#to do it you killed the person i loved the most // all of this is a prison where no one can get in and if they do you have to control them

[bakugoushotwife]

in my opinion, gojo’s storyline has been handled so so poorly i can’t help but think it’s intentional. it is not bad writing to kill a character—even a beloved character. i know most people will dismiss my criticisms because gojo is so beloved to me and so many others. i’ve said before that i don’t mind if he died. does it hurt? of course, and i would still cry and be sad about it. but there is a beautiful way to do it. with respect and honor for his legacy—for what he has done for your manga, the characters in it, and audiences worldwide. but no…gege chose the path of horror and disrespect. at certain points i’d say to myself, well. this is a dark manga. but essentially gojo is the only character that receives this treatment. since the beginning—since suguru left him, he’s been wondering if he mattered because he was a person, or if he only mattered because he was powerful and useable. we certainly fucking answered that question. he is a weapon and nobody ever cared about him at all!!!

and we knew he was being used—he knew he was being used, but he is selfless. so he did it for his kids. for megumi and yuuji and yuuta—he wanted them to be safe. in these flashbacks it’s exceedingly clear that he knew he would die. again—that’s not my issue. gojo dying to sukuna makes plenty of sense and it would hurt to leave it there. but to give us an afterlife scene where he’s presented a choice—north and south—that concept lead nowhere, that’s truly fucked up. to leave all the subtle clues and hints for no reason but to keep people reading and theorizing his return is fucked up. to continue to use his imagery to promote your manga when you know he’s not even honored in your manga is fucked up. we don’t get a funeral or a grave for him. no one’s spoken about him in chapters despite him fighting for hours against sukuna and damaging him so much that yuuji could win, nothing. yuuta wearing him like a costume and no one is horrified about it. i thought his students WERE different. they weren’t jujutsu society yet. that’s why gojo was their teacher—shaping them into better human beings. how am i supposed to trust in their future when it seems they’re just as cold and heartless as everyone before them? no one has honored gojo in any way since the moment he died. and they’ve forgotten about him. he spent his entire life fighting and no one can even say thank you. gege intentionally used gojo to promote the end of his manga because he knows that gojo fans make up at least half of his fanbase so had we stopped reading when he died, he would have lost a lot of traction. he baited us intentionally, cruelly, and something that transcends storytelling. i’ve truly never seen a mangaka have this sort of vitriol for one of their characters and the people that love him.

we spent the entire last chapter talking about some random fucking mission when we have several unanswered questions and concerns. i thought gege said he wanted this ending to be shocking and something you didn’t see in shonen? tying everything up neatly where no one has any trauma or grief for what they’ve experienced, everyone comes back to life except the one character you hate specifically and choso, defying your own power structures and having everyone laughing into the sunset is exactly how shonen ends so what in the fuck is he talking about??

let me disclaim, this is not megumi hate at all. i love him very much and i am so happy he’s back with the group but like. he shouldn’t be able to even walk. he tanked unlimited void for over 6 minutes whenever that length caused irreversible damage to sukuna himself. not to mention the countless black flashes. so what the fuck? he doesn’t mention gojo at all?? the first time he laughs in this manga is after he reads a note written by his dead fucking caretaker about his dead fucking father? like i don’t believe. random open ended kenjaku/suguru mention just to piss me off, an absolutely no mention of gojos sacrifice or how they’ll miss him. i’m sick to my stomach. gege defiled his memory both in the story and outside of it. wow.

P.S. SUKUNA CARED MORE ABOUT GOJO THAN ANYONE ELSE (SUGURU IS NOT INCLUDED IN THIS I MEAN HIS STUDENTS AND SOCIETY)

[bomber-grl]

Deku Dating hc!! ୨ৎ

Pairing(s): Izuku Midoriya x Gn!Reader

Creds ~ first divider: @/khaer 2nd divider: @/strangergraphics-archive Art: @/xuune/kaiihuna or @/_kaiihua on twt

HE IS SO FLUSTERED OMG

Not even an exaggeration, the moment you confessed it was like blud went into cardiac arrest

Once he regained his wits he reciprocated your feelings all in a couple of stutters and accidental muttering

How charming

All sarcasm aside, it really is endearing

Yknow how most of the people in class 1-A are unnecessarily weirded out by his muttering

Plus how Deku is more often than not, called names by his own fandom 💀

Well he thinks that way about himself too

Sure you get along more than just fine but seeing him apologize for being more than a little nerdy is shocking to say the least

I mean if anything his “weird” and nerdy self is literally part of his charm and you make this known

Reread that first bullet point for a hint to how he reacted to you telling him that

Anyway

It’s likely you guys met at UA

I mean it’s where he’s made the most friends at (if any) and the only reason he talked to you was either it was inevitable or he absolutely fan boy-ed over your quirk

If you guys had some sort of romantic connotation and you had to fight against each other in the sports festival he’d be pretty conflicted

Although, you’d probably not want him to hold back

If anything he’s just sorry about the whole ordeal 😭

As a boyfriend Deku is shy(?)

I mean just look at how he reacted to technically a none romantic gesture and just interaction - he’s definitely going to be flustered for the majority of you two hanging out

Overall he’s really sweet

Like genuinely it’s surprising that he’s never actually been with someone in a real relationship before

If you disagree… look at him in the beginning of the anime 😭💀)

At most he was probably jokingly asked out or asked out on a dare in the past

I do think that hero life would sort of interfere with romantic relations for you both(assuming ur attending UA)

So there’s times where meeting up or just hanging out would be difficult

But when you two can hang out- it’s really nice

You’re either going to fast food restaurants, going shopping or doing anything really-

These outings are similar in the fact that they all often end in you both fighting some villian 😭

There is this one instance where before the dorms were introduced- you and Izuku had stayed to train or clean- whatever it was at school

He got a call from inko and upon finding out you (someone he does nothing but yap about to her) were around, well, she figured she’d invite you for dinner

Queue you finally meeting Inko and if you’re nervous and want to get a gift of some kind Izuku is kind of laughing but also happy that you want to “impress” her

Even though she loves you already

When you meet inko, she’s is buzzing with as much nervous energy as Izuku is

Funny how similar they are

The dinner goes smoothly and if anything she just approves of you more

Now eventually dorms get introduced and so does sneaking around

Don’t tell me no one in class 1-a wouldn’t sneak around- they’re high schoolers and you can’t tell me they wouldn’t just want to have stereotypical sleepovers

Among those who would sneak around is you

Izuku is less likely to because he’s a bit shy and if he’s ever caught- God kill him now 😭

So ofc you end up sneaking to his room

Which sorta backfires because he loves all might and all might is just staring at you in every direction you look.

The merch is just too excessive

Even then, a sleepover is too much for him and in Izuku fashion- he gets flustered

It takes awhile for him to chill 😭

Holding hands? In the hall way?

If you manage to hold hands for 5 seconds before Iida or Bakugo mention it then you’ve got a personal best!

