#wall art central coast

[reijnders]

IPA and gloss under the cut, as well as explanation of the writing system for those not in the know.

In the modern day of the Starflight setting, the widespread culture commonly known by the dominant language of the region (twac̊in̊), or the name tewenic is considered to be shared across many hundreds of miles of land, and by various major ethnic groups on the continent of Șotuŧahtěnu. However, the coastal regions before the arrival of H̊lanueli people from the north is considered the birthplace of much of this culture; the general religious template, languages, staple foods, and much more all stem from this ancient scrubland. There, stories of the gods were revered, but not often recorded in verse. Exploration of art via wordcraft was often left to their western neighbors, or the southern desert nomads that eventually were assimilated into the sedentary settlements of the Tewenic. Their writing system is one of the few things that was adapted from outside cultures, coming from the exploring sailors that first brought H̊lanueli traders(along with their own of course) to the central coasts. Thus, not much can be found in terms of poet being a scholarly position until we get much closer to a time where connection across the world is readily available. Poems such as these, poems of a more personal nature are often all that can be found, with few exceptions for written versions of older prayers, which tended to be standardized for memorization.

The native religion is polytheistic, with a pantheon of 17(so far) gods that have to do with various forms of water. Sometimes this is as simple as gods for bodies of water that can be encountered across the continent, and gods that bring said waters down from the sky or mountains, and sometimes they are the embodiment of the fear of being at sea during a storm, or a god that protects children swimming in the shallows. While seen as having mythical, awesome powers, these gods are also regarded as beings closer to as nonchalant bystanders to the affairs of mortals, rather than active participants in the shaping of their world. The gods act because it is in their nature, not because they are inherently good or evil. Sanadec brings freshwater down from the rivers because that is what she does, and she is flighty and thoughtless because the rivers themselves wander and twist aimlessly through the forests. Han̊ brings earthquakes and tsunamis because she knows nothing else. Some gods are more popular(Le, Yin, Dalse in particular, representatives of fishing/fertility, storms/change, and dreams respectively in particular) and are prayed to more often, but overall, these prayers translate better as forceful commands. Prayer should be strong enough to turn the god’s head and convince them that your voice is not just another crash of the waves.

The sea itself is one of the most important objects in this religion, though reverence of it varies in interpretation. Focusing on the central coasts, where this poem originates, the sea is seen as a binding force. You are born from its waters, and when you die, you are returned to them. Basically, everything culturally significant happens centered around some type of water, but as a region very dependent on the ocean for primary trade routes, a source of seawater can be found communally in many residential areas. The sea is neither good nor bad, not a blessing or a place to be feared. It’s all of those things, but it also just Is. It’s a fact of existence, and one that everyone there owes their lives to, in a sense.

The poem, written by an unknown author in the northwestern peninsula of modern day Ac̊ah̊i, was found on a fragment of parchment in the storage section of a long-ruined temple, presumably because whoever had received it called those walls home. The most popular consensus is that the poem is a request to see each other, as lovers, which would tie in closely with the theory of the recipient being a temple dweller. Its possible that the author was originally from one of the more extant nomadic tribes from the desert that is central to the continent and wishes to view the ocean with their lover as a sort of religious pilgrimage. On the whole, most scholars agree that it has a very positive interpretation, a textual reminiscence of their marriage, and a promise of lighter days to come.

However, there are some that have a…less joyful interpretation of the text. For centuries, traditional burials along the coast have involved sea burials, where the body is brought out a distance from the shore, and practiced divers take turns excavating a pit for it to be buried beneath the waves. It’s an arduous process, and one not always afforded to  everyone. To be taken to the sea after death was, at some points in history, a rare privilege. These opposing scholars are of the belief that the poem was written on the author’s deathbed, and delivered after their passing, as a sort of last will and testament for their lover. This interpretation doesn’t hold up nearly as well as the former, but it is interesting to think about. The naming of the god Yin is the main cause of controversy among scholars of either school, due to the contradicting nature of the god itself. Where those who see the poem as a happier one, Yin is just used as a fanciful way of mentioning the windstorms known to that coastline, and perhaps as a tie-in to the recipient’s temple residence. Others believe that Yin was mentioned more for his association with change, with the writer’s death being the largest change the recipient must deal with, and anger as well, perhaps at an unjust death come too soon.

The grammar of this poem is of interest as well. Starting from the beginning, the pronouns caen̊ and ni (1S and 2S respectively) are both formal pronouns, specifically those used between individuals of similar perceived social class. In this case, it can be interpreted as two adults. Having the formality included with the future tense verb—indicated by the particle c-y—solidifies that this first line should be interpreted as a request, rather than a demand. In the third line, the pronoun acyi(3PL and formal) is an exclusive one, and rather than being directed at someone of similar rank, it is for someone perceived to be above the speaker, in this case deifying the waves and, of course, the god Yin. Technically, this pronoun clusivity distinction is not grammatically necessary, and instead is an artifact of the time. A taboo on associating oneself or mortal others with the being of the divine, even from a standpoint of simple words. To use a regular third person plural, even one that is still directed upwards socially—in this case cael—would be akin to bringing that which is divine down to the level of mortality, or worse still, uplifting the mundane to the status of godhood. In line four, we see the verb for ‘to do’ used as an indication that something was completed, further secured by the noun phrase nende nuyude, ‘long time’, where the word ‘ago’ is implied by nature of the sentence. Finally, the last line switches from the formal 1S caen̊, to the informal pronoun ca, indicating a more intimate closeness between writer and reader in the moments described.

WORD BANK

Șotuŧahtěnu /ɬɒtəθahtɛ˧˥nə/ - The Jěyotuy word for the planet's largest continent.

H̊lanueli /xlænweli/ - began as a name for the northern people, most likely a mixture of groups from Sallóxe-speaking villages that were traded scrubland vegetables for fish from the open ocean. Comes from the word h̊lanen, meaning ‘stew’, thus calling them stew-eaters; the relatively colder climate lent to more hot and hearty meals than the hurricane-prone south.

nende /nen:dʲe/ - Time, moment, or an "hour" in their timekeeping system, which equates to roughly 48 minutes in Earth time.

nuyu /n:uju/ - An adjective meaning long or extending.

