Intersections of Play: Paul Pfeiffer's The Playroom, 2012
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“I use technology in order to hate it properly.”
Nam June Paik, Photograph by Elliott Erwitt / Magnum
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Break My Own Heart
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Nam June Paik — Fractal Flasher [video installation, TV, two cameras and flash lights, wood construction, 1994]
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destructive animation #6
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DRIVE NIGHT (2019)
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Video Lab 03 / Greenhouse <<< The Synthesis Academy (5032)
[Scene created in “The Life Stage: Virtual House” (1993) for 3DO, Video Art onscreen by Sky Goodman]
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very short but funny little animation I did of Roger(springtrap) and Jenny from my virus au :]
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"EVERYTHING VISIBLE IS EMPTY"
@ EMPTY GALLERY, HK | SEPT 9–NOV 18, 2017
TOSHIO MATSUMOTO 松本 俊夫 | 1975
Everything Visible Is Empty seeks to embrace Matsumoto's trenchant critique of 'the visible—the ideologically constructed gaze which conjures social reality—by forgoing a curatorial approach based on stylistic or chronological groupings and instead presenting a non-linear mosaic of works from different contexts and eras.
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fully Crafted Consciousness - Nam June Paik's Reclining Buddha (1994)
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Begeisterung für eine schöne Sache kennt kein Alter....., lebe deine Träume und Wünsche 🤗🙏🍀
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Charlotte Moorman performs Nam June Paik’s TV Cello wearing TV Glasses, New York, 1971. Photo: Takahiko iimura.
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fragmented.
Source material synthesized with Stable Diffusion
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Nam June Paik (1932-2006) — Hommage to Albert Einstein [video sculpture, Mönchehaus Museum, Goslar, Germany, 1990]
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