#trying to do that 3rd person narration types of fic that still keep the talking style of essentially the pov character

[carlyraejepsans]

ohghh i have a REAL fun idea for a fic but now I'm too excited to actually write it i just keep pacing around my room instead

[softforcal]

Writing Tips

I get a lot of asks about tips on writing so i figured i’d just make a huge ass post for ya’ll :)

this shit covers: character, plot, motivation, past vs present tense, 3rd vs 1st verson, oneshots vs multi chapter fics, moodboards for character building, dialogue, oc’s vs reader inserts, face claims, the grocery store test, the meme test

Character

okay i want to start by saying: i used to write imagines so writing in character was like MY THING for like 6 years so i have a LOT OF PRACTICE with watching something and picking up on characters and i’ve spent THOUSANDS of hours watching shows. so like, i’ve spent a lot of time on this you know? so don’t feel bad if you have a life and havent had as much practice :)

so at the moment, i’ve been doing character mood boards to help figure out a character? but the thing about that is im picky about face claims and it can be hard so this is an easily skippable option and i’m not even sure if i enjoy it yet you know?

so first: i think of a story. i think of the type of OC that’s involved, i think about what they’re like, (i sometimes find a face claim), i give them a name

for me, as soon as they have a name and sort of a face in my brain, they take on a life of their own. a character knows when you’ve found the right name and face for it and it comes alive when you do. like for me, Birdie was originally ‘Cherry’ but she was like ‘bitch no’ and wouldn’t let me write her until i found her name.

to be honest. i don’t plan things. like. when i write, the character just takes over. i have no control. they do what they want. fucking Valentina and Harry in Trouvaille, i had a whole angst scene for them and these assholes decided to go on the terrace and tell each other they like each other instead and then the story just ended. like. i had a pLAN and they RUINED IT.

you can’t be afraid if letting your characters do what they want to do. when you plot, a loose outline is good but i just throw my characters into a situation and see where they go.

like for my final gang au chapter, did i want Michael to leave town? no. but he needed to take Dove and get the fuck out of there you know?

i don’t make playlists really, sometimes certain songs stick to people, like one of my characters, his song right now is Girlfriend by Anderson East and that song was sort of inspiration.

I don’t know where my inspiration comes from. obviously i write a FUCK ton so let me see if i can explain a few past stories and where they came from.

Gang AU was born from a post by @hereforlukescruff​ about the song ‘Or Nah.’

Cromulent was based off a tumblr post about enemies fake dating

Wild one was legit just me figuring out how to work all of @glitterprincelu​s fav things into one fic

Floral was based off of looking at my favourite tattoo artists floral tattoos

Trouvaille was originally pompous New York! Calum but as i developed it, it was Harry and i couldn’t stop him from pushing Cal out of the way and being like ‘this is my apartment you wanker get the fuck out of here and let me smoke and paint in peace.’

Noise was originally based off an idea by @palliddark​ that i was blessed enough to receive, she also had influence in Cromulent because months ago she requested a post about the boys recording having sex for a song.

So i think what we’re realizing here is a lot of it comes through interacting with other creators. one of my new pieces is based off of 2 5sos songs and one is based off of a person in Love Island. so inspo can hit from anywhere

the fic im working on now came from me talking to @harryforvogue​ about the new Gucci ads Harry did.

i started a Greaser Cal that i dropped cuz im a whore, but it was inspired by @calsangel​ and hopefully it gets completed sometime soon

like. talking to other creative people is just a breeding pool for ideas. people you trust and love, people who you can bounce off of. listen for stories in music, study people and characters and who knows where it might lead you :)

i hope this helps. but yeah. my number one piece of advice: talk about writing, talk about stories, talk about the guys you want to write about and inspo WILL hit.

also to all the people i have tagged i hope you know how much you guys mean to me. like. i really appreciate all you guys do and how much support you’ve given me and continue to give me. i hope i can offer the same support in return and i love you all with my whole heart.