GLOSS

The writing system for the Twac̊in̊ language is shared by several languages in the area and is referred to as the C̊iyahe alphabet (read more here). Its usage in modern forms of the language consists of four vowel glyphs(a, i, u, and e), three diphthongs(ae, ua, and ue), eleven consonants, and 9 consonant cluster glyphs. In the Latin alphabet, the clusters, diphthongs, and the letter tw are represented by digraphs, but this is not the case in the native alphabet. Below is a chart of all the characters, their romanization, and potential pronunciations in the standard modern dialect of spoken Twac̊in̊.

[michaelchallpics]

Inside ‘Dexter’ Star Michael C. Hall’s Killer New York City Digs

Designer Sara Bengur helped the actor and his wife, Morgan, create the color-drenched home of their dreams.By Ingrid Abramovitch and Styled by Anita SarsidiPublished: Oct 11, 2023

Since founding her firm in 1993, New York–based interior designer Sara Bengur has won awards for her work and garnered projects from Washington, D.C., to the French West Indies to her native Istanbul. Still, when she heard about the New York Design Center’s Access to Design—a matchmaking program between clients and designers—she decided to give it a try. The last thing she expected was for the first query to come from a celebrity. And to instantly bag the job.

The Paul McCobb chairs are vintage, the 1950s table is Italian, and the Tulu rug is from Double Knot.

But that’s exactly what happened when Michael C. Hall—aka the star behind the TV show Dexter—and his wife Morgan flipped through Bengur’s portfolio. “We wanted something simultaneously sophisticated and playful—and we wanted color!” says Hall, who also fronts an indie band, Princess Goes, that released a new album, Come of Age, on October 6. “Sara’s spaces have an ease and flow that immediately appealed.”

The couple had recently moved from the West Coast to New York City and found an apartment at the El Dorado, a legendary Art Deco cooperative on Central Park West. Both Hall and his spouse are design aficionados who started out trying to decorate their home themselves. But while searching for fabrics and furniture at the design center, they realized they needed guidance. “They went to shop and got overwhelmed,” Bengur says. “I got an email from Michael saying, ‘When can we meet?’ I ran up to the El Dorado, and it was an instant connection. We laugh a lot together. They are both creative and really a joy.”

A vibrant pink pigment painting by Bill Kane contrasts with purple walls. The Richard Schultz chairs for Knoll and the Suzani and Moroccan rug from Double Knot are vintage. The walls are painted in Amorous by Benjamin Moore.Richard Powers

Before the move to New York, the couple had spent a stint in the United Kingdom, where Hall was shooting the Netflix murder-mystery series Safe. While overseas, they had fallen under the spell of English country house decor and wanted to bring a similar approach to their New York classic six apartment. “They loved the casual elegance of British country homes with the florals and patterns and feeling of design elements layered over time,” Bengur says. “And like me, they love color. So we experimented with different color combinations, spending hours on the living room floor with bags and bags of samples and color swatches.”

Tour Michael C. Hall’s Color-Drenched NYC Apartment by Sara Bengur

[notwiselybuttoowell]

They have weathered the elements for hundreds of years and historians have described them as part of a landmark moment in the cultural history of Siam. They not only made temples more attractive, but also relayed moral lessons. Now Phra Maha Natee fears the designs on the walls of Wat Prasat could disappear completely within a couple of decades.

Murals in temples across Thailand face the risks of flooding, pollution and poor planning but conservationists say the main danger is another, more existential threat: saltwater intrusion from rising sea levels sparked by the climate crisis.

Wat Prasat is in Nonthaburi a low-lying province less than 60km from the coast, and is especially vulnerable. Drought and rising sea levels are increasingly causing saltwater from the Gulf of Thailand to intrude into the Chao Phraya river, the main source of water in central Thailand. The saltwater can destroy crops, at huge cost to farmers, and render tap water unsafe. It is also threatening to degrade historic temples, by seeping up from the ground, causing concrete walls to crumble, and their paintings to flake and disappear forever.

Thailand’s Fine Arts Department, the government body responsible for heritage conservation, said that salt moisture is the biggest issue it finds in the temples it has been called to survey for damage. The effects are gradual and can take decades to show, but it is feared the problem will only get worse.

“With the sea water level getting higher, the salt[water] is coming into the land more,” says Kiriya Chayakul Sitthiwang, an academician at the department. “[It] means that in the future more heritage sites will be impacted from this salt moisture,” says Kiriya, who added the problem was now affecting areas as far away as Chai Nat province, more than 200km north of the Bay of Bangkok.

[galeriacontici]

Symbolism and Use of Red Pigments in Pre-Columbian Art

The use of red pigments and oxides in pre-Columbian art extends to various artifacts made of ceramics, textiles, stone, and wood, with each culture employing these materials in unique and meaningful ways. The Olmecs, Maya, Aztecs, Inca, Chancay, Wari, and Moche all utilized red pigments, reflecting a blend of symbolic, aesthetic, and practical considerations.

The Olmecs

The Olmec civilization, one of the earliest Mesoamerican cultures, used red pigments, particularly hematite (iron oxide), to color their monumental stone sculptures and ceramics. The red color, often associated with life, vitality, and the sacred, enhanced the spiritual significance of their art. Hematite was ground into a fine powder and mixed with other materials to create a durable paint that adorned their colossal heads and intricate carvings.

The Maya

The Maya civilization, renowned for its complex iconography and vibrant murals, extensively employed red pigments derived from hematite and cinnabar (mercury sulfide). The Maya used these pigments on stone stelae, murals, ceramics, and codices. Red symbolized blood and the life force, often used to depict deities, rituals, and elite figures. The pigments’ durability ensured their elaborate designs remained striking over centuries, preserving the rich detail of their carvings and inscriptions.

The Aztecs

The Aztecs, who followed the Maya in Mesoamerica, also used red pigments in codices, stone sculptures, and ceremonial wooden objects. The Aztecs symbolized life and death with red, closely linking it to the blood sacrifices central to their religious practices. Red was applied to carved stone reliefs and wooden ceremonial masks, emphasizing essential figures and events in Aztec history and mythology. These pigments highlighted intricate details, adding depth and dimension to their art.

