#twst writing analysis ?

[raven-at-the-writing-desk]

the elitism in magic education

HELLO 🤡 I have come to you today with an analysis of Fellow Honest's motives and what they imply about the mages and non-mages in the world of Twisted Wonderland, as well as the state of magic education as it relates to one's social status. It's a doozy, so let's get right into it! ***WARNING: Spoilers for Stage in Playful Land!!***

Fellow's resentment of the elite harkens back to something I've always suspected but also something that Twisted Wonderland has seldom gone out of its way to shine a harsh spotlight on. That "something" is the discrepancy between the "haves" and the "have-nots" in terms of magic. With the main setting of TWST being a private magic school, of course the lens through which we view many events will be from this perspective as well... and that limits what we see and hear. Most of the NPCs we encounter (even the annoying ones, such as the Magicam Monsters from the first Halloween event) endlessly praise the NRC students just for attending a famous magic school. If we look closely though, we’ll start to see cracks in the shiny rose-colored lenses (which, coincidentally, is how Fellow’s UM name is written).

To begin with, we are told that only 10% of the human population (for the sake of argument, let's assume that most other races also have low magic rates) is even capable of magic to begin with. Of this 10%, the majority of people with the aptitude for magic only have enough to barely be able to lift a cup. In order to qualify for a prestigious magic school like Night Raven College or Royal Sword Academy, you'd literally have to be the cream of the crop and get lucky in terms of genetics. Magic cannot be learned by someone that was not born with the innate ability for it, and not everyone who is the child of a mage will be capable of magic themselves. This is already one HUGE barrier for entry. We now have more to consider.

Night Raven College is notably a private boarding school. This potentially means that students may need to pay a tuition fee for classes, room, and board. Perhaps this tuition doesn't exist, since NRC doesn't take applications but rather hand-selects its students. Additionally, NRC is based on a British school, and most European schools cost little to nothing to attend. However, it's hard to believe a school as fancy as NRC is a private institution that runs solely on the charity and goodwill of donors (though we do see Crowley happily accepting donations as well, specifically from the local town and from Kalim’s family). Realistically speaking, Stuff Costs Money, and if you Want Stuff, you also Need Money. NRC is not raising these mages of the future out of the goodness of their hearts, NRC is raising these mages because there is profit and prestige to be gained from the endeavor. What if there are students who are picked to go but end up having to leave because they can’t afford it?? This point is just speculative though; I won’t count it as actual evidence since there is no in-game lore which confirms tuition. We do know, however, that students do at least have to pay for their dorm uniforms, as Ruggie has mentioned he could not afford one—hence why he wears a hand/me-down from Leona. We also know students are on their own when it comes to paying for their food, as both Ruggie and Deuce mention being low on cash in reference to buying meals/snacks. Buuuuut even if we discount that money is a factor that gatekeeps some selected students from attending or having the cash to just get by on a daily basis, what we cannot ignore is that money inherently puts some people ahead of others before magic schools even recruit them.

Because the majority of those in Twisted Wonderland are incapable of using magic, magic is not typically included in general education. This means that if your kid manifests magic and you want them to be "ahead of the curve", you'd need to seek out resources for magic training and education. Now, this could mean reading materials, private tutoring, or reaching out to mages you know of. The problem with all of these things is that they tend to require money and/or connections, which are things not everyone has access to. Idia even says in book 6 that Riddle has an “artificially large” pool of magic due to how young Riddle started his magic training, meaning that the wealthy has the resources to just produce “better” mages. The rich also have more money to throw into items to help with magical training, such as bigger and better magestones (which must sell for substantial amount in the first place since Ruggie tries to save some to pawn off later in Vargas Camp) to keep mages healthier for longer (since magestones help absorb blot). This keeps power concentrated in an already elevated class. (Note: research has shown that money opens up and expands one's connections, which still puts the rich in an advantageous position compared to the less fortunate. There are also studies that show impoverished people who happen to have rich friends have a better chance of raising their own social standing just because of the doors and connections that rich friend can open for them.) Look at who in the main cast remarks on having formal magic training: literal royalty like Leona and the upper middle class like Riddle. Again, one could say that because schools like NRC appear to hand-pick students regardless of how much formal magic training they had prior to enrollment. However, the fact remains that it simply looks better to potential recruiters (using this blanket term because we don't know how magic schools besides NRC gets its students) and better prepares the child for magic school curriculum to get an early start on it.

Looking back at the 22 boys that make up the main cast, close to three-quarters or ~75% of them come from at least upper middle-class backgrounds and quite a few could classify as wealthy:

Riddle's parents are both doctors, with Riddle's mom in particular being well-known and well-regarded in their home community.

Cater's dad is a banker; his position is high enough up that he needs to relocate every so often (presumably to service their largest or most important firms).

Leona is a literal prince. Even if he isn't destined to be king, he still has access to the resources and wealth avaliable to a royal.

Azul's mom owns the most popular restaurant in the entire Coral Sea (have you seen how large the Coral Sea is on the world map???), and his stepdad is a lawyer.

The twins' family is said to be well-off; they are able to afford luxuries like fancy clothes and Mr. Leech stresses the importance of manners and presentation. He is implied to have business associates who are also well-off and would like to get in his good graces. (Popular fan speculation is that the Leeches are a crime family.)

Kalim is the heir to a massive family fortune and trading business. He also has relatives who are royals.

Jamil, as Kalim's attendant, is also from a reasonably well-off family; they are compensated handsomely for handling the Asims.

Vil's father is an A-list celebrity, and Vil is also one himself.

We don't know the specifics of what Rook's family does, but it must be well-paying, as we learn in book 5 that the Hunts have villas all over Twisted Wonderland, as well as permissions for international travel via warp pads.

Idia and Ortho's family run a secret organization that researches blot. S.T.Y.X. is so secretive that basically only those in super high positions like Crowley and Leona would know about them. Let's also not forget that the Shrouds have ties to the Jupiter Conglomerate and the Olympus Corp, which is a tech giant in the world of TWST.

Malleus is prince AND the heir to his kingdom’s throne. He is also one of the top 5 most powerful mages in the entire WORLD.

Lilia is a renown war general and a close friend of royalty. He raised a young Malleus as well.

Silver is Lilia's adopted son and is actually a prince himself.

Sebek's parents are dentists. They must make mad money. His grandfather is also a respected knight that served alongside Lilia.

Notice how all the dorm leaders are upper middle class or higher; the vice dorm leaders have ONE normal person (Trey); in Playful Land, Trey confesses to living a comfortable life so we know he must be at least middle class.

We can try to argue all we like that NRC doesn't discriminate based on social status for their selections, but if that's the case then why are so few of the main cast from impoverished or low-income families? Only Ace, Trey, and Jack count as squarely middle class. Ruggie is the only example we have of someone from a very low socioeconomic status rising up to be among "elites". The other example is Deuce, who comes from a single parent household and has implied they don't have a lot of money (for example: how the VDC/SDC earnings will help out his family). (Epel is kind of a ??? case because depending on where in the story you are, his family could be in financial trouble or not; in book 5, they imply his entire village is having difficulties selling product until Vil promotes Harveston apples on his Magicam.) Maybe it's unfair to say that 22 students out of 800ish is representative of the makeup of the entire NRC student population (or represents the composition of all magic schools), but the single digit representation of low-income students is also true of real-life elite schools. They are private schools for a reason; it naturally gatekeeps who is and isn't "allowed" to attend, leading to the majority of its students being members of the elite.

Another thing to consider is legacy students. This term refers to the increased likelihood of people being accepted into a school if they had a relative that also attended that school. We know of two instances of this happening: Ace's brother and Sebek's brother also went to and graduated from Night Raven College. Ace even makes a remark during his sorting ceremony that he ended up in the same dorm as his older brother "as expected". If magic aptitude is genetic, then perhaps it makes sense to recruit from the same families--but again, this is inherently restrictive, as you would continuously be culling from the same pools generation after generation.

Back on the topic of bloodlines and family, what about Kalim, who has an extensive family? There will be no shortage of Asim mages going to NRC just because of legacy (Jamil even alludes to the fact that the previous Scarabia dorm leader was an Asim relative, and his recommendation is what got Kalim the dorm leader seat). And speaking of Kalim, consider instances where rich families are able to bribe faculty (lookin' at YOU, Crowley) or donate a large sum to get their kid ahead or to be given priority over others that may be more qualified than them (RIP Jamil). To continue off that point, NRC itself is structured as a "dog eat dog" world. Those with inherently more magical ability have the right to trump over others. You can duel and lose your dorm seat to a more powerful mage, even if you trump them in terms of merit or leadership qualities. Students feel a sense of duty to obey those who have bested them in battle (ie Epel's servitude to Vil). Everyone fears Malleus. Your magical power is respected above all else.

Attitudes surrounding magic have notably shifted from fear of it several hundreds of years ago (around the human-fae war, back when “witch” and “wizard” were used in a derogatory sense) to recognizing it for its strengths and actively seeking it or granting some favoritism to those who have it. There is, in fact, now class discrimination in based on whether or not you can use magic. We got an early instance of this as early as book 1 of the main story, when Riddle insults Yuu for their upbringing, lack of education, and their inability to use magic. It’s something that clearly rubs Ace, who has a magicless father, the wrong way, and he stands up for Yuu. There are other subtle hints about this divide sprinkled throughout the lore. For example, Ruggie has a voice line which he indicates that the slums where he comes from doesn’t produce many magic users. Again, recall that magic runs in bloodlines. This could potentially allude to a past where those without magic were forced into lower income neighborhoods, which results in pockets like Ruggie’s hometown with a high population of magicless individuals living in poverty. This doesn’t appear to be a large scale issue (perhaps its only an isolated case?), but this is worth paying attention to.

