seven-ish sentence sunday
tagged by @dangerpronebuddie @diazsdimples @underwater-ninja-13 @giddyupbuck 💖
a lil continuation of eddie and shannon's argument from friday's snippet bc after posting it i actually got inspired and unstuck lol (also the fact that they address her leaving and how it affected chris in the episode??? i'm loving it so fucking much!!)
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“You didn’t talk to your son for two years!” he hissed. “That’s not on me.”
“And you think it wasn’t killing me every second of every day?!” she raised her voice, but still quiet enough to not wake Chris. They had practice at that, unfortunately.
“Didn’t seem like it, with no calls, no texts, nothing to even let us know you’re alive.” he threw his hands out in frustration, the words spilling out of his lips on their own accord. They talked a lot of things out, but they may have left out the ugliest parts and feelings of this whole situation. Eddie hates being the one to bring it all up. But it had to come out eventually.
“Maybe I didn’t think you’d even care!” she fired back. Eddie’s first reaction was shock, because how in the world would Eddie be the one not caring when she’s the one that left? But he took a moment, and remembered that they talked about this, how they both made mistakes, and if he can feel hurt by her behavior, she has as much of a right to be hurt by his. “Maybe I thought that if he didn’t remember me, it’d hurt less that I wasn’t there. That he’d be better off without me.” she shrugged helplessly, a tear escaping her eye, strolling down her cheek.
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no pressure tags: @elvensorceress @gaydiaz @thebravebitch @silentxxsoul @shortsighted-owl @eddiebabygirldiaz @transbuck @911onabc @housewifebuck @watchyourbuck @eowon @loserdiaz @evanbegins @ladydorian05 @wildlife4life @diazpatcher @lover-of-mine @monsterrae1 @thewolvesof1998 @puppyboybuckley @weewootruck @loveyouanyway @spagheddiediaz @rainbow-nerdss @sunshinediaz @epicbuddieficrecs @pirrusstuff @spotsandsocks @alliaskisthepossibilityoflove @hoodie-buck @nmcggg @jesuisici33 @exhuastedpigeon @rogerzsteven @hippolotamus @honestlydarkprincess @fortheloveofbuddie @steadfastsaturnsrings @disasterbuckdiaz @tizniz @daffi-990 @theotherbuckley
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I don't know if I want to write a massive essay about this, but they missed the whole point with all the characters, especially Ye Wenjie. I'm assuming everyone who said this portrayal is accurate and a raging angry Ye Wenjie is good is because they either never read the book, or non-Chinese, or both. (Or maybe projecting their own views on Maoism). Ye Wenjie received higher education during a time period where it wasn't common for women. She believed in science, she believed in people, but time and time again, the people in her life let her down and never showed any signs of remorse. What I've gathered from the text is that she isn't fuelled by rage, more so she is dead on the inside, she has lost all hope in people. Her decision to reply is not because she wants to destroy, she believes that a civilisation from a higher standpoint could save humans, and this roots in the fact that she is educated. She's not some crazy rage driving women who would ever say "time is a motherfucker", not even a Chinese equivalent.
I'm not sure why the writers decided to write Ye Wenjie and Yang Weining's relationships out of the story...Oh so she is rescued by a white man later on hmm??? (Coincidentally, all the characters driving the plot are also non-Chinese in this). Ye Wenjie marrying Yang Weining and giving birth to Yang Dong gave her a glimpse of light in the life from which she had lost hope. Spending time in Qijiatun also gave her a bit of warmth. When she pushed Yang Weining off the cliff, it marked another significant point, she was calm, cut the rope with no hesitation. She did not care to get herself entangled in romantic affairs. Making her have a child with Evans is laughable. They also dumb down Yang Weining, to the extent that Ye Wenjie had to explain 43+8=51 to him. Mind you, he was a real proper engineer. (Weirdly with all the diversifying, they did not keep a single male Chinese scientist in the main team huh)
Anyways, before I go on a tangent. The writers have fast tracked everything and left out the finer text about the characters in the book. I'm not sure if they missed the point or that nowadays the audience are ruined by fast media, something like the tencent version are simply too slow for the people in the west. Any of my moots and followers who watch cdramas will know that the real good stuff is all in the build-up. It's all the little text that adds up to a fleshed out character. If the culture difference is too much for Netflix, leading them to change all the characters and most of the plot, why not just buy a western ip. There's plenty of good western sci-fi ips.
