#unique dragon

[egophiliac]

I've had a beast of a cold for the last few days, but I wanted to get this out before the new year! while I've sort of made my peace with my first take on Lilia's UM poster, I really wanted to do a version with the new context that chapter 6 gave us. because. c'mon.

(don't worry, Lilia can carry ALL HIS KIDS AT ONCE)

[wheatormeat]

I started this around September 2023 anticipating to finish it for dunmeshi's finale! But things got hectic! Here is the finished product to celebrate anime airing day; 2024 is truly the year of dunmeshi!

[hotshotriot]

that's a weird looking dolphin

[cuties-in-codices]

unusual encounters

illustrations for "l'épître d’othéa" by christine de pizan, france, c. 1460

source: Cologny, Fondation Martin Bodmer, Cod. Bodmer 49, fol. 17r, 55r, 82v, and 84r

[varilien]

we just got to this episode yesterday HFKJDHFK

Palestine: Funds | Action | eSims | Info Sudan Resources | Congo Resources

hey goku what's this about huh

[hinamie]

hhmmmmm uh im dusting the cobwebs off my brain trying 2 come up w something interestinf uhh.......anything non spoiler-y you can discuss w regards to geto in the atla au perchance?

hi rin !!!!! tysm fr sending i hope u r doing well <3

atla geto lore fr u courtesy of sam:

he's a waterbender from the northern water tribe. he can bloodbend but finds it distasteful

he gave gojo the betrothal necklace/proposed to him when they were 20 (all of the adult characters are aged up in the fic vs jjk canon ages)

all of his decisions are driven by a desire to lighten the burden placed on gojo's shoulders

aaaaand atla geto draws fr u courtesy of Me :3

jjk atla!au with @philosophiums

[timethehobo]

Hearing news that he’s confirmed romanceable (and described as intimate and sensual) got me so giddy I might just expire.

[invinciblerodent]

This is going to be very ranty and disjointed, probably borderline incomprehensible post, but with the "return" of Dragon Age Discourse (and really, did it ever go anywhere?) and me repeatedly seeing the complaints and dismissals of DA:I as a "chosen one"-type of a narrative, I just.... I keep finding myself thinking about the relationship of truth and lies within the game.

Throughout the course of DA:I, the idea of a malleable, flexible personal identity, and a painful confrontation with an uncomfortable truth replacing a soothing falsehood, follows pretty much every character throughout their respective arcs.

There are some more obvious ones, Solas, Blackwall, The Iron Bull, their identities and deceptions (of both those around them and themselves) are clearly front and center in the stories told about them, but this theme of deception (both of the self- and the outside world) is clearly present in the stories of the others as well.

Like, for example, ones that come immediately to mind are stories like that of Cullen, who presents an image of a composed and disciplined military man, a commander- all to hide the desperate and traumatized addict that he sees himself as.

Dorian grappled with the expectations of presenting the image of the perfect heir to his father's legacy, the prideful scion of his house, his entire life (he even introduces himself as the result of "careful breeding", like one might speak about a prized horse)- all while knowing that his family would rather see him lobotomized and obedient, than anything even just resembling his vibrant and passionate self.

Cassandra calls herself a Seeker of Truth, and takes pride in that identity- only to learn that in reality, she has been made a liar, a keeper of secrets, without her knowledge or consent, and it is up to her to either uproot the entire organization and painfully cut out the abscess it is to build it back from the ground up into something respectable, or let the information she had revealed sit, and continue to fester.

And this theme continues and reframes itself in, among others, things like Sera's own inner conflict between her elven heritage and her human upbringing, or in Cole being caught in this unconscionable space in-between human and spirit, between person and concept, etc.

The Inquisitor isn't exempt from this either.

I feel like this is where the core of the many misunderstandings of this plot come from, why so many people continue to believe that Inquisition is a "chosen one" or "divinely appointed" type of story, because I think many might just... not realize, that the protagonist's identity is also malleable, and what they are told in the setup/first act of the game is not necessarily the truth.

The tale of the Inquisitor is the exact opposite of that of a "chosen one" story: it's an examination and reflection of the trope, in that it is the story of an assumption that all wrongly believe to be the truth, and thrust upon you, even if you protest. The very point is that no matter who you choose to say that you are, you will be known as the Herald of a prophet you don't even necessarily believe in, and then that belief will be proven wrong, leaving you to cope with either a devastating disappointment if you believed it, or a bitter kind of vindication if you didn't.

There's a moment just after Here Lies the Abyss (when you learn of the lie you've been fed your entire journey in the game) that I don't often see mentioned, but I think it's one of the most emotionally impactful character moments, if you are playing an Andrastian Inquisitor who had actually believed themselves chosen (which I realize is a rather unpopular pick, lol): it's when Ser Ruth, a Grey Warden, realizes what she had done and is horrified by her own deeds, and turns herself in asking to be tried for the murder of another of her order. As far as she is concerned, she had spilled blood for power, and regardless of whether she was acting of her own volition at the time, whether she had agency in the moment, is irrelevant to her: she seeks no absolution, but willingly submits to any punishment you see fit.

And only if you play as an Inquisitor who, through prior dialogue choices, had established themselves as a devout Andrastian, can you offer her forgiveness, for a deed that was objectively not her fault- not really.

