USE!

[galacticrph]

By clicking the source link you’ll find 99 icons (200x100) of THOMAS DOHERTY in his role as SEBASTIAN on LEGACIES (season 2, episode 13). Bases are cropped by me. Screencaps are by @hq-screencaps​​. PSD is by @evansyhelp​​​. Border is not by me. Do not claim you made them. Do not redistribute. Please like/reblog if saving.  

[runaways-withme]

Dear Descendants,

I’ve started this letter immediately after I realized this blog exists. I’m not as good at words as I wish I was so I admittedly was putting off making sense of my tear stained-feelings on this page. With something like this, I don’t think words will turn out perfect but that’s okay. So here it goes. 

When I saw the first commercial for Descendants, I remember thinking it looked kinda tacky. I was lowkey teasing how it looked visually and one of the lines that a character said. It didn’t look like anything that made any sense. Then, my opinion turned from a negative one to a positive because of the line with Ben telling the VKs that they don't have to be like their parents. That stuck with me. Without getting into detail, I don't come from the best family.  I never would want to treat anyone younger than me like I was treated. So what Ben said really rang true for me and got me to actually watch it.

Despite me thinking the movie looked too weird and not initially thinking I would like it, I got hooked on it when I watched it for the first time. I love musicals and I love Kenny Ortega from his other works. I have never seen a disney movie quite like this.  This movie and it’s messages are so special to me. I relate to the characters and what they went through. I loved how it was able to be goofy and fun, alongside being very real. 

We meet the four kids who are mostly judged for being evil just because their parents are villains. These kids went through childhood trauma and bad living conditions. It took one person believing in them and their own friendship to realize how they are worth so much.

The scene that really got to me while watching was when Lonnie was talking about chocolate chip cookies how her mom would make her cookies to cheer her up when she’s not in a good mood as an act of love. The VKs never had anything nice and caring from their parents so you just see the sad look on their faces. Lonnie says “I just thought.. even villains love their kids!” with a smile on her face. She looks to the four and then has empathy when she realizes they really have it hard and starts crying. That hit close to home but I loved how it really shows that not everyone has a good relationship with their parents. It also had a character from the outside have a care and understanding of their situation, which they never really had from anyone who wasn’t Ben. 

 I went from hating it from my first impression to listening to the soundtrack on repeat and being one of the things that made me feel good. The songs personally being better than actual artists on the radio. I also love how genuinely amazing the choreography are.  Positive messages of being yourself despite what other people want and expect from you. The diversity within the cast and characters. That a woman's worth should never be based on a man but on our own attributes like being strong, smart and other talents. That women should be seen as equal than men. The message that we can all pave other own path and choose good. It showed that royalty aren’t automatically good or better than the isle kids. These VKs are misunderstood and deserve a chance to be good. People should have compassion for each other. We shouldn’t judge people just based on where they come from. They taught me about friendship and loyalty. To believe in yourself and each other. 

With the last movie, they don’t want the other VKS to go through the same things they know happens on the isle. It has its flaws but I just have so much love for these characters. I felt like everyone finally got the happiness and freedom they always wanted. It's an amazing conclusion to a franchize and as a fan, I feel like it’s everything that I wanted for a long time. Descendants was a part of our lives for 5 years and will still hold an importance for many more. 

The cast’s real bond that they have with each other  is one of the amazing things I loved about it. You can’t fake a friendship like that. I also love that in real life they do stand up for what they believe in with supporting lgbt rights, and embracing diversity. 

To Dove, you’re a phenomenal singer and actress and I’m glad that I was able to see you have a lot of success. I love you for supporting poc and and loving women. Mal taught me that you can even come from one of the worst situations but still choose to be better than what you went through and how you were treated. 

To Sofia, I don’t know of someone as graceful and kind as you. You mean a lot to me. You have an amazing voice and a great actress. Evie taught me that friendship is very important and girls are worth more than that superficialities. We can be smart and have many talents that and our worth is named based on being associated with guys. 

To Booboo, I loved you since T-squad and love you in everything I’ve seen you in. King of doing your own stunts, I love you for representing your culture. I love how friendly you are and how caring you are. Jay taught me that relying only on yourself can only take you so far and having a sense of community and teamwork is so important. 