(Iida because he says no PDA, and bakugo cuz him and his big ass mouth always got something to say)

——————

A/n: hope u liked! ^^

[wade-fucking-wilson]

Just finished Deadpool and Wolverine WW3

So much to go over, so I thought I might try to convince you all to read it while I’m rabidly fixating.

For a Deadpool and Wolverine comic, I think this one is arguably the most intense, riveting, brutal, heartbreaking, and gay of them all.

SPOILER WARNING!!! I can't promise minimal spoilers since I'm going in-depth, so be warned that this is spoiler territory.

During this comic, Logan is almost drawn towards Wade. For a man who supposedly hates Wade's guts, he's more than willing to travel to Russia when Wade summons him. Once there, he finds Wade has been turned into a bloodthirsty cyborg to entertain the rich. As someone who's been experimented on himself, he naturally feels sympathy for what Wade has become and sticks around to help him.

After being dropped in the Russian wilderness together, Wade finally begins to snap out of his brainwashed state. He asks why Logan came to save him, to which Logan replies that he asked him to come. Wade apologizes for bringing him all this way and says that Wade was frightened when he summoned Logan. The question is, why Logan? Why did he call Logan when he was scared, and why would Logan come if he supposedly hated Wade?

Anyways, as the two trek through the Russian wilderness, Wade begins to physically/mentally weaken. So, of course, Logan does what any normal person would do; he cuts out a chunk of his leg for Wade to eat!! Cannibalism as a metaphor for love, anyone? He cares enough about Wade to feed himself to Wade, how fucking nuts is that?? Guys, friends don't do that for one another.

Later on, during an intense fight with some enemies (and a huge monster), Wade "dies." Logan genuinely mourns Wade. Once again, this is coming from the guy who supposedly hated Wade's guts at the beginning of the comic. I would say he mourns because his travel partner just died, but we all know it's more than that.

As he mourns (and fights for his life), Logan becomes aware that Wade has literally begun to regenerate on/in him and is connected to his back (Best I just show you the frame for this one)

(Kinda nasty; I'm sorry)

Weird Blob Wade explains that their blood mingling resulted in Wade regenerating while connected to Logan's body (possibly leeching off Logan’s energy??)

There's a few pages where they share a brain and body, which is INSANE. Like, I don't know if it can get much gayer than that. Truly. They have shared their bodies with one another (in a non-sexual way this time around), which I feel is more intimate than sex would have been in this situation.

The comic ends with Wade fully regenerating and the two going on a killing spree (classic), but not before Wade says this:

("When you say "@*** off" it sounds like "I Love You")

In summary:

Cannibalism is a metaphor for love

These two literally sharing their bodies with one another

The unrefuted fact that Wade and Logan are DRAWN TO EACH OTHER.

This comic is batshit insane, and I highly recommend it.

[liahaslosthermind]

~ 𝑻𝒉𝒆 𝑫𝒆𝒔𝒑𝒆𝒓𝒂𝒕𝒊𝒐𝒏 𝒐𝒇 𝑳𝒐𝒔𝒔 ~

(Past) Rhysand x OC, (Eventual) Azriel x OC Part 2 of Betrayal

Summary: He was out of his mind with grief. Azriel had been through his fair share of trauma. He had seen and done horrific things, but that was always with Adelaide by his side. Now, he didn't know what to do, and he was losing it. Warnings: Suicidal thoughts and ideology, Death of a loved one, grief, Hurt/No Comfort

His limbs ached as he stood up from his chair. He had been sitting there so long that walking felt much harder than it usually did.

He rubbed the haze from his eyes while walking to the door, the incessant knocking making his headache worse.

"Fuck, Az. You look- how do you- do you want me to..." Cassian stood in front of his brother, a man he'd known for 500 years, and didn't recognize the person he saw.

It had been the first time in almost 2 months that Cassian's knocks were answered. He had come to her room, everyday, multiple times a day, to plead with his brother to talk to him, to eat something, to just let Cassian look at him so he could see he was alive.

Azriel said nothing as he turned around and went back to the chair he had been occupying. Cassian closed the door behind him as he took in the room.

It was the same as it had been the day she left. Even though this had been the place Azriel spent most of his days, the Shadowsinger had kept it all the same, only touching her bed that he would sleep in the nights he could stomach it, or the chair he was currently in now.

A mess of papers on the desk brought tears to Cassian's eyes. Adelaide, sweet and caring Adelaide, had been making a list of Solstice gifts for her family when she was called to join some of the Inner Circle on a meeting all those months ago. A meeting that had been a trap for them. A meeting that ended up taking her life.

Azriel cleared his throat when Cassian went to pick up a piece of paper. He had tried to hard to keep her room clean while also not disturbing things from the spot she had put them in.

"Nesta told me that her and Elaine have been leaving you food but it remains untouched."

"Is there a question, brother?" Azriel asked. His voice had always been rough, and he had always been more on the quiet side, but Cassian could tell that because of lack of use, it hurt him to speak.

"Why aren't you eating? How can we get you to? I would do anything, Az." he pleaded.

The spymaster didn't answer.

"Whats the end goal? Believe me, if you want 1,000 years to mourn her, I will be with you every step of the way. I've tried to give you space, but you are killing yourself! You sit in here all day, only coming out when everyone is asleep or gone. What do you need to care about your life again?"

He was met with a distracted look from Azriel.

His brother was never distracted. He was never careless. He hadn't missed a day of training for no reason in hundreds of years. Cassian knew he still trained every once in a while, but Azriel always found times to do it when no one else was around.

Azriel didn't have an answer for Cassian, at least not one he would like.

How could I care for my life when her's is over? he thought. By the desperate look on Cassian's face, he could tell his brother knew the answer.

"I lost her too. I know it was different with the two of you, you were each others'... person, but she was as much my sister as you are my brother. I didn't... I didn't even get to say goodbye." Cassian finally broke at the confession. He hadn't let himself think about it, he had to keep himself together for Azriel. "The last time I talked to her, we where fighting over food. She stole the slice of cake I had saved for myself, I called her an inconvenience and a burden, she called me a spoiled bat who needs to learn to share." He let out a bittersweet laugh at the memory. They were usually at each others' throats, and when they weren't, they were teamed up to annoy someone else in their family. But they loved each other, always were there for one another, except in the end, when it mattered most.

"24 hours later, I was picking out the sarcophagus my sister was going to be laid in. I would have let her have all of my leftovers, all of my desert, if it meant I just got one last conversation with her." Choking up, Cassian sank to the floor, a wave of familiar grief washing over him.

Azriel joined him, crying as he hugged his brother.

The two illyrians, sat like that for a while. Long after their tears had dried, long after the sun had gone down, Cassian finally spoke up.

"Why don't you go see her? Visiting helps me, talking to her even though I know she can't hear is something I do often."

In truth, Azriel hadn't gone to his best friend's mausoleum since the funeral. He couldn't see her like that, couldn't come to terms with it.