I can't help but think they want to do this because they wanted to film the scene where Ye Zhetai is beaten to death. Have an excuse to turn Ye Wenjie an angry woman. We all know why. If they really cared about showing a true China during that time, they would have spend some care with the Red Coast details as mentioned above (we did not have screens in 1960s that display Chinese text!!! And definitely no simplified Chinese characters on computers!!!!). Instead of having her snog Bai Mulin off - unrealistic since people were a lot more conserved back then, they would not have done this and it's ooc for Ye Wenjie. Falling in love with Evans - a real blasphemy. I guess the 3 Body Problem here means 3 bodies pounding at each other. Jin-Raj-Will also seem to have their own 3 body problem going on too.
(One last tangent) Ye Wenjie and Yang Dong(Vera) as scientists not believing in god but having monks at her funeral ??????????? Not even a typical normal Chinese funeral will have monks. The stereotype enforcing is real.
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Just finished reading Pez Dispenser Debris (I don’t even go there but I am fueled by Wiki articles and a love for your storytelling) and first of all—amazing!!! 10/10, I think I need to watch this series now.
Second, I noticed that (while very much distinct) Yuuta & Izuku have a lot of similarities in the voice you gave them—maybe it’s the constant panic attacks or perhaps both of them placing blame for everything squarely on their own shoulders, but ough it makes for the perfect blend of gut-punching angst. I’d love to hear any ramblings you currently have about either of them. I am currently obsessed with both of them now and am placing the blame on you <3
I’m gonna pretty heavily discuss some spoilers for my hero academia in this. I figured that was okay since you’d already read my fanfic and the wiki so the cat is out of the metaphorical bag. That being said, maybe wait to read this answer if you want to not be spoiled for more details in my hero.
Yuuta and Izuku absolutely have the most similar voices out of all of my narrators and it is 90% because they are both completely insane and in violent need of a Xanax and a nice soothing cup of chamomile tea. God I love them both so much. They should each be heavily medicated.
My hero academia is a pretty great watch through the Shie Hassaikai arc. The concept is entertaining, the characters are GREAT, and the world building is really cool.
Then the story sort of. Went to shit.
I tried for a while after that, but eventually had to stop watching. My friends and I have a group chat named “horikoshi just call us” because we got so despondent at the writing decisions after that arc.
Horikoshi. If you’re out there. If you’re reading this. Just call us. We just want to help.
That being said, my love for the characters maintains its death grip on me. I simply adore them. They’re delights.
Yuuta and Izuku, on their face, have a lot of similarities as protagonists. The aforementioned insanity and need of Xanax, of course, but the skeleton of the stories has a lot of common touchstones and themes, like:
Both characters have some kind of history with suicidal ideation or tendencies. In the second scene of JJK0, it’s established that Yuuta canonically tried to kill himself. In the first episode of BNHA, Izuku is told to kill himself by his bullies, in an act which appears to be common to izuku’s life, and the only reason Izuku comes up with to not do it is “then you’d get in trouble for telling me to do it.”
Both characters have severe self worth issues. Yuuta’s looking for a reason to be alive at the start of JJK0. He’s looking for a right to be alive. In a way, Izuku is too at the start of BNHA. At the open of action, he is told by everyone in his life that he is useless. His nickname is “Deku,” which uses some of the same kanji as “Dekunobo,” meaning blockhead. The most direct translation were given is that this is a way of calling him useless. He’s the powerless member of a society choked with superpower, and he’s been told his entire life that he can do nothing, that his dreams are pointless, and that he’s a burden who would be better off dead.
They’re both saddled with power they can’t fully control. Yuuta with Rika, and Izuku with One for All, a transferable power that’s too strong to be contained in his body.
They both have a close relationship with an impossibly strong mentor that they are implied to be the successor of. Yuuta with Gojo, as he’s second only to Gojo in the modern age, and Izuku with All Might (aka Toshinori Yaga), who he is more literally taking on the mantle of One for All from.
