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#tied mannequin
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/ / Show and Tell
Fandom: Twisted wonderland AU: Tied Mannequin (made it up)
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Imagine that.... A doll. a mere puppet for the sevens and the guardian of NRC that was put in a museum for... "entertainment" by the headmages, since generation to the present u were visited by students and teachers, for teaching purposes or just a mere visit to taunt u... of your damn misery. though it was your fault wasn't it. You were far more stronger than the seven yet mere feelings for the seventh was far greater than your own freedom. You loved her, cherished her, but i guess the thorn fairy just needed a puppet rather than a lover. a pity for you really. generations passed by like a blink of an eye, you just stayed there.. acting like a mannequin in this dreadful museum. until six pairs of freshmen visited you... "agh, this museum is creepy! why are we even here?" ace asked going close to yuu. "the headmage requested for us to clean the statue or... mannequin in this museum.." the others groan as this was their own fault really. grim and ace began to fight and Infront of the great seven statues and burnt it.. as for compension they had to clean the statue and now this statue/mannequin in here. You heard tapping of shoes behind the door Infront of you... a visitor? or the headmage of this generation? as the large door opens with a creak the first years walked in looking awed at the pictures and displayed artifacts... oh. they.. had a different scent and presence.. and is that a raccoon? what a unique bunch.. you smirked.
"Alright guys, we have to start cleaning so we can finish early..." the others groan but gathered their equipment and started cleaning the paintings, the wall, the glass and carefully with the artifacts. and that left u. "This room is filled with all kinds of things the great sevens has achieved but what's with this... statue?" ace exclaimed and patted you with the broom. "how rude!" you said while putting your hands on your hips. making the others scream. "You are a rude kid, i wont be surprised if u were sent here because u did something wrong." you sighed and looked at their fearful gaze, they seem to hide behind the.. uhm.. "I don't sense any.. magic in you.. or has my senses messed up since the old times..." you put a hand to your mouth looking confused on this.. student Infront of you. "actually.. I am magicless.." now u were shocked, a magicless person in the school? first ever thing u heard in hundreds of years. "then u must leave yes? this school was made for magic and fruitful students. no offense though." you step down from the podium and now is Infront of them. "explain to me in short. now." When yuu finished explaining, u hummed. "i see.. so now your just waiting for the headmage to fix the problem but in the end it still hasn't been fixed nor made progress.. i see.. i see.." you mumbled. you looked directly at yuu's eyes and smiled, "a pity. though for me that's a little fix i can help u with... u intrigued my interest." that made everyone shocked, you can?! that's good news! "though.." you sighed, "I cant do it when i'm trapped here, the problem could just be the mirror and a little magic fix would solve the problem, though the headmage might say it wont work because the mirror is a valuable asset here in NRC and will not risk such a thing for a mere.. student" that made the others dumbfounded, that's all? well.. you were right on about the headmage though..
"so i don't think i can actually help you without getting out of here first though.. a shame, but i think u must all go now though.. the sun is setting." You smirked as the others began to clean up their equipment and start to head out while thanking u for your time. Before yuu went out last you called out for them "oh and yuu.. if u really desperately need my help and to get u back to your world... you can always come here and ask, ill do it for you... repaid with my freedom yes?" you smiled and waved. yuu was silent but nodded while closing the large door, creakkk, thud. and silence. Your smile turned into a wide one and your sharp teeth at display.. what a fun new key that flew into your hands.. and a desperate one at that. what shall u ever do yuu.. you turned around to go to the podium but wiped the screen Infront and words that was filled with dust before going back to your position as a statue. the words written was blurry but readable.. it says. "here stands the puppeteer of the sevens, the founder of NRC, the loyal lover of the seven the thorn fairy... they give you hope and desire, but don't get enchanted or you'll be pulled by their strings of despair... in exchange for your paradise, they want freedom of a hox. they are trapped here for a reason." as well as a warning "DO NOT LET THEM OUT, DO NOT LET THEM HAVE THEIR FREEDOM, DO NOT OBEY THERE WISHES ON WANTING TO BE FREE, DO NOT LISTEN TO THEIR CRIES AND PLEADS ENCHANT YOU. it is all a trick."
You hummed a tune, this dream of mine and yours will end soon yuu. just take my hand and don't let go.. don't be such a fool and let me go, use me as u want but i want my dream of being free once more!