These past 6 months had been dark. Everyone was mourning her, many of the people of Velaris included, but none more than Azriel. Part of him had died, laid in the cold marble box that held her body. For the first few months, he had completely disconnected from reality. He went on with his daily routine, he trained, ate, went on missions, did paperwork, slept. But it was as it he was on autopilot, as if the real Azriel had been asleep that whole time.

Two months ago, he woke up. It was sudden, he had gone to his room for the first time in a while to grab some books that had been long overdo at the library, and the priestesses had kindly told him if they didn't get them back he would be banned for life.

Thats when he saw the blanket on the chair by his desk. She had given it to him over a century ago. It was a birthday present, a wool blanket that was enchanted to smell like her always. She had played it off as a self centered gift, so he doesn't forget about his favorite person while away on missions, in front of their friends, but Azriel knew it wasn't that. Adelaide had always been a master gift giver, and she also knew Azriel had trouble sleeping most nights, but he never had any problems falling asleep on the couch next to her after a long night of conversations, wrapped comfortably in her own wool blanket.

He hadn't slept without it till the night she died.

Then, he picked it up, trying to see if the enchantment still worked. And that was all it took for him to wake up. It was awful, every bad feeling he had been too far disassociated to feel hit him at once. He curled up on the floor with the blanket wrapped around his hands and stayed there for days, silent tears never ceasing to fall.

After getting yelled at by Madja, who Nesta had called to knock some sense into him, he got up and went to her room, where he remained most of his days.

He sat in the chair in the corner of the room, only eating to quiet his stomach, and tried as hard as he could to detach himself from the never ending agony that was his life now.

He told Cas he would see her, the general's face lighting up at the news.

He felt guilty, making Cassian so happy for something he knew would later destroy him.

Hours after Cassian had left the room, as the sun came up, Azriel went to his room to grab the blanket he hadn't touched in 2 months. Then he grabbed Truth Teller, wrote his final request, and went to see Adelaide.

The building was large, and beautifully constructed. He would have been happy that she had a resting place deserving of her, but he knew Rhysand only spent that much money and made it this beautiful to try and lighten the guilt he felt.

The Shadowsinger stopped by the entrance, the sarcophagus without a lid placed up on the platform.

Before the funeral, Helion had come to place a enchantment on her body that would keep it preserved.

It had been a show of good will, Adelaide had been head of the Night Court's scholarly texts, education, and research. The two had met to have academic conversations at least once every few months for decades.

But as Azriel looked down at her, it felt like a cruel punishment from Helion.

6 months later, she was still as beautiful as she was the last time he saw her, and she was still just as dead.

This was where he would remain, his final request was to be laid to rest in the same building. He would be adding unnecessary pain onto his loved ones who had suffered so much already, but for the first time in his life, Azriel had decided to put himself in front of his family.

Looking her over one last time, he realized he was now completely numb.

Azriel held the gifted blanket and went to take off the one she currently had. Based off the fact it seemed to have been picked out with meticulous care to match Adelaide's coloring, and her outfit, there was no doubt it had been placed their by Mor.

On her lap, previously being covered by the blanket, laid a large and very old book.

Had one of the scholars she worked with placed it? One of the educators?

Strange marks littered the cover, but no title. Not till he opened the first page did he see what it was.

The Walking Dead

A cruel pick. Who would ever leave such a book with a corpse?

The second page was blank, so was the third, so was the fourth. Thumbing through the book, Azriel just about gave up looking at the blank pages when he finally found one with writing.

It seemed to be a poem, but it was formatted too strangely.

The title at the top read Eternally Intertwined.

A spell.

He almost dropped the book at the realization.

No one had left this book, it had been fate that had given it to him, kept it here waiting for him to stumble upon it.

He knew what he needed to do.

[nyaagolor]

Once again I have Rosa Umineko on the brain. We know that the VN is just saying doing "self reflection through the other" all the way down, but I feel like Turn (aka Sayo's vent session) and the way she characterized Rosa is really reflective of her darkest thoughts. All the matriarchs represent being trapped in different cycles, self-inflicted or otherwise, but Rosa stands out to me among them for being the best representation of inevitability. Rosa's abuse of Maria is visceral, upsetting, and more importantly tied directly back to her own abuse at the hands of her siblings.

Rosa in Turn is a cog in the cycle of abuse, and probably the character portrayed as the least likely to actually escape from it. Maria is the witch of origins, creating something out of nothing, but Rosa is the witch of inevitability. Rosa has been abused to a degree that Sayo struggles to articulate, only to enact that same abuse-- almost identical as shown in the manga-- on her daughter. Rosa is (allegorically speaking) Sayo's worst outlook, the inevitability of passing on hurt to the people you care about.

As far as Turn is concerned, Rosa is destined to enact violence. She represents someone so beholden to their trauma that they are doomed to repeat it. Rosa is an exploration of Sayo's worst, most violent impulses. There is a reason that Turn is filled with gore and mistrustRosa, to Sayo, is an inescapable fate. Rosa is the person who couldn't move on from trauma, someone doomed to pass it on to everyone they love, a child in a woman's body who cannot be more than the violence inflicted on her.

When Sayo starts writing, she feels like Rosa-- and Rosa has never been someone that could have a happy ending. Sayo always tried to tell her stories through other people, to explore herself through their narratives and have everyone start to understand her through empathizing with the women she makes heroines. These narratives also serve as ways to understand herself, to reflect her own traumas and deepest feelings onto other people and learn how to feel about herself via proxy. That's why I always found it fascinating that Confession effectively confirms Turn to be one of the first things she writes.

Rosa is Sayo's capacity for violence, her hopelessness, the crying child she sees inside of herself. Rosa is a representation of a Sayo who can't heal-- who doesn't know HOW to. But this is one of the first people that Sayo tries to explore, to empathize with, to find herself in. Sayo has always been writing with the idea of a happy ending-- maybe they can solve the epitaph, maybe they survive. If Rosa can be happy, Sayo can be happy. But we know how Turn ends: she can't. Gold in hand, the person she loves most in her arms, she falls to the sea anyway.

Turn, to me, has always been the rawest feelings we've seen from Sayo. This is her writing her own pain, trying to find happiness in the person she sees as an inevitable monster. In the end though, she can't-- the wolf is doomed to kill by its own nature

[thearchercore]

The lack of empathy and emotional intelligence says a lot. I know a lot of people attribute it to Lando being dumb about most things like geography, etc. because he didn't finish highschool, and yes I do agree he just doesn't seem to care to learn any of that stuff, but at least I can excuse that a little bit because he didn't have formal education.

But having empathy is literally just being a good fucking human being. If he didn't have anything nice to say, he shouldn't have said anything at all. Every time a driver says something about how difficult their race was, Lando seems to always want to one-up them, or dismiss their feelings. He has no empathy, is insecure about himself, and wants to play victim because all the attention should always be on him.