****** Moodboard and Character (final thoughts)

So basically since i wrote that OG advice, i’ve begun to realize: moodboards are a good tool because if you can easily come up with 9 pics for a character they’re pretty well thought out. 

for example, my easiest moodboard to make was for Birdie in my gang au

Birdie: likes scrunchies, reading, classic stories, ice cream, bubblegum, lollipops, acrylic nails, having her hair in a bun

my worst moodboard was for a character named Annabelle from Noise

i started and was like... who is Annabelle: she’s blonde... she uhhhh is doing psychology?

and that’s all i could get because Annabelle was a mostly dialogue driven character with no actual mentioned likes or dislikes, in my eyes, Annabelle was not a well thought out character.

so moodboards can help because they show you how well you’ve got your characters figured out.

******

Plot

so plot is tough. i tend to gravitate more to character driven plot because characters are my #thing. i’m going to start by going through some of my plotlines and going over the good and bad and hopefully have an answer at the end of it after picking apart my writing. should be FUN.

long fic plots

Noise plot: Annabelle gets a new neighbour and he keeps fucking girls and waking her up and they have banter, he’s a hothead and invites her to psychoanalyze him and it leads to some tension but he is soft for her right away and they a little awkward with each other but finally give love a try.

Floral plot: would renowned tattoo artist Calum chooses a new apprentice, socially awkward and anxious Lily, they’re attracted to each other but the confines of a boss and pupil relationship are tight and evident, creating tensions. Calum struggles with being professional while falling for the cute apprentice, especially when pressure is put on them by their friends, after slow burn and anxiousness they finally get together.

Cromulent plot: Calum has a new PR relationship with Chlo and he hates her, he thinks she’s fake and does everything he can to piss her off, finally deciding to fuck with her emotions by being a GREAT boyfriend which ends up hurting her and he realizes maybe she’s not so bad after all, things are a little confusing but they finally sit down and talk it out and address some of Calum’s insecurities about her past relationships and PR stunts, they agree to give love a try.

so, from these 3 long fic outlines we can see i usually go for character based turmoil which works well for fics between 10-15k (or longer, Trouvaille fits this format and it was 19k) I just think, relationships take time and people struggle to figure themselves out enough to enter a relationship. if you have some fiery characters and banter (Cromulent and Noise) or perhaps awkward anxiety and tip toeing (Floral and Trouvaille) shit works out you know?

for smaller oneshot fics plots can be easier and more situational i think.

Movie Snack plot : Cal goes to Luke and his GF’s place for movies and Luke gets bored and eats the reader out in front of Cal which leads to sex.

Road Trip plot : Luke and reader are dating and on a road trip they’re horny but end up having to share a room with Cal who has always had a thing for the reader, smut ensues. 

Stay Still plot : Tattooist!Cal is the readers fuck buddy and she goes to get her tits pierced, ending up with Luke as her piercer, but Calum shows up and angst leads to smut.

so yeah, for smaller 1-5k little smut pieces it can be more relaxed, smut is just smut, not love, and sex is a hell of a lot easier than love you know? 

yeah, so that’s all my plot advice

*********

3rd person, 1st person, what the fuck person

when it comes to HOW you write your fic (what person, what tense, etc...) that’s up to you. it’s honestly whatever you feel best in. i’ve dabbled with a bit of everything. you just have to find what feels the most natural to you :) that’s the only advice i can give on this because no one thing is better than the other, it’s up to you.

one tip for 3rd person i have is to generally focus on one character. i’m a fan of doing the thing where for example, in Cromulent, we focus on Calum and why he doesn’t like Chlo. if we switched to Chlo a lot it would take away from the unreliable narration and bias Calum has. the good thing is to stay with Calum and be angry at Chlo and realize with Cal that she’s not so bad.

but that’s just me.

you can do switching when characters are together or on a phone call, like if you’re with Calum but he’s calling (for example) Chlo and then you want to see her reaction you can do

Calum groaned, staring at the ceiling, “bla bla cal saying shit”

“bla bla Chlo answering” she held the phone tighter etc...

and just like that you’re now with Chlo not Calum. 

