#thought this would be funny out of context but if you want the story - read below.

[genericpuff]

Wait, if Hera hated nymphs, does that mean she had beef with Poseidon's wife???

Who knows, but it does shed a whole new light on this scene from Episode 1:

Like, in the context of the scene, it's clear the point of this interaction is to highlight how "lonely" Hades is that he's the only one at the party without a date. Though I do think it's funny that Hades is frustrated / shocked at the revelation that Poseidon brought his wife to a party that she would presumably be invited to attend, like... of course Poseidon is here with his wife, that makes Amphitrite royalty by extension and so at the very least she'd likely be obligated to attend even if she, for some reason, didn't want to go.

So Hades being like "GOD you mean I'm the ONLY UNMARRIED GUY without a DATE???" like yeah man that's what it means to not be married LOL

But in hindsight, knowing what we know now about Hera being cruel to satyrs and nymphs who are canonically lower class (making it a double whammy of racism AND classism) that interaction of Hades asking Hera if Poseidon brought Amphitrite right after Hera called Minthe "nymph trash" almost feels like Hades calling her out, to which she responds sheepishly, "... Yes."

Again, I know that's not the intention of this scene, but it does come with deeper implications now that the series is over and we know that Hera has a history of racism and classism which largely goes unaddressed.

And those implications kind of read like this:

Hera: "I, for one, am grateful! I don't have to spend the evening with that nymph trash :)"

Hades: "Did Poseidon bring his (oceanid) wife?"

Hera: "(・_・;)... yes, okay, Poseidon brought his wife, Amphritite, but she's not nymph trash or anything, she's one of the good ones!"

Again though, just food for thought that's kinda messed up and kinda funny to think about on re-reads. There's so much classism and racism baked into LO even from the very beginning and it's wild that it wound up going unnoticed for years. Even I didn't really notice it as much as I ought to have when I first started reading. To anyone who's new to the series, LO does a good job at bombarding you with colors, characters, Greek myth references, and feel good fluff moments between H x P to distract you from the often biased and outdated viewpoints in its narrative.

TBH, none of that is to say that Rachel herself is some massive racist for writing a story like this, but I do think she didn't really spend enough time analyzing the works that clearly inspired her and/or challenging her own inspirations to ensure she wasn't continuing the cycle of casual racism. It's really easy to be blissfully aware of your own biases if you never learn to address them, especially when it comes to writing fantasy stories which we tend to "disconnect" from real life, never once realizing that the messages and undertones we might accidentally be sending are often still realities for many people in real life today. Fiction isn't real life, sure, but it can still perpetuate some really dog shit thought patterns and subconscious beliefs if left unchecked, which LO is frankly full of especially upon re-reads with a more critical eye when you're not as likely to get distracted or swept away by the pretty colors and whirlwind romance.

[homicidal-slvt]

I can't eat spaghetti unsupervised.

[vulcanhello]

star trek the savage trade was. so much. there were implications. there were friendships. there were ten thousand unfulfilled ideas. it was not well written but it WAS a ten course meal of food for thought

the most interesting part of this book was the complexity between spock and valek which was completely disregarded even though it arguably had the most interesting stuff going on. for example; when they meet up again after over ten years

varen is her twin brother, which we’ll get to. but here she’s pretty rude towards spock, despite later telling kirk that she felt bad for bullying him/formally arguing against his existence when they were kids. which. okay. only to LATER find out she’s been amongst humans for over ten years. she even starts this little romantic thing with kirk like this

she does stuff like this multiple times. kirk as the narrator even frequently mentions how ‘un-vulcan’ her actions are

i thought it might have been heading in a direction where she also felt like her emotions were getting the better of her as a kid, maybe making her feel like spock was better than her even being half vulcan, but no. it was just about her going along with every other vulcan’s prejudice towards him. then there was this whole thing where she came to take back her opinions because she respected sarek and amanda so much, and of course once spock grew up and proved himself’ she respected him too. but like. there’s so much there. the main point made here regarding all this was that vulcans underestimated spock because obviously spock is great but he couldn’t earn respect until he proved himself in his profession. until then though it was public debate over his existence. imagine your classmate getting up and arguing you shouldn’t be alive. and the only person who’s disagreeing with her is her brother. WHICH.

next point: spock ‘when i feel friendship for you i feel ashamed’ has longtime childhood friends he still keeps in contact with? obsessed. what’s this? you’re not going to include him in the narrative? bro. varen is apparently spock’s only friend from way back and this isn’t even talked about. it’s basically just the reason why valek was angry with spock as kids but she already didn’t like him so it wasn’t like her brother and spock being friends was a catalyst. what i’m getting at is that this author put SO MANY interesting things in the story and then just didn’t use them. ACTUALLY GOING OFF THAT

obsessed when novels mention sybok. this one’s especially interesting as according to her, sybok was seen as better than spock. in the final frontier novel it went that sybok felt like an outcast already, and was noticeably more emotional than other vulcans. spock, who assimilated and became as vulcan as possible to offset being half human, was still seen as less? insanity. i just feel like there’s so much going on here talking about spock’s childhood and then when you read the end of the savage trade spock’s just chillin with ben franklin absolutely uncaring (which good for him. if i met a childhood bully who was now everything she bullied ME for? i would be ruthless. spock elects to lose to benny frank in chess multiple times so he’s above all that)

anyways there was so much the author could have done with valek because she was really really interesting but her and spock almost never interact and it ends up falling pretty flat. LOST OPPORTUNITIES, like pretty much every star trek book in existence

ok one final thing the spock and varen being vulcan lab partners thing was really cute

[zuzuzuko]

Thoughts on The Boy Wonder #3:

Under the cut because it got LONG

I really really am enjoying this comic still. This is part of my favorite page from this issue:

Someone posted the Talia panel earlier but I think that panel with the context of the rest of the page makes it even better. It’s kind of a subtle nod to the fact that Talia and Ra’s do NOT fuck with these kinds of people and in fact think they’re a blight on the world. So I really really liked that.

LOVED Tim being all smarmy at the Gala. And I thought it was fun that Damian just thinks that’s how he is. It shows how much Tim and Damian misunderstand each other and how neither of them think very highly of each other at this point.

Glad they showed Tim’s distrust of Damian too because that is a big part of why their dynamic is how it is. Early Damian and Tim interactions are basically built on misunderstandings and lack of trust. I also thought this dialogue was interesting because it is a great reflection of how Damian originally DID stop killing just because his dad told him to and he wanted his dad’s respect. It took some time for him to actually BELIEVE that not killing was the right thing to do. So Tim saying “I can tell you feel bad about killing that guy. But do you feel bad because you hurt someone or because you got punished for it?” Was a very good insight to include in my opinion.

I don’t really have any commentary for this next page I just think it was a really fun silly page:

This next part was so cute 😭 Damian thinks Tim decided to be a better person that makes him believe HE can be a better person too. And in the last panel I post he says “I thought… I thought I was the one who got you to…” meaning he thought he inspired Tim to be a better person. 😭😭😭😭

so it makes sense that he’s upset then when he finds out that Tim was just ACTING like a smarmy socialite and was actually helping Damian with the mission all along. Because he kind of felt like “oh I thought you made mistakes and now were redeeming yourself which meant that I would be able to redeem myself. But you were actually just good all along…”

Completely off topic but Tim breaking in the night before and stealing the Batman statue head is so funny and definitely something he would do.

“He wanted to feel better, worthier than him so badly…” yeah Damian definitely saw Tim as competition when they first met.

Also the last panel I didn’t read as if Talia and Ra’s tell Damian he’s weak but I see it more as an unreliable narrator thing. Like Damian’s own insecurities are presenting themselves as his mother and grandfather.

ANYWAYS

there were so many more panels I wanted to talk about alas the 10 picture limit.

Overall I really liked this issue I think it was a simple story for sure but it also highlighted Tim’s distrust of Damian and them misunderstanding each other. I will say Juni Ba definitely made them nicer to each other which is my only real criticism tbh.

TLDR: it was good 👍

[starryluminary]

♪ Jane Doe - Alicia Keys

The EX Files finally!! The episode where Cody and Noah face the consequences of their actions (the consequences they frankly don't deserve)

I hope this is coherent. I had to add and change some things last second to tie it together and I reeeeally hope I managed to have it read well

Notes about this episode under the cut! (There’s extra detail I couldn’t fit in the doodles and needed context for future episodes, so skimming them is recommended!)

* (It’d be funny if Noah had a black eye this episode from Sierra’s backhand.)

* It starts off with Sierra crying and Courtney and Heather making Cody comfort her, which he does reluctantly.

* Cody's not entirely sure what to say to try and calm her down, but she retorts with “Whatever… it’s not like you're in love with him.”

* Sierra looks back at him… and he’s frozen. He doesn’t know how to respond.

* Sierra can take a guess, though. “…No you aren't.” She harshly grabs him by the arms and yells at him, desperately, “NO YOU AREN'T!!”

* Heather grabs Sierra and Courtney grabs Cody to separate them. Cody promptly runs away and Sierra promptly gets yelled at by Heather (not because she cares, but because Cody being injured would make him a liability.)

* On Team Chris’s side, Alejandro, Owen, Duncan and Tyler are huddled discussing the incident. Owen tries his best to be on Noah's side, defending him, but Alejandro twists the story to paint Noah as the one in the wrong. Owen doesn’t want to admit he’s making sense. Duncan is completely against Noah, backing up Alejandro. Tyler however doesn’t participate until Noah gets fed up of the not-so whispering and storms out of first class.

* Cast regroups for the challenge rules and Noah joins Cody's side, quipping something I can’t remember. Cody quips back. Sierra pushes Noah to the ground in response, pretending to be in on the joke.

* The “Courtney throwing challenges” bit is replaced by Tyler watching/paying extremely close attention to Noah to determine if Noah’s situation is sympathetic or immoral. Noah gets more mad the longer the episode goes on cause Tyler isn’t exactly subtle.

* Cody finds the cloning pod and makes Alien Cody like in canon. [I’m making him a bit more curious and a bit less initially threatening, like he has Cody’s thoughts and opinions and feelings.] Alien Cody approaches the real Cody slowly, and Sierra finds them. She’s shocked at first: “Two Codys?” Then she starts wondering, and asks the Alien Cody a question. “Do… you love me?” Alien Cody sticks its tongue out at her and scurries away.

* Once Sierra and Cody are alone together, Sierra tells him she’ll forgive him. Cody is confused. Sierra explains. “Obviously Noah got into your soft, easily manipulated mind, and that was wrong of him!” She grabs Cody’s face. “But don’t worry.” She leans in and puckers her lips. Cody looks at her horrified. “I can fix it.”

* Before Noah and Cody find each other, Noah finds Alien Cody. He thinks it’s the real one at first, approaching it casually. He then notices the messy hair, green tinted skin and the eyes (which I’m making entirely black cause these are pencil drawings with no color) and becomes more cautious towards it. “You’re not Cody. What… are you?” ET finger touch.