This could all translate into the professional world too. Some jobs are entirely locked behind magic (ie you just cannot do them or pursue them if you don't have the magical ability for it). Some jobs DO require magic (ie medical mages like Riddle's parents, magic police force officers, technomantic inventors, etc) and probably additional training that goes with it. As a result, I'd imagine that these magic-intensive jobs pay quite a bit more. There may also be overall more job opportunities for those capable of magic, since magic is so much more efficient than doing things by hand. It means more retention of wealth and/or more upward mobility for the few impoverished that are able to enter magic schools. (This is, of course, not including the few and far between cases of regular people who get rich in select industries, such as Kalim’s father.) Recall too that NRC requires its students to take internships during their 4th years, many placements being with very prestigious groups and organizations such as pro-sports teams, labs, tech giants, etc. Being able to attend a prestigious school with connections grants those elite students even more opportunities than the average person.

Then think about what this means for people who fall short of these standards that these magic schools set. We actually have examples of them in book 5 of the main story: when Deuce and Epel are reconciling on the beach, a bunch of delinquents from another school come along and start checking out Deuce’s borrowed magical wheel. Through the NPCs’ exchange, we learn that one of them has enough magic to power a magical wheel, but not enough to do much else. This NPC also couldn’t keep up in class and dropped out of a magic school. He then becomes insulted when Deuce implies he is “a beginner”, so this is obviously a very sore spot for him. Riddle also has dialogue that implies students dropped out of NRC prior to his reign (and since then, no Heartslabyul students have left). Additionally, consider how magic can be used to oppress and lord power over others. Deuce himself is guilty for summoning cauldrons to crush rival delinquents in fights back in Clock Town—even if those delinquents lacked magic themselves. Similarly, Epel is implied to use magic to gain an upper hand against those that bullied him back home. This all implies a social divide between those with magic and those without, and begs of bigger questions.

What happens to the ones that don’t make it? The ones that get left behind? The ones without the magic to make it “big”? This is the root of Fellow’s anger; he’s mad at a system that cast people like him (someone with very little magic) and Gidel (a non-mage) aside. They don’t get the opportunity to make better futures for themselves. They’re looked down on by high-up institutions that basically tell them they’re not good enough.

Knowing all of this, the deck appears to be stacked against the poor and non-mages. It’s no wonder why Fellow is so mad.

THIS ACTUALLY RELATES BACK TO WHAT ROLLO SAID IN 5-2 OF GLORIOUS MASQUERADE… "When you have too little [magic], you're resentful. And when you have plenty [of magic], you're arrogant. You can never content yourselves." The NRC boys are arrogant (this is the side of the story we’ve always known due to seeing the world mainly from their perspective). They are the “haves”, and we see them constantly misusing their power by fighting each other over very petty things (even if it’s against the rules to do so). But everyone else??? They’re scrounging for the scraps. Fellow falls into that former category; he IS the guy that’s resentful because of his lack of magic and how something he cannot control has already determined where he and Gidel will stand in life no matter how hard they work. They can never hope to rise out of poverty, and there’s nothing they can do about it. That must be soul-crushing.

When Fellow praises the NRC boys in that overly exaggerated way, he’s obviously being shady and facetious—however, there is also a kernel of truth behind this behavior. Most other NPCs we’ve met have spoken about the NRC boys favorably just because of their affiliation with a prestigious school. It’s the same way people might be impressed if you walked around in an Ivy League branded hoodie or something. People automatically associate you with the school’s shiny and exclusive reputation, and thus assume you are also intelligent, talented, etc. Then, in the same way being constantly put on a pedestal like this might result in the students getting swelled heads, this only further feeds into the NRC kids’ egos. They so privileged they don’t even recognize it. And that makes Fellow fucking FUME.

Look back at Fellow's dialogue. He is constantly mentioning the prestige of the school the boys go to, or adding on extra compliments about their status and skills. He's ass-kissing to his boss, who is also wealthy or part of the upper class, then insults the boss once he hangs up. Fellow is always in a position where he HAS to be subservient to the upper class in order to make his money and get by, and he finds that entirely unfair. Imagine having to simper and placate people you absolutely despise and blame for your problems every day, people who are gorging themselves on luxuries, coasting by in life, taking everything they have for granted while you get by on pennies—that has to get frustrating.

I want to briefly mention here that, in addition to praising the NRC students to high heaven, Fellow also talks down his own skills. He cheerfully calls himself a loser and says that no matter how much he trains, he could never reach their caliber of magic. Yes, Fellow is exaggerating to get the kids to think they’ve won, but I also have to wonder if he’s parroting the same phrases he was told long ago, from people who doubted him and never thought he’d make it. If that’s the case, then I get the sense that Fellow is in a way “reclaiming” his autonomy and power by adopting those same cruel words and using them as a strength. He admits to being “weak” but is also proud of the fact that he can utilize his magic along with his natural charisma to get a leg up over others. It further fuels his new belief that going to an elite school doesn’t matter, it’s practical skills that will serve you well.

Okay, back to talking about his shitty work situation! Fellow’s employer clearly doesn’t treat him with decency. They berate him, make unreasonable demands, act impatient, etc. They are a typical depiction of a toxic workplace and boss. This can also be read as shorthand for the relation between the rich and the poor, and how that may have shaped (or worsened) Fellow’s views on others of the privileged class. He makes many assumptions about the NRC students without really getting to know them, calling them entitled brats. Why? Because these descriptors likely apply to the higher-ups Fellow has always slaved away for. This, in combination with his own experiences in being rejected from magic academia, has created a person who feels trodden on by society and by the upper echelons who run it and benefit off the system.

Fellow himself is the perfect example of someone who was failed by said system. He has dialogue stating that he was never given the chance to learn because his magic was not considered strong enough. Still, he tried to make an effort to earn that chance among to elites and to study among them. Fellow was rejected, ridiculed, and told he had “forgotten his place”, what he had been born into. There were expectations he couldn’t meet, and so Fellow was thrown away like a broken toy. He has failed not because he didn’t try, but because he was denied the opportunity to begin with. This is where is rage stems from. Fellow despises the students of those same kinds of institutions who kicked him down, students who don’t realize how fortunate they are for their educations and will likely continue to perpetuate the system.

What, then, does that means for his signature spell, which is closely tied to one’s identity? Let’s take a magnifying glass to it. As previously mentioned, the name for Fellow’s spell is written as “Rose-Tinted Dream”, but it is said out loud as “Life is Fun”. The chant for it is, “Come on to the theater” (notably said in English rather than in Japanese). Both the spell and the incantation are references to the song Honest John sings in Pinocchio, Hi- Diddle-Dee-Dee. And… well, the whole UM in of itself is one big cruel joke given his circumstances now.

I think this spell is representative of a young Fellow still full of hopes and dreams, looking forward to studying at a magic school. But then those dreams are shattered and he has to commit terrible crimes to survive day-to-day, and he seems to have given up on his dreams. He even goes so far as to protect Gidel from having the same hopes he once did, telling Yuu to not put silly ideas in his head when Gidel expressed curiosity about school. At the same time, he delights in crushing the hopes of those he deems his enemies (stating that he wanted to betray Kalim to “teach him a lesson” about how cruel the world is). Fellow knows the truth: that life isn’t fun, that it will disappoint you and will put you down. His actions are very cowardly as well—he uses tricks and deception, he runs away from his problems instead of properly addressing them, the NRC students remark on his lack of pride. Fellow has had to throw away so much to scrape by. Yet his UM symbolizes someone brimming with hope—so perhaps it’s a UM he manifested when Fellow still thought he had a chance?? And then people made fun of him for it being so weak?? Alternatively, maybe he didn’t get his UM until after his dreams were crushed so he’s looking back on those nostalgic days of blissful ignorance with rose-colored lenses (which is, again, maybe why his UM magic name is written as “Rose Tinted Dream”). A UM that is a reflection of one’s true self, yet that same identity is one that has been forced to be discarded. That’s the reason why, despite all the swindling and scamming, I don’t think Fellow’s enthusiasm for fun is a lie. That’s the one “real” part of him, but even that’s been repurposed to help him live on scraps, something innocent twisted 😭 and that’s really sad to think about…

But also??? You could argue that Fellow still has a little bit of that lost inner child and hope left in him. He tries to defend Gidel’s understanding of the world and has goals of starting his own school despite how poorly he originally spoke about these institutions. (So Fellow does appear to care about children and their futures.) He also has a childish streak despite being an adult, demonstrated by his use of cowardly tactics, taunting kids, and abruptly quitting his job to then destroy his workplace. Fellow himself states that he “just tries to live a free and fun life”, thus his pursuit of money and pleasure. This could all play into being what defines Fellow and thus his UM. It embodies a spirit of playfulness even when he has been crushed under the weight of an unglamorous life.