*********** OC’s vs Reader Insert

i’ll be real here: for some reason, i feel like reader inserts are more read on tumblr and i started out doing reader inserts to build a following. 

personally, i prefer writing OC’s because you can go more in depth with EVERYTHING. 

it’s honestly up to you what you want to do. i’ve decided to do my short smuts at reader insert and longer fics as OC but it’s whatever works for you at the end of the day.

***********

Dialogue

I’m a fan of dialogue driving story, Noise was so much fucking dialogue it’s insane. finding your characters voice is important and sticking with that makes a huge difference. if you’re character can kind of be seen based JUST on what they’re saying, thats a good sign.

i hate to say it but imma say it: when doing 5sos it’s important to know they’re Australian. some countries have different mannerisms and such, for example, i’m Canadian but i can’t have Calum out here saying “it’s a nice day eh?” you know? so, i would advise to try to get a handle on accents and word choice specifically to make them more believable. as is said in the iconic movie Tropic Thunder 

***********

Motivation

so this is probably one of the biggest issues writers are facing and i’m about to get REAL AS FUCK.

on tumblr, it can feel like once you gain a following you CONSTANTLY need to be pumping shit out for them.

back in the day, i was posting a HC a day and a lot of it was for hogwarts!5sos. it felt like a job, which wasn’t anyone elses doing per se, i just think a lot of fic writers get caught up in this pressure whether it’s imposed by anons or not (im lucky that i’ve never had anon pressure and i’m very grateful for my amazing followers tbh)

Tumblr is not a job. if you’re writing, write for you. you are blessing tumblr with you’re writing. please don’t feel pressure to put stuff out or write a new chapter or anything.

if you ever feel like you’re under a lot of pressure, take a few days away, find the root of your writing joy. always do what you want to do. if you have to turn off asks to feel sane, do it. if you gotta block mean anons pressuring you, do it. you don’t owe anyone anything.

your writing is a gift graciously bestowed on this hellsite and this site shouldn’t make you feel pressured to write and give content FOR FREE. it shouldn’t make you lose your passion and make writing feel like a chore or job.

motivation can be hard. i’m a fucking psycho so don’t use me as a base for what you should be doing. i put out a fic a week which i really shouldn’t be doing, it’s not practical. but i can type fast as fuck and writing 1 or 2k in 10 minutes is normal for me so don’t use me as an example you know.

go at your own pace. write what you love. write au’s or for the characters you love and hopefully the rest will come.

******** Multi Chapter vs oneshots

ok more realness, pros and cons of each

oneshots:

pros:

-its one and done, no need to worry about putting out more

-they can be fun

-it’s all in one place which a lot of readers like

Cons:

-can be long af

-take longer to write since a oneshot is probably like 10+k depending on who you are as opposed to perhaps 5k chapters of a multi chapter fic 

Multi Chapter

pros:

-people are excited for more

-cliffhangers are fun

-people interact with you more about chapters to come

cons:

-more pressure to put out new chapters

-with each new chapter you’re probably losing likes because people get bored or forget about it because people sometimes don’t have the attention span or whatever to continue reading whenever you update

-usually tend to be longer than a oneshot (5k chapters means that in 2 chapters you have probably surpasses a oneshot length of 10ishk)

So i will be real. i prefer oneshots. i adore my gang au which was long as fuck and super multi chaptered but it’s tough to see the likes go down and down. plus, i wrote all of Penumbra (the main multi chaptered part) before i started putting it out so i had no pressure to write more cuz that shit was done before i started posting.

which does help. if you want to write the whole thing before you start posting it takes off the first con but you’re still left with the other 2. 