Firstly, he was driving in clean air all race. Secondly, even if he did also have heatstroke, he's implying that it was normal and not a big enough deal to be concerned about others' health?? Especially in a sport where their lives are literally in danger all the time, they're pushed too far, heatstroke can literally kill someone, and George of all people is the GPDA director who obviously cares a lot about the well-being of the drivers. Clearly Lando doesn't give a shit about other people but himself.

It's insanely out of touch and this is yet again another reason why I can't stand him.

yeah, lando's issue is lack of empathy and constant need to victimize himself.

and yes, you could argue with me that mental health could be a factor in these but as someone who experienced both anxiety and depression, you can still be a decent human being despite suffering from either of those. at best, having issues like these should make you empathize with people more. and at the end of the day, it's mclaren that constantly capitilizes on lando's mental health issues to paint the underdog narrative they love so much, instead of giving him proper help in terms of mental health counceling. there's a reason you don't see other drivers move like lando.

so yeah, at the end of the day, this is not a mental health issue, it's a personality issue of lando having no empathy and no redeeming traits to even sympathize with someone he's close with who got sick.

[merakiui]

We've talked about Prisoner Floyd, but now that Promising Young Man Riddle is behind bars, let's hear about Prisoner Riddle. Just when he thinks he can never find someone to replace his former teacher, here is...

Jailor Darling who is the highlight of Riddle's day. The few minutes you stop to chat with him behind his cell bars while you do your rounds stay in his mind long after you go.

Janitor Darling who secretly chats with the charming prisoner Riddle. Maybe she even indulges him in impossible daydreams like "someday when your out of here we'll start a new life." If Riddle is lucky, she'll sneak a strawberry tart in among her cleaning supplies.

Councilor Darling who is in charge of Prisoner Riddle's psych evaluation. Riddle always has had mommy issues, so women in positions of authority just make him want to submit.

AAAA YES YES!!!! All of these are so good,,, I think Riddle would fall for you if you're someone he can have an intellectual dialogue with! It was one of his favorite things to do with his professor. He just loves chatting about academic subjects with someone who will understand, and you're just that kind of person. Not only are you sweet and treat him like another human (and not as the man who killed his classmate in a fit of rage), you also take time to genuinely have a conversation with him. Riddle adores it! He falls head-first into another obsession, and you quickly become the highlight of his days.

In Riddle's mind, the prideful part of him is fully convinced he's different than the rest of the people in here. Sure, he's wearing a jumpsuit just like everyone else and he's serving his sentence dutifully, but he's different. He's delusional, and whenever you talk to him it feeds into the narrative he's crafted that he truly is better than the other prisoners. To Riddle, a murder of one is much better than the other heinous crimes and kill counts other prisoners have committed.

When you stop by to conduct his evaluation and have a chat, Riddle desperately wants to exchange thoughts on various subjects that interest him (psychology, criminal law, your favorite sweets, etc). You try to keep him on track because you have a job to do and you can't indulge him all the time. You need Riddle to talk about what happened; he needs to answer the questions you're asking. Riddle does that; he's obedient most of the time. It's in his blood to be a good student, after all. But sometimes he just can't help it. He wants to pick your brain in the same way you pick his, asking you what you think of his crime. Not from a psychological or professional viewpoint, but from your own personal perspective. He's genuinely curious.

I feel like Riddle's case would have a cult following almost...... he was so composed and articulate during his trial, looking just like a pristine businessman in his pressed suit and leather Oxfords. :) so put-together and respectful,, it does hurt when his mother refuses to look him in the eyes when she sits there in the audience. It does hurt when she refuses to visit or even write to him. It does hurt, but it feels better when he's sat in front of you and you're telling him he can be honest about everything.

And this time he doesn't have to worry about someone else trying to win your heart. This time, it's just you and Riddle. You may have other patients you see, but Riddle knows none are more fascinating or intelligent than him.

[genoskissors]

My Ranking of Genocide Jack Sprites

IMPORTANT!: I love each and every sprite she has, so when I rank one low, it's still a 10/10, I just like the others more. Please do not misinterpret this as anything other than Genocide Jack appreciation.

Honorable Mention: Empty Eyes

- I cannot consider it to be an official Genocide Jack sprite, but this is most certainly her. The iconic tongue and eccentric behavior can’t be confused for anyone else but the glorious Genocide Jack.

12) Frustrated

- Looking as gorgeous as ever, it does bring some pain to my heart to see a lack of tongue. However, I understand the sacrifice. Hopefully her frustrations will be resolved soon, it’s nice to see a smile.

11) Agreement

- Nodding her head. It’s always good to see Genocide Jack coming to an understanding with her classmates. The bonds she forms allow her to open up more, revealing her complex emotions.

10) Agreement (Eyes Open)

- A step up from 11, as in this, you can see her eyes. They say that eyes are the windows to the soul. Is Genocide Jack’s soul black, often associated with death, or pink, like the blood she happily sheds?

9) Surprised

- Due to her personality, she feels more silly than surprised, but not everyone displays emotions the same. It’s important to understand that the beauty of Genocide Jack comes in more than one form.

8) Enchanted

- While she is a bit riled up, she is capable of reaching higher extremes, but this lighter excitement is just as thrilling. She can’t help but hold her face to contain her dirty comments. It’s good to be comfortable.

7) Serious

- A calm yet stern sprite. While relaxed, the feelings her demeanor gives off do not disappear. She carries herself with dignity and bravery, in both expression and stance. It’s a good choice for her default.

6) Intense

- Someone’s pissed. I hope she is able to overcome the obstacle blocking her from her goal. This sprite also shows her tongue is longer than first suspected. It adds a lot to her design and I love it.

5) Smile

- This sprite oozes with confidence. The hand she holds up has killed 37 boys and men. Even without holding scissors, you can sense her strength. While introducing herself, she presents a huge smile!

4) Throbbing

- What is Genocide Jack if not a maiden who follows her heart? Her squinted eyes full of passion look beautiful. Whether it’s yaoi, yuri, or murder, it gets Genocide Jack all excited, it’s very cute.

3)🥉 Scissors

- Genocide Jack in her element, with her trusty scissors by her side. The predatory look and the positioning of the weapons puts you in the scared perspective of her victims. Her braids flow well here.

2)🥈 Smiling Face (Refreshing)

- A warm and wholesome sprite capable of purifying even my darkest days. A face showing not only a big smile, but a satisfied individual. The hands held and the slight head tilt add to the overwhelming charm.

1)🥇 Smile (High Tension)

- An undeniable classic. It’s power is simply unmatched when it comes to the most authentic portrayal of Genocide Jack as a character. It’s impossible to look at such a big smile and feel any sorrow.

[darkveracity]

How do you think each Tsukihime girl would feel about getting pregnant?

