#u shouldnt take this as romantic necessarily

[arunneronthird]

had a thought today about damian “ swear i will protect u with my life” wayne

[natsmagi]

OK HI HI sorry i'm reading magic lantern and i need to scream about it to someone and. I'm not done with it yet but

I find it really REALLY interesting how like... Even though they don't get much exploration of their relationship I feel like there are quite a lot of parallels between Tsumugi and Sora ? And how, contrasted to Natsume who's really not afraid of fighting for his own happiness (as we see during the war era where he never really gives up on finding revenge), both sora and tsumugi seem content only ever making others happy (ESPECIALLY NATSUME HIMSELF) and finding their happiness by proxy through that ? And how they both kinda convince themselves that their current situation is ok even if people tell them it's not ? With Tsumugi always taking even horrible things that happen with a smile, and Sora saying he doesn't feel lonely at all bc he has the plushies he can talk to, so he's fiiine !! And like I find that... So !??!?! I dunno, interesting ? And I really really wish it was explored more and not just there without ever being brought up. I feel like they really could bond over that and maybe try to not just accept the bare minimum? Idk if any of my ramblings make sense sorry I just needed to scream about it somewhere cuz sometimes I feel like I'm the only one who gives a shit about soramugi.... I hate it when people say they have "no chemistry" (not necessarily romantic just, in general) and "nothing going for them" because that's just... not true, there IS stuff and there IS depth there, it's just not explored at all and you kind of have to dig in there on your own... Sure it may not be as flagrant as everything thats going on in their relationships with natsume but there IS stuff here guys stop sleeping on it!! (Not directed at u of course)

Also, weirdly enough I feel like the fact that their interactions always feel kind of superficial is a testament to both of their tendencies to kind of not talk about their feelings or whats bothering them, whereas natsume (especially when something is annoying him/making him angry) is quicker to speak his mind (even if hes still not quite honest about whats making him feel this way). Idk if any of this makes sense aaa sorry for the novel I just. I needed to say it and I felt like here was the right place cuz I always love reading your and everyone's takes on stuff ,,,, anyways!!! I love ur art btw and ur like the only person on tumblr who i activated notifs for cuz I never wanna miss any posts of urs!!!! I might be a lurker but ur blogs still often a highlight of my day ^-^ keep doing what ur doing!!!!<3

ANON UR DEFINITELY ONTO SOMETHING!!!

i feel like soras character is a very interesting middle ground between natsume and tsumugi, like ok lemme talk about natsume for a sec;

ive always read natsumes relationship with sora as natsume seeing himself in him. sora reminds natsume of the kid he used to be (the "naivety," speaking in third person, etc) which is why hes so adamant on protecting him. his treatment of sora is also a parallel to the oddballs (the desire to protect from corruption, shu being "tsundere" but soft around and unable to say no to natsume (self explanatory), rei being very "babying"/whiny (natsume tends to coddle sora and whines when sora isnt paying attention to him), wataru being natsumes shisho (natsume being soras shisho) etc etc)

im mentioning this because as you said; alot of soras personal mannerisms are more in-line with tsumugis. theyre both INCREDIBLY self-sacrificing and CONSTANTLY fail to take their own happiness into consideration, but theyre both fine with that when they really shouldnt be. this is also why i really hope that the switch climax event will center around these two specifically; because they should be able to understand each other the deepest, theyve just never had the opportunity to do so. for the both of them to grow further they need the other, because in a sense tsumugi is kinda the jaded older guy, while sora is the young one still full of so much love and wonder for the world. tsumugi can help sora maintain realistic, and sora can help tsumugi stay genuinely happy and positive.

soras part in switch is an incredibly interesting one to me, because on one hand you have natsume projecting way too much onto sora, and on the other hand you have tsumugi not projecting anything at all. esp since sora and tsumugi are probably the ones who need each other/to learn from each other the most atm. such complicated little guys dont fuck this up for me akira 💔

[infectedpaul]

ALRIGHT **kurtis conner clap** i did it lets. Try and explain this Under the cut

hiyoko - kazuaki: lovesick losers, in their prime and worried about a life that isnt shared with others. even if its smth hiyoko wont admit it, and she knows that this is the way of things and its better to live a life worth the harm of the end of a story, its still tragic and terrifying because shes already lost her life practically and is only now building it back up. the idea of losing everyone is worse than death itself for these two, (the key difference is hiyoko wouldnt have her Royalty arc because shes got infinite respawns :[ ). also in the whole Arc shes very much the kazuaki of her relationship with nageki, the key difference here as well is the both of them actually Talk through shit. 