**********

Face Claims

i feel like for some characters they’re born without a face claim but i totally get it if you want to use a face claim before you even start. finding face claims can be hard so you have to get ready to go creep on insta and look at models and figure out who you like. a lot of insta models follow each other so once you find a model you like, look through their following list or recent likes to see other models.

another thing you can do is go for brands or photographers who link their models. Fashion Nova for example, if you’re scrolling through and like a girl the link is there. and the same goes for some photographers. there’s a lot of accounts that are just for hot girls with links to their instas so (even if it feel weird) you should go check those out :)

******

The Grocery Store Test

next, for making characters, i think for me name is a big part of it. once a character finds their name that character comes alive in my mind. i was thinking about this yesterday and i said to myself, ‘you know you have a good grasp on your character when you can imagine them in a grocery store and know what they’d do.’

for example:

Birdie (from Gang AU) would go look at nail polish and candy, Luke would legit have to put her in the cart to get her out of there and if there’s a book section? good luck man

Valentina (trouvaille) is just gorgeous. she and Harry would go and he’d push the cart and she’d have a nicely written notepad of things to get and she’d look so pretty, head bowed, crossing things off, and Harry would be such a melt for her. he would crash into things cuz he’s so busy paying attention to her. she’d be a fan of picking up boxes and reading out nutritional values just to point out to Harry that eggos are not good for him.

so, Valentina and Birdie are probably my best OC’s if i’m being honest and because of that, these were easy.

now, take a character i didn’t work on as much and suddenly it’s different

Annabelle (noise) never really talked about anything but school and shitting on Calum so, i mean, i guess i can think of what she’d do in a store but.. like, i’d have to think about it you know?

so to me, we can see the difference between a fully fledged OC and one that needs to be worked on.

but, Noise still got a lot of likes so i dunno, i’m just self critical i guess.

i think, when it comes to characters, everyone has flaws. Annabelle is too critical of Calum and has a stigma about wealth, Valentina… she’s flawless not gonna lie but she’s a little too afraid of stepping on other people’s toes and she should probably be less anxious, Birdie is way too sentimental and cries over everything, plus she’s way too trusting and naive at times.

it’s balance. but once a character is born in your brain, you just gotta give them love and hopefully others will as well :)

*****

The Meme Test

my most recent advice is: if you can meme a character or dynamic between characters, you know you’re gucci. imma leave a meme here for a fic i’m working on and ya’ll will have no clue what it means but whatever it’s a point

*****

so hopefully this has answered any questions you have. this is all just my opinion and if you disagree with what i’ve said thats chill. at the end of the day this is what works for me and i urge you to find what works for you. there’s no one clear way to write.

good luck writer bubs :) 

[coldtomyflash]

Weird question, and it's perfectly okay if "I don't know" is your answer: How did you manage to do grad school AND finish writing so many good fics? I'm writing the lit review for my dissertation right now, and I want to finish several WIPs I have (if nothing else, just to prove to myself that I can), but it just feels like I can barely do either, much less both. Any advice at all?

Ah, no worries! It’s not that odd a question. Actually, someone’s asked me before ^^;  My reply to them at the time was here. No need to read it, but it’s some context? 

My reply now that my head is in a healthier place is... long and winding and not actually full of that much advice but eh, I rambled as I do. If you just want the advice, scroll all the way down and it’s there. 

For starters, I’m not a normal comparison point. This isn’t to pat myself on the back, but for a variety of reasons, writing is something that comes really naturally to me. I’ll detail those reasons, but before I get into that, the point I’m illustrating here is that... sometimes I think people compare themselves to how much I wrote and what else I accomplished in that time and think “hey cool - that is a function human! Why can’t I do that?” And the answer is short answer is that my brain is programmed for pretty much one thing, and that thing is writing writing, and holy crap I was the opposite of a functional human when writing that much and that quickly.

The long answer is - 

I’ve been making up stories literally as long as I can remember. I spent my childhood consuming stories. I taught myself to read and was during school I was consistently reading about 8 grade levels above my reading level, and loved learning about narrative structure. I annoyed the shit out of my older brother by reading the same book series as he read, but guessing plot points that were going to happen either in that book or else 2-3 books out. he didn’t get how I would just know and I’d be like “it’s obvious - that’s where the story has to go!” Because I was imagining it in my head - what i would do with it, where it would go, where it had to go. Closing the page mid0chapter and imagining the next-scene, and then picking back up to see how right or wrong I was.