* Duncan sees this from afar and yells at Noah: “Are you *seriously* messing with Cody right now?!” Noah tries to respond: “I’m not! This isn’t-“ Alien Cody interrupts him with a growl directed at Duncan. He charges towards him with malicious intent and Duncan punches him, making him explode into goop. Noah does not falter. “Way to kill our winning ticket, idiot.” Duncan does not hesitate. “I’ll kill you. I swear I’ll kill you.”

~ *[Events of the comic]* ~

* Team Amazon makes it back to Chris with an artifact first and win the challenge. Cody looks back at Noah (whose team was only slightly behind his own) sympathetically. Noah looks back with understanding. I want to say Sierra’s slightly too loud and exited about NOT the Amazons winning, but of team Chris losing. Tyler (who’s paying way too much attention now) notices and comes to a conclusion.

* Owen gets voted off this episode for being dead weight, and he and Noah hug before he jumps. Owen tells Noah to “win for him” and Noah replies that he makes no promises… but he’ll try.

Sorry that’s. Like a lot. The story kinda got away from me

[inbabylontheywept]

Hey, so for context it's 3:45 AM where I am, and I'm stark awake at this hour because I had to take a nap yesterday due to eating a meal I really shouldn't have that is still wreacking havoc on my intestines. I'm definitely going to regret sending this ask HARD once the sun comes up, but I've been doing a lot of unadvisable shit on the internet over the past 3 days so why not add this to the pile.

I'm kind of having a weird emotional thing right now over your last post because it's just too ridiculous to be true, and I'm realizing the majority of your blog is probably all creative writing not intended to be taken seriously, but I've believed everything you've claimed to be a true story up until this point? And now I'm faced with either being a gullible fool, or an asshole for saying this if it IS all true, and I have to ask or I'll never know? I shouldn't be letting this get to me but it is.

So please, I ask sincerely and with no intention of being a jackass, are your life stories actually all true, or are they supposed to come across as obviously exaggerated or wholly fictional? I'm sure I could piece it together if I lay in bed and thought about it for an hour or two, but I think I'll just take the L and ask outright because fuck it.

But THEN if it truly is just a creative writing blog, would you keep the bit going and claim it's all real when it's not? Like, do you see why I'm going crazy? I am a very gullible, easily lied to person and that has lead me to be on high alert, but I almost always jump at the wrong things and come across as a distrustful asshole, so?? Will you assume this ask itself is LARP because of all the specific details I tacked on, which are intended to garner a sense of sincerity? I'm realizing I may have been playing checkers with someone playing chess all this time and I'm wigging out man

So, I'll start with the small stuff first:

The camp was in Prescott, AZ, in the mountains, over labor day weekend which is in late fall. I don't know the actual temperatures as numbers, but the people at the camp spent more time being cold than hot. The camp organizers also did bring a ludicrous amount of the pink sauce. I don't think the campsite itself was ever intended to provide potable water, just utility water for the showers and dishes and other non-for-direct-consumption tasks. So in that area, the camp people overprepared because Arizonans don't fuck around with dehydration.

I'm also pretty sure they had some water available, they were just very careful with it. I think there were a few diabetic kids, and they were making sure they wouldn't have to subsist on the weird gatorade like everyone else. Maybe. I don't honestly know.

But that's one story, and the thing that you're really asking is, are all these stories fake? Is it all just creative writing? And the answer to that is a soft no.

As a writer, I'm pretty strongly influenced by Patrick McManus. A lot of my stories are told in the American Tall Tale style - which is exaggerated, and dramaticized, but tells a story that is true nonetheless. I am going to keep the specifics of the exaggeration and dramatization between myself and God, but I would look at my stories and say that they're each more than 80% true. I hope that relieves some of your stress.

I wouldn't call what I do creative writing exercises. But I also wouldn't encourage you to take them 100% seriously. Both because I talk a big game, and because they are, at the end of the day, just funny stories. I certainly wouldn't want you to lose any more sleep over them.

You aren't a jackass for expressing incredulity. It's part of my style, and I welcome it. I also wouldn't call you a gullible fool for believing things in the past. We're good, you and I, and I've enjoyed having you as a reader. I hope you keep reading. Just, maybe not at 3:45 AM. Take care of yourself, Babylon

[jmdbjk]

Make assumptions and get the wrong idea. Please. That's what he said.

My brain listening to Who:

(on the beat of course)

Sorry for the brain porn but that's how my brain feels when I hear Jimin's vocals. The runs, the ad libs, the highs, lows, and in-betweens, the breathing, especially the breathing. Especially in the 4K version of the Tonight Show performance posted on BangtanTV.

For many years now I've been wanting to hear Jimin let 'er rip on a big song and FINALLY! FINALLY!

FINALLY!

I started to jot down my interpretations of Who but you know what? no one needs yet another analyzation of the song, the lyrics, the MV, the belt sharing, the ... but one thing I need to point out... Ryan's Vintage Clothes is definitely a nod to Ryan Gosling don't you think? (just kidding sorta)

A ton of people have given their dissertations on what they think it all means. All I know is Jimin has that MAGIC and he is FLEXING big time.

This is my favorite shot from the most recent promo image drop on Weverse. I have always dissented when Jimin would say his left side is his best side. No sir. It's your right side.

The entire Muse album is a complete mind-bender for me. He came up with the ideas and themes and what he couldn't do on his own, he explained to all the people helping him in order to create his vision...

PDogg said this in an interview: "I also believe the experience of collaborating with various producers and songwriters in LA and NY gave Jimin the opportunity to further explore his limitless potential."

Minseong Kim (Performance Director): "When we were working together, I saw Jimin putting a lot of thought into delivering the song's choreography as a visual art form. He uses his detailed expressions to convey various artistic elements in the performance beyond simply presenting stylish, energetic choreography. He is always devoted to emphasizing the artistic elements of the performance by forming a visceral connection to it. I believe that his commitment and passion has shaped Jimin's unique style and allows him to deliver one of the most exciting performances in pop music."

and:

"We had countless discussions about how to visually articulate the story and message of the song through the performance on a larger scale, in a manner that's true to the song's title Who. When the choreography was completed Jimin was utterly pleased with the performance having all the elements he had wished to incorporate."

You can read the entire VMAGAZINE article here.

Regarding the other songs on the album, in MiniMoniMusic Exchange, Jimin mentioned that Rebirth was his favorite track. I do love it too, Jimin. The heartbeat, the poignancy. Perfection.

And I have to compare Be Mine to Seven. In Jungkook's Seven, the explicit version was so very literal and so in your face it was funny, even the MV added to the unserious vibe of it all.

But in Jimin's, Be Mine, he has probably the most erotic lyric I've ever heard coming out of the mouth of a Tannie: "... a hot island, a party with just the two of us; I know what you want and baby I want the same; love ‘til the morning; we just keep fallin’... baby come, baby come; show me what, show me what love is, yeah yeah; melt me hot, hot, hot quickly"

I am streaming all the versions of all the songs and album. I absolutely love it.

Now that I got that out of my system...

It's been about a year (??!?!?) since Jungkook's Only Fans debut live stream. Time is flying.

We are anticipating gaining more context soon surrounding exactly what went down between them the prior two weeks to this live and what did Jimin mean when he said he "can handle it? (Are you sure you wanna know?)

There is a high possibility we might get some jikook carpool karaoke.

The main trailer drops Monday. Hold on to your ... whatever it is you hold on to when you get shook because I'm sure it'll be another earthquake on the timeline.

All lyrics translations credit: © 2024 by Learn Korean With Sel www.learnkoreanwithsel.com/

[mikimakiboo]

Two for the price of one

Small drabble for @ancha-aus 's new au ! Double Noot ! Or as I like to call it, Noot² ! :D

( part 1 by ancha, read it before reading this one maybe- )

Very short but I just wanted to make a little something because I find the concept particularly funny :')

I didn't go too deep into the lore since the story didn't really start yet, I just did the "encounter" with the gang so that's why it is INCREDIBLY short like fr and also because I underestimated how tired I am

Quick summary: Corrupt gets separated from Nightmare (Passive Nightmare, who is still six years old), everyone is confused

Tw: slight mention of miscarriage and pregnancy denial (ik it's weird lmao but dw there is context)

How did this happen ? How did they end up here ? Like this ? How did they end up with a child on their couch when they went out to fight the Star Sanses ?

None of them was speaking, just looking at the little skeleton with lavender eyelights on their couch, the little skeleton looking terrified. They couldn't blame him, who wouldn't be after all ? He appeared.. no, came out of Corrupt, in the middle of a battle field, almost got shot with an arrow, was brought into a new place and was now surrounded by five skeletons: one with four massive tentacles, one with empty sockets and black tar leaking from them, one with a big glowing red eye and a hole in his skull, one you couldn't see his face apart from two piercing mismatched eyelights, and one with a knife almost as big as the child. He had every right to be terrified.

Killer was the one to break the silence first.

- Sooooo... Poptart ?

Corrupt looked up after a few seconds, realizing that Killer was talking to him when he saw everyone's gaze locking on him. His gang, or mates as they called each other, didn't like the name Corrupt, it had a bad connotation, one that meant that he was inherently bad, that there wasn't any good in him, which, to them, was completely false, so as they started dating they also started giving him nicknames, two that came back very often were Poptart and Sweetpie. Corrupt struggled to get used to it, being more accustomed to being insulted, just like the villagers always did. But did they insult him ? They insulted Nightmare, they insulted that little child sitting in front of him, but he wasn't Nightmare, so was he really insulted ? It didn't matter, Dream insulted him too after all, and he wasn't aiming these insults at Nightmare, but at him.

He looked at Killer, waiting for him to say whatever he had in mind.

- Why didn't you tell us you were pregnant ? Or at least tell Horror or Dust cause judging by the kid's eyelights it was one of them who got you pregnant, cause blue and red makes purple so...

Saying that Corrupt was taken aback would have been an understatement, and it didn't help that they were all staring at him, waiting for him to confirm what Killer said. The child, despite still being tensed, was visibly confused as well, but not for the same reason, because he was pretty sure he wasn't anybody's kid, and especially their kid. He would have remembered it.

- I wasn't pregnant.

Corrupt answered after a moment, making Killer frown, doubting the statement.

- Isn't that called a pregnancy denial ? I mean we didn't see you gain weight either so...

Cross asked, a little unsure of how to tackle the subject, he never had to deal with a pregnant monster before, and maybe denials were a sensitive subject, he didn't want to upset his mate by being too straight forward.

Corrupt looked at them, disconcerted.

- I wasn't pregnant, I have never been pregnant, Nightmare was.. I thought.. he was supposed to be dead !

He argued, but he only gained a compassionate look from his mates. Killer put a hand on his shoulder, looking way more serious than he was accustomed to, and he heard Cross mumble Nightmare's name.

- It's okay Poptart, you could have told us you thought you had a miscarriage, we would have supported you, you know..