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valenfield-inspo · 23 days
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Jill Valentine & Chris Redfield - Resident Evil: Revelations Moodboard
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kitsunabi · 4 months
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The last part of the Savior's Wake quest is actually really unsettling? Or maybe I'm just playing too late in the evening
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woolsboutiqueuomo · 1 year
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#mannequin pour #cravates Ties @f.marino_napoli exclusive hand made in Italy for Wools Boutique Uomo Discover on woolsboutiqueuomo.com #cravate #tie #ties #handmadetie #silktie #men #menswear #formalwear #mensweardaily #dapper #menfashion #mensclothing #gentleman #businessman #instafashion #mensboutique #luxurymen #luxurymenswear #menwithstyle #elegant #outfitoftheday #instagood #glamour #lifestyle #streetstyle #menwithclass #mensfashionpost #cravatta (presso Wools Boutique Uomo) https://www.instagram.com/p/Cn3hbrGMjwR/?igshid=NGJjMDIxMWI=
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exist101 · 1 year
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OH ALSO ALSO
The cult would be SO interested in Lewis, because he's a ghost that can interact with the world without the use of a vessel (or perhaps created his own vessel, depending on what the locket's supposed to be)
If they could figure out how to replicate that there's no telling what they could do!
Maybe then Father doesn't have to drag the mannequin around
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nostomannia · 1 year
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Semi-Selective, mutual-only independent RP blog for two fandomless OCs. Written by Fawn (21+, she/they) originally est. 2017. Remade 2021. 
A character study in: Manic pixie dream girls, the black swan theory and symbolism, the beauty in unpredictability, the manipulated, being your own worst enemy, trauma bonds, toxic dependency, the consequences of choice and lack thereof, never being able to return home, existential horror, the horror of immortality, paradoxes, the multiverse, death and revival, the inability to be honest even to oneself, the needs of all versus the needs of one, being unable to save someone who doesn't want to be saved, and more.
Carrd || Promo || Interest Tracker || Perma Call
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Rules updated - 1/31/24 Solita updated - 2/15/24 Deity updated - 1/31/24 Verses updated - 2/07/24 Bonds updated - 7/26/23
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malikselfindulgence · 5 months
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You guys got over the 1 second clip of Mei's bedroom way too quick SHE LITERALLY CANONICALLY LISTENS TO MCR !!!!
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blanksoullesseyes · 1 year
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the-merry-otter · 1 year
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If you’re on mobile, you may have to click on the images for better quality!
Plain text version with image descriptions is under the cut.
Please note that the image descriptions will be reflecting what I am trying to convey with the photo, rather than the total look of the photo itself. For example if I am trying to describe a dress, the hair colour of the person wearing it will be ignored. This is to reduce the total word count of the descriptions, because I have a lot of images to describe. On this note, I have also streamlined the information as much as possible.
[Plain text description:]
First slide: Mariota’s Guide to 14th Century (Medieval) Women’s Clothing
This slideshow is brought to you by @the-merry-otter on tumblr
ALRIGHT LISTEN UP MOTHERS AND FUCKERS. I’m bored, so today we’re going to be talking about medieval clothing. Specifically fourteenth century English clothing because that’s what I’m good at. (Source: trust me bro I’m a reenacter). Also this is all female stuff - sorry masc leaning folks, I’ll get to you someday!
Disclaimer: this is not completely comprehensive or nuanced in the slightest, it’s just a quick overview guide. Do your own research xoxo.
[Image ID: to the left is a picture of a woman in a light blue dress and a pink hood gazing out at a lake. The hood has a skirt that falls over her shoulders, and there is along thin pipe attached to the back of the hood that dangles to her knees. The edges of the hood are decorated with burgundy crochet. The picture is captioned “beautiful, stunning, gorgeous, literal goals.” End ID]
[Image ID: To the right is a picture of a typical renn faire outfit. It has a white poofy underdress, a black corset, and a brown skirt. There is a red cross drawn over the image. It is captioned “very pretty, but definitely not medieval sorry!” End ID]
Second slide: Underwear (ooh la la)
Now with nasty pocketses
[Image ID: a picture of gollum, from lord of the rings, snarling in disgust. There is a line in The Hobbit where he asks Bilbo what he has in his nasty little pocketses, which is what I am referencing. End ID]
So, corsets, stays, and shapewear in general kind of wasn’t a thing yet. So your underwear was a shift, which was awesome because it was also your pajamas. They were usually made of linen, though some might have been made of cotton is you were rich.
[Image ID: A plain white linen garment laid out flat on the floor. It is a dress that hangs to about knee length, with elbow length sleeves. An arrow points to it with text reading “this is a shift”. End ID]
There is evidence for supportive shifts for busy support, like this one from the fourteenth century!