They both are chugging that Loving Their Friends Juice and have tried to kill grown men with their bare hands as a result
That all being said, they could not be more different characters and honestly aren’t all that similar.
I have this sort of lasting grievance with literary analysis when people take a list of common plot points or events and use them to make the argument that characters are similar or parallel one another. Like, that’s all facial. The real question is how do they substantively handle those events. How do their story arcs treat those things? How does their character react to them?
Yuuta and Izuku’s actual substantive characters don’t really react to those events in the same way at all. The analysis could go on all day in this respect, really, but the biggest difference is how their respective story arcs treat the cornerstone of their original conflicts.
Yuuta opens action with Rika as the cornerstone of his conflict. She’s who he wants to free, she’s who he’s chained to, and it’s her protection of him that makes him think he deserves to die. Izuku’s cornerstone, meanwhile, is his own Quirklessness. He desperately wants to be a hero, and everyone in his life tells him he can’t be because he is Quirkless. He’s useless because he’s Quirkless. He should kill himself because he’s Quirkless. He’s a burden and always will be because he’s Quirkless.
And while Yuuta’s arc reconciles him with his cornerstone, Izuku’s forgoes it entirely.
The story just. Forgets. That he’s Quirkless. They stop talking about it. It never comes up again. It doesn’t make any real big impact on his character or decisions. It’s one of my biggest axes to grind with how the story developed, and it’s actually one of the biggest reasons why I wrote pez dispenser debris.
Pez dispenser debris was actually inspired by this one piece of my hero academia art where Izuku is hugging his younger self. I don’t know if it was official art or fan art, and I have no idea where it is or where to find it because by god have I tried so I can find it and link it for credit/to boost it. I saw it literally years ago, thought “oh that’s cool,” wrote the original first scene of the fic (where Midoriya stops the bus and is hit by the Quirk), wasn’t feeling it, got distracted by other projects, went to law school, graduated law school, signed up to take the bar exam, and was suddenly electrified in the last fucking month of studying with this fugue state of feverish artistic inspiration. I have never written so easily or so compulsively in my life. I’d write for eight unbroken hours and it would be fucking magic every time. It was like an addiction. I was writhing with a need to create and had so much fucking anxiety about the test I was not studying for instead. The words could not be restrained.
Anyway I taught myself three subjects on the plane ride to the state I was taking it in and passed anyway so it’s fine we’re fine
The moral of the story is that this story has been cooking long enough for me to get two more diplomas than I had when I started it and I have no idea where to find that fucking piece of art that inspired it, but if I find it, I’ll reblog it so y’all can see it too.
The thing is, the narrative sort of forcibly excluding Izuku’s past as Quirkless would make total sense to me if it was used as something Izuku himself was doing.
Izuku necessarily had to hide the truth of his former Quirkless status at the start of action—he needed to keep the secret of One for All. Like, he could not let people find out that a Quirk was transferrable, but you know, just the most powerful one, and also he had it, please come torture it out of him.
But as the narrative goes on, that rationale becomes less important. He has people he can trust with it. And yeah, eventually One for All becomes more known, but the discussion is all about him being all might’s successor. Him being Quirkless and how that affected him and still affects him isn’t really discussed or treated as important. And Izuku doesn’t act like it’s important to him either. He never really thinks about it.
And I just hated that. Like. He spent almost his entire life as a member of society who was spit on. He’s had a Quirk for less than a year. How are his experiences with Quirklessness not important to how he interacts with the world?
The other point of contention I had was Mirio.
Mirio is this superstar of a senpai who takes Izuku under his wing. He has an extremely powerful quirk that’s only as effective as it is because he put in the work and learned how to handle it. He’s a perfect, eternally smiling paragon of heroism. He’s flagged early as the one out of everyone, including heroes with established careers, who is most likely to replace All Might.
He’s also the one who was supposed to get One for All.
His mentor had found him and trained him to be All Might’s successor. Before All Might could meet him, however, he found this feral raccoon child in a sewer and said “oh my god I can’t not offer him incomprehensible power within the first three hours of meeting him” and tripped face first into fatherhood.
During a rescue mission, Mirio loses his Quirk in a way that’s borderline irreversible. There’s no known cure, and the only possible one is dependent on a little girl learning how to control an extremely volatile and dangerous quirk and using it in a way she never has before.