And I had a best friend for most of my childhood through to early adulthood with whom I made stories. Every weekend, creating narratives together, not writing them down but basically roleplaying them by talking them out (voices and all, it was a heck of a lot of fun, as much as it made me pretty much the nerdiest teen in existence). We tried to write a novel when we were 12, got about 7 chapters in. We had a lot of starts and stops on other stories too.

Which isn’t said to stroke my own ego, it’s said to highlight that I have a metric fuckton of explicit and implicit practice at storytelling. It was and sort of is my “whole life”. I also had teachers that helped me develop storytelling skills, and was really freaking lucky to go to a school with an AP program for English that seriously stretched my ability to write fast. We had to write an essay every single class, during class, and have it finished by the end of class (or in less time if we had lecture stuff to go over too) in my last year of high school. The essays could be creative response (i.e., short stories). I wrote a short story almost every week in the space of an hour when I was 17. By the time I got to the end of year final and actually got to use a computer and type that shit instead of hand-cramping halfway through, I somehow managed to write the two-essay final in the allotted 3 hours and, i shit you not, had a wordcount of 6000 words. 

That’s still my record. It was probably a dumpster fire but I got 100% probably for sheer volume.

Anyway that was over a decade ago, but the whole reason this life story is pertinent is because - 

I have practice. The only way to improve at anything, to get faster at it, for it to ease, is to practice. Practice at storytelling, practice at having to set a scene using just words sitting in my BFF’s room and trying to describe the image I had in my head for how I wanted her to see the scene as it was playing out. Practice at writing fast and getting feedback on how to write. Practice implicitly at trying to imagine what routes stories can take. Practice taking stories apart and piecing them back together, in my head, all the time.

So that’s part of it. 

The other part, and this is what I said in my previous post, was depression. I was seriously fucking burnt out and depressed when I started writing coldflash fic, and grad school took a huge toll on my mental health. It’s easier to write when you’re doing it to procrastinate working on your dissertation, and easier to keep writing when you get positive feedback and it feeds those lovely dopamine gremlins in your brain who aren’t getting any positive validation from grad school because holy damn that shit is hard.

I had no balance in my life for a long time. It wasn’t good. I went to counselling. I got more balance. Fic slowed down. Still finished, but not 120k words in 3 months (that was the pace when I started fic writing...jfc I don’t know how I managed.) Life got harder. Fic was now harder to write. I got more counselling. Fic was easier to write. I moved around the world. Fic got harder to write. I started anti-depressants. Narratives now seem to be flowing again. 

Regardless of the state of my mental health though, I’ve never written as much as quickly as I did during the middle of grad school. And I think that’s because I was very narratively pent up when I started writing fic. I had been so busy and pushing myself so damn hard in grad school that I didn’t make almost any time for stories, for fic, for imagining my own stories. I was suppressing that side of myself in the service of Focus. So when I burnt out, my narrative side rebounded and said “fuck that noise, I still exist, and we’re making space for me”. It took over. I came literally a hair’s breadth from quitting my PhD post candidacy. Idk what type of program you’re in, but business schools in North America? It’s a 5 year PhD typically, and I was at the end of year 3 and eyeing the door.

Anyway - I say all that because - 

I am not a good example and you should not do what I did. Finishing that many long WIPs that quickly wasn’t healthy, and was only possible because I didn’t do much else at the time, and had a lifetime of practice and a narrative rebound to make it even possible. 

But - 

My actual advice?

1) Practice. Practice. Practice. 

Not all at once, but everything counts. Daydreaming counts. Watching shows and thinking of how they could be improved counts. Talking out story ideas with friends counts. Just make it fun. Practice is something we think of as arduous and annoying. Learning new words is practice. Meeting new people and considering their traits is practice. Everything can be practice for writing. All the research you do can be practice for writing. (Random note: a childhood coping mechanism for anxiety that I had was to narrate what I was doing to myself in my head in the 3rd person. Like telling a story of myself walking to gym class in my own head. That was also practice.)

2) Have fun with it! 