The Moche

The Moche culture of northern Peru, renowned for its realistic and expressive ceramics, utilized red pigments to accentuate details in their pottery, stone carvings, and wooden objects. Red in Moche art often highlighted human figures, animals, and scenes from mythology, providing a vivid contrast that brought their depictions to life. Iron oxide pigments ensured the durability and vibrancy of their ceramic and carved artwork.

The Wari

The Wari culture, or Huari, preceded the Inca in the Andean highlands and used red pigments extensively. Wari textiles, known for their complex iconography, featured red dyes derived from cochineal insects and other natural sources. Stone sculptures and wooden artifacts, including ceremonial bowls and masks, were painted red to highlight religious and social symbols, underscoring the cultural significance of the artifacts.

The Chancay

The Chancay culture of the central coast of Peru, known for its distinctive ceramics and textiles, employed red pigments to decorate their pottery and woven goods. They also used red pigments on wooden artifacts, such as ceremonial staffs and figurines. Red in Chancay art created geometric patterns and symbolic motifs, reflecting their cosmological beliefs and societal structure.

The Inca

In South America, the Inca civilization utilized red pigments in their textiles, ceramics, stonework, and wooden artifacts. The Inca sourced red pigments from iron oxides and plant-based dyes to create intricate patterns and designs that conveyed social status, cosmology, and religious beliefs. Stone structures, such as the famous Inca walls, occasionally featured red-painted carvings. Wooden artifacts, including ceremonial objects and tools, were adorned with red pigments to signify their importance and connection to the divine.

Conclusion

In conclusion, red pigments in pre-Columbian art were widespread across various cultures and materials, each with unique applications and symbolic meanings. Red pigments were integral to expressing cultural values, religious beliefs, and artistic traditions from the Olmecs and Maya in Mesoamerica to the Inca, Chancay, Wari, and Moche in the Andes. The durability and vividness of red pigments made them a favored choice for creating art that has withstood the test of time, allowing us to appreciate the rich heritage of these ancient civilizations. Their application on ceramics, textiles, stone, and wood artifacts further highlights the versatility and importance of red pigments in pre-Columbian art.

Olmec Green Stone Masks: Symbolism and Ritual Significance

Research Academic Papers and News Articles

[ukrainenews]

Daily Wrap Up May 4, 2023

Under the cut:

The Organization for Security and Cooperation in Europe (OSCE) concluded that “a large number” of Ukrainian minors have been “displaced” to Russia and Russian-occupied territories in Ukraine, and Moscow "manifestly violated" the interests of these children, according to its report released Thursday. The report looked into the alleged Russian deportation of Ukrainian children since the start of the war in February 2022.

Ukrainian air defense forces shot down a drone over Kyiv late on May 4, Kyiv City Military Administration reported. According to the administration, the drone remains fell in the Solomianskyi district on Kyiv’s right bank, causing a fire in a non-residential building.

Ukrainian Air Force reported that Russian forces have launched up to 24 Shahed-136/131 attack drones from Bryansk region and the eastern coast of the Azov Sea in the early hours of May 4. Eighteen drones were downed by Ukraine's air defense in the northern, central, and southern parts of Ukraine. Anti-aircraft weapons, aircraft, and mobile fire groups were involved, according to the Air Force.

The casualty numbers in the May 3 Russian attack on Kherson Oblast have risen to 23 people killed and 46 injured, Governor Oleksandr Prokudin reported on May 4.

Russian troops have placed military equipment, weapons, and explosives in the turbine department of the unit four of the Zaporizhzhia Nuclear Power Plant, according to the information from the International Atomic Energy Agency (IAEA).

Russia accused the United States on Thursday of being behind what it says was a drone attack on Moscow's Kremlin citadel intended to kill President Vladimir Putin. A day after blaming Ukraine for what it called a terrorist attack, the Kremlin administration shifted the focus onto the United States, but without providing evidence. The White House was quick to reject the charge. Ukraine has also denied involvement in the incident in the early hours of Wednesday, when video footage showed two flying objects approaching the Senate Palace inside the Kremlin walls and one exploding with a bright flash.

The Organization for Security and Cooperation in Europe (OSCE) concluded that “a large number” of Ukrainian minors have been “displaced” to Russia and Russian-occupied territories in Ukraine, and Moscow "manifestly violated" the interests of these children, according to its report released Thursday.

The report looked into the alleged Russian deportation of Ukrainian children since the start of the war in February 2022.

Though the team of experts were not able to determine the exact number of children Russian forces deported, “the fact of a large-scale displacement of Ukrainian children does not seem disputed by either Ukraine or Russia,” the report said.

Ukrainian officials told OSCE experts they estimated the number of “kidnapped” children to be between 200,000 and 300,000.

“Numerous and overlapping violations of the rights of the children deported to the Russian Federation have taken place. Not only has the Russian Federation manifestly violated the best interests of these children repeatedly, it has also denied their right to identity, their right to family, their right to unite with their family as well as violated their rights to education, access to information, right to rest, leisure, play, recreation and participation in cultural life and arts as well as right to thought, conscience and religion, right to health, and the right to liberty and security,” the OSCE Moscow Mechanism mission of experts wrote to the OSCE Permanent Council in their report. The report also found that the three most common reasons for the organized displacement of children are, "the evacuation for security reasons, the transfer for the purpose of adoption or foster care, and temporary stays in the so-called recreation camps,”

The team of experts led by Professor Veronika Bílková, Dr. Cecilie Hellestveit and Dr. Elīna Šteinerte found that Ukrainian children taken by Russian forces “are exposed to pro-Russian information campaigns often amounting to targeted re-education.”

“The Russian Federation does not take any steps to actively promote the return of Ukrainian children. Rather, it creates various obstacles for families seeking to get their children back,” the experts added.

The report “further exposed the abhorrent actions carried out at the behest of the Russian leadership, said Deirdre Brown, UK Acting Ambassador to the OSCE. “The report indicates figures in the several thousands, with the true figure likely to be far higher."

“Russia’s intention is clear. It is attempting to forcibly and permanently alter the demographic makeup of Ukraine,” Brown added. In late March 2023, the United States and 44 other countries in the OSCE invoked a special mechanism to investigate alleged human rights violations by Russia during its war in Ukraine, “particularly with regard to the forced transfer and deportation of children by the Russian Federation.”

