Tony Daniel - Batman & Catwoman
367 notes
·
View notes
September 2010. As Bruce contemplates his very narrow escape from the Black Glove in BATMAN #701, he fields a call from Superman, who is always operating on a completely different wavelength. Morrison's observation here about Batman's relationship with his costumed colleagues isn't exactly new — witness the well-known scene in JUSTICE LEAGUE: TAS where he plunges from the sky while laconically reminding his comrades over the radio that he can't fly, at all — but it is succinct. The central theme of the "Batman: R.I.P." story of which this is part, and really Morrison's key insight into Batman as a character, is that being Batman is part of Bruce Wayne's determination to always control the narrative, no matter what. This brief scene is a reminder that however much love or respect Bruce may have for Clark, Superman's mere presence makes that control very difficult, because Superman by his very nature exists in a world of alien visitors, cosmic crises, and evil gods.
In the late '80s and throughout the '90s, it became very de mode to insist that Batman had a sort of Luthorian dread of super-people and was never more than one or two steps away from plotting their extermination, but Morrison's take is simpler than that: The core issue for Bruce is not necessarily that he mistrusts people with superhuman powers, but that when he's around them, they expect him to be a superhero, and not just a costumed mystery-man with a head full of esoteric knowledge and a belt full of Bat-gimmicks. It's true, too — I'm reminded of WORLD'S FINEST COMICS #278, back in 1982, where Katar Hol decides it's time for some regime change on his home planet Thanagar and recruits Superman and Batman to help him. What's most striking about the story is that neither Katar nor Superman even bothers to ask if Bruce might need to stop by the cave to pick up anything before they fly off to invade an alien world 400 light years away. They just expect him to roll with it, because after all, he's Batman, isn't he?
80 notes
·
View notes
Detective Comics 9 (2012) by Tony Daniel
78 notes
·
View notes
Uncanny Spider-Man #1 (2023) by Simon Spurrier & Lee Garbett
Cover: Tony Daniel
133 notes
·
View notes
This is terrifying in every way. And also all so she can both be so thin that she has no butt but also look like she has one at the same time. The ultimate in Escher technology.
(Cover of The Tenth: Abuse of Humanity TPB, Image Comics)
Originally posted at EscherGirls.com
189 notes
·
View notes
Adam Neramani, X-Treme (26/x)
89 notes
·
View notes
Spider-Man by Tony Daniel - a good homage
203 notes
·
View notes
Star Wars: Darth Vader (2020) #1 Cover Art (Tony Daniel Variant)
46 notes
·
View notes
Detective Comics 8 (2012) by Tony Daniel
120 notes
·
View notes
Let it happen
Spider-Man & Black Cat
Peter Parker & Felicia Hardy
The Amazing Spider-Man (2022) #13 variant cover
Tony Daniel (art), Sebastian Cheng (colour)
163 notes
·
View notes