I’ve heard people saying that while Rollo is Idia’s dark mirror and Fellow is Ruggie’s. They have similar backstories but ultimately their fates are different and left the former two down far more sinister paths. Just as Rollo is an Idia that turned his anger outward instead of inward, Fellow is Ruggie had he not been given a chance to receive an education to elevate his social status and job prospects. Fellow and Ruggie both cling to rich, powerful benefactors/bosses and do their dirty work to get on by—a big difference is that Leona, while he does also work Ruggie to the bone, also has some conscience. Something else to consider is that while Ruggie prioritizes making a life for himself by studying and securing a stable, well-paying job, Fellow is focused moreso on the accumulation of wealth itself (as he suggests to Kalim he’ll take a bribe to let him go free and quits when there is no longer money to be gained from his boss). Both don’t really care how they get their money (even if it is by dirty means), but ultimately Ruggie’s way of making cash is more sustainable in the long run. Yet Fellow ultimately realizes the importance of school deep down despite constantly denying it when the NRC students tell him of it. Fellow is in denial because that’s the only way he can cope and justify his lifestyle. He’s confused when finally confronted with students who are his ideal of “happy and free”, even when they’re in an educational system that he views as shackling people into strict roles. The way he laments about not being able to go to school is also very reminiscent of an adult mourning a lost or unfulfilling childhood, which is quite a depressing scenario…

Fellow is the one that got the short end of the stick in life. Ruggie met Leona, and Leona technically uplifted him in his endeavors, tutored him into getting decent grades and giving him hand-me-downs and money in exchange for his services. Fellow never had that kind of support system, he was just insulted and bullied into giving up and had to find an alternative way to keep himself going 😔

Personally, I think Fellow could also be a dark mirror to Kalim, no?? They exist on opposite ends of a social spectrum. Kalim has everything and Fellow had nothing. What’s more, Kalim is still wide-eyed and trusting. He is the only one willing to try words instead of fighting him and instantly labeling him as the enemy. Meanwhile, Fellow has become bitter because of how the world has betrayed him. He wants to take that trust Kalim has and show him how cruel everything truly is. Why is he fixated on that? Why even offer in the first place if he never intended on going through with it? Why does he want to rub it in Kalim’s face in particular? Maybe it’s because Kalim seems rich and dumb, as Fellow claims, but maybe it’s because there is envy there. Sure, Fellow is upset about Kalim being a sheltered brat that faces no challenges in life, but I also feel like he’s jealous that Kalim can still afford to think this way. That he can still afford to be cheerful, that he can still be a dreamer. Fellow was alluded to be like that once—but he can’t be like that anymore, not when he has to look out for himself and Gidel.

Side note, another comparison! Recall that Kalim’s Oasis Maker is also a UM that uses a little bit of magic. However, Kalim does not know of many creative ways to use his spell, as there is no real reason to since his home country has lots of canals and irrigation. He therefore deems his UM as pretty useless. Fellow meanwhile has what most consider a weak UM but he fully utilizes it to his advantage and pairs it well with his natural charm to maximize its effects. He had to develop these skills because he was in pressing circumstances in which they would benefit him. This contributes to the “mirror” theme between the two.

Fellow and Kalim have a notable similarity as well, and this is where I feel they can connect. They are both older brothers to a child or children who are magicless. Fellow only has one, and Kalim has many—but the number here isn’t what is important. What is important is that Fellow and Kalim think the world of their siblings and want to support them. To that end, Fellow is willing to be cruel and step on others, and Kalim is all sunshine to keep their spirits up. Fellow has suffered through great poverty and insults and Kalim has survived so many attempts on his life, yet they’ve developed distinctly different approaches to the worlds that have embraced them. Kalim’s wealth could afford him protection and luxuries, so he’s able to live carefree with others tending to his needs. The same isn’t true for Fellow, and so he came out far more spiteful and resentful.

Thinking about it, it’s ultimately Kalim’s words that convince Fellow to turn on his employer. (The other boys certainly wore Fellow down and planted the seeds of doubt, but it’s Kalim that I believe fully resonates with Fellow.) He can so happily talk about why he loves school, even though he doesn’t do well at it (something I presume is also true of Fellow, since he is lacking in tons of magic). It’s not said in a particularly articulate manner, but it’s so candid in its presentation. Kalim is relating to him based on similar skillset (or lack thereof) and sharing fond memories of his time at school, reviving the hopeful “lost child” in Fellow. Kalim is probably the first wealthy person in a long time that was friendly, kind, and supportive to him. And here he is, reassuring Fellow his dreams are still possible, to not give up. That’s the final nail that allows Fellow to be “honest” with himself and his inner child. It’s what leads to that slew of irresponsible actions at the end of the event (letting people free, blasting the amusement park, driving a sinking ship, etc.).

At the end of Stage in Playful Land, we see that Fellow never really let that childlike side of him fully die. (It seems to have been concealed under a desire for money and appeasing his boss.) He shares his dream of creating his own great school to give educational opportunities to non-mages and mages with low magical reserves like Gidel and himself, a school that teaches practical life lessons. He wants to promote his own ideals and to change the system he hates from the inside out. This was never communicated to us before most likely because Fellow had renounced those ideas in favor of blind hatred and a lack of faith in the world and those that dominate it.

Fellow also acknowledges that life may be even more difficult for him and Gidel going forward, as now they lack the money for even food and no longer have jobs. Furthermore, they need to worry about their ex-employers coming after them for what they’ve done. Even so, Fellow faces it all with a smile and reassures everyone that they can transfer or visit to play… “on this shining stage called life”. He and Gidel are able to walk away with their whimsy preserved, and can still be that which they’ve always wanted to be: dreamers.

All of this is to say that Rollo was right all along about magic, he never misses—

[rayroseu]

hm... i wish people dont wrangle and correct different interpretations of malleus too much lol

he is kind, he is evil, he is temperamental, he is eeriely calm, he is insufferable, he is a nice companion, he is forceful, he is also understanding, malleus is the mix of kindness and evil because his parents are the embodiments of those opposite sides (Meleanor being the Evil Princess and Levan being the only Kind fae who aspired peace).

There is no purely Evil Malleus or a Kind Malleus. I think Malleus is just growing up lol

Despite the story depicting him as "monstrous," (in my opinion) no character in the story encapsulates the "true experience" of growing up as well as Malleus' story does.

Of course, growing up means being fearful of aging, losing people, and everything changing without your control. It's not inspiring to know that despite your hard work in making yourself "a proper adult (and a royalty too in his case)", there is no reward such as "everlasting happiness" no matter how much he suffers. That he's damned to lose anything and nothing is forever. Growing up means you only have yourself (alone) in this world.

I also like the fact that Malleus' story growing up says one true thing: that everyone really dislikes suffering lol. Malleus canonical fear is the "unknown." I feel like beyond losing Lilia (and Yuu), he just can't imagine a world without them. For him, a world without Lilia is "an unknown world," a reality with no good outcomes. So he avoids that reality happening because its essentially his unknown, (his fear and suffering).

But idk, I never find any story that gives satisfying argument against "the importance of being hurt and losing anyone", I feel like its just sugarcoating if you say its needed for the "happiness to be worth it." That's why I understand why Malleus also believes he's correct for eliminating pain in the world lol I hope TWST gives a new unique answer to convince Malleus that its okay for him to lose anyone and be back in present time.😭🙏🏻✨

[prince-kallisto]

I am suffering about the revelation that Crowley’s card has all void magic just like dorm Malleus- the only other character in the entire game to have this trait. This entire time, we have noticed that Crowley almost never uses magic in the entire game (or novel and manga). The rare times he does are non-elemental spells like barriers or summoning magestones- both of these cases not explicitly shown in the game and are depicted in the manga and novel respectively.

Riddle’s Special Lesson voicelines even lampshade this, commenting how he’s curious about Crowley’s magic, even further implying that Crowley is not in the habit of using magic- at least in front of his students. It feels most meaningful coming from Riddle of all characters, because I imagine Riddle to be more attentive of the teachers than the average student is.

Even during Overblots, Crowley never uses his magic against them, and has only uses a magic barrier to protect the students in the manga. But for both Riddle and Malleus (the only two Overblots he has been present for), he either tries to evacuate everyone or gives permission for everyone ELSE to attack.

I’m just suffering through a lot of Crowley-Levan angst right now shdjdnsbebd, but it makes me wonder if Crowley is so particular about using his “real” attack magic BECAUSE it’s exactly like Malleus’s 😭😭😭😭 CROWLEYYYYYY WHAT IS THIS WHAT ARE YOU HIDING🐦‍⬛🐦‍⬛🐦‍⬛🐦‍⬛🐦‍⬛🐦‍⬛

[hanafubukki]

Was watching parts 5 and 6 again for book 7 and god, I just can’t get over the fact that it’s taking Malleus to rebel and almost die once again to get the love and attention he wants and needs.

Lilia figured out that Malleus was lonely and wanted love when he was still a egg. He promised to give him just that, but he also told egglleus that he needs to tell Lilia his feelings so he can understand him.

And do you know the scene that came to my mind??

He said it didn’t he?? He spoke his true feelings so you can understand!!

And this time once again, it is at the cost of his life. His gradual death.

[Why are you two like this?!? No scratch that why are you three like this?!? Sebek, please never change.]

[zvezdacito]

// TWST Book 7 spoilers, thoughts of Malleus's writing as a character

So I was reading some other people's opinions on why some people consider Malleus overrated/annoying, and tbh this makes me really sad. The general consensus is that a lot of people fixate on certain sides and can only see him as one extreme or the other and it results in many ppl thinking a watered down version of his character is how he is in canon.

I feel that its such a shame because he's the most interesting, compelling and well-rounded take on his character archetype I've seen.

From my observation, usually they kinda make this archetype (the broody misunderstood 'everyone fears him like a monster except for one special person') someone you can't take that seriously, because of how his struggle usually kind of written in a way where everyone involved feel less like actual fully fledged original characters and really just one note tropes interacting with other one note tropes.