relationship - well we know she just outright bullies him and calls him a fucking waste of space in the shrine date but thats her weird teacher shed casually threaten to beat up anyone that tried inflicting actual harm on, shes a Hero dammit

hiyoko - hitori: DO I HAVE TO SAY IT i say it quite a bit. about how theyre both war orphans (that lost like most/all their family in the same incident) and are both so attached and scared of losing that they have left and would do ANYTHING for them , literally would fight god. also are copresidents in the Nageki protection squad. 

relationship - practically a family already. he would adopt her in a heartbeat and let her know she doesnt need to fend for herself all the time. shes a warrior but shes also 16. you go hang with your friends ill cook up the bison meat you brought home, sweetie

hiyoko - nageki: dead friiiends, ghosty friends. both are integral to the plot in ways theyll never understand, catalysts taken advantage of by powers far greater than their humdrum, silly lives. to the powers that be, theyre tools to ignite a new world, but theyre loved and important to those around them, and thats what no one expects, that theyre People first, not weapons, and their greatest strengths lies in the people that love them, just like they give strength to them, even if they show it in different ways 

relationship: something akin to siblings, mabe not exactly that, i mean if hitori adopts her technically nageki would be her uncle? but they definitely care for each other thats not necessarily romantic in nature, and would do anything for each other no matter the cost, because they know they dont do anything alone. theyre like jam buds ^u^

nageki and kazuaki - again, do i gotta say it because the game does a scary good job at paralleing these two, in what i like to call the uzune curse - do not get attached to this guy Or Else You Will PErish. 

relationship - i mean we know for a fact in mirror these two are just Perpetually awkward, right. like hitori brought home a sopping wet man like “Hesmy blorbo” and nageki will just nod and try not to think about that of all freakin people hitori got himself attached to its This Guy but i think theyre friendly, they probably talk about literature and both get really autistic and get more talkative about that than anything

hitori and kazuaki - OH BOY. okay, sad, SAD little men that literally have no one else, and for one reason or another, are surrounded by death, be it **motions at hitori** or **motions at THE GHOST LIVING IN KAZUAKIS HOUSE DID WE FORGET THAT**. theyre both sad and very, VERY worrying, have vengance streaks and dearly want to take care of others in more and more worrying ways, at their worst rhey can act like they know it all and you shouldnt worry. its funny how much the king despises hitori cause i think they share a lot of really toxic traits

relationship:

[wormtrain80]

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[misterbitches]

I cant decide if I think what happened this episode makes me mad at tae joo. 

me @ me...and ppl who may read what i write...lmao: hear me out. i am a black anarchist cis woman so like...not everyone is going to care or think about  stuff like this. i realize it may not be the total norm  yet (but hey black radicals burned down a fucking police station yesterday which is some real cool history so who is to say that i’m not.) with or without the norms, i share to get a grip of my own thoughts that ADHD absolutely won’t let me keep. and see what people have to say! maybe they’ll engage. otherwise,,,,,,,it doesnt matter i jsut love thinking it through. cos i am CONFUSED!!! 

(btw, i insult rich ppl through this whole thing and i dont give  a fuck. i repeat a lot of things too o well.)

the start of the ep has these words from tae joo:

i have a young friend. a shadow like being who doesn’t go away even at one o clock. that shadow grew a self. i have to do him the favor...

part of his like and attraction to guk  is because of that existing power imbalance. i, personally, think that is impossible to deny given  that we see it. a girl coming over to their house and he kisses her. he had to know that guk would see, or would be looking, whatever.

you have tae joo being surprised at interest in guk. not because guk isn’t attractive or whatever, but because he’s used to the one being noticed. he may not be as broad and tall (there’s not a huge difference but guk obviously stands out more visually, while tae joo stands out cos he’s him i guess lol.)

i think there may be an element of this cat and mouse game that he likes, but  guk takes it a lot more seriously. as he should because...it’s his job. we don’t know at what point they are so anything that happened previously but they very clearly like each other. 

i was gonna say it didn’t even have to be romantic—yet. just that feeling of i don’t need anyone else to take you. i’m curious about why tae joo likes pil hyun but maybe it has something to do with wanting a friend that isn’t necessarily one borne out of necessity. but pil hyun’s dad does work at tae joo’s father’s dumb company or whatever. he’s on the board? idk i forgot

but maybe neither of them really care and pil hyun is just a friend instead of someone you have deep admiration and romantic or strange love for. 