[Image ID: a second shift, worn by a female presenting person. It is laced up the front, and is a lot tighter and more fitted, especially around the bust. It has straps instead of sleeves. End ID]
There’s also this bra like fragment found in Austria, but that is a whole debate so.
[Image ID: A bra-like garment fitted to a mannequin. It seems to be made out of white linen, coloured with time. The left cup is damaged, and overall the garment looks incomplete. End ID]
Then, over the shift, yet under your main dress went your pockets, which tied on at the waist. Your dresses had slits do that you could get at your stuff without flashing everyone lol.
[Image ID: A picture of medieval pockets. They are upside down teardrop shaped, but the point is flat and is part of the waist ties. There are slits in the side up the top to access the inside. They are cream coloured with bright floral embroidery. The caption reads “these bad boys can fit so many cool pebbles.” End ID]
[Image ID: A young female-presenting person wearing medieval clothing. She has her hands in the pocket slits of her dress. They are just below hip height. End ID]
Third slide: your dress, or the cotehardie. (Pronounced coat hardy)
Over the shift you put your dress, sometimes referred to as either a kirtle or cotehardie. 14th century people started actually form-fitting their clothes more than previous centuries. These needed fastenings, which were mostly lacings (spiral lacings specifically), or buttons made of either metal or cloth, used at the front of the dress from neckline to waist, and on the sleeves from elbow to wrist, with exceptions of course.
(Sidenote: fuck sleeves, all my homies hate sleeves)
[Image ID: a woman in a warm yellow dress to the left of the text. The dress is constructed simply, with a single piece of fabric used for the length of the body so there is no waist seam. The skirt is widened by inserting four triangles, one each at the front and back, and one on each side. The front has buttons made of the same fabric as the dress, that go down to the belt at the waist. The sleeves have similar buttons from wrist to elbow, on the outside of the arm. The woman is also wearing a liripipe hood. End ID]
Dresses seemed to be mostly wool, though I often use linen for mine because I live in Australia and it’s hot in summer and I don’t want to die. Most often they weren’t lined (that is what the underwear was for).
[Image ID: in the top left of the slide is a woman wearing a green woollen dress. It is constructed the same as the previous image, except it has spiral lacing on the front instead of buttons. The sleeves are fastened by three small buttons. She is wearing a simple and veil. End ID]
[Image ID: the top right of the slide shows a woman in a teal coloured dress, similar to the one before. This one has metal buttons at the sleeves and down the front. She wears a veil only. End ID]
The neckline of these dresses was usually round or an oval shape, and some manuscripts have it so wide that it falls off the shoulders slightly.
[Image ID: A photo of a medieval manuscript, depicting six medieval ladies in a row holding hands. The neckline of their dresses is wide enough that the tops of their shoulders are visible. The image is captioned “me and the girls on a Friday night”. End ID]
Clothing was a lot more colourful than the movies would have us believe lol.
[Image ID: Three women, each in dresses similar to the ones before. To the left is a forest green, the middle one is bright saffron yellow, and the one to the right is a vibrant tomato red. End ID].
Fourth slide: Dress two; electric boogaloo
[Image ID: Merry and Pippin from lord of the rings. Above them, meme text reads “we’ve had one, yes”, and then continues below with “but what about second dress?”. End ID]
You could also wear an overdress, which was usually of a contrasting colour and had shorter sleeves.
As well as fashion, they would have been used for extra warmth, and so were usually made of wool.
[Image ID: a woman in a maroon coloured dress like the ones on the previous slide. The sleeves stop just above her elbow, revealing a blue dress underneath. End ID].
Common people would have only owned a couple of different outfits, as fabric was super expensive.
[Image ID: various pictures of women with examples of an overdress. They are all constructed the same as the overdress, but with shorter sleeves that reveal a second sleeve of a different colour underneath. End ID]
A common late thirteenth to mid fourteenth century overdress was the ladies surcoat, which had big holes instead of sleeves.
Belts would have been worn underneath the surcoat.
[Image ID: three photos of women wearing surcoats. They are normal dresses, except there is a large D shape cut out of either side, leaving a large hole from the shoulder to below the hip. They have no buttons down the front. One of the surcoats is made of red brocade, and obviously belongs to an upper-class impression. End ID].
Fifth slide: Hair and headwear
Hair was worn braided and pinned up, with a coif (cap) and either a wimple or veil, or both. The wimple and/or veil were usually pinned to the coif, or secured on a band of fabric around the head.
Veils would be either oval, or a D shape. Wimples were rectangular. A wimple goes under the chin and a veil goes over your head.