Horror nodded from behind Killer, and Corrupt knew Dust thought the same even without looking at him.

- For God's sake Killer, I was not pregnant !

He claimed again, wanting to end this nonsense before it got uncontrollable. Killer was about to respond when they heard a sob. They all turned in sync, and saw the child, Nightmare, with tears rolling down his cheeks. He didn't like the yelling, it brought back too many bad memories, memories he would have preferred to forget. Corrupt shrugged to get Killer's hand off of his shoulder and went to the child, kneeling to be on the same level as him, and carefully wiped his tears with his thumb. Nightmare flinched, backing against the couch's case, but he didn't chase Corrupt's hand away.

- Hey I'm sorry, I shouldn't have yelled.. we're not gonna hurt you, you're safe here, you don't have to be scared..

Corrupt apologized, speaking with a soft tone to try and sooth the little one.

Nightmare looked at the goopy skeleton in front of him, still sniffling, but, somehow, he had a vague sense of déjà vu... something in him told him he had already heard those words, already felt this magic... the four white skeletons were new, that he was sure, but this black one, he was familiar...

- If you weren't pregnant... then where does he come from ?

Dust asked, sitting on the other couch, his legs still being sore from the fight. Horror had joined him, Killer and Cross were still standing.

Corrupt sighed, standing up too but staying next to the child who was now only staring at him, trying to remember where he saw him.

- That's Nightmare, the.. the true guardian of negativity, the one who allowed me to come to life by eating the apples. He started to explain as simply as he could. I.. thought he had died in the process, but turns out he was still there, just.. dormant, and invisible..

- But why show up now ?

Killer asked.

- I.. honestly, I don't know, but he's here now, and it's better he stays here.

Corrupt answered. Nightmare frowned, looking at the adult. He gave him life by eating the apples ? He did remember eating the apples from his tree, he remembered the villagers and the pitchforks, he remembered someone told him to let go when he took his first bite, they told him they would protect him, but he had to give up his mind and body. At that time, Nightmare didn't think much, he was already so scared, he would have done anything for someone to fight for him, to protect him, and when he heard this voice, he knew it was his only way out, and he gave up everything, his vision fading to black as he felt everything become numb. This skeleton had the same voice, and he was emanating negativity, a pure one, the same that emanated from his apples. Was he the voice ? He seemed so big... not as big as the other skeletons, but much bigger than him, especially with those tentacles coming from his back. Nightmare remembered his back hurting a lot more than the rest of his body, was it because of the tentacles ? They seemed to be heavy... he slowly reached out to the one that was the closest to him, putting his hand on the appendage, it was surprisingly soft and a little cold too... he felt the negativity swarm up around his hand, resonating with his own...

Corrupt looked down when he felt the child touch his tentacle. He didn't move it, letting him discover it as he pleased.

- So.. we're just gonna take care of a kid now ? Not that I want to abandon him, I sure don't, but.. are we qualified to do that ?

Cross hesitantly asked, tugging on his jacket. This castle was full of dangerous things for a child, and they weren't the most welcoming monsters either, even if he knew no one would hurt Nightmare, maybe he would be better with someone more qualified, like a Toriel or even an Asgore, monsters who had the parental instinct in their codes...

- We'll have to be..

Horror quietly said, looking at the little child on the couch, he had the same amazement in his eyes when looking at the tentacle that his brother always had before the famine took hold of everything...

Killer and Dust shared a look, not sure that they could raise a child. They raised their brother, but it ended up... pretty badly, they weren't sure they could raise someone properly after that. Cross was different, sure he killed his brother too, but he lived through so many different timelines, so many in which he was a good brother, in which he actually was caring until the end, he could manage to raise a child if he wanted to, if he trusted himself enough to do so, but them ? They would probably need to keep their distance, at least for a moment, at least until the kid started to learn how to fight back.

- I trust you all to look out for him, every one of you.

Corrupt assured, looking at his two mates from whom he had felt a peak of negativity. He knew what they were thinking about, but he also knew they wouldn't be a threat for the child, the simple fact that they felt apprehension from the thought of doing so alone was enough proof for him.

- For now he needs a bath, he said, Nightmare's bones and clothes being stained from the goop, I'll take care of it. Killer, you can go with Cross in Littletale and gather some clothes for him. Be careful not to be seen, we don't want the stars to know about that.

Killer nodded after a brief look to the child, and him and Cross disappeared in a portal, going to complete their mission.

- What about us ?

Dust asked.

- Horror can go cook dinner, with an extra dish, and you go to the infirmary and heal yourself, don't think I didn't notice you couldn't move your arm.

Dust didn't respond, only looking down in shame, he thought he hid it well...

Corrupt sighed, turning his attention to the little skeleton once they were alone. Nightmare had looked up when Cross opened the portal for him and Killer to leave, clenching on the tentacle, and was now staring at Corrupt, alert.

- Who... who are they... ?

The child hesitantly asked in a whisper, his voice quiet as he hadn't used it in five hundred years. He already knew who Corrupt was, he said it, but who were the others ? Were they the surviving villagers ? Would they try to finish the job ? What did they want from him ? Why bring him back with them ? Surely it couldn't be good, it has never been good when someone wanted him to stay somewhere...

- They are my... my partners, they have been working with me for many years, they won't harm you, I trust them. You can trust them, too, and if anything, I'll be here to protect you.

He tried to explain as simply as he could. He felt Nightmare relax a little, even if he could still feel his fear deep inside his soul, the child seemed to believe him, maybe because his feelings were clear and not tainted with mischief or bad intentions, or because Nightmare remembered who he was and knew he could at least rely on him a little.

Corrupt knew Nightmare wouldn't trust them straight from the beginning, but if he at least believed they wouldn't hurt him, then it was a good start, because now that he was here, Corrupt would never let him go out. He needed to protect him, he swore to him that he would protect him from the very moment he came to life, it was his whole purpose.

He wouldn't fail.

[wolfstarshipping]

wolfstar wips

So I'm using the @hprecfest day 12 prompt "a WIP you're following" to post a short rec list of WIPs that has been sitting in my drafts for so long now I even had to remove a fic that had been finished in the meanwhile!

Something rotten in Grimmauld Place by @plecotusauritus (8,802 words, Hamlet AU) This is a wolfstar Hamlet AU, need I say more?? I've never much cared or thought about Hamlet since I read it in school but this fic (almost) makes me want to reread Hamlet and I can't wait to see where the story goes next, I love the atmosphere this fic captures, the lovely writing style and just seeing all these characters we know so well fit into the plot of Hamlet is so, so cool!!

the oldest recipe for parsnip soup by @eyra (10.639 words, modern AU, christmas fic) Getting another fic by eyra for the holidays has been such a wonderful treat! I love the whole setting and the characters of this fic so much already, especially Sirius!! And the writing and all the descriptions are so, so beautiful, as always, highly recommend checking it out!!

Welcome to Aphrodite by @de-sire-blog & @rhabarberjunge (18.957 words, magical AU, secret identities) this is one of those fics I've read a while ago, but I keep thinking about it because I loved it so much. I don't want to give away too much of the plot, but the premise is Sirius finding a hidden, adults-only club that makes people's secret desires come true, and of course Sirius's secret desire is Remus... It's hot, it's fun, and it's incredibly angsty, I love it.

Stitched into My Skin by @squintclover (19.297 words, canon divergent AU, memory loss) I love the heartache and all the bittersweetness that comes with memory loss fics so much already, and I am so obsessed with the way it's been done in this fic. The premise of the fic is Peter casting a memory loss charm on Sirius on October 31st 1981, which leads to Remus raising Harry and randomly coming across Sirius years later, only Sirius doesn't remember him. I'm so intrigued by the first few chapters already and can't wait to see where the story goes next!

Marauder FM by @hollyivydruzy (26.402 words, modern AU, radio AU, enemies to friends to lovers) I know I've recced this fic before but I will never shut up about it because I love it, and especially this fic's Remus so, so much! It's an iconic, funny radio AU set in London, and I wish the radio shows from this fic were real because I would listen to Sirius's radio show every morning if I could. I just love the vibe of all of them working at the radio station together and the slow burn enemies to friends (to lovers) is so delicious!

The Patchwork of Us by @tracingpatternswrites (27.502 words, modern AU, enemies to lovers, co-parenting Teddy) This is such a lovely fic about Sirius and Remus navigating the difficult situation of co-parenting Teddy after Tonks dies, I love the domesticity and the enemies to lovers vibe of this fic so much!

The Picture of Sirius Black by @lynxindisguise (30.049 words, Dorian Gray AU) okay anyone who has ever seen my blog knows how much I love lynx's writing, which is why I am also obsessed with this fic, even though it's a genre I'm usually not that familiar with. It's a Dorian Gray AU, it's gothic horror but especially the first few chapters are also giving victorian romcom with murder sideplot vibes (and I mean this as the biggest compliment), this fic will make you laugh and cry and want to murder some of these characters yourself maybe.

Only Fools Are Satisfied by grumposaur (@pancakehouse) (38.353 words, modern AU, tennis AU). I really love the exploration of Sirius's family dynamics in the context of him being a professional athlete in this fic, and Remus with his tanlines and freckles is everything!!

Neon Moon by @krethes (47.698 words, modern AU, cowboy stripper Remus AU, Las Vegas) I didn't know how much I needed Remus to be a stripper and a cowboy before I read this fic, but now I do and I love him!! The whole premise of them meeting at a strip club while Sirius is out on James's bachelor party is so iconic, and the vibes of the fic are just overall excellent, highly recommend checking it out!

on another ocean by @colgatebluemintygel (118.148 words, modern AU, backpacking/interrail, friends with benefits) Where do I even start? This is an incredible fic, one of my all time faves, I've reread some of the chapters several times now and am so obsessed with this fic's Remus in his socks and sandals, driving Sirius crazy with lust. Also I will not spoil it for anyone who hasn't read it, but the scene in the budapest chapter in the club bathroom features one of my favorite Sirius moments of all time, across all universes haha.

marginalia by @spindrifters (266.547 words, magical AU, canon divergent AU - Grindelwald won, slavery AU) I'm having a hard time trying to put my love for this fic into words in just a short paragraph. This fic is so unique in its setting, and it's so beautifully written and asks & answers the question "what if Grindelwald had won?" in such an incredible, highly political and also very immersive way, if you haven't read it already I really recommend checking it out (as well as the already complete Tedromeda spinoff set in the same world, history books!!!).

Staying Strangers by 3amAndCounting (319,368 words, modern AU, texting fic, university AU). This is one of my comfort fics, I love a good texting AU, this is quite a popular fic anyways but if you haven't read it and like modern AUs & texting fics (though it isn't all just texting) go check it out!