Ok so this is what we're doing now huh

Arcueid: Can Arc even get pregnant? I'm going to go with no but even if she can chances are she knows only the vaguest of details about it. Any Arcueid pregnancy adventure is going to involve an awful lot of explaining basic facts of human biology to her while she glosses over major details in favor of fixating on small points most other people don't consider important

Ciel: Ciel is going to cry from joy not so much because she got pregnant but because the fact that she can get pregnant now means she's truly free of her curse. Her body can once again change and grow and even bear children. The next time she sees Noel she goes on and on about how happy she is and how wonderful her life has become and inadvertently pisses Noel off so badly she ruins her entire week

Noel: Noel's first thought on learning she's become pregnant is to be happy at finally achieving a little slice of a normal life, her second thought is to call Ciel and try to rub it in her face as hard as possible, and somewhere distantly in third is the fact that she is in no way ready to become a mother and oh god this is going to fuck everything up

Satsuki: I think she's just normal about it actually. Satsuki's narrative position as a love interest is to be the normal classmate, the girl next door, an ordinary person drawn into this supernatural world by happenstance rather than someone steeped in it like the rest of the cast and this means her reaction to getting pregnant is just normal too

Akiha: Getting pregnant makes all of her self-loathing and belief that she's a monster crash down on her at once. Given the blood of demons that she carries, given what her family has done, is it really right to bring any more of them into the world? Should not the Tohnos simply end with her? Also more than anyone else she experiences pregnancy as total body horror - her frame simply isn't built for it and she finds it both painful and disgusting. Combined with the extreme hormonal fluctuations of pregnancy and their emotional effects I think she tries to kill herself at least once

Hisui: She's really quiet but from the way that she smiles you can tell that she's simply too happy to express herself well. Second most normal about it after Satsuki

Kohaku: She sits staring into space and dissociating out of her mind for six hours straight and then brews herself an abortion drug and quietly takes care of it without telling anyone

[aplaceinme]

[This is based on the tags I put in this post. I wanted to expand on them]

I was thinking about… what if Buck and Tommy had another thing slightly in common?

Imagine if Tommy had an older brother and he was the younger. That brother was the pride and joy of their father., he could do no wrong in his eyes. 

Tommy admired him and wished to be like him for most of his life. Maybe then his father would hug him, would give him a pat in the back when he accomplished something at school. Perhaps then he could feel his father’s love.

Therefore, when his brother joined the army, Tommy decided to follow in his footsteps. For the first time, he thought he saw a glint of pride in his father’s eyes, and Tommy vowed to do incredibly well.

And he did just that. He became a pilot, a great one at that, but things didn’t turn out well.

After his brother was killed in action overseas, Tommy returned home, to a father who resented him for being alive. A father who wished he had died instead of his other son.

Feeling broken and not knowing what to do with himself, Tommy searched for something that could give him meaning. He became a firefighter, wanting to save people's lives since he couldn’t save his brother. 

And he was so eager and he had a deep need to make someone proud, that he latched on to his captain, Gerrard. He did and said what he was supposed to, hoping for a pat in the back, for a ‘you did well, son’. 

He knew Gerrard was as bas as his father, but he couldn’t seem to let go of it all. 

Thankfully, he eventually did. He co-signed the complaint against Gerrard and turned his back to him. Now, there was only one person left.

Feeling a bit confident because of Hen, and the new 118 in the hands of Bobby, Tommy finally came out to his father, even knowing that it wasn’t going to go well. But he was finally able to confess this secret that he had kept hidden for years

His father was disgusted by him and even told him that if his brother had been alive, he would be disgusted with him as well. 

That was the last time Tommy ever saw and spoke with his father. 

After that, little by little, Tommy started to accept himself. He came out to his co-workers at the 217 and then to the ones in Harbor. He started going on dates without looking over his shoulder to see if anyone recognized him. He started to be happy.

And then one day, he met Evan ‘Buck’ Buckley, who completely lighted up his life.

Buck was adorable and someone who he could open up with without being afraid of being judged. That’s how, one night, when they were both lying down in bed, their heads underneath the sheets, Buck with a voice so soft he was almost whispering, told him about Daniel. And Tommy, in turn, told him about his brother. They both comforted one another. Tommy told Buck that it wasn’t his fault and that he was so, so glad that he had been born because he couldn’t picture a life where Buck didn’t exist. And Buck told him that he was always so proud of Tommy, proud of who Tommy was, and that it was absolutely impossible not to love him.

[corviiids]

oh would love to see ur breakdown of whether or not miles could do it tho. if not him then do u think polly could do it

verdict: miles edgeworth could beat kira but not without help and significant damage to his psyche. as a player character he could do it with support. as an npc he would support phoenix to figure it out but would argue the entire time

could miles edgeworth intuit the mechanics of the death note

not at first instance. probably not at all. i think if miles edgeworth received the right combination of clues and/or (but preferably and) was forced to eliminate literally every other option, he would accept the mechanics of the death note as factual. however i don't think 'magic notebook that kills people' would ever enter miles edgeworth's mental realm of things that are possible without someone/something very firmly pointing him towards that fact. he would not arrive at this conclusion on his own. also, phoenix meekly bringing up the possibility in court would give him a migraine.

could miles edgeworth identify light yagami

yes. i think edgeworth would ultimately be able to kira even without intuiting the death note's mechanics. i think figuring out how the book works is the very last stage in this inquisition. but i think he would be able to ID light as a person of interest even without solid information on means and i also think he would really enjoy his verbal battle with light yagami and by enjoy i mean miles edgeworth enjoys talking to people that make him want to tear his hair out. can we all take a second to imagine mind chess/logic chess light yagami edition? can we please think about that

could miles edgeworth survive

yes - see my post about shi long lang:

yes i think he survives owing to the rules of the ace attorney universe which he brought with him, namely that a culprit in ace attorney will politely sit and cooperate while you argue with them and will admit when you've defeated them in argument, which is the least realistic thing about ace attorney. so i think light wouldn't make a move to try and kill lang until his Culprit Breakdown, at which point lang could simply kick him in the shins and pluck the notebook out of his hands because light is three toothpicks taped together.

(miles wouldnt kick light in the shins but if lang, franziska, kay, or gumshoe is there they would do it for him while miles does that arms crossed eyes closed pose about it.)

also noteworthy is that miles would give a speech about how he would gladly risk his own life to kira if it means uncovering the truth

(i put apollo under the cut because this post is too long)

verdict: apollo justice could beat light yagami but i think he would need trucy for help and motivation

could apollo intuit the mechanics of the death note

not organically but i think in true trained by phoenix wright tradition he'd kind of arrive there in a moment of panic by pure accident. trucy would say something nuts and apollo would be like

APOLLO The only thing the witness has on him is a notebook!

TRUCY

Hey, anything can be a murder weapon if you try your best and believe in yourself!

APOLLO What's he going to do with a notebook, write me to death?

APOLLO .........

TRUCY Uh, Polly? You've got a weird face on.