To elaborate: What i mean when i say this is usually ppl who hate him kind of just do because of plot requires them to and to show how all their haters are "normies" who can't get him because 'he's not like everyone else'. The misunderstood guy still usually has toxic personality issues but the story really tends to make it feel like they don't fear him for that but because they're shallow and have prejudice to ppl like him, so his personality issues are not framed as wrong or character flaws.

I don't think there's anything inherenrly wrong or mediocre with the "one special person who gives him a chance before anyone else" trope like I'm literally a Malleyuu enjoyer lol but like i said its all in the execution cause otherwise it fails to be compelling and believable. Usually in the poorly written version of this trope the guy doesn't undergo any character development other than showing more emotion and kindess to his partner because they melted his ice I guess so it really makes his whole character feel like its revolves around the sake of romance and fanservice.

Malleus doesn't fall into this trap in my opinion because his situation despite how fantastical it is, the way he was written makes it believable as to why everything is the way it is with him, and it also challenges the viewer if they would be able to say they wouldn't fear him too in that situation.

"We're gonna give you this character who everyone sees as a monster and show you deep down he just wants the same love as everyone else, making you contemplate changing judgement on him. He wants to prove this, but his way of going about it always inadvertently harms others."

"You know where hes coming from and if he had that social connection to give him a better understanding of others this wouldn't be happening, but its also equally understandable that the people hes trying to connect with don't deserve this and fear him even more after this, trapping him in a cycle of isolation."

"Given his track record, do you go about giving him a chance or just considering the repeatedly proven danger he brings. With the valid reasons of both parties, can you really say he isn't a monster and demand that 'if only people be near him'?"

There's just such a tragic and thought-provoking dilemma to his character that adds so many layers that makes him so good.

As omniscient viewers we have the benefit of seeing what he's going through form his POV so we can sympathize with him and understand that he thinks what he's doing is the best course of action and he's just trying to create a "win for everyone" situation.

But also everything he does ironically reaffirms everyone's fear and distrust of someone like him. No one can deny he has a tendency to cause further destruction when he tries to do something "good", examples including: past Briar Valley lantern lighting fire, the Halloween 2 ghost world party, and now his Sleeping Curse stunt in Book 7 Part 2 (they really emphasize this by making the spoken name of his UM basically mean "Malicious Fairy" but have its written name used to convey what its meant to mean be "Blessing").

↑ Given this, it honestly makes sense others, especially those who don't know him all that well, would just expect the worst when he's around already, and you wouldn't be able to blame them for that given the track record. It doesn't help that this impression is worsened since he tends to cause misunderstandings due to his lack of familiarity with human social cues.

Alongside the bias and preconceived notions from his status and reputation, they also make a point on how his personality flaws are still also a huge factor in pushing people away, such as not being able to see things through the perspective of others.

He also holds a subconcious belief due to what has been ingrained in him since childhood as a Draconia and the next in line that because he's superior to others at certain things, he has the right and responsibility to decide on what will protect and help them, disregarding the individual values/priorities of human beings and leading him to take reckless and destructive action with good intentions.

His upbringing, character strengths and character flaws are all realistically connected to each other and the way they are subtly shown to be ever-present in defining his decisions, goals and thoughts throughout the whole story. So we don't really need to have a character go out of their way to exposition this to us this word for word just so we can understand and believe it.

Moving onto something slightly more lighthearted, I really also like how dorky Malleus surprisingly was. Other similar characters in the archetype I usually see don't really have any hobbies, interests, or quirks outside of being a broody authority figure, which might've been appealing to some at first but it really just gets stale and boring after a while.

This should be the bare minimum in making a fleshed out and interesting character so maybe i sound like im giving them too much credit for pointing it out😭 But yeah compared to the other examples it's good that Malleus has his Tamagotchi and Gargoyle interests it makes him feel like a believable person who has his own life going on too (with the bonus that these interests are also metaphors for aspects of his character). The gap moe adds an endearing side to him, and makes the gap between his intent and impact of his actions even more tragic. It wouldn't hit the same without this side.

(^ Forgot how the exact quote goes, but it basically said dark stories are more effective when there are moments of genuine happiness and good in them, compared to if it was always just grim and edgy. The former increases the stakes and tragedy because you have something you to care about losing, while for the latter there is nothing for you to care about so nothing the story does really matters. Same logic applies to Malleus)

Overall, it's just like an unfortunate incompatibility of goals and circumstances, which is what TWST is all about. Another thing I want to say is out of all the characters, I feel like Malleus is the one who is the ultimate embodiment of TWST's main themes:

-> How it's not about "hero" vs "villain" just differing circumstances crossing paths and clashing because of how people on either side have their own complex perspective and dreams they want to realize

-> And how connection and finding community is important to find people who will help you make up for what you lack in reaching your goals and to better understand all the factors that caused the situation in the first place.

As if seeing yourself reflected in a mirror, the more you get to know the people around you, you realize in many ways you are actually quite alike, and through understanding others you could also possibly better understand certain aspects of yourself. It's sort of encouraging you to do the opposite of dehumanizing others and yourself, which is something Malleus has most evidently internalized.

So yeah this was so long😭 I had a lot I wanted to say since Malleus is my favorite TWST character. Idk if I missed anything or if i managed to express my thoughts in a cohesive way but yeah. I kinda go into a rage whenever I see the worst takes ever be put out about his character but tbh sometimes I can't completely blame others since fandom trends and the convenience of simplifying things into tropes can warp your perception of a character and what you associate with them.

Also sometimes twst doesn't do a good job with utilizing his character like Book 5 where he got turned into a deus ex machina and Halloween 2 where they killed any hype and intrigue for the plot we had at the beginning through the ending reveal and gave the worst justification ever for Malleus and Lilia's actions ever.

Regardless, I hope more people manage to move past this and appreciate his character for what it really is soon though. He's an amazingly tragic character; a lot of thought was put into how his experiences, strengths and weaknesses would convincingly connect, and he represents something relevant in the story's plot and themes.

The fact that I've seen some people unironically believe that Malleus may just be faking his cluelessness of social cues to hide his "true evil" is evidence to how convincing his character's situation is, that even some in the audience who know more about him than the characters would still end up in the same place of doubt and distrust of Malleus because of what he's capable of.

Aight thank you for reading👍

[parad-ice-lostandfound]

You know, I just started the diasomnia chapter (although I've seen a ton of spoilers at this point lol) and something just stood out to me.

Despite being fae like Malleus, one even older than him, Lilia is good at keeping track of time. Usually.

(Potential spoilers under the cut!)

I loved the little detail of him playing games all night long and being late for class. For some reason, I feel it may have been sort of a foreshadowing about his relationship with the rest of Diasomnia. Like, he's had so much fun raising and training his boys that he forgot that his time is limited, his magic is limited. And now that it's time for him to leave, he is scrambling to make sure his boys will be able to go ahead without him (not realizing that his kids love him and would fight to keep him with them)

Also, I've always been puzzled how Lilia is so good at keeping track of time when Malleus often struggles to. Now though, I feel like it's because of the time he spent searching for methods to help Malleus hatch. Like, those years he spent searching for any way he could help the last surviving memory of his friends live on had a massive impact on the way he viewed time. He learned to keep track of the passage of time because every second counted.

I feel like the fact that he couldn't get to Meleanor fast enough also contributed to this sort of hyper awareness of how time goes by so quickly. It may also have become another aspect that softened him up to the idea of humans and fae co-existing.

Because humans are just as ethereal and fragile as Malleus once was. And they are just as stubborn and resilient as Malleus is.

I dunno if this is making any sense lol-

[vanilla-poisons]

Do you think Kalim knows he had a terrible childhood? Do you lowkey think if you told him “it wasn’t your fault” that he would cry? Like I feel like there’s definitely a part of him that just really didn’t talk his issues out. I mean he thinks he has no troubles but also has had all his loved ones and strangers try to kill him since he was little. Like does he know he’s allowed to feel bad? Does he know that despite his wealthy upbringing he’s still allowed to feel upset about his life? Does he know that his childhood wasn’t a normal one?

Do you think he knows he’s allowed to hate people? He wishes to not die if poisoned in case the perpetrator changes their mind. He lives like there is no tomorrow but does he ever allow himself to be angry with life? Does he ever allow himself to feel pity for the circumstances he’s in? Does he know he didn’t deserve to have any of those attempts on his life happen? Does he ever let himself truly stay sad, stay angry, stay feeling any negative emotion?

Anyway uh teehee therapy is fun and he’s so silly hahaha

[sebek-zigbolt]

prev post makes my brain gnnnrghh silver is in general better than sebek in most things besides like....height and memorising info, but for fighting and magic he clearly surpasess sebek, even though fae are supposed to by default be physically and magically stronger than humans. Which to sebek means that silver the human is better at being a fae than himself. Not only that but silver is the most beloved person to lilia and malleus exept MAYBE besides lilia to malleus MAYBE (he IS literal actual family so.. duh) But malleus' and lilias' love is sth sebek is absolutelly DESPERATE for. Like the physical needs emotional needs psychological needs pyramid meme its like MALLEUS N LILIA LOVE ME PLS all over it (maybe the ex general and the fae prince aknowledging him would validate his half fae existence too >>) So what happened is sebek ended up being JEALOUS of silver. So so so soso jealous of him. Which is a reason why he turns everything into a competition w him and why he is so proud of his height- the one thing he actually surpasses silver at. In his insane brain him surpassing silver means he will get more love from the other 2. He will EARN it. Which absolutely backfires bcause now hes obsessive to a ridiculous degree, and maybe kinda too intense when u jst wanna go on a gargoyle observing walk, just saying. But its not like he ever had a chance in the first place. Silver surpasses him in learning magic, in getting invited to nrc, in physical strength, in magical strength, in swordfighting in getting love from malleus and lilia, in everything. Again, and again, and again. It's a constant reminder hes not good enough. Not FAE enough.