but then there’s a lot of cruelly selfish stuff that shows why this imbalance and their two different backgrounds hinders them. tae joo doesn’t want to lose this shadow anyway but guk is always there. where he’s supposed to be.

when tae joo said, “isn’t it boring just the two of us?” it’s just such a dumb fucking question to ask. he was either just being verbally careless or did it on purpose. it can be both, but i don’t think it was supposed to be. for every one side of a you need to see him as a person not a workerr also encourage him to fuckng quit and live your lives together outside of your stupid rich father coin there’s a he obviously wants and needs him as much if not more. 

the if not more part comes to mean (to me) dependency formed UPON guk’s job. were they not to be in this circumstance, how would their paths cross? 

honestly the show poses a lot of class dilemma for something so short. now is the time to do and write interesting things and question capitalism anyways. tae joo can’t have everything handed  to him. well he can have a lot, because he’s privileged to be where he is, but love isn’t one of those things. guk is not obligated to love him fiercely if tae joo can’t truly relinquish his hold.

the last scene pissed me off a lot at first and thinking about it  it still does. like you used the master-servant relationship comment and exploited it because you didn’t like it but it’s the truth. what is the point of guk sitting through your bullshit but when you intentionally go seek him out you can insert yourself.

hye mi saying, “hey we’re talking can u wait yr turn” like YEA. they’re talking, you came in and had a fit, and only someone who has a life like you do would do something like that. was guk making noise while you were being tutored? 

i also honestly would just quit if i were guk. not every1 is gonna be an annoying anarchist like me or whatever but that’s pretty much the only way this could sustain itself. that and tae joo respecting guk as a person not just a person he loves in his orbit. the world revolves around us as individuals. meaning we think about ourselves in relation to everyone else because we live in this body. so guk is allowed to center himself in his own life.

this could all be avoided if it crossed tae joo’s mind that guk is allowed space to feel whatever his emotions without being dictated. where it isn’t just sparring that he can say whatever the fuck. 

so remember the opening. well, here’s the last lines of thought tae joo had in the car: i have a bodyguard a shadow like being that shouldn’t go away even at one o clock. the shadow isn’t supposed to have a self. 

he called the shadow his friend. a shadow has no self so when it finds autonomy — as he is finding himself (guk),  guk walks ahead of taejoo, faceless with the camera focused on the shadow itself—we finally start to see him as the shadow shows its human form. it’s never been a shadow, guk has always been a person, his own person, it’s just that and this  is literally....he is owned by his job. imagine realizing you have the same tendency as your own dad to feel that way (btw this is also with him (guk) getting slapped by his dad and no......nothing)

in the car we see that selfishness that wasn’t buried but he never thought about. guk shouldn’t leave, he should always be behind him, a shadow, he isn’t supposed to dictate his own life, his life must revolve around me. because he’s transient, again. workers are disposable, a dime a dozen, you happen to love this dime but it doesn’t mean you have  been able to fight for it or understand it.

tae joo is rich (i don’t know if it’s new or old money and the distinction would matter a little but i’m pretty sure theyve been together for a long while? bitch idk) the boy he loves is employed by his father. his father is a CEO, a boss and truly the worst kind (FIRE! YOUR! BOSS!) tae joo has been told his whole life that he deserves. why fight capitalism and not understand his own richness? it’s beneficial to him and it gave him guk, right? 

and you see how allllllllllll of that, the messaging, the receiving, how you get stuck under the influence as a younger person to be stuck under the influence as a complicit adult to the messages of the ruling class. the ruling class you are a part of whether you like it or not, the one that calls labor your own, the one that rips power from other people. you didn’t choose who you were born from and to, but you get to choose what you do now. 

guk was never a shadow, you just didn’t see him because, well, he’s your best friend, and your bodyguard, working and being a literal punching bag for your mistakes (AND THAT’S CAPITALISM BABY, THEY RLY TOLD US THAT THERE—”for your mistakes, i’ll beat him and then send you off to england” like gorl...)