You can, in Andraste's name, forgive her- even though you, at that point, know that you have no real right to do so. That you're not Andraste's Herald, that Andraste may or may not even exist, and that you can't grant anyone "divine forgiveness", because you, yourself, don't have a drop of divinity within you. You know that you were no more than an unlucky idiot who stumbled their way into meddling with forces beyond their ken.

You know you're a fraud. You know. The game forces you to realize, as it slowly drip-drip-drips the memories knocked loose by the blast back into your head, that what all have been telling you that you are up to this point, is false. And yet, you can still choose to keep up the lie, and tell this woman who stands in front of you with blood on her hands and tears in her eyes, that you, with authority you don't have, grant her forgiveness for a crime that wasn't hers to commit.

Because it's the right thing to do. Because to lie to Ser Ruth is far kinder than anything else you could possibly do to her, short of refusing to make a decision altogether.

There are any number of criticisms of this game that I can accept (I may or may not agree depending on what it is, but I'm from the school of thought that any interpretation can be equally valid as long as there's text that supports it, and no text that contradicts it), but I will always continue to uphold that the Inquisitor is absolutely not- and never was a "chosen one".

They're just as small, and sad, and lost, as all the other protagonists- the only difference is that they didn't need to fight for their mantle, because instead of a symbol of honor, it acted as a straitjacket.

[greenqueenhightower]

Thoughts on the Larys x Aegon Scene in 2x06:

"He executes justice for the fatherless child and the widow."—Deuteronomy 10:18

Larys visits Aegon as he lies on his bed, healing from his injuries. Aegon is most eager to cloud his mind with milk of the poppy, just as his father had done. As he is handed the vial with the drug, Larys assumes the authority of a family member entrusted with Aegon's care. He purposely withholds the drug from Aegon, to instruct him. He wants to instill in him the conviction that he only has his mind to depend on now. Aegon's mind should be sacred to him, just as it is for Larys.

"You have already written yourself into legend. You have survived dragonfire." Larys begins to bore through Aegon's mind. He is not a mere mortal man. He is a legend. Despite his trembling and silent cowering at the sight of his brother, Aegon should not feel completely wasted.

"I came screaming into this world." Larys breaks the news of the extent of his injuries to Aegon. The young King's distraught and mutilated state stirs up something inside him, something that Larys has long kept shut. In response, he does something remarkable; something we've never seen Larys do before: he becomes vulnerable.

"My lungs were strong but my foot so twisted that my father named it sorcery." Breathing heavily, Larys reveals that he, too, was shunned by his father since birth. His deformity was something that Lyonel Strong never came to accept just as Viserys never accepted Aegon as his son and heir. Larys' fate is akin to that of his King. Aegon's grunts of pain stop and he fixes his attention on Larys.

"They will stare at you... or turn away." Aegon and Larys cry together, the wounds of both exposed bare. Larys lets Aegon in on his inner trauma of being despised and disposed of because of his disability. Does Larys fear that Aegon might suffer the same fate by his family? Does he empathize with Aegon's pain because he sees himself in him? Does he want to prepare him for or shield him from the cruel world?

"They will underestimate you... and this will be your advantage." Larys' face hardens as he reveals the bitter truth. Aegon musters up whatever courage he has to exclaim "No!" and shake his head in disbelief.

"Help me. Please." Larys warns Aegon that his life is in danger and he begs for his help. Aegon has come to trust Larys with his life. Has he found an ally and a friend in him? He now wants Larys to protect him. He turns to him like a refuge in a storm. He knows he can depend on him. Like a child pleading with his father, Aegon's eyes plead with Larys.

Larys responds with his determined face and trademark smirk. What will he do to protect his King? One thing is certain: Larys is a ruthless executioner of justice. He has killed his own family, whose eyes so wickedly and hatefully stared at him, for all the injustices inflicted on him. He has tortured and killed all those who betrayed his trust. He is bound to be equally merciless with those who dare touch or thus dehumanize Aegon. Larys assumes the role of father and protector for Aegon, ready to execute his own version of justice for what he cares about.

And apart from himself, Larys has shown that the only other soul he cares to avenge is Aegon.

[ganondoodle]

did another rough concept for faron for my comic

design is based on both skyward swords and botws look since they are the same character in my AU, idk if this is the final one; she will show up in chapter 4

basic design, with robe, and one of her being noisy

(comic concept art)

[letsplaythermalnuclearwar]

I think it's really funny that Leola has less than fifteen minutes of screen time and they managed to make her so incredibly, obviously autistic

[yippeedragons]

strike on pearl gives your dusthide the most precious pink muzzle, while coil gives them little pink wingbeans so behold! a kitten!

(triple pearl, shadow pastel)

[felassan]

7 companions = 2 warriors, 2 rogues, 2 mages and 1 wildcard/special/unique? :D

[charlie-artlie]

more knightformers texaid, this time inspired by the lovely lovely fic from @thebirdkiwi >:] plz go read it if you havent already it’s so good!!!!!

and, as always, knightformers belongs to the wonderful @archie-sunshine

[countlessofvoids]

Httyd artists who draw second/third movie Hiccup more like his first movie's design or/and give him a bit of beard stubble; I love you I love you I love you

[vanhelsingapologist]

I tell you how you kill me in my dreams.

—

Dima was visited by the local vampire. She will bite him back, next time. Alt version under the cut.