[Image ID: a close up of a woman wearing a wimple. It is made of a light fabric, likely silk. The wimple wraps under her chin and is secured at the back of her head. A narrow band of fabric or possibly leather circles her brow, which would have been used to secure the wimple. End ID.]
[Image ID: A picture of YouTuber Morgan Donner wearing a wimple and veil. The wimple wraps under her chin, and the veil is placed on top of her head, draping down past her shoulders. It does not cover her face. Loops of hair are visible either side of her face. End ID]
All the headwear would be made of linen, thin wool, or silk, depending on class. The veils could also be made really fancy by ruffling the front edge or by attaching pearls.
[Image ID: a woman in a wimple and half-circle veil. The edge of the veil that frames her face is elaborately ruffled. The edge of a coif is visible under the veil. End ID]
I ride the bus in my medieval gear a lot because of events, and way too many people think I’m Amish because of my veil. It’s honestly just funny at this point. I should keep a tally.
[Image ID: a woman wearing a St Birgitta’s coif, pinning a wimple at the back of her head. The coif is a simple white linen cap that encloses the head, with a line of lace down the centre of the head. It is secured with a loop of linen around the head. End ID].
[Image ID: a picture of someone with plaits that have been pinned around the head like a crown. It is captioned “you could also pin your hair up like this”. End ID]
Working women might have just wrapped their head in a scarf instead, fuck this fancy shit right?
[Image ID: a woman in a headscarf that has been twisted and then looped around the front of her head. It is captioned #girlboss. End ID].
Fake braids were a thing! Blonde hair in particular was very fashionable, and bleaching or fake braids were sometimes used to achieve that.
[Image ID: two fake braids made of a coarse fibre. They are blonde in colour, and are looped like a hairstyle seen on many of the reenactors. They have white ribbons attached to the top end to help secure them to the head. End ID]
Sixth slide: Cloaks and hoods
These would have actually been two seperate garments! Integrated hoods on cloaks didn’t actually become a thing until the … seventeenth century or so? (Citation needed).
Cloaks were a lot simpler than the typical cloak we think of nowadays. Often they were just a rectangle of wool, or by the fourteenth century, sometimes a half circle.
They were almost always wool as far as I know, and were generally fastened by a cloak pin or buttons.
[Image ID: a metal cloak pin. It is a circle with a small opening at one point. A long pin is attached via a loop, allowing it to slide along the pin. It can fit through the opening in the circle. To use one, you would gather the fabric on the pin, and then slot the circle over the pin and then turn it, so the fabric is trapped between circle and pin. This is much easier to demonstrate than describe. The picture is captioned “these bad boys are the real MVP’s though”. End ID].
[Image ID: a diagram showing the construction of the bocksten man cloak. It is a half circle pieced together by laying strips of fabric together. In the centre of the flat side, a half circle is cut out for the neck. End ID]
[Image ID: a reconstruction of the bocksten man cloak. It is orange wool, and lined with an off-white linen. It is fastened on the right shoulder by three fabric buttons. It would fall to just above the wearers knees. End ID].
Women’s hoods could be short and open, or with a longer skirt and closed with buttons. Liripipe (pronounced leery-pipe) hoods were named for the tube of fabric that dangled off the back of your hood, varying in length. As well as a fashion statement, it could also be wrapped around the neck like a scarf if it got cold.
Hoods were nearly always wool I’m pretty sure, though they were often lined with linen, silk, or cotton.
[General description: a short liripipe hood would be open, with the bottom only reaching your shoulders. They were made from a single piece of fabric that would wrap over your head, with the seam down the centre back of your head. It was flared at the bottom by inserting triangular gores. At the front edge near your face there would be a strip jutting out that went from one side of your chin, over your head, and down to the other side. This would usually be folded back, revealing the lining colour. The bottom of the hood could either just reach the base of your neck, or reach down to just past your shoulders. The former would usually be open at the front, with fastenings optional. The latter option with the longer skirt was almost always able to be fastened up the front with fabric buttons. The liripipe itself was a thin flat tube of fabric fastened at the centre top back of the hood. End ID]
Fun fact, 90% of why I decided to reenact the fourteenth century specifically was because of liripipe hoods.
Seventh slide: Feet (not in a weird way)
Hose were used to keep your legs warm. For women they were usually knee height, and fastened just underneath it with a garter or tie.
[Image ID: a single light yellow hose, belted beneath the knee with a leather garter. The seam is down the centre back of the leg going all the way to your toes, and then around the top of the foot in front of where it connects to your leg. End ID]
Hose usually would have been made from wool, and were cut on the diagonal (bias) of the fabric to get the maximum stretch possible from the fabric. They still were looser than modern tights are though!