[nexility-sims]

𝐍𝐎. 𝟕   ❛ 𝐡𝐨𝐭 𝐚𝐧𝐝 𝐟𝐚𝐬𝐭 ❜   |   AUGUST 1991

❧  𝐝𝐢𝐫𝐞𝐜𝐭𝐨𝐫𝐲  /  𝐛𝐞𝐠𝐢𝐧𝐧𝐢𝐧𝐠  /  𝐩𝐫𝐞𝐯𝐢𝐨𝐮𝐬  /  𝐧𝐞𝐱𝐭.

Trish Fitzpatrick wore many hats, but her favorite was “freelance journalist.” Her area of expertise grew directly out of myriad side gigs: what she called portrait pieces of interesting people. Outlets clamored for them—or, they had since she’d buttered up famous, neurotic opera singer-turned-starlet Prudence Boone into revealing she had a glass eye, a secret runaway daughter, and a hair-eating habit. Of course, Prudence was basically a stranger. They had once had a fifteen minute conversation on the deck of a yacht, bonding over the fact that neither actually knew to whom the vessel belonged. Prudence thought Trish’s outlandish suggestions were funny enough to remember her when she called to pitch the piece. It had gone the same way with Renzo. Of course, they had met while fighting over a scarf in a vintage clothing store. Trish considered letting him win to be a debt, one for which she would demand recompense at the ideal time. Opportunities passed, and then August 1991 proved to be the time.

❧ i got the irresistible urge to do renzo backstory, which was meant to be an outtake, but then i was like, "uh, no, this totally works as story proper if i put leonor in it," so here we are ! context and such. given the amount of work, this might be my magnum opus until further notice ... it was also just fun to do :^) checked off the sex, drugs, and rock-n-roll boxes ?? where's my prize. in conclusion, i love my white boy of the week or whatever

𝐭𝐫𝐚𝐧𝐬𝐜𝐫𝐢𝐩𝐭 ↓

I grew up in a tiny town—Petunia. Petunia? You say it differently. It’s the country coming out, I guess. Not “pee-tyoon-ee-ah,” it’s “puh-toon-yuh.” Petunia. That’s it. So, how was it? Fond memories? In retrospect, maybe. I wanted to get the hell out of there from day one. What I remember is being very unhappy—dispositionally sullen, not just a pouty kid, but fully down and out. Born that way, probably. And your parents? My parents … Life had the upper hand, man. They were good at losing. I didn’t want that life.

My dad professed to be a traveling salesman—What, he wasn’t? I mean, he didn’t know jack shit about vacuums or whatever the fuck. I don’t know. But, he wasn’t around a lot, it sounds like? Gone for weeks at a time. Just me and my mom. How was she? Not really there either. When I got home from school, she’d pop her pills and be gone until morning. She wasn’t avoiding me; she was avoiding life. She did what she had to do in the mornings—you know, I had what I needed, the bare essentials—but she was checked out. You had a lot of unsupervised time, then. Oh, did I. Too much. I mean, I had books to read, and I got into music early—From her? No. My dad’d blow into town and bring pity gifts. Not kid-appropriate shit, now that I think about it. Heavy, gritty stories. A guitar I was too little to use. Flip lighter. But, you know, I was a kid. I wanted to run and play with everyone else, too. Of course.

Here’s the thing: it was hard to be a scrawny kid named Lorencio in Petunia. Shit, I can imagine. What was that like? … Hard, like I said. Well—Details? I got the shit kicked out of me. Regularly. What do they call it—um—“school of hard knocks”? Yeah. I remember, one time, I limped home on a Saturday. Mom was out of it, but she leapt up when she saw all the blood. Cleaned me up. It’s like I’m there now—in that bathroom with the dirty tile, her burning me with peroxide … She didn’t really talk, you know, not in a serious way? But she did then? She said, in Uspanian, “‘Don’t roll over for anyone.’” Interesting. So, that’s the lesson? Part of it. I realized that summer it didn’t matter if you were scrawny, if you talked funny, if you were poor. What mattered was not being a pussy. [Laughs] Oh, yeah? If you want credibility, if you want respect, sometimes you gotta be able to take a beating. Don’t roll over. That’s right.

I think it also helped when the growth spurt hit. You must’ve still been scrawny. [Laughs] String bean. So it goes. Adolescence . Now, you grew up fast, is what I’ve heard. You could say that. My life changed when Marty got out of lock-up—Sorry, what?—for “teen offenders”; he set his grandparents’ car on fire—oh, I see, regular kid shit—Uh huh. We hit it off. He introduced me to other guys, including Jesse. They’d huff gas together. Oh my God. Not whippits? Sure, but less convenient. That’s—No good, yeah. Fun though. Have you—? I’ve tried everything, Patricia.

Jesus! So, Marty and Jesse…? We got on like a house fire. [Groans] They were into petty crime for the thrill of it—Now, Renzo, is arson petty? He did it one fucking time. Everyone overreacted. They got into trouble for fun, and for you it was—? Money. Not a lot. I was too dumb to consider the risks. But, you did other things for money, too? Don’t say it like that. I wasn’t hooking. [Snorts] I worked a lot. I was cutting school to work, getting paid under the table, all of that. Maybe—hear me out—some of it was thrilling for you, too? I won’t tell anyone. [Chuckles] What can I say? Credibility.

I feel like I’m mischaracterizing … I love Marty and Jesse, to this day. Jesse’s daughter is your godchild, right? Yeah. Marty went back to Petunia in … ‘88? Jesse and I had better luck, or maybe we were just more desperate. Either way, my point is that delinquents get a bad rap—With good reason! Sure, okay. Both of them were deeper and more complicated than that. You’re not an outlier. No. We’re a dime a dozen. No one gives them the chances you got. Uh huh. So, we bonded over that—feeling down and out, like I said, but also the fact that we loved music. Marty’s family had money, so they’d bought him a nice bass guitar. But, Jesse’s mind … He’s so fucking creative. He wasn’t a reader, but I could tell him about something I’d been chewing on, and he’d have a song inspired by it within the hour. He has an incredible voice, too. He does.

I guess it’s not surprising that you guys did what you did. There was nothing for us at home, you know? Packing up and heading out west didn’t feel like a risk. And your mom understood that? Better than anyone. I know people judged her—shit, I judge her, too—but I always knew she was trying. That’s sweet. Is it? I mean, I think so … She met my dad at a bus stop three weeks after she arrived in the country and made the mistake of getting off at his stop. That’s it. That was her crime. Well, I’m sure she’s doing better now, huh? She lives in a nicer house in a nicer city, but that doesn’t cure depression, now does it? I suppose not. There was this woman whose lawn I’d cut all the time … A real bitch, but she was extra nice because she felt bad for me. Hated my mother. I think she was just jealous because my dad was her high school sweetheart. Isn’t that just how it goes? Damn foreigner stealing a real catch from her. [Scoffs] Sticky fingers when she invited me inside for lemonade—cigs and quarters from her purse, Valium from the cabinet, that kind of thing. [Laughs] Casual. It was pretty brazen, honestly. Fucking dumb kid.

Alright, so, you come out here with Marty and Jesse to make music, and now you’re a serious actor with a name and a big career ahead of you. How’d that happen? It was completely accidental. While we waited for a record deal, I did odd jobs, like auto work—you know, in a body shop. It was decent. Had you worked on cars before that? So, I got familiar, uh … [Chuckles] We’ve established I was a rascal. We could get under the hood of a parked car and make a few dollars off parts. I can get you in so much trouble, Renzo! [Laughs]

Don’t tell anyone, come on! I was a kid. Have a heart. I guess it paid off. But, alright, body work? What’s the connection? It’s kind of convoluted. When business was slow, the guy I worked for loaned his employees out to another mechanic. This guy, long story short, brought me along to assist him on a movie set. I guess he was a known quantity? Everyone knows the right guy! That’s everyone’s explanation for where they end up. Me, too. Uh huh. I don’t know why they let me do it, but—Somehow it worked out. Yeah, it did. Right place, right time.

You’re in the spot. How did you get into it, though? This is embarrassing as hell but, fuck it, I’ll be honest. Please. Don’t stop now. [Chuckles] I got a shot because I’d been chatting up this girl who, as it turns out, was the director’s kid—or, in fact, she approached me. I had no idea who she was or why she was there. Of course she did! That’s not surprising, is it? I think I was the most disinterested person there. I don’t know. Anyway, we talked a couple times, then—out of the blue—someone asked me if I wanted to hop into a scene, say a line, ten seconds flat. She did that for you? I don’t know what she did. No one mentioned her. Maybe she thought you looked like a movie star. [Snorts] Fuck. I hope not. Did you want to do it? I wanted to make music. I wanted to finish reading my book. I wanted … I mean, I said yeah. Can’t decline that. Makes a good story, right? What happened with her—? Oh, hell. Sorry! Moving on, for now. [Groans]

I got a call several weeks later about an audition. How did that feel? Bizarre. We’d done a demo for a producer once, but this was different. Were you excited? I was terrified. But, I went. Didn’t get that part, although everyone was perfectly nice to me. How disappointing. You always remember your first … But, hey, you have to look at it this way: I didn’t want to be an actor. I thought it was cool, but it felt like … ? Go ahead, give me a good metaphor. Like when you’ve been craving your favorite food, but then someone offers you a helping of something different, new, appetizing. How’s that? Passable. C-plus. [Laughs] Fuck you, Pat.

Okay, so the road didn’t end there. No, it didn’t. I got another call, and that one went well. This was for … Sugar Sweet? That’s the one. Cornball, but I love that movie. Never seen it. What! How is that possible? You were in it. You went to the premiere screening. There are pictures. Saw my first scene, excused myself to go piss, didn’t come back until the applause had started. Wow. Everyone has opinions about that movie these days—very contentious, whether or not Alicia was in the wrong when she left me and stole my lifelong dream. What do you think? Me, Renzo? Good for her. I thought it was kind of bitchy. It’s peculiar how many women say that. I wonder why … ! Billy’s so dreamy. Please, ask me about something else, Pat. So, this romantic comedy is your launching pad. It leads to the television show. The television show blows up immediately. Walk me through what that felt like?

Also terrifying. I really cannot emphasize enough that I didn’t want attention. I wanted money and time to support my music, and acting seemed like a good way to do that. Just didn’t account for the side effects. Like fame? Uh huh. I was a nobody in Sugar Sweet, and the pay was shit, but it felt like a miraculously good deal at the time. What it did is put me in the running for more serious work. I think, even then, sometimes the casting folks were hesitant to take a risk on someone with no experience whatsoever, even if they had—A spark? Talent? Sure. It was unsettling, the idea that I was some kind of “natural,” and I compensated by working really hard. Well, you’ve established yourself as a hard worker. Sure. I guess they saw that—the improvement, in addition to the fact that I had a resume to speak of by then. Or, eh, they saw that you were pretty. Right, of course, you don’t need talent if you have Teen Mag’s favorite cheekbones. [Snickers] I joined a cast with other people who had very little experience, and we bonded over that. I just didn’t expect to be … What, the center of attention? That, yeah.