(i also want to mention i whole heartedly believe that the rich resent the poor, the ruling class punish the working class, etc but that’s like irrelevant to here mostly...by irrelevant i mean i shouldnt go any fucking deeper than i have with goddamn dumb analysis. but it’s fun kinda) 

anyway basically tae joo like made so many mistakes that show just how fucking clueless you can be when you have immense privilege. coupled with guk working for him, he doesn’t realize that guk doesn’t live to work. has his own thoughts and he has feelings man. when guk said “stop” in e3 i was rly happy tbh. yea, they may like each other but doing shit like that isn’t fair to him if you’re gonna go around and be really flighty about everything while he depends on (well maybe not depend must cater to) you almost completely by DEFAULT of u being rich lmao

this is just a look and critique into one side of tae joo. i don’t dislike him but i question why people both in the show and people discussing feeling bad for tae joo’s circumstance instead of asking why guk  has to do any of this.....? how does guk fucking feel about this? where are guk’s feelings factored in. like we’re all saying “we pay you so that should be enough.” fuck no. guk do what you want.

if the show was about like....people in love not meeting at the right time in their lives i wouldnt be too upset either. as long as we know their love was deep and romantic it’s okay to see a parting. of course i would prefer not to see that and just want tae joo and guk to grow up to become nice anarchist citizens. guk is an artist and tae joo writes books about his daddy issues or sth like that

[jonghyyn]

iyo when you write non-straight characters should you specify their sexuality/gender? I mean I'm personally a very 'not into labels at all' person for my own sexuality but support ppl who do find comfort in labels. but when I write I also tend to go toward the 'he just loves who he loves !!!' that sounded stupid but idk how to explain it.. so... like I was wondering why you feel strongly about explicitly stating someone's queerness instead of it being implied (at least u come off as that sorta)

i do definitely feel like that so!! i happen to have a lot of feelings about this so get ready for a Long Ramble. this is a precaution before ive even started typing i just know im gonna write a lot

i think before we start saying anything, we’ve got to acknowledge the difference between people who say that they dont like labels, and writing characters who Don’t Like Labels™. pointing out the problems of the latter is not a condemnation of the former. if someone rly doesnt feel like labeling their sexuality or gender, thats totally alright. the difference between these two is the person is a nuanced, multifaceted human being who may have lots of personal reasons for feeling that way, while the second is a fictional character that is Created and informed by cultural views of the creator. a person is not “created” by one single author and characters arent like…real living agents that have their Own Free Will, they are what their creators make of them. anyway i just feel like this is a rly important distinction that gets lost often!! i’m also more willing to look favorably on someone who self describes that way writing characters based on their own experiences, bc this perspective is inherently different from a straight person writing these sorts of characters. but moving on. 

whats also important to understand, beyond writing characters, is how being openly not straight is shunned. queer people are not allowed to Exist as openly queer and they have not been allowed historically. even these days among people who consider themselves progressive, you’ll often hear that “its alright if someone is gay but do they have to shove it in my face all the time.” this attitude isnt somehow formed in vacuum, but created in a society that treats been openly queer as a taboo. we aren’t allowed to be open about our sexualities the way straight people are. we can’t acknowledge that we’re queer lest someone tells us to Stop Shoving It In Their Face (not missing the irony as we’re surrounded by 400 billboards of hetero couples everywhere). i dont wan’t to delve into other aspects of discrimination and get too off track here, i just want to focus on how being Openly queer is treated as a taboo, particularly among people who still want to call themselves ‘accepting.’ the only way society allows queer people to exist is if they never remind anyone, Ever that they are not straight.

this is Integral to understanding why the i Don’t Like Labels characters are so frustrating. the unwillingness to Explicitly talk about queer people carries over quite handily to media. the same faux progressive people that demand queer people never talk about being queer bc its Too Much Information, will praise queer coded characters that hint at their sexuality but never confirm it. the reason these characters are written is not to genuinely explore why someone might feel uncomfortable with applying labels to themselves, but to appease people who will accept queerness as long as they never have to acknowledge it. this way, u can court queer people interested in representation And people who might like the story but will be uncomfortable with explicit queerness. its an attempt for writers to cash in on peoples desires for interesting queer characters without ever actually fully committing to representing them. you dont get to claim to support queer people if ur also out there providing comfort for peoples homophobia. you cant have a foot in both doors. 

describing queer experiences without calling them queer means that youre okay with this story as long as u dont acknowledge it as something Explicitly not straight and like…why?? why is it suddenly not okay when u take that bundle of experiences and use the word that theyre defining?? theres Weight behind using words like bi, gay, lesbian and if u reject them are u Really okay with lgbtq people? or are you okay with them Despite the fact that theyre lgbtq and not because you take into account theyre lgbtq. acceptance is not tolerating people Despite something, its acknowledging it and validating it as an okay thing to be. especially when it is something that historically Not been validated as okay. dismantling structural systems of queerphobia does not go about by ignoring queerphobia…shit this doesnt just fade away by chance, it takes active work. and part of this active work is Acknowledging Peoples Queerness As Something that is okay Out In The Open. the You in this isnt directed at you anon, just people who have these sentiments. 