Don’t making writing an obligation. Then it’s another thing on the list of things you avoid. Finishing stories often feels like an obligation. I’m going through this right now with Needs Must. It can be hard to complete a WIP because you start to have internal anxieties about disappointing readers, not living up to expectations, exhaustion from that narrative, distraction / temporary loss of interest (which is normal! and not actually a bad thing!). All of that then makes you feel guilty, which makes it impossible to get into a creative space to write. You can’t work on the thing you’re avoiding.

3) It’s okay to give your WIPs breathing space. 

When you hit a wall, you may need to set it aside and read it again in a month with fresh eyes. You may need to treat your story like someone else’s story. That’s, again, literally where I’m at right now with Needs Must. I just reread a bunch of it and hadn’t really forgotten the details but once they’re on the page they’re out of my head, and so taking some time before going back to reread it made it easier for me to think of like I think of every other story: “what would I do next with this? Oh that’s a twist, that needs to come back later. There’s a theme here, we’ve seen that three times. What’s the best ending I, as a reader now, can imagine for this?”

If avoidance, guilt, and/or writer’s block aren’t your issue, and it’s literally just down to time management - 

4) Your graduate degree is more important than your WIPs. 

Your WIPs aren’t going anywhere, they don’t have a deadline, and your readers will wait for you, and new ones will find you. Time management is an essential, awful, part of being an academic. 

I get more done, both at work and creatively on fic, when I’m just a bit too busy, but that’s me. Figure out what is optimal for you, and do it. When do you get the most writing done? When you’re relieved? When you’re anxious? Late at night? First thing in the morning? When does it flow? When won’t it ruin your graduate career?

(Seriously I was writing fic at work last week and was kicking myself. I don’t have time for that shit! Set boundaries on your time!)

But full serious here, graduate school is exhausting, and almost inherently de-motivating, and even the best damn students eye the door a lot of the time, even if they do finish. It’s stressful and you feel constantly powerless. It’s a lot to need to cope with. I found writing to be a way to cope. That lit review you’re working on? Yeah, it’s zapping your time and energy. That’s normal (unfortunately). And it’s good to give yourself breaks from that to write. Don’t feel guilty for taking time here and there for yourself - to write, or to not write. To relax, unplug, unwind. To close your eyes and daydream (if you’re me) or have a bubble bath (if you’re my sister), or do whatever helps you honestly, genuinely destress. The best thing you can do for both writing and for graduate school is to take breaks and take time for yourself. There is actual science on the importance of breaks, and academics are fucking notorious for putting too much pressure on themselves to actually relax.

5) If you’re burnt out and/or depressed - seek help! 

Most universities have resources for mental health! Talk to a doctor! Don’t put too much stress and pressure on yourself! Almost half of grad students are mentally ill at some point!

6) Talk out your stories with friends! 

I know I already said this under “practice” but having a fandom friend to bounce ideas with and cheer you on is amazing and essentially. I was in constant contact with Bealeciphers when I started writing, and now I have a different friend who’s helped me the past couple years with writing and developing my stories. Mostly they cheer me on, and when I’m stuck, I tell them where the story is going and what I need help with. But honestly, writing doesn’t need to happen in a vacuum and doesn’t need to be you hunched over a laptop in the dark all alone and staring blankly at a screen (I’m definitely not projecting here, no siree). It’s amazing how motivating it is and how much it can help you stay on track to check in regularly with other writing friends!

7) Pick your battles.

You say you have a... couple(?) of WIPs? How many are you juggling? Is it too many? Do you need to set one (or two??) aside? When my steam was slowly and AATJS and Tumbling Together started to feel like a chore, I set TT aside and took a month break from AATJS then dived right back into AATJS (with the help of the friend mentioned above, cheering me on) because I knew it would be the harder one to finish, and the one that I feared I’d never finish if I put it aside too long. I tackled the biggest hurdle first. If that’s the type of thing for you, I recommend it. Pick the story that’s either the most or least likely to get finished, and focus your energy there.