To Cam, I don’t know you personally but you made an impression on everyone who was able to even know of you. I never watched Jessie but I remember you being a tiny kid on disney and seen you in the grown ups movie. You are such a fun and loving person. You lived life to the fullest. I remember watching an interview where you said that as a kid you really loved to dance but you stopped at one point. Descendants got you to get back to dancing and being something you love and are passionate about. I remember seeing you dance in Did I mention and saw that you were a natural and phenomenal dancer. Your talent shined again in D2 in Chillin like a villain. Your portrayal of Carlos meant so much to me. Being a good natured and caring kid who happened to be in a bad situation and not choosing to do harm. The growth of him being a reasonably scared kind to having the courage to stand up to his mom in the first movie and being able to speak up for himself and the others means so much to me. I hope to be more like that.  I love you so much. Thank you for being a good carlos and even a better Cameron.

To China, I knew you were a talent since WOWP. You are a queen of comedy and can make any song sound amazingly like just like singing about a soccer ball lol. When I first found out you were going to be in D2 I freaked! I love you also in Black Lighting also being another badass with superpowers. Thank you for bringing the fire that Uma has. I think you were born to play Uma you multitalented queen! I love your parts in the songs especially, What’s My Name. I love Uma for caring about having the isle kids. She was just misunderstood as a villain. She was standing up for others who are often ignored. I’m glad her plan came true.

To the rest of the cast: Thomas Doherty, you are so talented. Who knew I needed a loyal but super confident pirate who can rap in my life? 

Sarah Jeffrey, thank you for bringing the drama and passion to Audrey. She’s a character I grew to love and I’m glad she got the apology she deserved from both Mal and Ben. Audrey is very flawed but aren’t we all? The #1 spot on trending that Queen of Mean had is very much well deserved. 

 Breanna D’aimico, thanks for brilliantly portraying the timid and scared girl that I relate to. I’m glad she gained her confidence and was able to get her happy ending. 

Gil is so sweet and silly. Chad going from a villain to being a comedic relief? Iconic we love a goofy king

King Ben thanks for seeing the good in people when others didn’t. 

Dizzy, Celia, Squeaky and Squirmy and the rest of the isle kids are my children. 

Thank you Paul Becker and  Jamal Sims for the amazing choreography 

Thank you to the costume designers, hairdressers and makeup artists who made them look their part

To anyone behind the scenes who made these movies happen, I adore you.

Kenny Ortega! You’re amazing and you got a star to prove it! You  gave everyone their childhood for Hocus Pocus and all the disney musicals you directed and choreographed. Your movies are always fun and have positive lessons that I will always take to heart. 

This franchise and it’s cast will always mean so much to me. I will always choose good.

To descendants fans, i n the words of the credits song of the first movie that means everything to me, I believe in you.

[rondasarts4]

A few of my Resource book collections I have read lately.

The Oxford Companion to Aboriginal Art and Culture (Oxford Companions) 1st Edition

This unique publication provides a wide-ranging reference to indigenous Australian art, covering documented archaeological traditions, art styles of the early contact period and the nineteenth century, and the development of the contemporary Aboriginal and Torres Strait Islander art practices.

https://www.amazon.com/dp/product/0195506499?tag=sacreddestin-20

Two Steps Forward, Three Steps Back : A Wiradjuri Land Rights Journey By Gaynor MacDonald

letters to the Wiradjuri Regional Aboriginal Land Council on its 20th anniversary, 1983-2003

Tradition Today : Indigenous Art in Australia from the Collection of the Art Gallery of New South Wales2014 Revised Edition

written by Hetti Perkins, Cara Pinchbeck

Art Gallery of NSW | ISBN 9781741740875

Paperback

With a foreword by Michael Brand and an introduction by Hetti Perkins, the expanded and revised edition of this popular book includes nine new artists - Tony Albert, Jakayu Biljabu, Mirdidingkingathi Juwarnda Sally Gabori, Julie Gough, Ivy Pareroultja, Esme Timbery, Wingu Tingima, Harry Tjutjuna and Barrupu Yunupingu - and new works by Richard Bell, Destiny Deacon, Makinti Napanangka and Uta Uta Tjangala.