Knitted socks were also a thing I’m pretty sure, but I don’t know enough about them. Sorry!
Shoes were simple, usually referred to as turnshoes because of how they were made. Fun fact: the lack of foot support means that turnshoes are similar to going barefoot in terms of how you walk. Some reenactors love it, some hate it, and some are indifferent lol.
[Image ID: a pair of turnshoes made of dark leather. They have a strap that would fasten around the front of the ankle, similar to some modern shoes. The toes are pointed, and it is captioned “pointy toes were fashionable, especially for men”. End ID].
Because shoes were really hard to waterproof, (ask me how I know), and didn’t have solid soles, wooden pattens (pronounced pat-tens) were worn to keep you off the ground while outside.
[Image ID: a person wearing a pair of wooden pattens over their shoes, standing on a drenched cobblestone street. They are wooden platforms with an archway on the bottom, and are attached to the foot with leather straps around the toe, ankle, and around the back of the heel, similar to modern sandals. The image is captioned “ye old crocs”. End ID].
[Image ID: a woman’s leg with the skirts drawn back, revealing the bright yellow hose underneath. It is fastened below the knee with a strip of fabric. She wears a turnshoe with a buckled strap. End ID]
Eighth slide: Accessories
These are a few other items that might have made up a working woman’s outfit.
Aprons would definitely have been used while working. One were just a large rectangle of cloth tucked into the belt, some were smocked to draw in the fabric. They generally stopped at the waist.
[Image ID: a woman in a red dress, with a very light brown apron. It is smocked at the top, and is attached around the waist with a string. End ID].
Pretty broaches and other jewellery existed! There was cheaper stuff made of pewter for the lower classes.
[Image ID: five gold brooches, studded with different jewels and pearls. End ID].
They had a funny sense of humour as well… and they weren’t all prudes.
[Image ID: a pewter broach of a cat carrying a dick and balls in its mouth. It is captioned “you can actually buy these. I know a website.” End ID].
Eating knives were worn on the belt, though it is debated whether women would have carried one. I do because I’m a modern fourteenth century woman.
[Image ID: a small knife with a wooden handle, laying on top of a leather sheath that has been dyed red. End ID]
Belts are a curiously debated topic. Some people reckon that women would have definitely worn them, others say they they weren’t used by women much at all. As far as I know there are depictions of both, so choose what you’d prefer. They are great for hanging stuff on I gotta say.
[Image ID: a coiled up brown leather belt. The buckle and tip are a gold metal, and it has decorative flower studs along its length in the same metal. End ID]
Pretty little purses would have probably been worn. I don’t know enough about them to say anything else though.
[Image ID: two different pictures of reenactors wearing purses. One is brocade and the other a red fabric. They are in the shape of an upright triangle, and both have five tassels hanging from the bottom edge. They hang off the belt with long drawstrings. Unrelated to the purses, one of the women is wearing a gorgeous orange liripipe hood, that is embroidered and dagged on the bottom skirt edge. End ID]
Ninth slide: Fancy Shmancy
There is a lot I haven’t covered, especially in the realm of the upper classes. Here is some of what has been missed. (Buckle up because this section is very image heavy. I will be as concise as possible).
Heraldic dresses! If you are interested, go check out Morgan Donners video on YouTube.
[Image ID: a picture of Morgan Donner in her heraldic dress. One half of the dress is red, and the other is green, except for where it has been cut out by white with an ermine pattern on it. Her hair is unbound and uncovered, except by a small flower crown. It is captioned “Morgan bestie do your hair properly :(“. End ID]
[Image ID: a drawing of two women in heraldic dresses. The first has a blue right half with a yellow printed design. The top left of the dress is yellow with a blue fish, and the bottom left is red with a white fish. Her train is held by the second lady, who’s dress is blue on the right, and white with green birds on the left. End ID].
Fancy headpieces for rich bitches only.
[Image ID: a reenactor doing a high class impression. Her hair is bound up in Pearl studded hair nets on either side of her head like modern earmuffs, with a spiked coronet around her brow. She has a sheer silk wimple on. End ID]
Fancy dagged edged on hoods, sleeves, dresses, etc.
[Dagging description: where the edge has been cut away to make decorative dangly bits. One hood has red leaves around the bottom edge for example, and another just has a pretty geometric pattern. End description].
Brocade gowns! So pretty!