[chernabogs]

Thinkin abt the various rxns denizens of BV might've had to the end of the war and the (assumed) loss of sm land. From what we can see based on maps BV lost the west, east, and south coasts of the original nation, still retaining the northern portion based on the border lines. This likely explains the conversion of 'Nation' to 'Valley'

Idk from what we've gathered, denizens of BV are very proud of their homeland. I imagine not only the humiliation of losing sm land but also having a name change due to this must've ruffled more than a few feathers, both towards the Draconia's and the one's who took the lands in general. Kinda wish we would get a chance to learn more about thoughts and reactions to this (maybe in an event??) but rn I think it's delicious fanfiction material to explore at least 😭

[therosefrontier]

TWST Family Lore: Heartslabyul Part 2

Continued from Heartslabyul part 1, because I forgot doing the whole dorm at once would make this huge... Again, spoiler warning for JP server content! But there isn't anything too story-specific for the events here.

Cater Diamond

And now, following our freshmen duo and their positive relationship with their families, we get to move on to Cater! Whose relationship with them is, uh, mixed at best? Anyways, we have mention of his father and mother, and he has two older sisters of unknown exact age, as well. His father is a banker for a large company, and we learn that because of his job, the family moved frequently, about once every two years, to branches all around the world (Halloween vignette). Cater's homeland is stated in his profile to be the Shaftlands, so that's probably where his family is from and it might be where they are living currently, but he seems to have lived in other countries, as well. This alone appears to have had a negative impact on Cater…with him moving so often, he felt that he was never able to make meaningful connections with anyone, so he stopped trying, instead going for quantity over quality. We also get a little story in Silver's Halloween vignette, when he remembers finally meeting a friend at school only to find out right afterwards that they were going to be moving in a month. He mentions in his birthday boy vignette as well that he "never knew" when they were going to move again, and given the one-month thing, it seems normal that it was on pretty short notice. He talks about this impact on him to his Pop Music clubmates in his Halloween vignette, saying that he met many people from around the world, but the common thread was that "I would always leave, and they would always stay."

(image credit: NightCrow)

Cater talks about his situation in a positive light, saying that it was better that he had all these connections through Magicam and could just socialize casually, on his own terms, but at the end of the vignette, the story goes a little different. Cater watches Lilia have a very family-like moment with the rest of the Diasomnia crew and feels a sense of isolation and maybe jealousy...earlier, Lilia told him he was wise for acting as he did, but Cater sees this and feels that Lilia cannot know the way he feels, because he does have these kinds of bonds, which Cater thinks he can never truly have.

But Cater's relationship with loneliness is, again, is a whole essay in itself! Back to Cater's family!

He talks some about his sisters in his birthday boy vignette, in which he describes how he felt pressed in between the two of them (seemed described a little differently in official vs. fan translations? As the official has him saying "give a guy some space" whereas the original may have been more along the lines of 'squished between them', to reference Mystery Shop), and also, how they'd give him a bunch of "cute" things as a birthday present which was more on lines of what they liked than what he liked. But, he does say that they're better about it now and will actually ask him what he wants. He also assures they didn't mean anything by it.

(translation by Otome Ayui!)

But of course, there's more! Multiple other mentions of his sisters seem to involve them asking him to do stuff...

Will do things like go shopping and leave him with the bags, or get a random craving for ice cream and ask him to go get it (birthday jacket vignette). Cater says they can be "pretty demanding," but he amends this story by saying that they will also treat him to stuff while they're out, like pocket money, food, or clothes.

Asked him for a Scalding Sands body scrub that had been "all over Magicam" since he was there for Fireworks Fest (Silk Adorned voicelines)

Cater would cook for them, making pancakes from a store-bought mix (although this might not have been a request; he could have just wanted to) (Apprentice Chef vignette)

At the start of book 4 (chapter 3), when everyone is going home for winter break, Cater says that "going home is kind of a drag for me, too," talking of how he knows his sisters will "run me ragged," so he makes a weak bid to go to Trey's house instead. When Trey lightheartedly counters that his family would put him to work too, Cater backs out of the idea.

Cater's not wanting to go home slides its way in a couple of other mentions, too... in his dorm uniform voicelines, he asks the MC if they're homesick and gets the question thrown back at him, to which he says that he isn't, citing his "annoying" older sisters as the cause. In slight contrast, in his New Year's voicelines, he says that it’s “not too bad to work during the holiday seasons once in a while” because “sure, it’s fun to go back home, but it eventually gets boring.” So this time, it's just 'boring' and not a family issue, but honestly, with Cater, the shifting story doesn't feel out of place. And definitely, it's up for interpretation...he doesn't seem to hate his sisters, but he doesn't really want to be with them, either.

Now, back to the birthday boy vignette! We get another little story, the reason why Cater doesn't like sweets so much: his mother and older sisters got really into making homemade sweets all the time, and they would feed them to him until he was sick of them. Even if he didn't want any, he felt like he had to eat it because they'd be sad if he didn't.

And then, there's his lab vignette... Cater describes the relationship his family as a whole has with "cute" things: “in the Diamond household, everything's judged by one simple question: ‘But is it cute?’ Day in and day out, no matter what I did, if it wasn't cute, it didn't cut the mustard! Drawings, handicrafts, store-bought sweets, you name it!” And thus, the instinct to make it cute was "burned" into Cater's brain.

So, you could say that "trendiness" runs in the family. But also, this does...raise some questions, I'd think? Again, it really is up for interpretation, but Cater specifically saying "no matter what I did" seems to suggest that he felt like the stuff he bought and things he did, including his own drawings and crafts, would be dismissed if they weren't "cute." Like the reason the instinct is burned into him is because that's what he had to do to earn attention. It also feels a little telling that this is the Cater-tries-to-hide-his-sadness vignette, in which one of the mandrakes he grows in the lab, which are supposed to reflect on the mage growing them, turns out gloomy, and he tries hard to deny that this means anything. But as for what all this says about his relationship to his family...I'd guess that perhaps, he feels a little invisible with them. It's not like he doesn't care about them, or that they don't care about him, necessarily (neglect but not on purpose?), but he doesn't seem to feel like his own wants are ever really seen, and the disconnect is to the point that home is not really a place he wants to be. Maybe, one day, he'll open up more about this, but with Cater, I don't think it'll come easy. But who knows...

TREY CLOVER

And now, Trey's family! He lives with his father and mother, and he has two younger siblings, a sister and brother. His sister is four years younger than him (platinum vignette), but we don't now how old his brother is. His parents run a patisserie bearing their name: Clover Patisserie. They are bakers, and likewise, Trey grew up learning how to cook from them, and in his apprentice chef vignette, he seems to imply that his siblings know their way around the kitchen, too. Also, we do have canon[?] designs for Trey's parents! We get art in the appendix of the last volume of the Heartslabyul manga:

(thanks to Honeyworks on Twitter for the image!)

The illustration is credited to Yana Toboso, whose notes, as run through Google Translate (I do not know Japanese...), describes Trey's mom as an "active woman with short cut, tall" and his dad as having "mild droopy eyes." In this appendix, we also get ages for Trey, Chenya, and Riddle at the time of the incident (that is, the big backstory as seen in book 1 of Trey inviting Riddle to try a tart at the patisserie but then they lose track of time and Riddle gets caught...that whole thing...). Trey is almost ten, Chenya is nine, and Riddle is eight, which seems to suggest that this happened in fall, in between Trey and Riddle's birthdays (Riddle on 8/24 and Trey on 10/25). Trey describes the event in more detail in his dorm vignette: he says that Riddle's mom "stormed" into his house and lectured his "whole entire family for five hours straight." (which is an insane amount of time...how did she come up with that many things to say!?) Also, to clarify, there seems to be a serious translation discrepancy with this? Because in the official English Trey says that it was his parents who lectured him for that time, but that doesn't even make sense in context... The quote I used is pulled from Mystery Shop's translation, and YuuRei has a good post on this, too. Anyways, the scene is also referenced in chapter 17 of the manga with Trey's flashback:

Which is...quite devastating, but anyways! As far as I can see, we don't really have much indication of what Trey's parents felt about all of this, but in the manga at least, they appear to be pretty stressed...maybe even cowed by Rosehearts's laying into them like that, and who can blame them?

But, moving aside to happier times! Continuing with Trey's parents, we get a little mention of what they were like as teachers through his apprentice chef vignette. Trey is doing the Culinary Crucible to better learn how to teach cooking to his dormmates, and he comes to a realization: his parents would watch him cook, but sometimes, they wouldn't correct him when he did something wrong until after he failed, because that way, through failure, he would remember, and he would learn. That was what Trey was not doing with his dormmates: he would always step in to fix things rather than let them have that experience.

Trey also talks of his really beginning cooking days in his platinum vignette: when he was four, he helped his parents bake a fairy cake after his sister was born, which they ate with family and neighbors, that being a Queendom of Roses tradition. Trey says that looking back at the pictures, the cake was pretty terrible, but he was excited about helping and thought the cake tasted great at the time, and all the adults complimented him on it, too. After that day, he would join his parents in the kitchen to help bake cakes, although he said he really just made a mess of flour and probably was a "huge bother" for his parents. That said, from the sounds of it, it seems implied that they were pretty patient with him, though?