According to the US and several European governments, Russian President Vladimir Putin's administration has carried out a scheme to forcibly deport thousands of Ukrainian children to Russia, often to a network of dozens of camps, where the minors undergo political reeducation.

The International Criminal Court (ICC) earlier in March issued arrest warrants for Putin and another Russian officials related to this reported forced deportation.

The OSCE does not have the authority to legally punish Russia if it finds evidence of war crimes and crimes against humanity, but their facts can be given to other bodies that do have that authority. Both Russia and Ukraine are members of the 57 nation OSCE.

Russia has previously denied it is doing anything illegal, claiming it is bringing Ukrainian children to safety.

-via CNN

~

Ukrainian air defense forces shot down a drone over Kyiv late on May 4, Kyiv City Military Administration reported.

According to the administration, the drone remains fell in the Solomianskyi district on Kyiv’s right bank, causing a fire in a non-residential building.

Kyiv Mayor Vitalii Klitschko later said that the first responders had extinguished the fire on the first floor of a four-story shopping center that covered an area of 50 square meters. There were no casualties, he added.

Earlier, during an air raid alert, explosions were reported in the Ukrainian capital.

-via Kyiv Independent

Ukrainian Air Force reported that Russian forces have launched up to 24 Shahed-136/131 attack drones from Bryansk region and the eastern coast of the Azov Sea in the early hours of May 4.

Eighteen drones were downed by Ukraine's air defense in the northern, central, and southern parts of Ukraine. Anti-aircraft weapons, aircraft, and mobile fire groups were involved, according to the Air Force.

The air raid alert had been on in Kyiv, Chernihiv, Sumy, Poltava, Kirovohrad, Kharkiv, Mykolaiv, Odesa, Dnipropetrovsk, Zaporizhzhia regions, and the city of Kyiv for a few hours.

Kyiv was under attack for the third time in the last four days, Kyiv City Military Administarion reported.

The Russian forces attacked Kyiv using Shahed drones and missiles, probably of the ballistic type. According to preliminary information, all aerial targets were destroyed in Kyiv airspace, according to the city administation.

Some drone debris was found in the streets and also in a residential building in Kyiv's Shevchenkivskyi district. No casualties and no significant damage were reported.

-via Kyiv Independent

~

The casualty numbers in the May 3 Russian attack on Kherson Oblast have risen to 23 people killed and 46 injured, Governor Oleksandr Prokudin reported on May 4.

According to Prokudin, Russian forces shelled Kherson Oblast 98 times over the past 24 hours, firing off 539 shells from heavy artillery, Grads, tanks, drones, and aviation.

The city of Kherson was shelled 16 times over the past 24 hours.

It was reported on May 3 that 21 people had been killed and 48 injured, indicating that the latest casualty numbers include two people who succumbed to their injuries.

The city of Kherson and surrounding settlements have been under consistent Russian artillery fire since they were liberated in November, with Russian forces retreating to the east bank of the Dnipro River.

Kherson authorities are preparing to evacuate residents if the region comes under even more intense shelling.

-via Kyiv Independent

~

Russian troops have placed military equipment, weapons, and explosives in the turbine department of the unit four of the Zaporizhzhia Nuclear Power Plant, according to the information from the International Atomic Energy Agency (IAEA).

Ukraine's State Nuclear Regulatory Inspectorate reported that IAEA has also received unofficial reports that Russian forces are storing similar materials in other areas of the plant. These actions pose a serious threat to the safety of both plant personnel and nearby residents.

The Inspectorate emphasizes that any potential release of radioactive substances could have cross-border consequences.

Zaporizhzhia is located in southern Ukraine and serves as Europe's largest nuclear power plant. The plant has a gross power production capacity of 6,000 megawatts.

Since it was seized by Russian military forces a year ago, the Zaporizhzhia Nuclear Power Plant has lost external power six times. Following the latest outage, the director general of the IAEA Rafael Mariano Grossi, issued an emotional statement calling for a protection zone around the plant and saying he was "astonished by the complacency" around the issue.

-via Kyiv Independent

~

Russia accused the United States on Thursday of being behind what it says was a drone attack on Moscow's Kremlin citadel intended to kill President Vladimir Putin.

A day after blaming Ukraine for what it called a terrorist attack, the Kremlin administration shifted the focus onto the United States, but without providing evidence. The White House was quick to reject the charge.

Ukraine has also denied involvement in the incident in the early hours of Wednesday, when video footage showed two flying objects approaching the Senate Palace inside the Kremlin walls and one exploding with a bright flash.

"Attempts to disown this, both in Kyiv and in Washington, are, of course, absolutely ridiculous. We know very well that decisions about such actions, about such terrorist attacks, are made not in Kyiv but in Washington," said Putin's spokesman Dmitry Peskov.

He said the United States was "undoubtedly" behind the incident and added - again without stating evidence - that Washington often selected both the targets for Ukraine to attack, and the means to attack them.

"This is also often dictated from across the ocean … In Washington they must clearly understand that we know this," Peskov said.

White House national security spokesman John Kirby told MSNBC television the Russian claims were false, and that Washington does not encourage or enable Ukraine to strike outside its borders.

Russia has said with increasing frequency that it sees the United States as a direct participant in the war, intent on inflicting a "strategic defeat" on Moscow. The United States denies that, saying it is arming Ukraine to defend itself and retake territory that Moscow has seized illegally in more than 14 months of war.

However, Peskov's allegation went further than previous Kremlin accusations against Washington.

Putin was not in the Kremlin at the time, and security analysts have poured scorn on the idea that the incident was a serious assassination attempt.

But Russia has said it reserves the right to retaliate, and hardliners including former president Dmitry Medvedev have said it should now "physically eliminate" Ukrainian President Volodymyr Zelenskiy.

Peskov declined to say whether Moscow saw Zelenskiy as a legitimate target.

He said Russia had an array of options and the response would be carefully considered and balanced. He said an urgent investigation was under way.

Putin was in the Kremlin on Thursday and staff were working normally, he said.

The incident took place less than a week before Russia's May 9 Victory Day celebrations marking the defeat of Nazi Germany in World War Two - an important public holiday and an opportunity for Putin to rally Russians behind what he calls Russia's "special military operation" in Ukraine.