[Image ID: several different pictures of high class ladies wearing brocade gowns of different colours. These are similar to the wool dresses we were looking at earlier, but with longer trains, and often long draping sleeves. There is even a brocade surcoat. End ID]
Fancy sleeves!
[Image ID: examples of different long sleeves. On some, the sleeve is normal until the elbow, and then it falls away to a long strip of fabric that dangles to the ground. Not mentioned on the slide itself is tippets, which was a band of (usually white) fabric just above your elbow, with a thin strip of the same fabric that draped down to the floor. End ID].
Dresses that were two different colours.
[Image ID: examples of dresses that are exactly like the earlier wool dresses, except they are literally half one colour and half another. The manuscript example is a blue and red overdress with fancy sleeves, and the reenactor example is a yellow and green underdress with a red hood. End ID]
And of course, some of the funky fun fabric choices.
[Image ID: a manuscript depiction of a woman carrying a dead bird. Her hood is red and white striped horizontally, and her dress is dark and light blue striped, also horizontally. End ID].
[Image ID: a manuscript depicting a woman talking to a second lady in a chair. The dress on the first has horizontal stripes of white, red, yellow, and blue, repeated, and the second has horizontal stripes of white, pink, and light blue. Interestingly enough the latter colours are very similar to the transgender flag which would make a very cool dress project. Hmm. End ID].
Tenth (and final) slide: In summery
(Small red text below title reads “I hope you have enjoyed” with a drawn smiling face).
Dis you notice all the “usually” “commonly” and “often’s” in there? That’s because I cannot possibly illustrate everything that we know of the time in only ten slides, nor do I know everything, so I have just tried to show what seems to be the most depicted.
Note: I probably even got some stuff wrong by the way.
If you’re interested in this stuff, I really recommend doing your own research now! Hopefully I have given you a good overview of what a fourteenth century womens outfit might have looked like, so now you can go fourth and know what you’re looking for.
If you have any questions about costuming, reenactment, or anything else, feel free to contact me!! I respond on Timblr decently fast ☺️
[Image ID: a reenactor sitting on a log, staring into the distance with a slight smile. She is wearing a grey-blue dress, belted at the waist with a small purse dangling from it. She has a dark blue cape and a light blue hood, that has fallen back to show a ruffled white veil. There is a pewter broach on her hood. A leather turnshoe peeks out from beneath the hem of her dress. End ID]
A list of helpful YouTubers:
Elin Abrahamsson
Morgan Donner
Opus Elenae
Miss Joss (her instagram is more active).
Now go hydrate!!
[Image ID: a woman in fourteenth century garb drinking from a jug. End ID]
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lunarpeonie · 6 months
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life with poly!geto and gojo pt.2
poly!geto and gojo both use your shampoo but neither will admit it. satoru loves the sugary strawberry scent that reminds him of early mornings with his nose buried in your hair. suguru likes the thought of bringing along small bits of you with him, catching a trace of the fruity shampoo on his hair as his bangs sway over his face. they always buy you more.
poly!geto and gojo spend lazy saturdays with you in your shared apartment. suguru who loves to read with you, analyzing the latest twist while satoru dozes with your fingers threaded in his hair. satoru would rather watch another d-grade horror movie on the 75 inch tv he insisted on having, passing microwave popcorn between the three of you.
poly!geto and gojo who relish in small moments with you. trips to the convenience store late at night to grab candies, snowball cakes, and cup ramen.(both you and suguru cringe when you see satoru’s teeth pierce the layer of coconut on the outside of the cake. your love of sweets draws a line at those pink monstrosities)
when you get home, you and satoru kick your shoes off as soon as you step in the door. suguru comes in behind you to put them in the rack.
poly!geto and gojo that love to watch you do your hair. they act as your personal assistants, passing the comb, hair ties, and gel when you ask for it. suguru lets you experiment hairstyles on him before you try to do them on yourself. he jokes that he’s your mannequin but always sits with a smile.
suguru sits on the fluffy white comforter of your bed, hair pulled back into two space buns, while you and satoru stare back at him.
“satoru what do you think, do we clip his bangs with the green clips or the blue clips?” your finger tapped your lips as you contemplated this very important decision.
“hmm…blue clips for sure.” satoru nodded, satisfied with his choice.