You know what’s fucking weird? Huh? Signing your name on a picture of your own face that belongs to someone else. That they’re going to take it home and pin it to their fucking wall or frame it on their bedside table. Someone’s kid treating you like their school crush, blushing and shit while they’re asking for you to do it. That does seem like a strange experience. Over and over again. Teenyboppers, goddamn. You were in the magazines for them. I read a couple interviews. No the fuck I was not. I did not do those. No? What they do is take quotes from actual, consented conversations and stitch them together for their own use. It’s legal. That’s fascinating. Maybe I should try that. Less work. [Laughs] Yeah, alright, flush your “exclusive access” privilege right down the toilet.

But, look, I’m not disparaging the fans wholesale. That’d be unfair. And, ouch, ungrateful? Yeah. The initial couple years were fucking insane, but I was with people I liked, and a lot of the fans we actually met were … Normal? Uh huh. Not a hysterical, handsy, screaming blob. You got grabbed? Groped, Pat. Oh boy. We don’t like grabass, I guess. Well, hold on now, just not like that—You keep sidetracking me. What kind of interviewer are you? I’m having fun with my buddy! Sue me. [Chuckles] You got it, baby. What was I saying? The fans? Yeah. The ones we met one-on-one were cool, usually. They had deep thoughts about the show, you know? Ideas about the characters, the plots—filled in holes in the shitty writing. No offense to Jack and Reuben, I hope! Don’t print that, Pat.

If I’m being honest, having to answer their questions made me think deeply about the role. That’s stayed with me. I don’t like being walked up on in public, but sometimes it’d go fine. The first time someone came up to me in the wild, her mother looked so fucking apologetic that I decided, “Cool it, don’t be a jackass.” She wanted to talk about the book I was buying. Same thing would happen to Frank, Perry, Vicky. How about the show itself? That was a three year commitment.

It was alright. In retrospect, I understand that television isn’t for respectable actors, which made the transition hard. Harder to have been on a show for teenagers. But, you made that switch in Uspana. So, did that play into the calculus at all? I lucked out, in the sense that the show was co-produced, and I got to do the dubbing for the Uspanian version. I wasn’t a total unknown, even if they thought my Uspanian was shitty. Is it? Losing an accent is hard, in my defense.

When my contract ended, I hit the road. You didn’t think about staying on? I thought about it with horror, yes. [Laughs] You’d keep shit-talking the whole production if I let you. Maybe. So, in Uspana? It was like exhaling for the first time in a while. I did nothing for a couple months. All that hard work, being a beloved TV star … Throw me a bone, Pat. But, anyway, I didn’t even see my mom’s family again for a few weeks—You knew them, though? Yeah, we’d met, during the press trips. Beach life by yourself. Luxury.

You know, I needed to reconnect with myself. That’s how I felt. I felt like I had been an imposter, then I felt like I had to be someone I wasn’t, and now … You could go a different way. A fork in the road, for your career. Your life, really. Right, yeah. I went to Canarís like any good tourist. I had more money than I’d ever had in my life. I had no plans. Sounds like a dream. It was.

Crucially, I was out of my mind most of the time. Kite high. So fucking high. I swear I almost drowned twice, at which point it was politely suggested that I stop using the pool. Did you politely agree? Fuck no. [Laughs] Troublemaking aside, I ended up taking phone calls, making plans with people—Industry people? Yeah. There were people I knew already, but meeting the ones I really wanted to work with happened kind of organically—parties, premieres for other films, cafes. At the Morningstar Cafe in Canarís? Right, exactly. Same way I ended up finding The Den. Someone at the cafe had worked with Karolina Teague, and she took me there one evening after we all got tossed out of some poor son of a bitch’s house. Sounds rowdy. Can’t blame him. It was after midnight. And? Well, it was a lunch that’d started at eleven in the morning, so. [Chuckles]

So, I have a question. You’re pretty consistent—in terms of behavior. “Behavior?” [Snorts] Yeah, okay, I understand. What was that like, with cameras on you? The photographers in Uspana definitely aren’t less aggressive. That’s part of it. I don’t know if I’d call it an epiphany, but I left Canarís for Nakawe with the understanding that I was going to just do what I wanted to do. Oh boy. Within reason, fuck. Reason. Sure, yes. You didn’t feel like a dumb kid anymore. I mean, I guess I have more fun with the camera guys here. They can get away with more, ergo, so can we.

I distinctly recall you got arrested for—I barely touched that guy or his fucking camera. Did him a favor, if I did. Dogshit quality device. [Chuckles] Not sure he saw it that way, but the charges were dropped. I mean, don’t get me wrong, shouldn’t have reacted that way. I kept thinking about my mom seeing those pictures … The one time I got picked up, she backhanded me in the middle of the station, right in front of the cops. Jesus. In the car, she goes, “If you get caught again, I’m going to rip your ears off.” Empty threat, I guess.

The Den—I want to talk about that. Please, let’s. Your first time there? It was with Karolina, like I said, and there was a local band playing that night. They’d wrapped up their set by the time we arrived and were just … jamming on the stage, taking feedback and requests from the people who were still there. Some kind of funky jazz mash-up. I liked it. How did it come to you? It opened in ‘57 as a bar and, at some point, it turned into more of a music venue open to a certain segment of Nakawe. The guy who owned it gave exposure to a lot of people who went on to really do something with their art, and that’s why it ended up being a somewhat exclusive spot. Celebrities already knew it and brought their friends. Uh huh. I could stroll up, and the cameras weren’t with me because they were already there. He got tired of that, I think—He was an older fella, right? Yeah. But, really, he managed other properties, and The Den wasn’t his passion project the way it’s become for me. So, you had the money and took it off his hands.

What goes on in there? [Laughs] Pat, you’ve been inside. Well, not for me! If I’m going to describe it to people who’ll never go inside, what would I say? I mean, it’s a hangout spot. It’s a performance venue. We had, uh, mimes last month. Truly gifted, those people. [Laughs] Really? I don’t come up with all of the ideas myself, but I only agree to the shit I’m interested in. It’s kind of selfish, but I guess I’m lucky to know a lot of people who’ll toss in five dollars to enjoy it. It’s something. Compelling. I mean it. Thanks. That’s not all, though. I mean, you describe it as a “haven.” It’s very private. Some of your regulars are troubled individuals. Damn, Patricia, just say it. I feel like a cop! “Do you condone drug use in your establishment?” nonsense. But, well … I’m not explaining it. Either you—they, whoever the hell—get it or don’t. Come for the music, come to unwind however you like, doesn’t fucking matter to me as long as you’re coming with an invitation. I like to go in the back room, close the door, let the music and noise seep through. Muffled. You don’t really strike me as a partier, frankly. You never have. I wouldn’t argue with that. I like parties, but I don’t need to be at the center. Some do. That’s fine. This place is for us all.

Maybe it works out because of that, that you’re curating this space but not necessarily always in it? What do you mean? Well, you reopened it and then, if memory serves, immediately went off to do a film. The party kept going. You just like to know it’s happening. Alright, sure. That’s true. Knowing it’s there … Yeah. I like it. I was in that back room, thinking about the script, when I decided to do it, actually. Life felt like it was falling into place. It was a good time to take a leap. “’You are going to be a cowboy?’” “’No, I’m going to be a farmer.’” I had that conversation a thousand times. Reporters, man. Hey! Everyone was so surprised. I think they thought the premise was … I don’t know, that it just wasn’t something I would want to do? Or, worse, that the filmmakers wouldn’t want to work with someone like me? Unflattering assumptions, sounds like. Can’t blame them. I had a lot to prove. Still do.

How was six weeks in Texict? Fucking heaven. I loved it. My mother’s from the northwest so, even when I visited family, it wasn’t anywhere close. No reason to visit until we dropped in to do the film. Every day, I woke up happy to be alive. Happy to be doing this job. Gorgeous. I’m gonna go out on a limb and guess it wasn’t just the location, was it?

No, you’re right. I felt like I was really acting—for the first time, seriously. Maybe the cast helped? I’d worked with established actors before. The leads in Sugar Sweet were—well, you know who they were. I learned a ton from them. But, yeah, I guess Sasha was the first person I’d worked alongside who had me sweating. Oh? I wanted to impress her so fucking badly. I wanted to keep up, you know? So talented. So raw. She rips every line out of her chest with her bare hands. Bloodbath of emotion. The premise was new, too. Not a lighthearted romance this time. No. We were young parents of a ill child—stressed as fuck, trying to make life work, struggling separately to be together. Can’t lie, I ate that shit up. So did the critics. Hell yeah.

Every nomination felt surreal. The recognition was incredible. Validating. Sasha and some of the others swept up. I was just honored to be up there with them, honestly. Okay, well, let’s talk about Sasha. Do we have to? Yes. Indulge me! [Grumbling] I mean, all I can really say at this point is that I was obsessed, and it wasn’t until it was over that I had the clarity of mind to really wonder, hm, “Was I in love with Sasha, my coworker, or was I in love with Sasha playing Lucy, my wife?” That seems like an occupational hazard. I wouldn’t describe it that way. You take sensitive, delusional, beautiful people, pay them to get vulnerable and intimate with each other … It’s special, even if it’s … Not genuine? No, it is that. It’s not real, but it is genuine. How else can you say, “Well, our schedules don’t line up anymore, but I’ll have this scar of our initials forever?” You do not! No, I don’t. The letter S is really hard to cut without fucking up. Not a sober man’s idea. No.

Since I have you on the topic—hey, no, absolutely not—I’m obligated to ask if there’s anyone in your life right now. How’s that? Women’s magazines can snap this up and stitch it together for themselves. This is a public service. Patricia … Yes, Lorencio?

Look, I know you do your research. I do. I’m very good at it, too. What’s that like, princess pus—Pat. Pat, I’m begging you—Are you obsessed? The letter L is easier, I bet. It is. Would you go with another L or an R?

I’m not talking about this—not for you to print, anyway. Well, talk to me as a friend, then? I’m not just professionally nosy. We’re friends? Who else calls me Pat and gets away with it? You haven’t been Trish in a long time, it’s true … [Sighs] Fuck. Someone can be precious, right? Lovable. You can hold them in your hands and think, “This person matters to me. They’re special. I like to be around them; I like to listen to them; I want their affection.” You can really, genuinely cherish someone.

But? Maybe you find their life to be completely fucking repellent. Unbearable. … Damn.

There’s parallels, though, right? I mean, fame is fame, there’s got to be value in relatability, and—There’s an open mic going on downstairs in the hotel bar right this minute. Let’s take a break, Pat, what do you say? Let’s just go watch some of it. I’ll let you print dick measurements and my deepest, darkest secrets if you say yes. [Laughs] Well, if that’s on the table—

[emmitaaa4]

Getting exponentially tired of the “elriels want 👹” posts in the elain tags where they proceed to either A) outright invent stuff B) act holier than thou about how they care so much for Elain because they C) misconstrue the little they hear from our side in bad faith, or D) just completely miss the point they’re addressing.

it’s one thing to be bitter about a ship, but geez theyre getting mad at generalizations they made up about what we think. it has to be tiring. non?

small rant beneath, just to vent. yes i know i can (& should) block certain tags, but reading frustrating content is a hobby of sorts.