Peskov said air defences would be tightened, and this was happening anyway for the military parade on Red Square, the centrepiece of the holiday, just over the Kremlin wall from the site of the alleged attack.

He said the parade would go ahead as normal, and include a speech from Putin.

-via Reuters

[inexplicablymine]

happy nice ask day!!

i come to you with a task: you need to go underground right now, and this requires you to create an undercover alias and backstory. please tell us the story of the new you 👀

I am assuming, considering that I have an undercover alias and backstory that money is not necessarily of object so… without further ado

My hair is incredibly distinct so that’s the first to go, a chop and a dye job, I would truly be unrecognizable with those two choices alone.

I will live in New York City, plain sight but also incredibly easy to blend in.

My name is now Eleanor Belfonte. I go by Ellie sometimes, but really Eleanor seems to suit me.

My Alias: I am a second shooter for high end event photography, weddings, catwalks, the parties you wish you were at, and the magazines that fill your news stands. I am not the main photographer so I’m never a billable name that is mentioned, but I’m still there in plain sight, hiding between layers of black behind a lens more expensive than your last two months of rent.

My new Background: I grew up going to private schools on either coast in the states, but I never spent more than a year at each because family was moving around (#militarybrat of some high ranking parents that I would never be so gauche to disclose) so if you don’t remember why I was in your top circle it’s because I was only there for a few months, but yes, I was absolutely at that party in highschool with you. I spent summers in Santa Fe, New Mexico in the art community there studying under the Majors who took the photos on all of your favorite posters growing up. I spent a year between my non traditional art school experience and starting up under a mentor backpacking around Central Asia gaining experience and building a portfolio. One of my shots was sold to a private buyer for an undisclosed amount of money, NDA’s darling of course. I now have my pick of events and which of the Who’s Who of the city I want to listen in on tonight. I am a fly on the wall. Everyone loves “that second shooter you had for that last party I don’t remember her name” and that’s why I keep getting hired. I’m discreet and good enough to get the shots while letting the main photographer shine.

I keep to myself in my small apartment, collecting stories, always alert. If the walls of these buildings could talk they would share the secrets I am already keeping.

[trans-corvo]

things I'm going to do when I'm finally done school and am settled into a job (be it in academia, an archive, or the produce department) and have some money saved.

Get a nice, small apartment of my own if in the city, or maybe a mobile home if I'm somewhere rural. Somewhere I can stay for the long term and get real comfortable in. With art prints on the wall and a ton of book shelves

Get dental implants for the 4 teeth I had to get pulled because depression ruins everything. Actually just getting my teeth fixed in general

Solo road trip down to LA through the Rockies, and then back up the coast. Taking my sweet time and stopping to swim in every body of water I pass.

Take up sewing (no space and no time rn)

See central/eastern Europe. Berlin, Budapest, the Croatian coast, Istanbul. Need to brush up on a few languages for that first, I don't like the idea of traveling too many places where I can't speak at least the basics. I'm taking German classes right now, but I also want to get some basic Hungarian for school.

Actually, on that note, I really want to just keep learning new languages. I had a terrible time in french immersion when I was a kid but I'm genuinely having so much fun learning german at the moment. I think the second language might be the hardest to learn, because a ton of the shit that threw me through a loop with french feels really obvious now.

and if I end of somewhere even remotely rural: get chickens.

[aphroditestummyrolls]

color and light

Hello! Have a lovely moment with Yusuf and our ladies!

The ball was lovely— the Festa d’Inverno was certainly the North Coast’s festival of the year. Princess Christina had not oversold it.

Strings and woodwinds swelled through the ballroom with great sweeps of music. Nobility from every corner of the Central Sea twirled in elegant circles, swirling like a kaliedoscope across the floor. It seemed like the whole room was encased in frost, sparkling in a thin net of crystal beads that draped like gossamer tents over the chandeliers and down the walls. The terrace outside the windows glittered a lagoon blue, reflecting the moonlight in the snow. It, and the crystal webbing, matched his robes.

Perhaps, if he remained very still over by the window, he could camouflage himself in plain sight.

He entertained himself with the towering floral centerpieces. They exploded with heavy greenery, eucalyptus fronds and froths of little white buds that nearly overshadowed their more colorful companions— columns of lavender, periwinkles, and soft little pink flowers Yusuf had never seen before. There were no large blooms, not even a rose, but they weren’t missed. The densely packed heads of tiny flowers looked like dots of spring colors hibernating under a snowstorm of white.

It was a piece of art. Like an impressionistic painting made up of tiny dots, just color and light and feeling.

He recognized them from the greenhouse. From memories of sage green eyes gazing over at him past the rows of carefully maintained greenery, the feel of hands brushing his fingertips across pots of verdant little seedlings. If he closed his eyes, he could still smell fresh tilled earth and feel the manufactured warmth of summer in the dead of winter.

If it weren’t for Andromache, Quynh, and Nile, that vase of flowers would be the most compelling company in the whole party.

“You’re quiet.”

Speak of the devil, and she shall appear, he thought, smiling into his champagne.

“I’m sure I don’t know what you mean.”

“Yusuf,” Andromache fixed him with a wry look “you’re hiding behind the flowers— you’re a literal wallflower.”

“That’s not your usual style.” Nile piped up, coming up on her other side.

For a woman in plate armor, she was quieter than she had any right to be.

“Easy to sneak up on, too.” Quynh raised an elegant eyebrow, leaning into her wife’s side as she studied him. “What’s going on, Yusuf?”

Thanks for playing! ❤️

[world-cinema-research]

Batman (1989)by Michael Bump

Batman (1989) by Michael Bump 

Batman, directed by Tim Burton, was released in the summer of 1989 and was the origin of Batman blockbuster movies in America. The film ventured off from the colorful, cartoonish Batman portrayed in the television series in the 1960s. The budget for Batman was around thirty-five million dollars. After the release, the film accumulated over 400 million dollars at the box office worldwide. The casting directors at Batman knew that the names on the marquee would surely bring in the most revenue. Jack Nicholson was a well-established actor at the time and his portrayal of the Joker was the highlight of the film. The same can be said for movies with the Joker in today’s films. The casting of Michael Keaton was met with some criticism at the time. Keaton was known for doing comedic roles and some did not believe he was right to play the dark knight. His performance showed the world and other actors that they did not need to be typecast, and no one knows how an actor will do in a certain role until they see the film.  