“ah yeah, they match your eyes.” 
a soft laugh leaves suguru’s lips as you both split his bangs down the middle to pin them to each side of his head, peering at you with adoration in his smile.
i need some happiness in the form of them right now
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beiasluv · 2 months
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may i request love languages w the f1 dilfs please? 🙈
a/n: eeee yes!! request is still open 😘
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They say that there are five love languages: physical touch, quality time, acts of service, gift giving, and words of affirmation…
— jenson button
Words of affirmation. He could never go wrong by telling you how much you drive him crazy in that sweet little dress he got for you or, just, simply existing in his life. Jenson Button knows how to sweet talk into your heart – he doesn’t have to try. If you got your nails done in a different shade, your hair a little shorter than usual? It wouldn’t be left unnoticed and unappreciated. And he doesn’t get anywhere without texting you a ‘good morning, my darling’ text, nor he could not go to sleep without one. And he wouldn’t leave the home without hearing you say ‘I love you.’ It’s that simple.
— sebastian vettel
Physical touch. Sebastian loves touching you in more than one way or the other. It takes just a simple gesture like a hand on your lower back, or firmly around your waist if he’s feeling territorial – but he’s past that phase. You could be walking in a crowd of thousands of people or just in a dimly lit street in Switzerland and he wouldn’t dare to let go of your hand. It’s just the way he wraps his arms around your waist when you lean a little too far over the edge or he way caresses your checks when he pulls you in, tracing the lines over and over like he is lost in your eyes. Also. Hugs are compulsory.
— mark webber
Acts of service. One way or the other, Mark is going to find a way to shower you with his love – one being a good old-fashioned gentleman for you. He ties your shoes, adjusts your dress, and opens the Porsche for you, and he does it unconsciously. Holding your hair up when you’re trying to wash your face. Then you’ll find yourself getting carried up the stairs to the bed when you’re a little under the weather, or just because your heels were getting a little too uncomfortable for your own good. He doesn’t complain – and will drop anything in a heartbeat for you.
— fernando alonso
Gift giving. He’s older than most drivers, he knows, but he also knows how to get to your heart. He’s the best at spending all he satisfied on the only agenda on his mind – you. He wouldn’t mind cashing out his black card, hell, he thinks you could even have it. But the joy of seeing your surprised face was even more fun than winning almost every race. You could walk hand-in-hand and the moment you glance at a mannequin for a little longer than he liked, that shop is coming home. It’s fun and games when your partner loves giving gifts, until he’s a formula one driver – a billionaire, perhaps.
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heartfullofleeches · 8 months
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[A burglar breaks into a random house to find reader sitting calmly bound to a kitchen chair. Masked mannequins surround them dressed for a wedding]
Cryptic Reader: Hello... Can I help you with anything?
Burglar: Not gonna jump to conclusions, but it looks like you're in need of assistance.
Cryptic Reader: Ah, don't worry about me, friend. I've been free of my shackles for quite some time. No matter the effort, I cannot be tied down by another and will depart from my captor's den shortly. I fear you too will be free as well, but trapped in a prison you may never escape if you don't heed my warning.
Burglar: ....what?
[The ropes around reader fall as they stand. They bow to the mannequins]
Cryptic Reader: Lovely speaking with you all, but I must be going. The fog calls me home. If you wish to avoid your fate, please do not remove the masks from these dolls and simply take the ring meant for me. Safe travels!
[Reader climbs out the window and disappears into the fog surrounding the couch. The burglar ignores their caution and lifts one of the masks. The stench of rot permeates through their own covering - stitched lips warning them of the coming danger to no avail. They step away from the body pedaling backwards into a fleshy wall - pain sprouting through their spine as their shirt grows wet with blood]
Yan: Robbing me blind is one thing. Allowing my spouse to leave right before our wedding is another, unforgivable crime. I would still consider you lucky since you have the opportunity to witness to our union before you go. Tell me - would you prefer a dress or a suit? I am not one to judge another's life and want for all of our guests to be comfortable
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ID stylized drawing of a grey bunny woman with large curly brown hair, brown eyes, light grey muzzle, and brown splotches all over her body. she wears large square glasses, a green tank crop top with spaghetti straps, orange and pink leggings, a pink artist gloves and her ears are tied up with orange wrapping. While reclining she looks to the right with a blank expression while holding a pen. The background features soft warm colors. there's white blinders blocking a window to the right partially blocking a view of a red sunset behind a tree and the corner of a building. behind the bunny there's a dark grey bookshelf with game cases, dices, an art mannequin, a lamp, some books, a portable game console, and trans and bisexual pride stickers. to the side of the bookshelf there's a painting of the bunny and another cream colored bunny hanging on the wall. below the painting there's a table with an empty plastic cup and a pink laptop. the table has a shelf built in with books and a snail book end. The bunny is sitting on a tan futon with a body pillow and a pink blanket. next to her is a tablet with a drawing of a pony on it. ID end
another finished personal piece
i decided to darken abis fur a little and i like it like this. she's smokey
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andstuffsketches · 8 months
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[drawing of Kris Deltarune, in Dark World form, being dipped (as if dancing) by the discarded vessel, which has been stylized as a mannequin. Kris's head is tipped back with a flat expression. Their right arm, holding their sword, is held out away from them by the mannequin arm, tied together with string]