Using the rich collection of the Art Gallery of New South Wales, this book provides an important introduction to Indigenous art in Australia through the work of 86 artists across the continent, from remote areas to urban centres.

Contributors: George Alexander, Natasha Brook, Deborah Edwards, Hannah Fink, Vivien Johnson, Jonathan Jones, John Kean, Eric Kjellgren, Steven Miller, Howard Morphy, Hetti Perkins, Cara Pinchbeck, Luke Taylor, Wayne Tunnicliffe, Ken Watson

Artists:

Ian Abdulla, Tony Albert, Paddy Bedford, Richard Bell, Billy Benn, Jakayu Biljabu, Binyinyuwuy, Dawidi Birritjama, Mervyn Bishop, John Bulunbulun, Kevin Bunduck, Nym Bunduck, Robert Campbell Jnr, Clifford Possum Tjapaltjarri, Robert Ambrose Cole, Brenda L. Croft, Destiny Deacon, Dr David Malangi, Dr Pantjiti Mary McLean, Emily Kam Ngwarray, Kevin Gilbert, Julie Gough, Willie Gudabi, Philip Gudthaykudthay, Mithinari Gurruwiwi, Johnny Warangkula Tjupurrula, Roy Kennedy, Yvonne Koolmatrie, Anchor Kulunba, Long Tom Tjapanangka, Samuel Manggudja, Banduk Marika, Mawalan Marika, Wandjuk Marika, John Mawurndjul, Galuma Maymuru, Narritjin Maymuru, Ricky Maynard, Queenie McKenzie, Mirdidingkingathi Juwarrnda Sally Gabori, Tracey Moffatt, Sally Morgan, Wonggu Mununggurr, Mäw Mununggurr, Albert Namatjira, Eubena Nampitjin, Inyuwa Nampitjinpa, Makinti Napanangka, Mitjili Napurrula, Ningura Napurrula, Dula Ngurruwutthun, Jimmy Njiminjuma, Nyirlpirr Spider Snell, Lin Onus, Ivy Pareroultja, Otto Pareroultja, Rusty Peters, Gloria Tamerre Petyarre, Prince of Wales, Kutuwulumi Purawarrumpatu, Michael Riley, Elaine Russell, Shorty Lungkata Tjungurrayi, Ken Thaiday, Thanakupi, Rover Thomas, Esme Timbery, Wingu Tingima, Ronnie Tjampitjinpa, Uta Uta Tjangala, Mick Namarari Tjapaltjarri, Tim Leura Tjapaltjarri, Tjumpo Tjapanangka, Timmy Payungka Tjapangati, Harry Tjutjuna, Turkey Tolson Tjupurrula, Judy Watson, HJ Wedge, Pedro Wonaeamirri, Jabarrgwa Wurrabadalumba, Owen Yalandja, Lena Yarinkura, Barrupu Yunupingu, Munggurrawuy Yunupingu, r e a

https://www.artgallery.nsw.gov.au/shop/item/9781741740875/

Weaving: A Handbook of the Fiber Arts

by Shirley E Held

This book was an old but a goody, with some wonderful ideas on fibre art and weaving that assisted me in my projects.

The artistic and practical aspects of creating fabric are considered in discussions on weaving on the loom and by hand, spinning and coloring yarn, and designing material

"synopsis" may belong to another edition of this title.

https://www.abebooks.com/9780030226915/Weaving-Handbook-Fiber-Arts-Held-0030226910/plp

Australia’s emblems and Icons- flags

By Jack and Jenifer Barwick 

This book gave me information on the Official Australian Aboriginal flag

Vitamin 3D New Perspective Sculpture and installations- Phaidon

http://www.artnet.com/magazineus/books/croak/vitamin-3D12-10-09.asp

Sculpture Today-Judith Colllins

http://www.booktopia.com.au/sculpture-today-judith-collins/prod9780714857633.html?utm_source=bing&utm_medium=cpc&utm_campaign=Shopping%20Campaign(2)&utm_term=1101100031315&utm_content=All%20Products

Materiality- Whitechapel: Documents of Contemporary Art – Petra Lange-

Berndt (short essay crop version publication)

http://www.booktopia.com.au/materiality-petra-lange-berndt/prod9780262528092.html