The standout performance comes from Nicholson. There is a reason they put Nicholson’s name first on the movie poster before Keaton’s. Watching the film, I could not help but want more scenes with Joker in it. Nicholson showed how manic and unhinged the Joker can be, but by also adding an element of comedy to the dialogue. Tim Burton found a way to make Batman feel as gritty and dark as the comic books, but also bring the murky world of Gotham City to life. The costumes and sets give a great feel to the film and bring in elements not known for the Batman series at the time. The film set the stage for future filmmakers to put their own spin on the comic book story. I loved this movie because I enjoyed the story, the acting, and I like watching Batman brought to life. The element that is unique to this film is the way Jack Nicholson plays the Joker. In modern times there have been great portrayals of the villain by Joaquin Phoenix, Jared Leto, and of course Heath ledgers, which is my favorite. Another element that Burton displayed well was the use of Batman’s gadgets. That aspect is important because Batman is a superhero without superpowers. He is not superhuman like Superman. He is a billionaire trained in Martial Arts and uses his wealth fund being Batman.  

The film was released in 1989. There were many noteworthy events that happened in that year. The first was the Loma Prieta earthquake that occurred off the central coast of California on October 17th. It was a 7.5 earthquake which took the lives of 63 people and displaced thousands more. The earthquake caused a staggering ten billion dollars worth of damage. The second significant event that occurred was the end of the Cold War. President George H.W. Bush held a conference in December of 1989 to talk to the leader of the Soviet Union, Mikhail Gorbachev, about the end of the Cold War. Many of the communist factions had already fallen, Bush wanted to capitalize this opportunity. Their discussion would lead to the demolition of the Berlin wall.  

I would categorize this film as a conventional one. It was a big blockbuster film which had A-list actors and generated hundreds of millions of dollars. It is also a rendition of a comic book which I would place any of those types of films with the conventional ones. In 1989, it may have been considered unconventional because of the darkness and the violence. If it was compared to the 1960s television series, which is more like a comedy. There is a reason Ebert was a critic for a living. I chose the two quotes because they were descriptive. I also found it interesting how he said Basinger and Keaton had bad chemistry which I thought myself. The video is a scene from when the Nicholson Joker is revealed. Burton found a way to make Batman dark and less like Batman from the television series. Lastly the image below is of Michael Keaton and Kim Basinger. Overall, the film is epic in its story telling and the vivid imagery by Burton brought Gotham City to life. Nicholson is exceptional at playing the villain we hate to love. I recommend Batman to anyone who likes superhero films, or action films. I would also recommend this film to anyone who is a fan of Tim Burton. Watching this made me reminisce about when I was a kid watching these movies on VHS. 

“The Gotham City created in “Batman” is one of the most distinctive and atmospheric places I’ve seen in the movies. It’s a shame something more memorable doesn’t happen there. “Batman” is a triumph of design over story, style over substance - a great-looking movie with a plot you can’t care much about. All of the big moments in the movie are pounded home with ear-shattering sound effects and a jackhammer cutting style, but that just serves to underline the movie’s problem, which is a curious lack of suspense and intrinsic interest.”- Roger Ebert 

“Nicholson’s Joker is really the most important character in the movie - in impact and screen time - and Keaton’s Batman and Bruce Wayne characters are so monosyllabic and impenetrable that we have to remind ourselves to cheer for them. Kim Basinger strides in as Vicky Vale, a famous photographer assigned to the Gotham City crime wave, but although she and Wayne carry on a courtship and Batman rescues her from certain death more than once, there’s no chemistry and little eroticism. The strangest scene in the movie may be the one where Vicky is brought into the Batcave by Alfred, the faithful valet, and realizes for the first time that Bruce Wayne and Batman are the same person. How does she react? She doesn’t react. The movie forgets to allow her to be astonished.”- Roger Ebert 

Batman (1989) - You Can Call Me Joker Scene | Movieclips 

[underrated-travel-destinations]

Underrated Travel Destinations: Hidden Gems You Need to Visit

Traveling to popular destinations is always exciting, but sometimes the best adventures are found off the beaten path. If you're seeking a unique experience away from the crowds, consider exploring these underrated travel destinations. From charming towns to stunning landscapes, these hidden gems offer unforgettable experiences and a refreshing break from typical tourist spots.

1. Ghent, Belgium: A Fairytale City

Often overshadowed by nearby Bruges, Ghent is a medieval city brimming with history and charm. Wander through its cobblestone streets, visit the majestic Gravensteen Castle, and take a serene boat ride along the canals. Ghent also boasts vibrant cultural scenes, including lively markets and contemporary art galleries. With fewer tourists and rich local culture, Ghent provides an authentic Belgian experience.

2. Lucca, Italy: The Tuscany Secret

While Florence and Rome dominate Italy’s travel scene, Lucca offers a quieter, equally enchanting alternative. This Tuscan gem is known for its well-preserved Renaissance walls that encircle the city. Enjoy a leisurely bike ride on the historic ramparts, explore the picturesque streets lined with charming boutiques, and savor local Italian delicacies at cozy trattorias. Lucca’s peaceful ambiance and stunning architecture make it a perfect destination for a relaxed Italian getaway.

3. Hvar, Croatia: A Mediterranean Paradise

Hvar may not be as famous as Dubrovnik or Split, but it’s a hidden treasure on Croatia’s Dalmatian Coast. This beautiful island offers crystal-clear waters, lush landscapes, and a vibrant nightlife. Explore the historic town of Hvar, relax on pristine beaches, and visit the picturesque Pakleni Islands just offshore. With its combination of natural beauty and cultural heritage, Hvar promises a memorable Mediterranean escape.

4. Tbilisi, Georgia: The Cultural Crossroads

Tbilisi, the capital of Georgia, is a city that blends ancient traditions with modern vibrancy. Its colorful architecture, historic churches, and bustling markets provide a fascinating cultural experience. Wander through the charming Old Town, soak in the sulfur baths, and sample traditional Georgian cuisine, including khachapuri (cheese-filled bread) and khinkali (dumplings). Tbilisi’s unique charm and rich history make it an intriguing destination for curious travelers.