APOLLO I just had a really bad idea.

could apollo justice identify light yagami

i think apollo would be taken in by light for the most part like, kind of kristoph style... listen the bracelet is a weird mechanic. people literally lie all day long forever and apollo only catches specific, gameplay convenient things, just like phoenix with the magatama. (we're back at 'why dont you just question your client with your truth telling powers from the beginning' and the answer is because it is a video game with a narrative that needs gameplay and stakes.) so i think apollo catches light in a couple of white lies and then dismisses it for the most part as like, light's just one of those weird guys with a fakey persona but who is mostly harmless, and light generally tries not to lie directly in favour of speaking vaguely around the truth, so it doesn't really ping apollo as particularly strange until near the end of the case where apollo is like. ive been getting weird vibes from this guy from the start what if that like. means something

anyway i think he'd figure out that it's light in like a tense moment where he feels like trucy or himself or someone else is in danger

could apollo justice survive

yes for the same reasons as above but i think it's a close thing. like i think light gets "Apollo Justic" written in the book before trucy throws a knife at him and nails the death note to the wall and then apollo is like (Y-y-yikes!!! That was close!)

[emmabirb8]

Bill Cipher really is the funkiest little guy, isn't he?

He's a demon. He had parents. He destroyed his home dimension save for one singular atom. He was born different from the rest of his people and could see in 3D. He's a narcissistic maniac. He misses his mommy. He's a cruel, manipulative asshole. He accidentally got a little too attached and fell in love with a human, then had a drunken meltdown when they broke up. He created a throne of frozen human agony and tried to kill two twelve year olds.

He's incredibly lonely.

Personally, my biggest takeaway from The Book of Bill is the confirmation that my suspicions about him are (most likely) correct. Bill Cipher is miserable. He's been miserable since losing his family and entire home dimension, and everything he's done since then is nothing but one big attempt to distract himself from his mistakes.

Like, okay. I get that Bill is a master manipulator. He's a big fat liar, and everything he says and does is meant to be taken with a grain of salt. He wants readers and viewers to feel bad for him. He wants us to sympathize and woobify and get attached so he can use that to his advantage. BUT ALSO, I think The Book of Bill still sheds light on the fact that he IS broken deep down.

Everything that we know of Bill is almost entirely a meticulously constructed facade. He's a faker. He's all smoke and mirrors. He suffered a massive trauma (whether it happened on purpose or by accident is up for debate since he is nothing if not a horrendously unreliable narrator), and he had to find some way to cope. So he decided to live in denial. Denial of his failures, his true feelings, and, ultimately, everything that he is. He described the "entity" that destroyed his home dimension as a "monster," and, knowing what we know, that's what he believes about himself. He told Ford the answer of who that entity was would "eat [him] alive" and, in actuality, I think that was more of a thinly veiled admission that his deep-seated guilt over what he did eats him alive. Bill buried that guilt, all those negative feelings, all his mistakes deep, DEEP down, and then decided that if he was a monster, he might as well be a damn fierce one.

Bill became great at manipulation because that was the key to making his whole scheme work -- if he could control what everyone thought of him, make people fear him, bend them to his will and squeeze whatever he can out of them, he could be the meanest, nastiest, most cunning monster to ever exist, and he could keep living in denial. They can't make fun of you for your differences, for being weird (something I suspect happened to him in his home dimension) if you're the KING of weird and can kill with the snap of your fingers. If they fear you, they won't look too closely, into the tiny minuscule cracks in your facade, and see the painful truth.

Bill leaned hard into his role as Nightmare Demon to fool himself into believing all of that too.

But like I said, he's lonely. He has no one (besides his "henchmaniacs," but they're no substitute for real connection). I find it SO interesting how he speaks to Ford in The Book of Bill. "We both know you don't really want to be left alone. Admit it, you LOVE how important I make you feel. . . . [N]obody else really gets you, do they? Without me, you'll always feel unseen, surrounded by dolts who don't recognize your true potential. You've always felt alone in a crowd, haven't you? . . . you have no friends, and if you died out here in the snow, who would even miss you?" -- I think he's projecting. Those are all things that are true about himself and his connection to Ford, but he's pinning it on Ford because he can't bring himself to face it head on.

Bill Cipher is a villain. He's evil. He's a demon. He really did ALL OF THAT.

But he is also a pathetic dorky sopping wet meow meow of a character who is constantly desperately trying to run away from himself.

And now, in the Theraprism, he has no access to his usual coping mechanisms. He has no choice but to finally face reality and figure out a way to do what he's been avoiding doing for literal millennia: to just be.

[fazedlight]

Plummet (Cat's perspective on Falling)

Cat had started so optimistic. Kiera, finally dressing as an adult? It was a promising development for her executive-assistant-slash-vigilante, one that suggested the kryptonian could possibly grow a backbone in the near future. Goodness knows Kiera desperately needed to come out of her shell. 

Cat had ignored the… well, cattiness emanating from the blonde. A bit of cynicism would’ve been icing on the proverbial cake, had it not heralded something darker.

But when Siobhan marched proudly into Cat’s office, showing her the security footage of Supergirl letting a dangerous criminal go, Cat knew something more was going on. And this morning she used my personal elevator. Perhaps she’s truly lost her mind, Cat thought. “It could be another Bizarro,” Cat said to a disapproving Siobhan, “Put this under your hat until we figure out what’s going on.”

---

Kiera seemed to only get more haughty over time. “You’ve branded me in the media as a girl scout,” the kryptonian said bitterly. “Everyone knows real people have a dark side.”

Where is this coming from?, Cat thought. Psychotic break, brainwashing? Carter loved that old TV show with the star treks, and once spent an entire month talking about mirror universes. Was this an evil Kiera with an invisible goatee? “I fear that you're having some sort of mental breakdown,” Cat said, “Don't worry, it happens to the best of us-”

But Kiera snapped back. “You are the most arrogant, self-serving, mean-spirited person I know.” Tell me how you really feel, Cat thought to herself, but she had to admit that those words struck a little close.

But that hurt was very rapidly replaced by a more primal fear as the kryptonian approached her. “You want to see what powerful really looks like?” Kiera said, “Watch.”

---

They say your life flashes before your eyes. That’s not what Cat saw. Nor did she have a single coherent thought, other than Carter’s face and endless screaming.

Luckily for her, her assailant didn’t kill her. Cat collapsed inelegantly to the ground, turning back up in a panic as the scornful kryptonian stared down at her. “True power, Cat,” Kara scoffed, “Is in deciding who will live, and who will die.”

Somewhere in the back of Cat’s mind - a stray thought as she tried to calm her pounding heart - she understood. She has all this power, but she couldn’t save her planet. Kiera was just as frustrated at her own powerlessness; her history would be enough to cause anyone to have a psychotic break.

Unfortunately, it didn’t change what Cat had to do next.

---

“People are in danger,” she said to James and Winn, as she shared her plan for a televised broadcast on the kryptonian’s erratic and terrifying behavior, “The public needs to be warned.”