Another battle-picking thing here? It’s okay to outsource. I’m terrible for not using a proofreader beta. It’s a weird control thing, despite the fact that I love people pointing out typos in my works so I can freaking fix them. The point here is: don’t be like me. If you suck at finding your own typos, use a beta or proofreader. My writer friend who helps me helps when I get stuck. I help them when they need feedback on specific scenes and tones, and I’ve recently discovered they hate editing (I love editing) so this entertains me to no end. Just - you don’t have to do it all yourself. If you feel like you do, see points 5 and 6 again.

Aaaannnddd that’s that. Whew. I just spent... wow, too long on this. I spent as much time on this as I did on my own grad student’s lit review I was providing feedback on today ^^; #whoops 

[parakeatswrites]

1, 3, 7, 25 writer meta? 🥰

HAR, get ready for a long one!! 

I wrote this whole thing and it’s a LOT but a HUGE thank you for giving me an excuse to chat about my writing!! 😍

1. Tell us about your current project(s)  – what’s it about, how’s progress, what do you love most about it?

My WIP folder has 27 files in various states of writing / planning / abandonment. So here’s the ones that are posted on AO3:

- 🌄 Home to Me (the timetravel slowburn / they are married one) - I’m scared of writing the ending of this 😂 but i’m definitely in the home stretch of writing the draft and my brain Does Not Want To. 

- 💤 The Night Hides All Flaws (the ASMR, no-magic, university AU) - I just like writing this when I want to do pure awkward fluff. It’s incredibly self-indulgent.

Here’s the WIPs that are still drafts or just notes that I fall asleep thinking about:

- 🎠 the Witcher Fusion AU (very very loosely based on the Witcherverse concepts with no regard for timelines) where Adam was given as a child in payment to a Witcher and is now walking the Path. He keeps coming across the runaway Prince Gansey and his Crew etc etc It’s got a small mystery, action vibe to it so I’m taking my time putting in plot points. So here’s the tentative summary that I’ve written: 

Adam hadn’t been a Witcher for very long in the grand scheme of the Continent and he wasn’t the type of Witcher that got involved in grand adventures, or found himself in the middle of turning points in history. Adam had been trained because he was a child surprise - no more important than a cask of wine - and had made it to adulthood because he was smart. He wasn’t like the Witchers of yore, and he wasn’t trying to be. Give him a nekker nest or a few drowners over Destiny any day. Then again, the errant Prince of Gansey was determined to cross his Path with his merry band of misfits in search of adventure as often as possible. 

Adam had come inland for the winter, hoping to get a big payout to tide him through the season from the local Duchy of Springer Falls, but something wasn’t right with Duke Lynch and his brothers. The monster in the woods hadn’t been part of any bestiary Adam had seen, and the Duke seemed reluctant to hire Adam to dispatch it despite the threat to the surrounding farmland. The whole situation smelled of too much trouble for not enough coin, but of course Prince Gansey couldn’t leave a good mystery alone.

- 💥 Break and Enter meet-cute (a pynch fic which I can’t explain any better than that I think??) No text written yet, but some general chapter planning and now I’m just trying to figure out what it wants to be 

- 🌳🌲 Blue sacrificial bride - a bluesey fic, but Hear Me Out. Set in ~old medieval fairytale times~ and there is a Beast in the woods that demands human sacrifice every solstice etc etc and one day Maura is called to the Lords Manor or whatever and when she doesn’t come home Blue figures that she has been chosen as a sacrifice to the Beast. She rushes off to save her mom, but people who go into the forest Don’t Come Back dun dun duuun. Blue rolls up on a falling down castle in the woods etc etc meets a boy who is just Confused About Being Here but Having A Good Time (Gansey) and she has to work with him to try and escape the forest that is magically keeping them there. (It is Very Extremely ‘YA novel retelling of beauty and the beast’ meets ‘any weird folktale i want to include’). I haven’t written much yet because it will be Blue POV and I am not confident in that POV yet haha

- 🏫 A wip with no title (I am open to suggestions) that I’m hoping to post this fall that is a no-magic, Adam meets the gangsey post-university with the premise “What if Matthew was a lot younger and Adam was his tutor and Ronan has to pick him up from school but Adam is just like ‘You are not Declan’ and Ronan was like ‘No, but you are hot.’” I AM ONE MAN WITH ONE WISH and it is doting older brother Ronan who is a fool over an aloof Adam

-  💅 A series of notes I frantically wrote one night here is the most coherent part of them: 

Adam and Ronan are in a sort of paranormal fbi situation and are deployed undercover as a married couple. Adam doesnt know what Ronan's powers are (redacted) but he's got a (somewhat false) reputation as "the muscle" and Adam is like "ugh, they are going to make me stay in this house w this uncomfortable hetero dude". 