Im genuinely convinced all these “ewriel”-myths they keep talking about are a result of a bad game of telephone—they hear a random thing a gwynriel says, go “they’re all stupid/delusional/immature (insult of choice) so i don’t doubt what you’re saying”, then repeat it to others.

It’s obvious by the way they wholeheartedly believe that Elain is our puritanical-warrior-self-insert we use to vicariously F Azriel (😃✋). Doesn’t help that they usually don’t look as deeply into Elain as we do & tend to get stuck on obviously superficial statements about her: they cannot seem to fathom an Elain that isn’t just a once-bright socialite wilting away sans her sun-mate. So any hint of darkness/savviness we see in her is just us moulding her into Y/N. sigh

anyways.

I can say i’ve read their posts on here, a ton prior to being involved and some now. I’ve seen their tiktoks & video essays, their powerpoints & reddit posts. i’ve seen their comments all over insta/tiktok (kinda hard to miss, they jump on elriel content with their “um shadows and um pliable bones and mates!!” comments). I am WELL aware of what the general consensus is on that side—which is why I am generally unbothered by GA, don’t mind EL, and am just peacefully sailing aboard my ship waiting for it to reach destination.

And because I care about Elain’s journey, I try to see the story the way they do when i encounter certain elucien arguments. For if i am to even just privately engage in the sHip wArs, i know to remain ✨critical✨ and ✨open minded✨.

… there’s no point turning discussions into angry posts against imaginary adversaries.

EVERY elriel i’ve talked to would read an elucien book because it is Elain’s story we are most anticipating. It’s just very telling to me that very few would do the same; that there’s not a whiff of willingness from most of them to listen to the other side.

The funny thing is that all those anti eWrieL posts** i’ve read tend to address twisted versions of “the elriel narrative.” They take things out of context, or say we have the same 3 arguments—which is genuinely insane bc if you know our ship so well, how can you be off by like 2 orders of magnitude ??? (exaggerating if it wasn’t clear, we can’t know these days).

** Their pro GA content reads very anti-Az, used to be very anti-elain, and has a narrow scope ngl. While the bonus matters, it seems like that is ALL they’ve read. They don’t think much about Elain’s journey or powers or decisions, which is just logically not the best way to analyze the series given she IS what’s to come.

✨Just some common myths they believe✨:

they repeatedly claim that elriels want poor elain to be a kickass warrior torturer to fit Az because they A) don’t actually read our stuff B) enjoy thinking we hate elain, and C) can’t fanthom that spying isn’t 007 ninja activities.

apparently we ship elriel because we think they have this big great romance OFF PAGE 😭. how in the hell— i’ll make a post on this one istg it’s lowkey funny. quick, were nessian strangers and unfeeling towards each other at the start of SF ???? damnit i must’ve missed that.

En tout cas. End of rant the rest stays in the drafts lmao.

but istg one day i’ll cave in and unleash the essays of rebuttals and psychoanalyses of their arguments / thought processes just for shit and giggles.

[marie-m-art]

There's a specific concept from Good Omens that I really like (amongst many others), that I was chuffed to also find in a Sandman and a Discworld story!

I love that in Good Omens (both book and TV), Heaven and Hell are presented as mostly redundant and ineffectual when it comes to human morality - and that Hell in particular find some of the things humans do to be pretty shocking, and/or instructive.

Opportunities for humour aside, this idea flies in the face of the common belief that the world's worst ills are the result of outside forces influencing people to do evil (ie the devil. Or ... lizard people etc? I digress). And it's unlike other stories out there that are like, "World War II was actually caused by xyz characters!" or similar. Good Omens doesn't rewrite history like that, or let us - humanity - off the hook when it comes to the big stuff, when it could so easily have done so in a universe where Heaven and Hell are literally real.

The story, of course, also credits human cleverness to humans, and celebrates the things we should be proud of, like art, music, delicious food, craftmanship, invention, etc. And it credits humans for having a propensity for compassion and goodness.

"[Crowley] did his best to make their short lives miserable, because that was his job, but nothing he could think up was half as bad as the stuff they thought up themselves. […] And just when you'd think they were more malignant than ever Hell could be, they could occasionally show more grace than Heaven ever dreamed of. Often the same individual was involved."

I love this concept because I see it as an uncoupling of religion and morality. They can both exist together, but the former isn't necessary for the latter. (This isn't the only possible interpretation; the more literal reading might be more about free will, but this is where I extrapolated it to).

From Sandman: Season of Mists Episode 2 (plot context stripped out to avoid spoilers, but skip ahead to black text if you want absolutely nothing spoiled if you want to read it).

Lucifer: "And the mortals! I ask you - why? […] Why do they blame me for all their little failings? They use my name as if I spend my entire day sitting on their shoulders, forcing them to commit acts they would otherwise find repulsive. 'The devil made me do it.' I have never made one of them do anything. Never. They live their own tiny lives. I do not live their lives for them."

And from Eric, a Discworld book (this one's related to Hell learning from humans, more than morality/free will... I won't spoil the funny by elaborating!):

"Earl Beezlemoth rubbed one of his three noses.

'And humans somewhere thought this up all by themselves?' he said. 'We didn't give them any, you know, hints?' […]

The earl stared into infinity. 'I thought we were supposed to be the ghastly ones,' he said, his voice filled with awe."

Another commonality between these two stories that isn't directly shared by Good Omens (yet...? still have another season coming …) but that I like enough to point out, is the idea that Hell is a place where people end up if they believe they deserve to go there. I like this because a lot of people are influenced to feel guilty about "sins" that are innocuous parts of normal human behaviour, so it's pretty brutal to fear going to Hell over them. There's comfort in this idea, to me. (granted, the following Sandman quote states this less explicitly but I take the same meaning from it … but lmk if I've done a reading incomprehension; I also haven't read all the books yet).

From Sandman:

Lucifer: "And then [the mortals] die, and they come here (having transgressed against what they believed to be right), and expect us to fulfill their desire for pain and retribution. I don't make them come here."

From Eric (partial footnote near the beginning):

"Interestingly enough, the gods of the Disc have never bothered much about judging the souls of the dead, and so people only go to hell if that's where they believe, in their deepest heart, that they deserve to go."

Eric also really leans into the idea of Hell being a bureaucratic, corporate, boring nightmare, also familiar to Good Omens fans, and the demons are so over it. The tone (you could probably guess) is very different from Sandman, and it's one of the earlier, less-serious Discworld books; it's a very fun, absurd ride of a read!

There are a few other Discworld books I'll talk about in a future post, that may also be of interest to certain Good Omens fans (I'm gearing these posts toward the fans who came to Good Omens from the TV show and haven't had the pleasure of discovering Neil's and Terry's other work yet); the ones I have in mind examine religious extremism, and the uncoupling of religion and morality too. A couple of them also have queer themes, if that is also your jam! (Less shipping opportunities but I assume some fans, like me, like the rest of the material in GO in addition to the love story).

I'll end this with a quote from a footnote from Eric that has nothing to do with anything in this post, but which took me by surprise and had me laughing days later whenever it came to mind. It's referring to books in a section of the library:

"Just erotic. Nothing kinky. It's the difference between using a feather and using a chicken."

And another bonus one that I found while looking for the first:

"Rincewind had been told that death was just like going into another room. The difference is, when you shout, 'Where's my clean socks?', no one answers."

I hope this made sense and is maybe interesting to someone ... I had fun talking about this at least!

[vgperson]

What Did I Do In 2023?

Whatever I wanted, mostly.

----

As I mentioned last year, my site now has an RSS feed with basically everything I've done back to 2020, so this will mainly be going over the same stuff from that, just with added context.

In January, I finally sat down and properly realized an idea for a short story I'd had sitting around for a while: From the Sidelines, about a fantasy RPG expedition going sideways. I remain very proud of it in both concept and execution, and hope people read it.

In February, Your Turn To Die was released on Steam Early Access, receiving character profiles and some bonus mini-episodes, adding two more later in the year.

After finishing From the Sidelines, I carried that momentum to revisit my Ut0p1a story series about funny computer animals. I'd always meant to continue it - and conclude it - but hadn't been satisfied with the ideas I had for it until totally rethinking them this year. In March, I posted the remaining stories one after another: Right to Code and Left to Code. I'm very proud of these as well. Also in March, Kenshi Yonezu released LADY. (Video, interview)

In April, Uri released the Data Book of the Strange Men Series, a big collection of the writing she's done on the games in the series, with a lot of new parts as well, all translated by me.

Then in May... uh, well, let's see. In April, Capcom released the Mega Man Battle Network Legacy Collection. I always adored the Battle Network games, and was initially excited that they finally did the thing... but by the time it came out, I was pretty disappointed by how, while you certainly couldn't call them low-effort ports, the effort didn't extend everywhere I thought it should, with the biggest offenders being the total absence of any "convenience features" except Buster Max Mode, the bad font, and the almost entirely untouched translations.

So, I ended up deciding I might as well just replay the originals, and that was a fun time (aside from the parts that were bad). Doing this, I couldn't help but notice how... turbulent the translations were, even if I'd always known they were less than ideal. I mean, the first two games just used periods for ellipses despite the tight character limits, then in BN3 they had an ellipsis character... but it's center-aligned, Japanese-style? Aside from the intro, which has normal ones? Gosh, somebody should fix that - it's simple enough to find and edit in YY-CHR. "JapanMan" is silly, too - I wonder if anybody made a patch for that? Wait, what do you mean there's just a tool to extract and insert text in all the Battle Network games including the Legacy Collection???

Thus began a journey that sort of occupied the rest of my year. First I did the BN3 Translation Revision, trying not to worry too much about cross-referencing the Japanese text unless something seemed wrong, so that I didn't spend too long on the project. Then I began to consider BN2, with its unfortunate "foreigner" text that would need some more significant reworking. I established more convenient tools for comparing with the Japanese script, and thus did a much more thorough job with it, releasing the BN2 Translation Revision in June (AKA Princess Pride Month).

Finally, after giving myself time to recover and actually finish replaying the series, I knew what I had to do to close things out. With the BN4 Translation Revision, you can finally play Battle Network 4 with a translation that isn't such a mess. Whether you'd want to is for you to decide, though if you can get over the structure, I don't think it's the worst game in the series by any means. (Oh, and in December I also updated the BN3 Revision to 1.1, doing a thorough pass with the methods I'd honed. But I think I'm pretty much good on MMBN translations now.)

Anyway, backtracking to other things that happened during my Battle Network haze... June had Kenshi Yonezu's Moongazing (video, interview), and July had Globe (video, interview, interview).

Last but not least, released in November, I translated Refind Self: The Personality Test Game, a short game from Lizardry (creator of 7 Days to End with You) with a fun concept.