“Miss Grant,” James started, “Look, I am sure that Supergirl is going to be fine soon-”

“Can you guarantee me that the public is safe?”

James and Winn shifted guiltily. I know this isn’t her, Cat wanted to say, I know this isn’t who she is. But Cat couldn’t carry a death on her shoulders of someone who trusted Supergirl because of her words. And Cat suspected that Kara - if the girl ever recovered - couldn’t bear that guilt either.

But she hated every moment.

---

Is there any recovery from this?

Kiera had been a wreck at work that day, scurrying around the office with slumped shoulders and stressed eyes, avoiding Cat entirely. Cat supposed she was breathing easier now that Kiera was back to normal, but it still evoked the same question - What happens with Supergirl next?

As Cat walked into her office that evening - intent to pour herself a stiff drink - she was surprised to find a metal tube set on her desk, with a folded piece of paper propped up against it. “I’m sorry,” the letter read, in familiar loopy, feminine writing. “I wasn’t myself.”

Cat opened the tube, noting a strange green glow inside. Kryptonite, she realized, sighing internally at the thought of Kara entrusting her with this sort of protection. “I don’t want you to feel unsafe. If you want me to stop interacting with you, I will,” the letter read. Cat closed the tube, mulling again over her assistant’s state of mind. Sighing, she placed the tube in a drawer, pouring herself a drink as she had planned, before making her way to her balcony.

She shouldn’t have been surprised to see the super when she stepped out, but somehow she was. Kiera sat far from the door, quiet as she looked out onto the city lights. Cat knew the super must’ve heard her, but she didn’t face her - perhaps waiting for the sendoff she thought she deserved.

Cat stepped forward quietly, reaching the railing of the balcony. And that’s what gave Kiera the courage to speak. “I love this city,” she said solemnly.

Cat stood silently, listening to the kryptonian’s words - weighing the tender passion with the agonizing remorse. “What I did to you, Miss Grant-”

“Oh please,” Cat said, shrugging off. “I’ve base jumped Kilimanjaro, do you really think you scared me?”

Well, that was a lie, and they both knew it. “Okay, yes, you did scare me.”

“I scared the whole city,” Kara lamented.

“It’s not going to be easy,” Cat said. “But if anyone can win this city back, it’s you.”

Kara nodded gratefully, biting back unshed tears. “Can I just… stay here for a while?”

“Of course,” Cat said softly. 

In the soft breeze and the quiet night, the two looked back over the city, and wondered what was to come.

----------------------------------------------------

I found it a really weird writing choice that Kara never apologized to Cat - or didn't seem to understand the fear she must've instilled in her, after throwing her off a building - so I tried to fix it here. (I have thoughts on Kara's relationship with kryptonite, but I will spare this post of that ramble.)

[idontliekmondays]

excerpts from a daily mail article released shortly after her arrest

When members of the Geneva High School role playing club asked 16-year-old Lindsay Souvannarath to choose a character they were expecting an elf, a sorceress or perhaps a female warrior.

But the shy, clean-cut teenager opted for a rather more unsettling choice, presenting them with a detailed pencil drawing of her chosen persona - the 'Nightmare Nazi'.

The trench coat, jackboots and gas mask were unmistakably those of an SS soldier; the skeletal hands clutching a vast dagger more akin to dark fantasy art.

Former classmates at Geneva High recall Lindsay Souvannarath as a shy, withdrawn youngster, who had few friends and instead sought out after-school groups and writing clubs to express her creative side.

But she was also prone to bouts of anger and violence - allegedly stabbing another student with a pencil in one outburst and occasionally letting slip an alarming infatuation with the Third Reich.

'On first impressions I didn't think there was anything too strange about her,' he told Daily Mail Online.

'She could be funny and intelligent but most of the time she was quiet and not very warm or outgoing.

'One year her character was a sort of Wonder Woman-type heroine, then all of sudden she tells the group she wants to be a Nazi ghost.

'You choose your species and come up with a back story. Hers was that her character was a guest from a crazy, dark Nazi universe.

'It's supposed to be a game in a medieval, fantasy setting but she would just argue if she didn't get her way.

'So we went on our quest with a robot, a couple of elves, wizards and this weird Nazi.

'Aside from the character's background he didn't do anything racist or too alarming. We didn't know about her interests at that time so we just got on with it.

Ms Szigeti recalled how Souvannarath began to idolize black-death metal bands in her mid-teens.

She became particularly infatuated with Varg Vikernes, a white supremacist musician convicted in 1994 of killing a rival guitarist and burning down three churches in Norway, describing him as 'cute' and writing essays about him.

'Her work was always dark and full of violence, there were soldiers and Nazis and all this weird stuff,' Sabrina said.

'She acted normal on the surface. She was never physically violent but she would get aggressive and upset if you criticized her.

'Everyone was uncomfortable but we just avoided trying to start a fight with her. 'If you asked her straight up 'are you a Nazi?' she would argue that she wasn't.

As far back as 2007 - when she was just 15 - she allegedly wrote 'free speech is dead' in one forum, adding: 'That's why we need people like David Duke to bring it to life again.'

In another warped entry, writing that same year under the pseudonym Snoopyfemme she wrote: 'They use sex in commercials all the time to sell products. Why don't they ever use violence?

'Wouldn't you love to see a bunch of guys tearing each other apart with machine guns to get a bowl of Cheerios?

'Sure, it might traumatize our children, but in my opinion, children aren't being traumatized enough.

'The only reason for Americans to breed is to create more soldiers to fight for freedom. We need to weed out the weaklings early on. Survival of the fittest, man.'

'She was very odd to the point among a lot of our classmates that no-one was surprised by her arrest.

'She was a very lonely person - but she isolated herself. 'From what I remember she was even suspended for stabbing someone with a pencil in middle school.'

'She was known for putting spells on people. She would do it by saying weird things and then putting on a curse - obviously we did not take her seriously.

'She would break out into laughter in the middle of class for absolutely no reason.