Ronan starts setting off fireworks in the backyard, and Adam thinks it’s gunshots and is like “Do you understand that we are UNDERCOVER??” 

And they have to be domestic and pretend to be married while they basically gather intel about a dangerous magical object in suburbia?? Gansey is their handler and just wants them to stop fighting and endangering the mission???

I will stop there, please, anyone is welcome to come STRAIGHT into my ask box / dms to talk to me about these.

3. What is that one scene that you’ve always wanted to write but can’t be arsed to write all of the set-up and context it would need? (consider this permission to write it and/or share it anyway) 

Bet you didn’t think I have any more ideas after all that, right? BUT here’s a snippet from a character study oneshot for an Adam headcanon that will probably never see the light of day: 

It started when he had the graveyard shift at the factory, taking breaks with the exhausted moms who didn't mind sharing a smoke with him because he wasn't their kid. He kept it up because it calmed his nerves as he frantically tried to get the grades for the Aglionby scholarship, sneaking smokes out of Boyd’s jacket that always hung off the back of his office door. The double wide was always acrid with the smoke and old beer, so his father never noticed. He quit after starting at Aglionby, too worried about the smell of car oil on his uniform and he didn’t like what nicotine would signal to the other boys. At Mountainview, hanging around on the sidewalk behind the school with cigs was its own place in the social hierarchy. He didn’t want to find out what rung that would string him up on at Aglionby. 

Car oil might just mean that he was handy, had a useful hobby. At seventeen, new to the pristine halls of Aglionby, nicotine just meant trouble.  He didn't want trouble, he wanted to get out of Henrietta. He never told Gansey. Not because he was ashamed, but because Adam didn't have to tell Gansey everything. 

Adam was grateful that smokes seemed to be the only habit Ronan didn't pick up from Kavinsky. The smell curling off the Mitsubishi made his skin itch  with nameless wanting. (Near first semester midterms at Harvard and ronan came up to visit adam and "Did you smoke?" Adam asked, feeling immediately embarrassed. What was he doing sniffing Ronan's collar like some sort of dog. "Huh?" Ronan's brain hadn't caught up with the idea of talking instead of kissing and his only response was grunt and an insistent kiss to the corner of Adam's lips. Adam leaned back, now feeling like a jealous wife, "you smell like cigs." He wasnt sure what he was asking.

7. What do you think are the characteristics of your personal writing style? Would others agree?

Not totally sure since I don’t think I can consciously control the characteristics or style of my writing. I also try to avoid noticing if I repetitively use the same words or phrases, since I’ll probably just become self-conscious. 

I do try to remember to keep a character’s physical surroundings present (even though I find a lot of place descriptions boring to read and write 😂) So I try to keep whole passages from feeling like just ‘talking heads’. Also I try to show the emotions of a character whose POV we’re not in, instead of having the ‘close 3rd person’ narration spell it out explicitly. 

I’ve also gotten a lot of comments on HtM that the writing style is ‘mysterious’ which is a HUGE compliment and I have no idea how I made that happen. 

I can’t speak for anyone else if they agree with how I’ve described my writing so feel free to reply / dm me to let me know 😂 you can give me a reality check.

25. What part of writing is the most fun?

I have answered this here too, but another part of writing I find fun is dialogue between friends when they’re just hanging out. The cadence of how people talk and the weird shit friends will joke about... Just love it!! 

CONGRATS if you read this far!! 

Here’s the link to the questions if anyone else wants to play