Trey gives a different food-related story in his birthday boy vignette: his favorite food is candied violets, and he had one for the first time when he was "really young," before he started elementary school. He was amazed at the idea of flowers being edible, and his parents tell him that he "drove them nuts" via repeatedly trying to eat random flowers and weeds after that. Trey has no memory of this. But he does remember snacking on violets at home that were meant for cakes and his parents getting on his case about it. Eventually, they started setting some aside from him, and now, they send some to him at school in the occasional care package.

(image credit: NightCrow)

Trey also mentions his parents in one of his Silk Adorned card voicelines, saying that they love trying out new ingredients, and that perhaps, they should take a family trip to the Scalding Sands one day. Also, in both his birthday jacket vignette and his outdoor wear voicelines, he mentions that he's gone on camping trips with his family before, during summer vacation.

In Trey's Halloween vignette, we get a little story involving all of his family: he once tried half-rimmed glasses similar to the shape Azul wears, to mixed results. His mother and little sister said that they didn't like the glasses because they made him look "angry," and his dad and little brother said that he looked cool in them... because the glasses made him look like a "movie villain." Therefore, Trey rejected the glasses. He has also considered getting contacts, but similarly, his sister says he looks "sinister" without them.

(image credit: Songstress Studios)

Trey has several mentions of his siblings: they seem to have spent a lot of time together growing up, although also, it seems Trey did a lot of looking after them and taking care of them, too.

It was Trey's "job" to make sure his younger siblings brushed their teeth properly, as them being exposed to sweets so much via the patisserie made it a necessity (school uniform vignette)

Trey would make his siblings' costumes for Halloween. He says he's "not great" at it, but he can sew basic things (Halloween voicelines)

Trey would bake his siblings' cakes for their birthdays (birthday boy voicelines). He also mentions in Ace's school uniform vignette that his siblings would often "pester" him to bake for them, and he says in his birthday boy vignette that he would usually cook dinners for the family back at home, since his parents were busy with the patisserie. His brother and sister would ask for his hamburger steak all the time.

Trey helps his siblings with their homework when he's home (Winter Break Calendar 2023)

Trey and his siblings would often play with fireworks together (Silk Adorned vignette)

Once, Trey took his little brother to a Spelldrive game to fulfill his Starsending wish (Starsending voicelines)

In one of his labwear voicelines, Trey says "you all remind me of my younger siblings. They're always running around and giving me a hard time.” So, it does seem that they certainly tire him out. Again, going back to book 4, chapter 3, as mentioned in Cater's part, Trey responds to Cater's request by saying he's welcome to come to his house, but his family would run him "just as ragged." (but, if he was serious about that, that would suggest that Trey knew that his parents wouldn't mind Cater coming over!) It appears that, with the patisserie family business, it can be an 'all hands on deck' kind of affair, with Trey at least helping out with running things. There's also a little mention in Ace's school uniform vignette, in which Trey says that he's used to carrying heavy things because of shopping for ingredients for the patisserie.

Which is all rather interesting to me, really… both Trey and Cater describe their family as 'running them ragged' in some way and relying on them to do stuff, but with very different tones. For Trey, the 'older brother' instincts are so ingrained in him that he doesn't seem to think twice about it much of the time, such as we see in his school uniform vignette, in which he acts on those same instincts with his peers, Ace and Deuce, in insuring that their teeth are clean, and Deuce notes that he has that "kind older brother" vibe and has a "knack for looking after everyone." Which is interesting in that Trey doesn't really seem to be trying to volunteer for everything, and he certainly isn't trying to stand out, but he will take on everything in pursuit of keeping this ship running smoothly, all the same.

That said, he does seem to have a very positive relationship with his family! Although their busy lives might have led to a bit of a he-raised-his-siblings kind of dynamic. Trey seems to be usually very relaxed when talking about them, thinking back on the stories with a kind of fondness. We don't quite have too much to go on yet when it comes to actually deducing the personalities of his siblings as individuals, but from the general mentions, they do seem quite energetic, for sure! And perhaps, much like so much of the Heartslabyul dorm, will instinctively rely on Trey without a second thought...

RIDDLE ROSEHEARTS

And now, last on the Heartslabyul roster...Riddle. The ever-infamous family of Riddle. A lot of what we know comes from Book 1 of the main story: he's an only child, and both of his parents are medical mages—famous ones, too. Trey says that where they're from, everyone knew their names. Riddle's father is mentioned, but we hear little of his involvement in Riddle's life—the main player on this stage is his mother, who rigorously trained Riddle up to follow in her steps.

In chapter 18 of book 1, Trey first describes what it was like for Riddle: his mother mapped out his schedule to the minute, "from the moment Riddle woke up to when his head hit the pillow at the end of the night," and in the flashback sequence in chapter 25, Riddle describes it in much the same way: "my day was planned, down to the minute." Riddle's mom tailor-made an education program for him and appears to have implemented it herself, and Riddle, in an effort to please his parents, followed every rule they made. He became a prodigy, mastering his signature spell by age ten.

Riddle's mom was very strict with his diet, as well—she kept to very healthy foods, limited Riddle to under 600 calories per meal, and absconded sugar entirely. And thus comes the point of conflict...in the story, Riddle, who was eight at the time, was invited by Trey and Chenya to come outside to play during his one hour of independent study time (in which he was supposed to be studying alone in his room), and then, he started playing with them in secret every day, and it became his favorite part of his day. Then, one day, Trey invites Riddle to try a tart at the patisserie, and they lose track of time...and then, Riddle's mother finds him. She was furious, both at his skipping independent study time and his eating a "mountain of sugar." And then, as mentioned in Trey's section, she goes on to lecture Trey's family for five whole hours.

In this scene with Riddle and his mom, Riddle tries hard to apologize, but she cuts him off, telling him to be quiet, and then forbidding him with playing with Trey and Chenya ever again, and also taking away his independent study time in favor of keeping closer watch on him. In Trey's dorm uniform vignette, he describes Riddle's mom as being "impossible to deal with once she flew off the handle." And so, Riddle was left to just strive to follow the rules she set down, believing that she must be right, for "she was the most accomplished mother in the city, and therefore, the most correct," and he didn't want to lose anything, not again... He also quotes her in chapter 22, saying that "a man who cannot follow rules is a man who cannot achieve anything."

In book 4, chapter 3, we see that Riddle is feeling some dread over going back home for the winter break, but he also does resolve to try to talk to his mother, not that he's confident she will listen. We don't have any mention of how that talk actually went.

Interestingly enough, we don't seem to have that many mentions from Riddle about his family outside of the main story in his voicelines and vignettes, compared to some of the others. He does talk some about his upbringing in his birthday boy vignette: his parents both raised him to take up the mantle and be a medical mage like them one day, which he describes as being a "highly demanding profession." He said that they would tell him over and over "When you grow up, you'll be just like us, Riddle!" Before NRC, Riddle never questioned this path for him, but now, he says that he has developed some interest in law, so he may actually pursue that instead.

In one of his suitor suit voicelines, Riddle mentions that wearing this makes him think of the parties he used to attend with his parents. He also gives a mention in his halloween vignette that his mother taught him social dancing, so it seems like the three of them did go to formal social functions from time to time.

He also mentions his parents in another suitor suit voiceline, talking about how he reads that the Queen of Hearts had an amicable marriage, and he wishes he could share that secret to his parents, which would suggest that their marriage is not doing that great, actually.

Anyhow, social functions aside, it seems like Riddle probably has not had any "real" vacations with his family, or just fun gatherings/outings in general. In one of his Masquerade voicelines, he says "I'm not very accustomed to festivals...especially not ones in other countries. It's difficult to know how to participate and have fun.” And this comes up a lot, it seems, in the 'Lost in the Book' Stitch event, where Riddle is quite unfamiliar with the concept of a vacation at the beach. In one of his beachwear voicelines, he says “Having dinner with everyone while gazing at a sunset on the beach like this… This must be what it means to go on vacation. This is the first time I’ve experienced anything like this.” (Mystery Shop's translation)

In book 6, we get another brief mention of Riddle's mother: upon being invited by Ortho and Idia to play video games to pass the time, Riddle says that his mother told him that video games are "addictive and can hurt academic performance." They had neither a gaming console nor a TV at home. Riddle hasn't read much, if any, fiction aside from classic literature either, from the looks of it. It comes up in the second Halloween event, Spectral Soiree: Ruggie and Ortho, whom Riddle is traveling with, get excited over the prospect of this being like a treasure hunt, with so many tropes coming to life, and they quickly find out that Riddle is wholly unfamiliar with what they are talking about. He says that he has "no exposure" to comic books and video games like the rest of them.

He then goes on to say that he is missing out on absolutely nothing, has read many things, and was reading medical dictionaries by the time he was "Ortho's age." Whether that Ortho's real or perceived age is unclear, as literally, he might be about six? I think Idia finished building him when he was twelve? But Riddle may not know that—obviously, Ortho being what he is gives him a great kickstart in mental development, besides being given memories of the original Ortho, so as far as perceived age goes, he's akin to the freshmen. But saying all that to say! I also wouldn't be surprised if Riddle really was being handed a medical dictionary at age six, honestly.