So surely, they’re going to commit to that writing decision, right? He’s Quirkless. We’re bringing back having Quirkless characters. It’s going to be this sick as hell juxtaposition between Izuku and Mirio. We are at least going to force Izuku to reflect on his own times as Quirkless or have some kind of discussion about how Mirio is treated differently now that he is Quirkless.
But no. He gets his Quirk back by the next season. We don’t talk about it much. It’s more of a minor inconvenience than anything.
It’s almost as if the show accepted as an actual rule that you couldn’t be a hero without a Quirk. And then just. Forgot. Everything it had to do with its literal protagonist.
Anyway, I hated it.
In contrast, I fucking loved how yuuta’s storyline with Rika ends. That scene where Yuuta’s turning back to Rika, thanking her for loving him, telling him they can die together? I’m obsessed with it. I recently moved across the country and listened to that theme song on loop during the drive.
Yuuta and Rika’s love was unhealthy. They hurt each other. But it wasn’t malicious.
They just didn’t know how to love each other in a way that didn’t hurt.
They were in shit circumstances. But the love was there.
Yuuta felt guilty for Rika’s love for him and his for her almost the entire narrative. He thought he cursed her with his love. He wanted to kill himself because of how she hurt people out of love for him. It’s why I have moments in sea glass gardens where Yuuta talks about begging Rika to stop loving him—he didn’t know why love had to hurt so goddamn bad, and he’s sorry for that, he really is. He wishes he was better at it than he was.
At the end of JJK0, Yuuta truly is the last person who remembers Rika as she was and still loves her for who she is. He’s faced with Geto, who wants to use her as a weapon. Everyone treats her as a threat or a tool, except for Yuuta.
Like. Just that moment. Of loving someone so genuinely, and being the last one who does, and knowing that everyone else will just use them. I’m obsessed with it.
Yuuta reconciles with his love for Rika and her love for him, and they’re both finally freed. It’s this perfect moment of acceptance that I adore. He comes to terms with his past. It doesn’t hurt him so much anymore.
I wrote pez dispenser debris to sort of force Izuku to have that kind of reconciliation. As it is, he hasn’t reconciled with his own Quirklessness and how that affected him. I wanted to give him something he couldn’t physically escape and had to face.
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Ok so I’m going to say this from a perspective of someone who loves Talia as a character, I think it should be acknowledged more that she has a shit ton of faults. The thing is, that’s what actually makes her relationship with Damian so interesting to watch and play out.
One thing that I hate when it comes to her is her fandom going like she has no faults and every single bad thing she’s done is purely the fault of retconning or simply a bad writer. While this has happened before to her (both a retcon and certain writers who I’ll not be naming), she’s still her character.
With the al Ghul family as a whole, it’s such a pure example of generational trauma, Ra’s. Is. Not a good person or father or grandfather in the least. We’ve seen how Talia is from her upbringing, where do you think it came from? Because of the influences she had as a child, she grew into the woman and now mother she is in the League.
She loves Damian, that much is obvious (personally I think people saying she doesn’t are quite dumb), but it’s complicated. I’ve said this a million times, but Damian’s training was abuse and part of it was from Talia too, she tried her best, and I get that (said that a million times too) but the League is a horrible place for children to be raised, despite what intentions were.
When comics try to make Damian’s childhood more lavish and like he grew up as a prince, it’s so ironic, because that has never been the case.
When you try to paint it out to seem like Talia is the best mother in the world, and she constantly has been perfect (which I could actually go more into on how women are expected to be perfect mothers without faults but that’s not for rn), it’s so frustrating because also. That’s never been the case! Talia loves Damian, but she abused him too. Maybe not outright, but she still overlooked what happened in his childhood. She was apart of it. Sure maybe Ra’s was the main part of Damian’s abuse and how he turned out how he is now, but you cannot deny that Talia never took part in it. It does not matter what intentions were, it doesn’t matter if she loves Damian, in the end, it’s still the aftereffects of such a childhood.
It’s so wild how this even needs to be a conversation to talk about how Damian’s entire CANON backstory is actually how it was written and the fact that Talia has her faults.
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