#toha heavy industries

[kordeliiius]

My contribution to the r/Netsphere server's RElog collab! Each artist redrew a different page from the first chapter of Blame and I called dibs on the one with the OG little guy

Full collab here

original page

[zhjake]

Davine Lu Linvega Been really wanting to start on a large scale Blame! drawing (and probably another reread of the series)

[mikopol]

Musical inspiration, The Soft Moon, "Exister" (album "Exister", 2022).

[graviticdeeds]

Made some emblems in AC6, sadly they’re Playstation only cus there’s no cross-platform for user uploads :(

Rhodes Island logo: 25K7XRM0GDBC

Horseshoe Crab Sign: WG4E9PAB6Z59

Khorne insignia: N6PQVCKX9FVP

Weird purple egg: DF3VFJ7NF00L

Nurgle Insignia: BYVG477GBYBQ

(Bonus, Toha Heavy Industries Insignia: 4FLZ4HCMGZTT)

These only work on playstation, as far as I am aware, and not all of em are uploaded cus some of them are my own to use. ;P

[fluttershyweed757]

[magical-xirl-4]

Blame movie was kinda gas

[queerbaitesque]

i do think its fun to want to find clues that explain how nihei's main body of work is all connected (the main thing being ofc toha heavy industries) and how Actually its just one big story, as like a thought exercise. but i feel like this especially happens because people want to make sense of blame!, they want clear answers, more context, more information. its kind of sad because it makes it look like blame! isn't (or cant be) a complete work, which it absolutely is (and a masterpiece at that). and despite the fact that nihei did give more context to blame! (NOiSE, blame! academy, etc), i still see tons of people making posts and even yt videos about how biomega and sidonia are actually sequels of blame!. again, fun thought exercise, but don't make it look like blame! cant stand on its own

[tsunflowers]

HIS DESK IS THE TOHA HEAVY INDUSTRIES LOGO!!!!!

[blameposting]

Hey! I saw an older post of yours talking about how some people like to incorrectly think that all of Nihei’s works are interconnected and take place in the same world (ie Blame! Is in the same world as Knights because Toha Heavy Industries is mentioned in both. Despite so much evidence proving otherwise that it’s two different worlds). Your post did get me thinking about Nihei’s newest series, Tower Dungeon, and it’s *potential* connection to other worlds. If you’ve read it, do you have any opinions on the greater similarities between it and Blame! ? In two chapters we already have a visual reference to the GBE, talk of a huge tower that seemingly appeared out of nowhere, and more intriguingly, a guard character that looks like a safeguard and very explicitly has the safeguard symbol on his forehead. I’m very hesitant to even theorize any connection between the two worlds only two chapters in, but it’s very interesting to see and I’m looking forward to how it plays out. Personally I would guess that they’re more meant as references to his prior works rather than any real connection between multiple stories, but I’m curious to hear your thoughts if you have any!

Nihei LOVES reusing motifs whenever possible- there's a whole bunch of Safeguard stuff in Aposimz and obviously the GBE is referenced in KoS quite a bit. The tower strikes me as one of the more blatant references, but if we're going by Blame! rules then it hardly makes sense for Safeguards to be active inside of it, and the timeline-warping effect of Toha's gravity furnace didn't seem like it was transporting the whole structure between worlds. I figure if there's any actual direct connection it'll probably not be overstated too much, like how KoS and Aposimz are in the same universe but neither series discusses that fact much.

[skelevision]

TOHA HEAVY INDUSTRIES SPOTTED 🫵🫵🫵🫵🫵

[fleshphagus]

Going to crowd fund 168 dollars to buy the Toha Heavy Industries font of 7'700 characters

[newsintheshell]

KAINA OF THE GREAT SNOW SEA: nuovo trailer per l’originale serie targata Tsutomu Nihei e Polygon Pictures

Il primo episodio dell’anime arriverà in streaming su Crunchyroll dall’11 gennaio.

Sapete già quanto io sia legato a “BERSERK”, ma se mi venisse chiesto qual è il mio manga preferito in assoluto, credo risponderei “BLAME!” senza pensarci troppo e, oh boy, se ancora ho l’acidità di stomaco per come POLYGON PICTURES (Godzilla - Il pianeta dei mostri, Knights of Sidonia) lo ha trattato nel suo film.

C’è anche da dire che, per quanto apprezzi i lavori di Tsutomu Nihei (Knights of Sidonia, Blame!, Aposimz, Biomega, Abara), il mio sogno nel cassetto è quello di vederlo tornare, prima o poi ad uno stile e a dei toni più vicini agli albori, ma so che è praticamente impossibile. 

Potrà anche piazzare la Toha Heavy Industries ovunque (mamma mia in quante speculazioni mi perdevo anni fa), ma non mi faccio incantare. Sarebbe anche bello vedere per una volta il suo tratto tradotto in animazione tradizionale, ma quello poi è un altro paio di maniche ancora!

Il nuovo trailer di “KAINA OF THE GREAT SNOW SEA”, poi non aiuta a lenire il mio pessimismo generale riguardo alla serie animata, basata su un riconoscibilissimo soggetto originale fornito dal mangaka, visto che aggiunge veramente poche scene nuove rispetto al precedente, ma vedremo. 

L’anime sbarcherà in simulcast su Crunchyroll dall11 gennaio 2023. Dopo “ESTAB LIFE: GREAT ESCAPE”, questo è il secondo anime originale che lo studio realizza sotto l’egida +Ultra, grazie alla collaborazione fra Fuji TV, Crunchyroll e la società pubblicitaria Slow Curve.

Per quanto riguarda lo staff, la regia è affidata a Hiroaki Ando (Ajin, Listeners), mentre della sceneggiatura si occupano Sadayuki Murai (Sabikui Bisco, Pet) e Tetsuya Yamada (Knights of Sidonia: Love Woven in the Stars, Godzilla - Minaccia sulla città).

Il mondo è ricoperto da un oceano di neve che si estende a vista d’occhio. I suoi abitanti sopravvivono in comunità rannicchiate sia attorno alle radici degli enormi alberi che ne punteggiano la superficie, sia in alto, sulla loro sommità, che si estende fino all'atmosfera stessa del pianeta.

Un incontro casuale tra Kaina, un giovane proveniente dalla “chioma”, e Liliha, una ragazza della superficie, avvia una catena di eventi che cambierà il destino del mondo.

A febbraio è stata lanciata una versione manga della storia, illustrata da Itoe Takemoto (Kemono no Soja).

Il fumetto arriverà anche in Occidente, sempre tramite Crunchyroll, tradotto in inglese e in versione digitale.

* NON VUOI PERDERTI NEANCHE UN POST? ENTRA NEL CANALE TELEGRAM! *

Autore: SilenziO)))

blogger // anime enthusiast // twitch addict // unorthodox blackster - synthwave lover // penniless gamer

[FONTE]

[luketaluketa]

there are only two pieces of anime apparel i would want to get someday:

the toha heavy industries windbreaker (around 200 us$, hard to find)

2. the dorohedoro kaiman jacket (only 50 us$ originally, also hard to find)

im not immune to anime drip

[jofiah]

Making a new streetwear outfit for my VTuber model with Toha Heavy Industries branding as an easer egg/reference won't get me in legal trouble... right?

[lightresist]

Synthetic human test body | 1000toys

[a-dream-seeking-light]

witchqueen of mars energy: @actuallygrimes || biomega mystery woman