----

Obviously I was right to have said "no promises" last year. But really, Your Turn To Die should get its final part on Steam sometime next year, maybe even early-ish in it. That's certainly the goal.

I'm also hoping to buckle down and finish one of my own games, but as usual, who knows how that'll pan out. Letting my whims carry me this year let me finally finish From the Sidelines and Ut0p1a, which was great, and it also led me down a Battle Network rabbit hole, which was... fine, but definitely for a narrower audience. I'd always like to get back to more free game translations and the like, too, but it takes effort to find things I'd want to translate. For now, I think my increasing desire to be able to let loose some of these original games I've been planning, and the stories in them, might come out on top.

[frankcastleonlyfans]

Could you possibly do one where Aemond reacts to finding out that he might have to marry Daemon’s daughter? Would he be mad or weirdly happy in a way. We all know what daemon thinks of what his brother has in store for his daughter and he is not having it.

𝐀𝐑𝐑𝐀𝐍𝐆𝐄𝐃 𝐌𝐀𝐑𝐑𝐈𝐀𝐆𝐄

pairing: dad!daemon targaryen x mom!reader au | aemond targaryen x daemon's daughter!oc

warnings: fluff(?), aemond is his own warning, cussing because aemond has a dirty mouth.

author's note: I'm truly obsessed about this bc I never thought about Aemond's reaction to being betrothed. This is going to be in headcanon format due most of it just being from Aemond's pov. Thank you so much for your amazing idea <3 also wrote this while listening to "the red means i love you" and i'm shipping alymond 😭

read this headcanon for context of this story

reblogs, feedbacks and likes are appreciated. support your content creators 💓 enjoy your reading.

· ┈┈┈┈┈┈ · ୨♡୧ · ┈┈┈┈┈┈ ·

"I know you're lying, Aegon. Don't you have anything better to do? Maybe some young maid to fuck?"

Aegon scoffed, "Well, if you don't believe me, go talk to father about it. I'm just telling you what I heard."

Aemond believed his brother was nothing but a drunk liar, so his word didn't actually meant anything.

But he went to talk to the King anyways.

While walking through the corridors, Aemond thought about what that meant to him.

He wanted to be mad about it, but it wasn't that bad.

In fact, it wasn't bad at all.

He knew Alyssa Targaryen pretty well. He knew how feisty that pretty little thing could be. She did took his eye, after all.

And Aegon wasn't lying.

"I don't hope you to understand, but our line must spread. She's a pure valyrian, and would make to you a good wif– Why are you smiling?" King Viserys questioned, raising a curious eyebrow.

Aemond chuckled, "Have you told Daemon?"

"I did... He was furious about it." Viserys confessed.

"Well, that's great! I'll give these exciting news to my betrothed, myself. I couldn't be more happy about your choice, father." Aemond left the king's chambers without discussing if Daemon agreed or not.

Aemond knew Daemon wouldn't let Alyssa marry him.

He also couldn't care less. His father was the king.

Aemond couldn't put in words the taste of satisfaction in his mouth once he knew how angry Daemon was about his union with his uncle's daughter.

The girl literally took his eye, the least she could do is marry him without complaining.

Oh, but she would be furious too. He knows she's just like her daddy.

"I figured I'd find you here." Aemond said with a smile.

Ever since Daemon gave her her own sword, Alyssa spent quite some time in the training yard when the boys weren't there.

Curiously, Aemond always knew when she was there.

"And what do you want?" Alyssa spat, slamming her sword towards a wooden target.

"I came to give you the great news! I couldn't believe my own ears when I heard it."

"Oh? Did your mother successfully try to kill anyone? I hope it was your grandsire. Gods, I hate that man." Alyssa chuckled and beheaded the target.

Aemond frowned and squinted. He wouldn't fall for her games. He was the one to tease, not her.

"Haha. You're so funny, Alyssa. I bet it wouldn't take long for me to fall for you." Aemond coaxed.

Alyssa blinked a couple of times, processing what he just said.

"What?"

"Did I stutter?" Aemond smirked.

Alyssa took a deep breath before asking, "What the fuck are you talking about, One Eye?"

Aemond clicked his tongue, "Gods, you're just as fucking stupid as you're pretty. It means we're betrothed. I'd be treating my future husband with respect, if I were you."

"Are you crazy?" Alyssa hysterically laughed, "My father would have your head before letting me marry you." She pointed her sword towards the prince, "I would have your head before giving myself to you."

"Kinky." Aemond retorted and lowered her sword with the point of his index. "Who's your father to disrespect the king's orders?"

Alyssa swallowed hard. She had no answer for that. Even the dumbest girl knows the king's word is above everything. And she is no dumb girl.

She left him there and went looking for her father.

She thought about a million possibilities.

Maybe she could run away? They lived in Pentos for a while, she'd do well there.

No, Y/N wouldn't let her go alone.

What about Daeron? If she begged, maybe the king could call him back to King's Landing, so they could get married.

To be truthful, Alyssa didn't want to marry any of Alicent's kin, but anyone was better than Aemond.

But Daeron was the same age as her brother, Maegon. That was kinda disgusting.

"Did you know uncle Viserys wants to marry me to Aemond?" Alyssa stormed into her parents chambers.

Daemon's lips immediately left yours. You groaned in response.

"Maybe knock the next time, Alyssa?" You said in annoyance.

"Sorry mother, but I think what I have to say is way more important than you snogging with father." Alyssa answered with wit.

Daemon smirked, "It's okay, 'Lyssa. I'll talk to Viserys again. You know I'd die before letting this happen."

You rolled your eyes, "You're both being dramatic about it. Aemond is not that bad. He's a bit... violent, yes, but he would never hurt you. I promise you, daughter, violent men can be great lovers." You ran your fingers through your husband's little braids in his hair.

"Don't go giving her any ideas, Y/N." Daemon warned with a stern look, and you snorted.

"She's a grown woman, Daemon. There's a sword in her hand. I don't think you need to protect her anymore." You shrugged.

"Hello??? I'm still in the room, please stop talking about me like I'm not here!" Alyssa crossed her arms.

"Don't worry. I told Viserys you're not marrying Aemond, so you're not marrying Aemond. Is that clear?" Daemon asked, reassuring her.

"Yes, father."

read the second part to this story

[secretmellowblog]

I hope tumblr doesn’t die because No other social media site is as good for long, thoughtful, nuanced analyses of media. Yeah tumblr is also full of dumb shallow hot takes and shitposts, but you can make dumb shallow hot takes and shitposts anywhere —-there are no other popular social media sites that let you easily format and share long essays on the media you enjoy, and then have conversations around those long essays.

Fandom on all the other big social websites just seems so utterly …shallow. And it’s not because people on other websites aren’t thoughtful or don’t have deep things to say, but because these sites’ formats do not allow for any kind of long nuanced conversations.

Tiktok? Things have to be crammed into a super short video with an attention grabbing headline, and you can’t hyperlink sources. Instagram? Everything has to be in an image format with strict limits on length, and nothing will be shown to your followers anyway because of how Instagram’s algorithm works, and also no hyperlinks. Twitter? Strict character limits, and if you split it into threads it means someone can retweet a part of your essay completely out of context, and also very little freedom with formatting.

It frustrates me so much. If I go into the Tumblr Les Mis fandom I’ll find really compelling long essays on the original novel (including essays being written for the ongoing book club) on the story’s historical context, or the parallels between different characters and their narrative foils, or the way the politics were defanged for certain adaptations, or the way Victor Hugo’s personal life and failings affected the novel. But on tiktok I’ll get the same five shallow stale jokes from 2013 over and over, or maybe the same “DID U KNO THAT IN THE MUSICAL JAVERT AND VALJEAN SING THE SAME LEITMOTIF” style of basic Intro To Les Mis 101 For Babies media analysis (which is what Tiktok considers deep media analysis), or stale “LOL JAVERT ACTS GAY” style jokes as if we’re living in the early 2000s and calling a character gay is still a funny punchline. And it’s impossible to have any kind of deeper thoughtful discussions than “DID U KNOW <x Kool Fact>” or “lol <shallow observational joke>” on tiktok because the platform just isn’t built for building niche communities around in depth conversations. it’s built to churn out bland generic content for as wide an audience as possible, which means pointing out a small detail like an Easter egg and calling it “cool” is deep media analysis, because you cant have longer more in depth conversations without alienating people. And I hate it. Bc like, it’s not because there aren’t smart clever thoughtful people on Tiktok— there are—it’s because Tiktok isn’t built for these conversations, and anyone who wants to have them has to really fight against the things the website encourages or prioritizes!

Or like, if I go into the LOTR fandom on Tumblr, I’ll find tons of extremely long analysis and fanfic, and analysis of queer readings of the story. On Instagram people will still shriek in terror if you suggest the characters are gay, and most of the popular lotr posts are stale memes recycled from like 2007. There’s really no room for thoughtful media analysis, and even if you did create it, instagram’s algorithm would make sure no one saw your post anyway.

And everyone’s going to say “the algorithm shows you what you’ve seen before so maybe it’s your fault ~” or whatever but i do look for things I want! I do! “The algorithm” doesn’t know me or what I want or value or care about beyond this meaningless surface level.

The only thing that was worthwhile about these sites was the great visual art people were creating, but now the websites are overwhelmed with meaningless soulless machine-generated AI glurge, and it sucks. It just really, really sucks.

I’m honestly confused about why people don’t use tumblr….There’s no character limits! You have freedom with post formatting, and can insert images throughout textposts to illustrate specific points you’re making beneath the paragraphs where they’re necessary! You can add hyperlinks, linking to your sources! People can reblog your entire essay and share it, and then add on with commentary that then becomes part of a larger conversation! People can find your stuff through the tagging system! Reblogging means posts stay in circulation for years instead of being dead 30 minutes after they’re uploaded! If you want to have genuinely interesting text conversations about a piece of media, there really isn’t a better social media website for it anywhere.

To be clear, I’m definitely not saying Tumblr media analysis is *always* clever and thoughtful or etc etc. there are shitposts and nonsense here too (plenty of which I’ve created lol.) I’m saying that Tumblr gives people the tools for in-depth insightful analysis to happen. Whether people choose to do it or not is their own decision XD. But the reason lengthy in-depth conversations and book clubs are even possible here is because Tumblr is built for allowing these conversations to happen, in a way other sites simply aren’t.

It’d really suck if it died, because it’d be a huge blow to…being able to easily find long insightful in-depth media analysis written by fans. I currently don’t think there’s anything that could replace it.

[nobody-viii]

The Turks - Context Clues (The Kids Are Alright)

@accala posted an excellent inquisitive post about the Turks here and their motivations and to add some The Kids Are Alright: A Turks Side Story book context, imma leave this here. Couldn't find the quote I was looking for, but here's some things I found interesting. NOTE: I feel like Advent Children did the Turks a little dirty, but I really loved the banter as a kid. This book has some of the same campy shortcomings, but take it or leave it, here's what I found.