How to write about Contemporary Art – Gilder Williams (chapter 3 fear of good writing)

http://www.booktopia.com.au/how-to-write-about-contemporary-art-gilda-williams/prod9780500291573.html

Artificial Hells - Participatory Art and the Politics of Spectatorship- Claire Bishop

http://www.booktopia.com.au/artificial-hells-claire-bishop/prod9781844676903.html

Installation Art – Claire Bishop

https://books.google.com.au/books/about/Installation_Art.html?id=o7FPAAAAMAAJ&redir_esc=y

The Art of Participation – Rudolf Frieling

http://www.goodreads.com/book/show/6262687-the-art-of-participation

Public Art (Now)- Clair Doherty

https://www.dymocks.com.au/book/public-art-now-by-claire-doherty-9781908970176/#.WQad9bGr3-Y

Public Art Theory Practice and Populism – Cher Krause Knight

https://books.google.com.au/books/about/Public_Art.html?id=qkxClDeTCbQC&redir_esc=y

Critical Issues in Public Art - Harriet F. Senie and Sally Webster, Editors

http://www.harrietfsenie.com/critical-issues-in-public-art/

Contemporary Sculpture. Projects in Münster, 1997 (Germany) - Klaus Bussan; Kasper Koing; Florian Matzner.

http://www.worldcat.org/title/contemporary-sculpture-projects-in-munster-1997/oclc/37392437

This book historically looks at early battles between the Colonial Rule of Australia,the aboriginal tribes and white settlers/convicts. The first chapter Army of Occupation obviously looks at the question of the 1st fleet landing and settlement antagonising the local aborigines. Twin Battles of Sydney Battle of Vinegar Hill Battle of Bathurst Battle of Pinjarra Battle of Eureka stockade Battle of Battle Mountain

https://booksonwaraustralia.com/aboriginal-conflicts/1624-history-six-australian-early-battlefields-aboriginal-convict-conflict-9780207155956.html

An alternative view of Australian history. Through accounts of four clashes, this book demonstrates the realities of life on the Australian frontier and through a retelling of the stories of Vinegar Hill and Eureka reminds the reader of the central place of resistance in Australia's past. 

Blood on the Wattle draws together most of the information about the massacres of Aboriginal people which has been recorded in books and journals. Blood on the Wattle draws together, in a single volume, most of the information about the massacres of Aboriginal people which has been recorded in books and journals. It also creates a broad-based level of awareness of the scale of the massacres of Aboriginal people so that this dimension of Australian history can become part of the Australian consciousness. About the Author Bruce Elder is an award-winning journalist and writer who has been involved in the writing of more than 50 books, including the Macquarie Dictionary and The A - Z of Who is Who in Australia's History. He is a journalist with the Sydney Morning Herald specialising in travel and popular culture.

https://www.booktopia.com.au/blood-on-the-wattle-bruce-elder/prod9781741100082.html

"Judy Watson is one of Australia's leading contemporary artists. Her art explores territory that includes the dispossessed Indigenous Australians with whom she shares a family history and heritage. Judy Watson's art is intense and sublime in its physicality." "Blood language is a beautifully illustrated pictorial exploration of some of Judy Watson's seminal canvases, works on paper, sculptural projects and artist's books. Judy Watson imparts the artist's ideas and writer Louise Martin-Chew gives another insight into the artist's practice."--Jacket. 

http://www.worldcat.org/title/judy-watson-blood-language/oclc/436950274

Large, bold and colourful, Indigenous Australian art has impressed itself on the contemporary imagination. But it is controversial, dividing the stakeholders from those who smell a scam. Whether the artists are victims or victors, there is no denying their impact in the media and on the art world and collectors worldwide. How did it become the most successful Indigenous art in the world? How did its artists escape the ethnographic and souvenir markets to become players in an art world from which they had been barred? Superbly illustrated, and rich in detail and critical analysis, this book provides the first full historical account of Indigenous Australian art and shows that there is much more to the art than large colourful canvasses. About the Author Ian McLean is Senior Research Professor of Contemporary Art at the University of Wollongong and an Adjunct Professor at the University of Western Australia. His previous books include Double Desire: Transculturation and Indigenous Art (2014), How Aborigines Invented the Idea of Contemporary Art (2011) and White Aborigines: Identity Politics in Australian Art (2009).