vessel
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simdertalia · 7 months
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🍎 ACNH School Set ✏️
48 Now 49 items (I added a school bell for the wall) | Sims 4, Base game compatible.
As usual, all original swatches included with lots of extras added by me! ☺️💗 I'm very excited to share the Monarch butterfly Breeding Project, which I made myself. When I was in school we raised some Monarchs and released them when they emerged & matured, it was really cool AND I love to share items that also raise some kind of awareness on important issues when the inspiration strikes me. Saving the Monarch butterflies is definitely one of them! You can read about how to help them here.
Type “ACNH School” into the search query in build mode to find  quickly. You can always find items like this, just begin typing  the title and it will appear.
Always suggested: bb.objects ON, it makes placing items much easier. For further placement tweaking, check out the TOOL mod.
Use the scale up & down feature on your keyboard to make the items larger or smaller to your liking. If you have a non-US keyboard, it may be different keys depending on which alphabet it uses. (I used this to "hang" the backpacks from the hook on the side of the student desk in the preview image above, for instance. To put it at the correct height, raise the backback 2 times.)
I hope you enjoy!
Set contains: -Apple | 1 swatch | 420 poly -Backpack Decor | 6 swatches | 768 poly -Bell | 6 swatches | 880 poly -Blackboard Eraser | 3 swatches | 324 poly -Blackboard - Wall | 7 swatches | 780 poly -Blackboard - Wheels | 7 swatches | 2418 poly -Bonsai Liberated 1-3 | 7,9 ,& 6 swatches | 846, 718, & 844 poly -Bonsai - Moss | 4 swatches | 1277 poly -Bonsai - Pine | 7 swatches | 1198 poly -Bonsai - Sakura | 14 swatches | 1942 poly -Bonsai Shelf - Decluttered | 10 swatches | 238 poly -Bonsai Shelf - Bigger | 10 swatches | 238 poly -Book | 10 swatches | 268 poly -Books - Tied | 5 swatches | 1154 poly -Books - No Strap | 5 swatches | 346 poly -Cafeteria Salad Bar | 9 swatches | 2407 poly -Chair | 6 swatches | 1226 poly -Chair - Plastic (slotted) | 6 swatches | 1212 poly -Chalk | 3 swatches | 98 poly -Computer (functional) | 9 swatches | 742 poly -Cucumber Horse | 1 swatch | 490 poly -Digital Alarm Clock | 11 swatches | 962 poly -Eggplant Cow | 1 swatch | 616 poly -Gradebook | 1 swatch | 236 poly -Lectern (slotted) | 4 swatches | 538 poly -Metal Wall Fan | 8 swatches | 1108 poly -Micro-Library | 6 swatches | 1172 poly -Microscope | 3 swatches | 1226 poly -Monarch Breeding Project | 5 swatches | 10907 poly -Movie Day Cart (functional TV) | 3 swatches | 1024 poly -Nurse's Cot (functions as a loveseat) | 5 swatches | 1150 poly -Pencil | 3 swatches | 34 poly -Planner | 4 swatches | 610 poly -Principal's Bench | 2 swatches | 1980 poly -Rescue Mannequin | 12 swatches | 2310 poly -Science Set | 1 swatch | 2373 poly | Requires Cats & Dogs for animation -Science Set (steam animation) | 1 swatch | 2373 poly -Skeleton Display | 1 swatch | 1354 poly -Smartphone V1 & V2 | 7 swatches each | 458 poly -Student Desk | 6 swatches | 998 poly -Tabletop Microphone | 1 swatch | 940 poly -Teacher Desk | 6 swatches | 656 poly -Teacher Plant | 8 swatches | 1164 poly -Trophy Case | 6 swatches | 2401 poly -Trophy Case - Decluttered & Slotted | 6 swatches | 142 poly -Wall Clock | 10 swatches | 950 poly
📁 Download all or pick & choose (SFS, No Ads): HERE
📁 Alt Mega Download (still no ads): HERE
📁 DL on Patreon
Will be public on September 29th, 2023
As always, please let me know if you have any issues! Happy Simming! 💗
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nostomannia · 2 years
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Tags r hard
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