1.) The Healen Lodge from Advent Children was an R&R facility for Shinra, universally accepted as the worst one by employees. The Turks/Rufus chose it for its tactical advantages, but it also shows how far back on their heels they were. "The Shinra empire had ruled most of the world up until two short years ago, and it didn't sit right with Elena that the company president had to live in such a desolate place. Yes, medical treatment was available, security was way better away from the city, and the commute was only two hours by car; the staff could have had it much worse." - pg. 14

2.) The abandoned rec hall was being used by Shinra as a lab to convert SOLDIER stimulants into geostigma treatments. The project was Elena's idea, with the resulting medication being donated free of charge to city medical professionals and the WRO. (pp. 16-17)

3.) Reno & Rude were sent into the city to retrieve a stolen item from a teenager (read the book for details I'm too lazy to go into it), and when he started crying and shaking, Reno and Rude switched to a new script. "Aw, look. The kid's really scared." The redhead sounded sympathetic now. "That's what we came to do," the bald one pointed out. And: "Now, we put on our best tough-guys acts on the way over, so we can't just leave without roughing anyone up," said the redhead. "Our job is to teach a lesson to anyone who tries to mess with us." I was still scrambling for an explanation to give them. "Y-you mean, kill me?" was what came out instead. My voice even cracked for good measure. "That's one way to teach a lesson. But we're trying to strike a balance for Shinra, here. We want everyone to love us and maybe be a little bit scared. Killing you would have the opposite effect." (pg. 23) Reno opted to punch the kid in the face, then tell him to keep his chin up, so...balance? Sure. Shinra is, at this point, technically trying to figure out their PR while simultaneously leaning on old habits. Also, the kid calls Reno and Rude a knife and a fork and I thought that was funny.

4.) Reno is described as someone who looked like he 'turned delinquent as a teenager and never grew out of it, like those kids in the Sector Eight warehouses who I still hated and admired in equal measure.' (pg. 23)

5.) Elena roughs up one of the protagonists, but reins herself in when context is presented: She'd paid a visit intending to break Fabio's dominant arm, but when she saw him fight back to protect the child, she changed her plan. Her objective was to punish a thief, not deprive a child with geostigma of his only guardian. (pg. 47)

6.) Reno calls a doctor for the guy he roughed up. Kyrie nodded. "I figured, these guys must have phones, so I asked them to call Dr. Drake. 'Evan's in a bad way 'cause you guys beat him up,' I told them. And guess what? They said they don't know any Evan. So I lost it and said, 'Yeah, 'cause Evan's the one you whaled on when you mixed him up with Fabio. You owe him..... So then the redhead--his name's Reno--he called a doctor. Not Dr. Drake, he said, but a good one..." (pg. 55)

7.) Evan (the protagonist) is trying to work out who would be the easiest Turk to try to forge an alliance with and we get a glimpse of how the Turks are perceived by outsiders (Tseng is an unknown entity to Evan at this time): The most dangerous one was probably the lady Turk who went after Fabio. A close second would be the slab of muscle out there, Rude. Maybe the redhead Reno was more on our level. I thought back to my first impression of him--the grown-up teenage delinquent. Guys like that generally looked out for their own. A sense of solidarity. There had to be an angle I could work. (pg. 57)

8.) There's a whole scene where Evan and Kyrie try to ambush Rude. They choke him, break a chair over him, kick, scratch, the whole shebang and he just brushes himself off and manhandles them to a car (which made me laugh).

9.) Reno and Rude take the protagonists towards Healen in a truck and there's a few moments I found interesting. "So anyway..." Reno was looking at me in the rearview mirror. "Sorry about the shiner, dude. We totally did think you were Fabio. But y'know, I'm impressed you stayed mum and protected your buddy," Reno went on. "Even if you were about to piss your pants." (lol) Then, "Some of us have been slower to to adapt to the new way of doing things," Reno continued. "How many Turks are left?" asked Kyrie. "Can't tell you. That's Shinra's most closely guarded secret." "It's just you three, isn't it?" "Not telling." "But I'm right." "Yeah, you keep thinking that." (pg.63) Rude sleeps through the majority of the ride despite Reno trying to keep him awake. They talk quite a bit about Aerith, because Kyrie and Reno both knew her. Reno warns them not to get mixed up with Shinra's science department.

10.) Evan gets introduced to Rufus for the first time after believing the former president has been dead for two years and Tseng finally exists in this book for two seconds. "He's alive...?" Evan was still speaking to Reno. "I am. The decoy who took my place is not," Rufus replied. "You're a candidate for the position--and from what I can see, you'll do." Evan's jaw dropped, and he stared agape at Reno, then Rufus, then Tseng. Tseng looked down at the ground, trying to hide his laughter. Evan's description of Tseng: He looked like a Turk, too. The very definition of one, in fact. Reno and Rude both showed an awkward humanity--well, sporadically in the latter's case--but this guy was pure ice.

11.) An ill-conceived escape attempt by Evan and crew sees Rufus temporarily kidnapped, as Tseng and Elena are investigating an explosion. Reno and Rude try to stop it, but are ordered back. "Reno, stay back!" Reno obediently halted. I had expected to see fury in his eyes, but all I say was sorrow. Surprisingly, I felt a pang in my chest, too. But there was no other way. I pulled Kyrie's knife from my pocket and opened it--a sad, flimsy little blade, but it could still slice open a throat. "Hey, don't be stupid." I ignored Reno and held the knife to Rufus Shinra's neck. Then, "Reno, take Rude and check on the lab." Suddenly Rufus was giving orders. "Tell Tseng not to get involved here." "Wait, what? Boss, are you sure?!" "Don't worry. I'm as interested in staying alive as you are." Reno reluctantly descended the stairs, glancing over his shoulder almost every step. (pg. 77)

12.) Reno and Rude talk about family and have a lil tiff. "If I found out about a brother I'd never seen, I'd make way more of an effort than those two," Reno insisted. "That right?" Rude said. My colleagues are all I need. "You're not much into family, eh, Rude?" "I'm a Turk," Rude said flatly. "Coolheaded and cold-blooded." He turned and headed for the truck. "Hey, Rude. You pissed at me?" Reno called, an unabashed whine. "C'mon, man. You can't cold-zone me now. Tseng and Elena aren't answering my calls, and the boss just tells me to finish the monument. I know they're starting something awesome without us. We're outcasts! Me and you, you and me. If we don't stick together, then what?" Rude looked back. "Tseng isn't answering calls?" (pg. 94) Reno goes off several times throughout this book about how he'd act if he got the chance to meet family, which makes me wonder about him. "So how'd it feel, meeting your brother?" "I don't think it's sunk in yet." "Well, it's a process, I guess," said Reno. "But you gotta visit once in a while, you know? Then you'll get to figure each other out. Break the ice." (pg. 97)

13.) Reno and Rude are actually partially responsible for the monument in the city. This lil bit kinda gives weight to how long they've been in Shinra. Evan was one of those types who wasn't quite grounded in reality but was full of bravado. A show-off. A scared kid determined to buck people's expectations by pretending he had no fear. And if he kept it up, he was gonna do something stupid enough to get himself killed. Both Reno and Rude had known too many kids like that, from rookie Turks to infantrymen to SOLDIER operatives wet behind the ears from mako infusion tanks.

14.) Reno & Rude get amused by Kyrie treating them like they're not scary. The concern over redemption makes an appearance. "Now what?" Rude stepped closer from his vantage point. Apparently, he'd been watching the whole time. He was pretending he didn't care, but inwardly, Reno was convinced, Rude was intrigued by every act of the farce. Which only made the whole thing funnier. "She said she's hungry," said Reno. "So she's gonna grab something to eat." "It's like she's never heard of the Turks. It's almost refreshing," Rude remarked. So this is what happens when Shinra wins hearts and minds. Reno chuckled again but then remembered that the girl was still afraid of them. He'd seen the goosebumps on her arms. Her toothless threats were her way of gauging the danger he and Rude presented. Evan might trust them, but not Kyrie. Despite what Rude said, she knew what they were and what they were capable of. "You know," said Rude. "She reminds me of Aerith." "Yeah, I was thinkin' that too." Maybe helping them out will redeem us, at least a little bit, he thought. A guy can hope. (pg. 106)

15.) Shinra's resources are thin...and that chopper that ate it in AC was one of the last ones left (cue gross sobbing because in the words of a certain Puppy, Shinra makes good stuff). No one knew exactly how many helicopters the Shinra Company used to have. Within a half a year of Meteorfall, many of them had been looted. Accidents, mechanicals, and other circumstances had taken out others, and now Rufus Shinra and the Turks were left with only three. But even with so few, it was a constant battle to keep them in working order. Also, Rude has mechanical experience and is the one on repairs.

16.) A civilian points out the flaws in Reno's hopes for the future of the Turks. "Well, to be honest, maybe my opinion of you guys is changin'." Doyle looked at Reno again with a level stare. "You're up to better things." Reno couldn't help averting his eyes. Unless it came from a fellow Turk, approval tended to make him uncomfortable. "The monument and the medicine are only one step, you know. Just wait. It might take a while, but Shinra's gonna get off the ground again. Rise again, you hear?" That general idea had been floating around in his head for some time. This was the first time he'd said it aloud. "How?" Doyle scowled, his thick eyebrows lowering. Reno cursed himself for the thoughtless comment. "Can't tell you." "Yeah, I figured. But no one is going to let a violent regime lord it over them again. Not anymore. You tell your president that."

17.) Tseng and Elena bring up the notion of inviting old Turks back into the fold. "For any one person, finding it (Jenova's head) may well seem like a futile task. But there is still a nonzero chance. Either way, staying in contact with our agents and meeting regularly are essential to maintaining organizational cohesion." " But how many...?" Elena glanced around and spoke in a stage whisper. "How many former Turks can we expect to help us?" In his mind, Tseng saw the faces of the old Turks, his former subordinates. Of those, he had made contact with-- They get interrupted and Elena rushes off to investigate something. Tseng watched his operative go with a wry smile. Below the hem of her sundress, old scars marked her legs. Once you joined the Turks, you were in for life. Even those who tried to get out and build new lives could be summoned back with a single phone call. Maybe it was a cruel call to make, Tseng thought. and he sighed.

18.) Reno & Rude defy a direct order from Tseng. "Dumbass," Reno muttered. "What are you waiting for? Engage!" Tseng's command rang from the speakers. "Evan's down there," Rude answered in Reno's stead. "He's already done for," said Tseng. "Fire." "No can do," said Reno. "Reno." Tseng made his name a sharp rebuke. "He's our friend." "Fine. Let me briefly explain--" Tseng's voice abruptly cut out. "Radio trouble," Rude mumbled, his hand drifting away from the radio's master switch.

There are a lot of quirky, funny, violent, or neato moments I didn't list, so check out the book if you want more insight. Hope this gave you some headcanon fodder.