So, in a general sense, you could conclude that Riddle has a great unfamiliarity with the concept of "fun," which gives a bit of a picture as to his parents and his mother specifically. It was as if everything had to have some sense of necessity; it wasn't enough for something to just be enjoyable. Riddle was put to a strict standard of performance, and in turn, he expects the same of others, in a way he seems to have to take some effort to unlearn. In his dorm vignette, for instance, we see him helping Cater, who was struggling in his practical magic class, with his studying. At first, he makes this insanely long study guide (300 pages), and he gets annoyed when Cater says that this is far too much for him to read, because this is exactly what he is used to doing, thinking that if you don't want to do something, you should just force yourself to (which I imagine is the philosophy his own childhood education took). But then, after a talk with Trey, he realizes that he can't expect everyone to learn like he does, so instead, he makes a plan to teach Cater through pictures and Magicam hashtags so that he could remember them, and it works! And then he goes right back to giving Cater a bunch of textbooks at the end, but hey, it's a start :)

That said, Riddle's development is easily a whole essay on its own! The takeaway here with his parents is that both of them put a lot of expectations on him and are probably very success-driven themselves. In a way, it 'worked' for them, because they are very successful and famous, but their general happiness may be another story. Again, we get little of Riddle's dad specifically except that his relationship with his mom is not great, but with his mom, we get the impression that she is just...very high-strung and obsessive? Her rigorous training of Riddle goes beyond just wanting him to have a good education—she obsesses over his progress in a way that seems to invoke that if anything goes in a way other than what she envisions, Riddle would be hopelessly failed. It's "care" in the worst kind of way... I think that she really does believe that everything she does is for him and his wellbeing, but doing things like that, it becomes a whole lot about herself too, I'd think. Riddle is an extension of her, and therefore, he must be perfect. We know little of what she is like outside of her relationship with Riddle, but it doesn't seem hard to believe that she would have some measure of that strictness and my-way-is-the-only-way attitude with everyone else in her life, although it may be comparatively muted, as it is with some people who will treat their children with a special kind of possessiveness, even if only subconsciously. I do wonder if anyone else ever got the equivalent of the five-hour tirade she gave to the Clover family, but of course, that's all speculation. The silver lining is that it didn't work for Riddle like she wanted it to...he's still his own person, and after he finally came to the point of admitting, at the end of book 1, that he was wrong, and that by extension, the things his mother did to him were wrong (although not so outright), he has become in a better position to grow and move on, although unfortunately, he still has to go back home at the end of the day, and his mom has not changed. It could be a difficult road for a long time yet... but still, I like to think that Riddle is on a better path now, and that, if he ever does become a parent one day, he'll be a better one than his own parents were.

[raven-at-the-writing-desk]

something i noticed

A while back, I wrote this analysis reviewing how unfair the magic education system is in Twisted Wonderland. I would recommend reading that before this post, as it provides tons of context for what I’m about to talk about and add onto the discussion.

In 2-6 of the Tapis Rouge event, Vil has stylists from Luxe, a high end fashion brand, dress up Azul, Jamil, and Ace to be a part of his red carpet entourage. Once the boys come out in their new threads and makeup, Jamil and Azul, two individuals who are meticulous about details, provide some telling commentary.

According to those two, the team of stylists that helped them were mages. Azul further remarks that they were quite skilled mages and that having this kind of talent indicates a “first class brand store”. Their hair and makeup is also suggested to be done via magic, though this service is not normally performed for customers. Previously, we knew that skincare can be infused with magic (Vil does so with his own) and that magic can be used to style one’s hair (Jamil tells us in his Birthday Boy vignettes that he does his intricate hair with magic and used to take far longer with it when he lacked the precision). Idia states in book 6 that Jamil had no formal magic training before NRC, so that means Jamil was self-taught in his hair-handling magic.

… Okay but 😭 WHAT DOES THIS IMPLY ABOUT MAGIC AND CLASS??? Is it just a coincidence that the teams of stylists who staff a high class store are ALL mages? Surely not, given how uncommon mages are in the general population. The store (or maybe the brand itself?) must be going out of its way to hire them because I guess being dressed with magic is a more “luxurious” experience than the normal way. We can also guess from Azul and Jamil’s accounts that the degree of magic these staffers use requires significant skill and precision, which either means they need formal instruction or lots of practice on their own. Neither option is afforded to people with naturally low or no magic reserves at all 💀 meaning jobs like this are gated to mages only.

Now, this doesn’t inherently mean the rich and famous people who frequent these stores are also all mages (Kalim’s dad and Vil’s dad are two non-mages who are extremely wealthy and influential); the majority of them must still be regular people since humans seem to be the majority, and 90% of humans are non-mages. It also doesn’t guarantee that the Luxe stylists are paid more than a non-Luxe stylist (although I do think this is possible for a prestige brand, especially if we factor in commissions on sales).

What’s sticking out to me here is that there exists an association between magic and luxury. The reverse also appears to have some truth based on what little other lore we have; Ruggie states that there are not a lot of mages from his hometown, which could imply a history of non-mages being driven into poorer communities. It all fits together a little too well to seem coincidental… but obviously, Ruggie’s hometown is just one place and could be an outlier rather than the exemplar. We know that most non-mages must live an average lifestyle, not the extremes that Ruggie has experienced. Still, the claim that magic is typically associated with the upper class holds and it continues to be perpetuated in the lore.

Anyway, Fellow and Rollo were right—

[robo-milky]

[Loosely Connected to This]

To the 22.2% percent of ClochEpel supporters, how are y’all coping-

If ya only like Epel, then great! Let Cloche play the villain so you can save the poor country boy from a journey of disappointment ;’)

[twistedminutia]

Twst Talk: How Natural is Unnatural Hair?

Like a lot of anime and cartoons, many of the characters in Twisted Wonderland have fantastical hair (and eye) colors that seem to be natural to them, despite being completely unnatural hair colors here. Which made me wonder: how common is it to have strange hair colors in the world of Twisted Wonderland?

Some basic guidelines before we start: first, I will be doing two groups of comparison, one human and one nonhuman. We don’t have merfolk or beastmen or Fae in our world, so there’s no telling what kind of hair color is natural for them, and it didn’t seem fair to include them with other humans without a baseline looking at just humans. For the purposes of this writing, Sebek will be classified as a Fae (I’m sure he’d be thrilled).

Second, hair dye and presumably even magical methods of changing hair color exist in Twisted Wonderland. I am going to assume that everyone’s hair color is their natural hair color unless there is canon material (in or out of game) that states otherwise or I have a good reason to suspect their hair color is not natural.

Third, in the interest of getting as big of a sample size as possible, I’m going to be including all named characters with sprites that have been introduced so far, including in the JP server, so there will be spoilers for JP server events and chapter 7. Theoretically, I guess I could include the background characters as well, but I am not interested in trying to categorize all of them. If someone else wants to do that and add to my results, feel free.

Fourth, there are going to be some exclusions. First on the list: Idia and Ortho. Their hair color is explicitly stated to be part of a curse, which means that it’s magically caused. Since this list is supposed to be about what hair colors occur naturally in Twisted Wonderland, they’re out. Second: Marja (Epel’s grandmother) and professor Trein. Both of them have had their hair turn white and gray, respectively, with age. Since we don’t know what their original hair color was, I’m making the executive decision not to include them in the count. I’ll also exclude the Faerie Queen and assorted elemental fairies and Eliza, since their hair seems to be more like element or vapor based than actual hair. Everybody else is fair game. Let’s get into it!

The Humans

We’ll be listing all humans with unnatural hair colors first, along with their hair color, then the natural ones, then the conclusion and percentages.

Unnatural hair colors: Deuce (blue), Trey (green), Riddle (yes, red is technically a natural hair color, but what we refer to as red is usually more of an orange color, like Cater or Ace’s hair; I’m going to consider Riddle’s blood red hair as unnatural), Kalim (yes, white is also technically natural, but it’s pretty rare for someone his age and there’s no indication that his hair color is unusual that I’ve seen so I’ll count it), Epel (lavender), Mama Spade (seemingly mixed blue and blonde), Rollo (white/gray). Total: 7

Natural hair colors: Cater (ginger), Ace (ginger), Jamil (brown), Rook (blond), Vil (OKAY YES HE HAS PURPLE IN HIS HAIR but we never see any other character who has ombré hair like that, even in other two-color characters, so I’m going to make an executive decision and list him as blond), Silver (yes, silver hair is not natural, but we learn in Ch 7 that his silver hair is caused by magic and his natural hair color is blond, so he will be listed as a blond here), Coach Vargas (black), Crewel (black; he canonically dyes the white part of his hair), Sam (black), Najma (brown), Neige (black). Total: 11

So that makes 18 total human characters with 7 having unnatural hair colors and 10 having natural ones. It’s unfortunate that the characters I had to exclude were all human, since this is kind of a small sample size. But, with 7/18 characters having unnatural hair colors, the total percentage of weird hair is about 39%. So, a bit below half. Unnatural colors would seem to be less common than natural colors, then, at least in humans, but not really rare. Let’s see how that stacks up with the nonhumans!

The Nonhumans

Unnatural hair colors: Jack (I debated on him being considered natural or unnatural, since he’s a wolf-boy and white hair is technically a natural color for a wolf, but to keep things consistent, we’ll go with hair colors that are unnatural for humans, so we’ll count his white hair as unnatural), Jade (turquoise), Floyd (turquoise), Azul (white), Sebek (green), Baul (green), Snick (this one’s on the edge, but it looks more red to me, so I’m giving it to the unnaturals), Dominic (silver), Grum (magenta), Shelpie (green), Timmy (blue), Toby (purple? I think?), Chenya (purple), Cheka (red/yellow), Kifaji (blue), Gidel (kinda reddish-purple, I think?) Total: 16

Naturals: Leona (brown), Ruggie (blond), Lilia (black; according to an interview with Yana, he dyes the pink part of his hair), Malleus (black), Crowley (black), Malenoa (Malleus’ mother, black), Hop (blond), Fellow (orange) Total: 8

Wow, pretty much a complete reversal! That’s a total of 24 nonhuman characters with 16 having unnatural hair and 8 having natural hair. Literally over twice as many have unnatural hair! Even if we remove the seven dwarves, who you could argue are slightly skewing the total, we still have 9 people with unnatural hair and 6 with natural. That makes 68% of the characters here with unnatural hair! As for specific species proportions, Fae have 8/13 or 61% unnatural hair, beastmen have 5/7 or 71% unnatural hair, and merfolk have 3/3 or 100% with unnatural hair (and this makes me realize we literally haven’t met any merfolk outside the main cast. Huh. Makes sense, I guess, if they all live underwater and have to attend a boot camp to learn to live on land.)