'When we saw that Lindsay did something like this, nobody was surprised. She was the one most likely.'

source

[raayllum]

Callum is so right about Rayla never doing anything for herself. You could say freeing Runaan was for herself but she also treats it as her "sacred promise" and chose him for Ethari too (shows how great her heart is). You think sparing Callum will finally count as her doing something for herself? Choosing her future and her love for him over the "greater good". She couldn't get her og parents back‚ this girl keeps losing and suffering she seriously deserves more wins

God, I could write an entire meta about that line - maybe one day when I'm feeling self indulgent. In regards to your actual prompt, re: saving Callum will count as something for herself -- a big yes, absolutely, I think! Though I think freeing her parents is something she deeply wanted for herself, too ("I miss you so much" / "so I wanted to do something for yourself for you") even if it was something she was continually putting off till the Aaravos situation, as far as she knew, was resolved

Prior to S6 I went back and forth on whether the show would frame Rayla's end of the possession plot line / trying to get Callum back as either "It doesn't matter what happens to me (again) I just want to save him" (which is what leaving in TTM and other moments was about) OR whether it'd be framed as "I refuse to sacrifice him / something I want (again)" and therefore be character development. I leaned towards the latter for reasons outlined here since the two have the chance to be even more thematically codependent than they already are in terms of their senses of identity:

As long as Callum is Callum (not possessed, or she has reason to believe he’s still in there), Rayla likely won’t be able to bring herself to kill him. This is from an emotional / characterization standpoint, of course, but from a thematic standpoint, we can see where it stems from Callum and Rayla continually being each other’s main connection to their sense of identity. As long as Callum is Callum (“you’re the destiny is a book you write yourself guy”), he’s worth saving. As long as Callum is Callum, she can be Rayla (“Rayla’s brave. She saves people” / “Rayla. My name is Rayla, and I’m going home”). As long as she’s Rayla, he can be Callum. Because if Callum isn’t Callum, then he’s dead, and if he’s dead, she can kill him. And if Rayla kills him, if Callum is dead, then she won’t be Rayla anymore. Because to literally kill Callum would be to simultaneously symbolically/emotionally kill herself.

This goes both ways of course - Callum can't/won't sacrifice Rayla because to do so would be to sacrifice a fundamental part of himself (namely his deep and Pure devotion to others which means he'll never go entirely down the negative side of Viren's path, and keep to the positive - leaving Aaravos, breaking free, etc). This was subtext prior to S6, but now it's actual text (she's his light/truth/hope of salvation, etc) so it goes double going forward. This is true for Rayla too — Callum is her guiding light and her star, he's one of the people who's taught her the most about how to love and the person she wants to be.

With all that in mind, yeah, I do think that Rayla will choose to not sacrifice Callum for the right reasons. Part of this is scaffolded under witnessing Callum not sacrificing her No Matter What prior to her won choice, and realizing "what [she] most deeply desires" isn't just Callum's survival even, but specifically the life they can have together, which she needs to stick around for and thereby not sacrifice herself. Runaan is also explicitly remorseful over the actions he took towards her where he choose duty over love, so Rayla realizing she should choose love over duty ties into them growing together as well in a positive way. We also see her realize some of this I think in choosing to let Lain and Tiadrin stay together rather than separate them specifically because of the Moonphoenix bracelet Callum gave her as well.

"I risked losing the best thing I ever had" because of her own duty turned revenge vs "I refuse to lose either of us like this" and finally fully accepting an assassin was never who she was and never who she Should be, in sacrificing others' lives or her own included. Them both Choosing each other above everything else was exactly what I was hoping for as soon as the "I need you to kill me" plot line started / wrote in my first CHET fic pre-S4 years ago:

She has two options as she pulls away. She can make a grab for her swords and go out, swords blazing. Kill Viren or Aaravos if she can as the sky splits open, purple and thrumming with magic; die with a sword in her hand in all likelihood. The release spell has already started. Or she can help Callum up, and they can live to fight another day—together. Rayla grips the back of his jacket. Presses her forehead to his neck for a second, tears building her eyes. “I’m sorry,” she says. His arm tightens around her, like he’s braced for her to go. “Rayla—” “I’m so sorry,” she repeats, sobbing. This is all her fault, but she can’t do that to him. “We have to get out of here.” [...]

Callum is staring at her when she pulls back and she swallows hard. She doesn’t know what to say. It’s both a blessing and a curse when he speaks first. “You chose me,” he says, not quite softly; she can tell there’s a lump in his throat. An edge of anger that not doing so was even an option. “Yeah, well. It was about time,” she says quietly. “I—”

So uh, here's hoping!

[lovemyromance]

your posts are literally the elriel bible, I don't think i've disagreed with a single one.

In general, elriels agree on a lot of things which is why it's so odd to find EL/GAs fighting with themselves over "elriels say elains gonna be a warrior" and "elriels say elain's gonna save illyria" because I have never EVER seen a single elriel say such a thing. I saw a long post from some elucien about how elriels self-insert and then they listed a long list of things about what canon elain is - except i don't think elriels would even disagree with what they were saying?

It got kind of muddy when they started trying to claim that "canonically azriel only lusts after elain" but whatever - you get the point. Why are they putting words in our mouths?

Thank you :) I know I always excessively post about elriel (because I'm pretty sure I have the attention span of a squirrel), but some days these petty arguments really make my eye twitch.

Idk why antis seem to think Elriels want Elain to be some warrior, savior of Illyria, High Queen type character. I thought we've all been pretty vocal in wanting to keep her femininity and her kindness and finding strength in her compassion.

If it's because the fanarts....well I think we've all established that nobody is really claiming fanarts to be canon. I think that goes without saying when we have fanart of an Elriel family with Illyrian offspring - or when Eluciens have fanart of Elain looking happy around Lucien lmao. Both are not canon. Who cares - it's fanart? It's not like we really going to pretend that all their fanart is canon either?

Because canonically - Elain can't stand Lucien. Canonically, Azriel has literally never touched Gwyn.

There are basic traits to these characters that nobody can deny. But the antis always have a way of adding additional, personal bias into things. They say Elain's not a warrior - cool, that's true, that's canon – but then they take it a step too far and try to claim its canon that she abhors all violence and she would never touch a dagger and she would hate Azriel because he's a warrior.

Canonically, Elain killed the fucking King of Hybern. She might not crave violence (oh- also what an odd thing to claim - that ANY character loves violence, btw), but she has already proven to be violent when needed.

Canonically, Elain does use a dagger. Not just any dagger - Truthteller.

Nobody's saying she out here training as a Valkyrie at the HOW - but she's not just sitting here in frolicking in a meadow while the rest of her friends and family go to war. She was literally taken AWAY from the main battle in ACOWAR and she still showed back up to pull the most badass move in the books, saving everyone.

Idk what about that is so hard to understand. No Elriel has said she's gonna save Illyria (lol), no one has claimed she's going to be Enalius the Second, nobody is out here waiting for her to take part in the BR and also become a Carthyian.

Elriels like Elain as she is. And even though she's not a warrior, even though she doesn't enjoy violence, even though she isn't a Cartyhian – Azriel still adores her. Azriel still wants her enough to question his religion. That's literally in the books. I can give you the exact page number and quote. I don't need to do any "extra analysis"

You want to talk about canon? Let's talk about how Elain is so perfect that she has even the most brooding warrior falling for her. Let's talk about how Azriel was willing to fight in a blood duel for her. Let's talk about how she was so ready to have a tryst with the Spymaster under everyone's watchful eyes.

We don't need to change anything about Elain, certainly not to have her end up with Azriel. Elriel having feelings for each other is already canon. Elriels did not have to change a single thing about them for them to find each other. That was SJM, so take it up with her.

I mean - she kind of ate when she summed up their relationship in ACOWAR with that scene in the garden...they might not make sense on paper but there's something poetic about them