https://www.booktopia.com.au/rattling-spears-ian-mclean/prod9781780235905.html

Floating Life: Contemporary Aboriginal Fibre Art

Contributing authors include Diane Moon, Diana Wood Conroy, Anna Haebich, John Kean, Julie Ewington, Bruce McLean, Lynne Seear 160 pages paperback colour illustrations

'Floating Life' highlights the importance of fibre within Aboriginal culture, and the Gallery's unique collection of more than 300 fibre objects. Included are commissioned pieces by key artists as well as acquisitions from established and emerging talents. There are woven fibre pieces, three-dimensional works with connections to the objects, and paintings illustrating processes and stitches used.

Banumbirr (the Morning Star), water, and the notion of movement through time and place are major themes. Water defines pathways and points of connection in Aboriginal life and marks important creation sites associated with specific woven objects. Spirit figures, ceremonial poles, dance objects, body adornment and useful nets and traps — ranging from small and delicate to large-scale — reflect variations on tradition, whereas exciting contemporary explorations are embodied in the found materials used by Lorraine Connelly-Northey. An in-depth view of the work of artists such as Jonathan Jones, Gulumbu Yunupingu, Shirley MacNamara, Yvonne Koolmatrie, Lena Yarinkura and Alan Griffiths recognises their role in forging important new directions.

https://www.qagoma.qld.gov.au/whats-on/exhibitions/past-exhibitions/floating-life

https://www.sellingyarns.com/2013/

Selling Yarns 3: Weaving the nation's story was a four-day event that presented a conference, a market day, workshops, an exhibition and associated activities program, and launched the inaugural Indigenous Art Film program. As the premier national forum for Indigenous textile and fibre in the country it was supported by the Centenary of Canberra, drawing people to the nation's capital from across the country.

Thirty Indigenous communities and art centres and 134 artists from every state and territory in Australia converged in Canberra to participate in Selling Yarns 3: Weaving the nation's story. Indigenous artists and elders, and art administrators, came together and participated as speakers, workshop facilitators and market stall holders to share their stories, exchange their knowledge and skills, and to trade. They opened their hearts to each other and to other conference delegates and visitors. As Tim Growcott so eloquently stated post conference:

"An authentic spirit of reconciliation coursed strongly throughout the four days, with so many stories and examples of practical collaborations and life- changing projects. The conference was a recognition of the important and sensitive work being accomplished by like-minded creators, forging links with the living past and forming models for healing into the future."

The project was a huge success, inspiring artists and creating strategic alliances between Indigenous communities across Australia. There has been significant cross cultural engagement and inspiration with international Indigenous artists and culture which paves the way for lasting relationships with opportunities to develop further collaborations and joint projects. Establishing dialogue and sharing cross-cultural exchanges with international artists, curators and researchers has placed Australian Indigenous textile practice within the broader international arena.

[steinfeldofrph]

in the download link, you will find #724 rp icons of thomas doherty in his role as sean in season 1, episode 8-10 of the lodge. the screencaps were created by me. since these are absolutely plain, you’re welcome to edit them, just don’t claim as your own (no matter how heavily edited they may be) and please give me some form of credit for the bases on your blog. please do not redistribute/steal/claim as your own (edited or not). please like/reblog if using!

 [ D O W N L O A D ]

[argentangelhelps]

151 ICONS OF THOMAS DOHERTY IN HIGH FIDELITY

all icons are free to use with credit to @argentangelhelps !

you may edit to your liking (add borders, psds, textures ect)

do not use for : celebrity/real person rps or paid commissions, everything else is up to user discretion. (don’t make me change this rule)

they are edited (sharpened) in ps, however they are meant to be used under the psd of your choice! if you choose to use them as they are they should work just fine! they are 100px square and do not come with any borders.

all screencaps used are my own, and they are available for download should you be interested (send an ask to this blog!)

FACECLAIM INFO : thomas is white (scottish)

TRIGGER WARNINGS : drinking, shirtlessness, kissing/implied intimacy

the zip file is free to download on my PAYHIP! they can also be found in a gallery HERE !

LIKE OR REBLOG IF YOU SAVE OR USE!