throwing vague statements like ‘they just love who they love’ Also creates this level of ambiguity. you might say “well why do u need the certainty when ur describing what is at the very least, something obviously very not straight” and to that i say youd be fucking surprised at how goddamn hard straight people will try to erase the queerness out of a character. like i’m going to use a game called life is strange as a example. i’ll give some background: in the game, the main character max can romance both chloe and warren. note that max is not one of those blank state wholly customisable bioware-esque player characters, she has a personality outside of the choices u make. anyway, the conclusion that is Logically drawn from this is that she is most likely bisexual. or at the very least in some way, not straight. and Yet i have seen discussions that say “she doesnt have a set sexuality it just depends on the playthrough so shes not rly a Queer Character.” even more than that, ive seen people that saw “well even in the chloe one shes not necessarily gay or bi maybe shes just Making an Exception for chloe bc their relationship transcends sexuality” and like ??? Why??? why cant she just be bi?? even when given a queer romance, why do u try and interpret it in a way that sets her up as straight?? ive seen people say “its not a romance its just something that Transcends Words” as if this is… mutually exclusive from being a romance. like… Why doesnt this happen when hetero relationships are depicted?? ive literally never seen someone say “u know, maybe hes not attracted to women and just Making an Exception so hes not straight” why dont u see people try to erase the romance aspect out of hetero romances by claiming their relationship is “Beyond Words.” this treatment is 1000% only ever afforded to queer characters. this attempt to play off romance as not rly romantic is only done to queer characters, even if its done subconsciously. people will Refuse to accept a character is queer as fuck if you dodge around it, because heteronormativity is so ingrained in every interaction that even obviously queer characters get filtered through this lens. the problem with this isnt necessarily apparent until u look at it within historical context, where queer people are repeatedly not allowed to be openly queer. these arent isolated incidents, but manifestations of the idea that queer people shouldnt ever be open about their sexuality. youve got to tackle the discomfort that people have with words like gay/lesbian/bi/etc

i think this particular character trope wouldnt bother me so much if it wasnt like… the only narrative ever present. time and time again, i have to see characters proclaim that they dont like labels while never once even hearing people breathe the word bisexual. if it existed alongside characters who were explicitly queer it would be less frustrating But its literally one of the few ways (semi positive attempts at least) queer characters are ever portrayed. this is particularly true for bisexual characters lmao like… yes…theres people who dont like labels…but theres also millions of bi people that just wanna see a fucking bi character Talk about being bi and all we ever get is a vague “i dont like labels” (that is often never explored further than that and treated as a throwaway line anyway). is creating characters who say that a genuine attempt to characterize someones struggles with labels or is it just a way to avoid saying the word Bisexual.

same with queer romance in media. its only ever Okay if u just hint at it- see dumbledore being gay. see- the korrasami thing (though i dont fault the writers for this bc they pushed hard for what they got, its issues with the network). why are queer people relegated to drawn out stares that May imply something while straight characters are allowed to get into explicit relationships. when u create ambiguous characters that May be interpreted as straight (even if youve really gotta stretch) ur prefer to maintain the negative “neutral” of the heteronormative status quo and allow homophobes to live with their views unchallenged more than u care about addressing queerness in characters. 

 its not a coincidence that we dont do this to straight romance or straight characters. this is particularly important for queer kids!! its good to see queer characters out there being openly queer. while me and u can often pick up on queer themes and narratives, a 8 year old is not going to get that. especially when theyve been conditioned to see straight romance as the only feasible choice. they wont realize the character youre writing is gay or bi or whatever Because they havent been exposed to the connotations we associate w certain phrases. its so important for queer kids to see queer characters Owning that theyre queer. its especially importantly to normalize words like gay or bi or pan. being gay is often Extremely hypersexualized (which is why so many people will tell u they dont care what u do in the bedroom bc they can only picture queerness is a sexual context) so when u Dont treat these words as things only adults can say, u help get rid of the stigma surrounding them. u help remove the idea that being queer is inappropriate for kids to hear about and that the only possible aspect to being queer is sexual. 

anyway this has been Quite the Ramble but the point is that yes, we need to write more characters who are absolutely explicit about their sexuality and move away from the expectation that queer people need to create euphemisms to comfort homophobes desires to never hear about queerness.