5. Porto, Portugal: The Quaint Alternative

While Lisbon often captures the spotlight, Porto is a lesser-known Portuguese city that’s worth exploring. Known for its stunning riverfront, historic Ribeira district, and world-famous port wine, Porto offers a more relaxed and intimate travel experience. Visit the Livraria Lello, one of the most beautiful bookstores in the world, stroll across the iconic Dom Luís I Bridge, and enjoy the local cuisine at one of Porto’s many charming restaurants.

6. Ulaanbaatar, Mongolia: The Heart of Mongolia

Ulaanbaatar, Mongolia’s capital, is often overlooked by travelers, but it offers a unique glimpse into Mongolian culture and history. Visit the Gandan Monastery, the largest and most important monastery in Mongolia, and explore the National Museum of Mongolia to learn about the country’s rich heritage. For a truly adventurous experience, venture beyond the city to explore Mongolia’s stunning landscapes, including the Gobi Desert and the vast steppes.

7. Puebla, Mexico: A Culinary and Cultural Delight

Puebla, located in central Mexico, is a city that’s often overshadowed by Mexico City and Cancun but offers a wealth of cultural and culinary experiences. Known for its beautiful colonial architecture and vibrant tiles, Puebla is a UNESCO World Heritage site. It’s also famous for its delicious cuisine, including mole poblano, a rich and flavorful sauce that’s a local specialty. Puebla’s combination of history, art, and food makes it a fascinating destination.

8. Baku, Azerbaijan: The Modern Marvel

Baku, the capital of Azerbaijan, is a modern city with a unique blend of futuristic architecture and rich cultural heritage. The Flame Towers, a trio of skyscrapers that light up the night sky, contrast with the historic Old City (Icherisheher), where you can explore ancient landmarks like the Maiden Tower. Baku’s bustling nightlife, vibrant arts scene, and stunning waterfront make it a dynamic destination for travelers seeking something different.

9. Arequipa, Peru: The White City

Often overshadowed by Machu Picchu, Arequipa is a charming city in southern Peru known for its beautiful colonial architecture and stunning volcanic scenery. The city’s historic center, built from white sillar stone, gives it the nickname “The White City.” Visit the Santa Catalina Monastery, explore the bustling Mercado San Camilo, and enjoy breathtaking views of the surrounding volcanoes. Arequipa offers a more tranquil and culturally rich alternative to Peru’s more famous destinations.

10. Matera, Italy: The Ancient Cave City

Matera, located in southern Italy, is one of the world’s oldest continuously inhabited cities. Its unique cave dwellings, known as Sassi, are carved into the limestone cliffs and offer a glimpse into ancient life. Matera’s narrow streets, historic churches, and stunning views make it a captivating destination. As a UNESCO World Heritage site and European Capital of Culture 2019, Matera provides a blend of history, culture, and incredible scenery.

Conclusion

Exploring underrated travel destinations allows you to experience the world from a different perspective. These hidden gems offer unique cultures, stunning landscapes, and a more personal travel experience away from the usual tourist crowds. Whether you’re looking for historical charm, natural beauty, or culinary delights, these lesser-known spots promise memorable adventures and a chance to discover the world’s hidden treasures.

[journaljotz]

Top East Coast USA Destinations to Visit

The East Coast of the USA is a treasure trove of vibrant cities, historic landmarks, and stunning natural landscapes. Whether you're looking for a charming small town, a bustling metropolitan area, or a serene beach retreat, the East Coast offers a diverse array of destinations to suit every taste. In this guide, we'll explore some of the best places to go on the East Coast of the USA, each promising unique experiences and unforgettable memories.

1. Charleston, South Carolina

Charleston is a quintessential Southern city known for its cobblestone streets, historic homes, and vibrant culinary scene. A walk through the historic district will reveal beautifully preserved architecture and charming boutiques. Don’t miss a visit to the iconic Rainbow Row, a series of colorful historic houses, or a relaxing afternoon at Waterfront Park, where you can enjoy stunning views of the harbor. For foodies, Charleston's restaurant scene is a must-explore, with renowned establishments like Husk and Fleet Landing offering delectable Southern cuisine.

2. New York City, New York

No list of East Coast USA destinations would be complete without mentioning New York City. Known as "The City That Never Sleeps," NYC offers endless attractions and activities. From the bright lights of Times Square to the serene beauty of Central Park, there’s something for everyone. Explore world-class museums like the Metropolitan Museum of Art and the American Museum of Natural History, or catch a Broadway show in the Theater District. For a panoramic view of the city, head to the Top of the Rock Observation Deck or the Empire State Building. You can also check out b0arding’s blog to discover New York’s hybrid dining if you need places to eat.

3. Miami, Florida

If you're seeking sunshine and vibrant nightlife, Miami is the place to be. Famous for its beautiful beaches, such as South Beach and Miami Beach, Miami offers a lively atmosphere with its art deco architecture and bustling nightlife. The city's diverse neighborhoods, including Little Havana and Wynwood Walls, provide rich cultural experiences and fantastic dining options. Miami is also a gateway to the nearby Everglades National Park, where you can explore unique ecosystems and spot wildlife like alligators.

4. Boston, Massachusetts

Boston, with its rich history and charming neighborhoods, is a fantastic East Coast destination. Walk the Freedom Trail to immerse yourself in American history, visiting landmarks such as the Boston Common, Paul Revere’s House, and the Old North Church. Explore the vibrant neighborhoods of Beacon Hill and the North End, known for its Italian heritage and delicious food. For a unique experience, visit Fenway Park, one of the oldest baseball stadiums in the country, and catch a Red Sox game.

5. Savannah, Georgia

Savannah is a picturesque city known for its historic charm and beautiful landscapes. Stroll through the historic district to admire the stunning architecture and moss-draped oaks. Forsyth Park, with its iconic fountain and expansive green spaces, is a perfect spot for a leisurely afternoon. Savannah’s charming squares, such as Chippewa Square and Oglethorpe Square, offer serene spots to relax and enjoy the city's ambiance. For more tips and ideas on exploring Savannah, check out b0arding's blog for in-depth insights and recommendations.