[argentangelhelps]

395 BASE ICONS OF THOMAS DOHERTY IN LEGACIES SEASON 2

all icons are free to use with credit to @argentangelhelps !

they  are edited (sharpened) in ps, however they are meant to be used under  the psd of your choice! if you choose to use them as they are they  should work just fine! they are 75x75 and do not come with any borders.

all screencaps used come from https://kissthemgoodbye.net, i did not make them, i just cropped them into icons.

FACECLAIM INFO : thomas doherty is white

TRIGGER WARNINGS : blood, mild eye horror (vampire eyes, black veins ect)

the zip file is free to download on my PAYHIP!

LIKE OR REBLOG IF YOU SAVE OR USE!

[galacticrph]

By clicking the source link you’ll find 97 icons (200x100) of THOMAS DOHERTY in his role as SEBASTIAN on LEGACIES (season 2, episode 5). Bases are cropped by me. Screencaps are by @hq-screencaps​​. PSD is by @evansyhelp​​​. Border is not by me. Do not claim you made them. Do not redistribute. Please like/reblog if saving.  

[galacticrph]

By clicking the source link you’ll find 252 icons (200x100) of THOMAS DOHERTY in his role as MAXIMUS WOLFF on HBO MAX’S GOSSIP GIRL (season 1, episode 12). Bases are cropped by me. Screencaps are by @hq-screencaps​​. PSD is by @evansyhelp​​​. Border is not by me. Do not claim you made them. Do not redistribute. Please like/reblog if saving.  

[galacticrph]

By clicking the source link you’ll find 4 icons (200x100) of THOMAS DOHERTY in his role as SEBASTIAN on LEGACIES (season 2, episode 10). Bases are cropped by me. Screencaps are by @hq-screencaps​​. PSD is by @evansyhelp​​​. Border is not by me. Do not claim you made them. Do not redistribute. Please like/reblog if saving.     

[galacticrph]

By clicking the source link you’ll find 177 icons (200x100) of THOMAS DOHERTY in his role as SEBASTIAN on LEGACIES (season 2, episode 8). Bases are cropped by me. Screencaps are by @hq-screencaps​​. PSD is by @evansyhelp​​​. Border is not by me. Do not claim you made them. Do not redistribute. Please like/reblog if saving.    

[galacticrph]

By clicking the source link you’ll find 125 icons (200x100) of THOMAS DOHERTY in his role as SEBASTIAN on LEGACIES (season 2, episode 6). Bases are cropped by me. Screencaps are by @hq-screencaps​​. PSD is by @evansyhelp​​​. Border is not by me. Do not claim you made them. Do not redistribute. Please like/reblog if saving.    

[galacticrph]

By clicking the source link you’ll find 211 icons (200x100) of THOMAS DOHERTY in his role as SEBASTIAN on LEGACIES (season 2, episode 12). Bases are cropped by me. Screencaps are by @hq-screencaps​​. PSD is by @evansyhelp​​​. Border is not by me. Do not claim you made them. Do not redistribute. Please like/reblog if saving.    

[galacticrph]

By clicking the source link you’ll find 57 icons (200x100) of THOMAS DOHERTY in his role as SEBASTIAN on LEGACIES (season 2, episode 3). Bases are cropped by me. Screencaps are by @hq-screencaps​​. PSD is by @evansyhelp​​​. Border is not by me. Do not claim you made them. Do not redistribute. Please like/reblog if saving.   

[galacticrph]

By clicking the source link you’ll find 89 icons (200x100) of THOMAS DOHERTY in his role as SEBASTIAN on LEGACIES (season 2, episode 2). Bases are cropped by me. Screencaps are by @hq-screencaps​​. PSD is by @evansyhelp​​​. Border is not by me. Do not claim you made them. Do not redistribute. Please like/reblog if saving.    

[galacticrph]

By clicking the source link you’ll find 171 icons (200x100) of THOMAS DOHERTY in his role as MAXIMUS WOLFF on HBO MAX’S GOSSIP GIRL (season 1, episode 10). Bases are cropped by me. Screencaps are by @hq-screencaps​​. PSD is by @evansyhelp​​​. Border is not by me. Do not claim you made them. Do not redistribute. Please like/reblog if saving.