Interesting comments: this means that nonhumans as a group outnumber the humans, though only by 6, and no single group of nonhumans outnumbers humans. Fae have the most characters shown in game as nonhumans (not even counting the faeries from the gala and camping events!) thought the seven dwarves skew this a bit. There are more recurring characters who are human, though- of the humans, 14 of the 18 characters are part of the main cast whereas only 10 of the 24 nonhuman characters are recurring. The dwarves might be skewing this again, though.

Final Totals

If we combine all characters, human and nonhuman, that makes 42 total characters. Of those 42, 24 have unnatural hair colors and 19 have natural, meaning that, overall, 57% of characters have unnatural hair. That makes a majority! Unnatural hair colors are actually more common is Twisted Wonderland, just based on the sample size we have.

Couple other fun stats: for exclusively the main cast, 10 out of the 24 (42%) characters have unnatural hair, so side characters bulk out a lot of the unnatural hair havers. Speaking of side characters, their total is 13 out of 18 (72%) characters with unnatural hair. The seven dwarves seem to be the biggest skew in terms of unnatural hair, so if we remove them from the original total, we have 18 out of 35 (51%) of characters with unnatural hair, which may be a slightly more representative sample.

Conclusion

Based exclusively on this data, we can say that having unnaturally colored hair is actually more common in Twisted Wonderland than having naturally colored hair. Humans have the lowest likelihood of having unnatural hair, and merfolk have the highest.

Of course, this is an extremely small sample size, so this data may not be generalizable to the entire population of Twisted Wonderland. The sample also has a lot of mages in it, so we also don’t know if having magic may affect your hair color or something. Regardless, this was an interesting attempt to study hair color in Twisted Wonderland.

As always, I appreciate comments. Let me know if the math is wrong or if I’ve missed any characters. Or if you would classify anyone differently! I know Vil’s positioning might be controversial… and let me know if you want to see anything else analyzed too. Thank you, and good night.

[hanafubukki]

Just thinking about it a bit and the parallels of Malleus and Lilia just, I don’t know, makes my heart ache. They care about each other so much and we can see it throughout the events and especially now in Main Story.

The one that’s been turning in my head endlessly is how desperate they are to help the other, to save the other.

How they would do anything to keep each other alive. How they essentially show how much they love each other through these actions, which surprised them when they realized the other did the same.

Malleus puts the entire island to sleep using his UM so Lilia can’t leave. So Lilia would stay and he would be happy. So Silver and Sebek would be happy with him. They can all have their happiest dreams. Lilia doesn’t have to worry about dying or loosing magic. He’ll be alive.

In parallel with Lilia, who spent hundreds of years looking for a way for Malleus to hatch. Who developed his UM to help him find a way. Who, when Malleus was dying, risked his life so Malleus could survive, promising his life and magic to him. Promising Malleus he won’t be alone anymore and he’ll be there for them. Just to make sure Malleus lives and is happy.

Their care but also their sacrifices for each other.

All of this? For the other to live.

The price? Their magic and their life leading to their potential death.

Lilia who used his magic and lifespan who is now dying who did it all for Malleus.

And Malleus who used his magic and essentially his lifespan right now, who is slowly dying now because of his OB, who did it all for Lilia.

Just the parallels 🥹😭💔

[amberitedragon]

Kalim and Jamil are kinda like Aladdin and Jasmine...

So. Did you know. That the og Aladdin from 1992, has 2 sequels? I didn't know either until resently. So I had the BRIGHT IDEA to watch them all. SO. I rewatched Aladdin 1992, then it's sequels, Return of Jafar, and King of Thieves. While in this ''marathon'' I noticed something, that our favorite Scarabia duo resemble some of the characters and no I'm not talking about Jafar and the Sultan. I'll admit they're some resemblences obvi but I'll get into later. So here I am talking about how Jamil and Kalim remind me of Jasmine and Aladdin because I'm having a JamiKali brainrot and this is how I'm getting over it.

Also Spoiler Warning for all 3 movies (Plus book 4)! Go watch them if you want but spoiler alert Return of Jafar and King of Thieves both look AWFUL compared to the original I'm not kidding the budget went down SUFFIENTLY. Quick google search told me this:

Aladdin: 28 million USD

Return of Jafar: 5 million USD

King of Thieves: 3.5 million USD

Anyways with that small vent outta the way let's get into it.

-Jamil and Jasmine:

Look at me comparing the servent with the princess, the irony imma right? Anyway. So it is true that Jamil and Jafar have more similarities then Jamil and Jasmine but I don't really like resonating Jamil with Jafar cause Jafar (warning mention of gross shit) KISSED AND SEXUALISED A MINOR BY MAKING HER WEAR THIS?!?!

SHES 15 IN THIS MOVIE BTW WTF JAFAR

And now whenver I think of Jafar I think of this. Disgusting. I'm not putting Jamil at his level NOPE. Moving on from that shit.

So back to Jasmine and Jamil the main similarity inbetween the 2 I see is they both have a similar goal.

They both wish to be free.

Jasmine's main conflict in this movie is her not wanting to be a part of the steriotypical princess life. Her father wants her to marry a prince and sends suitors her way all the time, despite her rejecting all of them. She says herself that she doesn't want to marry some self-absorbed prince who only cares about money and sees her as an object of marriage. She wants to marry for love. Not only that she also just wants to be able to leave the palace for once as she never has, she wants to make real friends, as she never had one. This is what leads up to the desicion of running away. She escaped the palace and was planning on not returning, but then, she meets Aladdin who is captured by some guards because of Jafar's orders and to save him, reveals herself as the princess, forcing her to go back to the palace.

Jamil is in a similar boat. The main reason for his overblot in Book 4 is that he is fed up with having to dim himself down just for Kalim's sake. Always being second best cause he needs to let Kalim shine. He also wants to be able to make his own desicions. He wants to not have to listen to his parents who presured him into this in the first place. He doesn't want to have to do everything Kalim wants/says. He wants to travel around and see a Whole New World (hehehhehehehe). While their goals are somewhat different, they both collided into the same general concept. Wanting to be free.

And then there's a ''A Whole New World''. A song about basically just following your heart, leaving your confinments, and experiencing a ''whole new world'', aka a life of freedom and being able to decide/make choices for yourself. For Jamil, leaving his status as servant and traveling all over the world, and for Jasmine, marrying someone for love and not being seen as an object. (There is also ''Speechless'' from the live action but we aren't talking about that one so-)

-Kalim and Aladdin:

So for these's two there is less but something none the less. For Kalim and the Sultan, the main similarities I see are them both being oblivious go happy people and terrible judges of character despite saying otherwise!/hj (But fr they both share the same line of ,''I'm an incredible judge of character!'', at some point in their stories)

Now moving on to Aladdin the man himself. The main thing I could find in relation with these 2 were their generally kind hearts.

In the end of Aladdin (1992), Aladdin has the right for one final wish and Genie encouranges him to use it on making him a prince again so he can marry Jasmine. Stating that he will ''Never find another girl like her'', and Genie is ready to be sealed away again back in lamp. But Aladdin decides to wish for Genie's freedom instead (also since he promised him at the beginning of the movie when he first found him). Genie is overjoyed and hugs all of them. This also makes the Sultan reliese how good of a person Aladdin is despite lying for half this movie and gets rid of the rule that a princess must marry a prince (And makes me wonder why he didn't do this before but whatever).

There is also the beginning of Return of Jafar where Aladdin finds some thieves trying to steal some treasure from a temple. Aladdin defeats them and takes the gold himself. But instead of keeping it he gives it to all the poor people in Agrabah who need it more then him.

Now go ahead and tell me Kalim isn't as kindhearted as Aladdin if not MORE. Go ahead I'll wait.

Kalim helps everyone around him. No matter who they may be or their status. A good example of this is in his sport vignette.

Kalim sees Ortho all by himself. When he asks what's wrong, Ortho says Idia promised to play with him but got busy cause his game got an event update and he is in hardcore gamer mode. Kalim agrees to play with Ortho instead despite starving from coming out of PE.

And that made me smile like an idiot so here :)

AND WE ARE DONE

I totally didn't spend an hour writing this ahahahahahahahahah (pls don't flop)-

Thank you for coming to my TED talk if you made it this far you are a trooper. I might write a fanfic about this but who knows (it would be my first non oneshot thing and idk if I'd ever finish it-)

Also I'm not provereading this cause I'm lazy-

I hope you enjoyed my brainrot vent sesion! BYEEEEEEE

Have them :)

[lvminisciel]

okay i just saw tht one post abt silver's implied narcolepsy n how lilia seemingly took it lightly, while he actually brought silver from doctor to doctor, perhaps even bringing him to the doors of the best medical mages throughout briar valley.. papa's done so much for his son, does everything he could yet the world just seemed to be against them regarding silver's sleeping constitution

they pretty much only hv each other to call their own as a whole, why does the world treats them that way :'(( i just want ths dadson duo to be happy..