6. Washington, D.C.

The nation's capital is a must-visit for its iconic monuments, museums, and vibrant neighborhoods. Explore the National Mall, where you’ll find the Lincoln Memorial, Washington Monument, and the U.S. Capitol. The Smithsonian museums, including the National Museum of American History and the National Air and Space Museum, offer fascinating exhibits for visitors of all ages. Don’t miss Georgetown’s historic charm and vibrant dining scene or the bustling markets of the U Street Corridor.

7. Asheville, North Carolina

Nestled in the Blue Ridge Mountains, Asheville is a haven for outdoor enthusiasts and culture lovers alike. The city is known for its vibrant arts scene, historic architecture, and craft breweries. Explore the Biltmore Estate, America’s largest privately-owned home, and its stunning gardens. Outdoor adventures await in the nearby Pisgah National Forest, where you can hike, bike, or simply enjoy the breathtaking mountain views. Asheville’s culinary scene is also notable, with farm-to-table restaurants and local breweries offering delicious options.

8. Philadelphia, Pennsylvania

Philadelphia, rich in American history, is a great destination for history buffs and food lovers. Visit Independence Hall, where the Declaration of Independence was signed, and the Liberty Bell, a symbol of American freedom. The Philadelphia Museum of Art, with its iconic "Rocky Steps," offers an impressive collection of art and a great workout. Don’t forget to indulge in a Philly cheesesteak from renowned spots like Pat’s or Geno’s.

Conclusion

The East Coast of the USA offers a wealth of diverse destinations, each with its own unique charm and attractions. From the historic streets of Charleston to the vibrant nightlife of Miami, there’s something for every traveler. Whether you’re exploring bustling cities, relaxing on pristine beaches, or immersing yourself in rich cultural experiences, these East Coast destinations provide the perfect backdrop for your next adventure. So pack your bags and get ready to explore the best places to go on the East Coast of the USA.

[taylorprintssussex]

Seven Sisters, Black and White Toned – A Journey Through Monochrome Landscapes

Blog Post: Seven Sisters, Black and White Toned – A Journey Through Monochrome Landscapes

The Seven Sisters, one of England's most iconic coastal landscapes, never fails to inspire awe with its dramatic chalk cliffs and endless views of the English Channel. As an artist, capturing the beauty and power of this location was both a challenge and a joy, especially in black and white. Today, I want to share my latest digital artwork—Seven Sisters, Black and White Toned—and the process and inspiration behind creating it.

The Inspiration Behind the Artwork

The Seven Sisters, situated on the southern coast of East Sussex, are part of the South Downs National Park. Known for their striking white cliffs and stunning coastal paths, the location has long been a favorite for artists, hikers, and photographers alike. I have visited the cliffs many times, always finding new inspiration in how the light interacts with the landscape, casting shadows on the cliffs, and highlighting the endless stretch of the shoreline.

For this piece, I chose a monochromatic palette to focus on the textures, contrasts, and mood of the environment rather than the colors. Black and white, to me, offers a timeless quality that allows the viewer to connect with the core elements of the scene—land, sea, and sky—without distractions.

Creating the Artwork

Digital art offers an incredible range of possibilities, and this piece took full advantage of that. The fluidity of the sea, the sharpness of the cliffs, and the stony textures of the beach all come together in a way that almost feels like a blend between reality and abstraction. I wanted the waves to feel alive, almost as though they were in motion, with a dreamlike quality that draws the eye inward.

The cliff's jagged edges contrast with the soft movement of the water, giving the piece a balance between harshness and calm. My goal was to capture that duality, where the landscape is both fierce and serene—two emotions often experienced when standing before the power of nature.

Why Black and White?

Choosing to render the Seven Sisters in black and white was an intentional decision to amplify the raw beauty of the scene. The absence of color enhances the textures and shapes of the landscape, allowing the natural contrasts to speak for themselves. The black and white tones bring out a sense of nostalgia, timelessness, and drama, which are central to the coastal environment.

In many ways, black and white art strips the subject down to its essence, encouraging the viewer to experience the scene on a deeper, more emotional level. The ebb and flow of the waves, the solidity of the cliffs, and the constant movement of the sky—everything is distilled into light, shadow, and texture.

Final Thoughts

"Seven Sisters, Black and White Toned" is more than just a landscape—it’s an exploration of the ever-changing relationship between land and sea, permanence and movement. This piece aims to transport you to the edge of the cliffs, where the world feels expansive and the waves speak of endless possibilities.

I hope this artwork resonates with you as much as the Seven Sisters has inspired me. I invite you to explore more of my work on my website: Taylor Prints, where you can discover other pieces that reflect the beauty of nature through digital art.

Thank you for joining me on this creative journey, and I look forward to sharing more soon!

[ozviz]

Stranieri Ovunque — Foreigners Everywhere Venice Biennale Arte 2024, Pavilion Picks and Thoughts by Maria Ogedengbe

Decades before the 60th Venice Biennale I visited Venice as a student. I remember the Guggenheim Collection and note how that era was so much closer to when Peggy G was in residence at her palazzo. On returning in 2024 the city felt familiar, like a time capsule. Yet through my stay I was anxious over climate change. Only after the trip did I learn of MOSE, a sea barrier that has been raised 80+ times since being put into use the year after Venice’s flood of 2019 ~

Much of the Venice Biennale Arte takes place in a park called the Giardini (garden). Pavilions there showcase country-specific art exhibits. The Giardini reflects the world at large… the Israel (Israele) Pavilion’s exhibit is currently closed and under guard, and the Russia Pavilion is on loan to the Plurinational State of Bolivia.

United States of America Pavilion 

At the US (Stati Uniti) Pavilion, the chromophilia effect with Jeffrey Gibson’s installation is arresting. Murals, friezes, and paintings bearing abstract lines of text, and texts spelled out in the beadwork on monumental figures, lend a didactic quality. In the final room, a wall-scale video shows a dancer who multiplies and dissolves into kaleidoscopic pattern, the spirit of her jingle dress is believed to bring healing. Gibson’s chosen theme, the-space-in-which-to-place-me, is also the concept behind a cluster of sturdy pedestals that forms a stage in the pavilion’s front courtyard. I think of how the US Pavilion facade’s appearance has changed per the visions of artists from Gibson (red, with multicolor friezes & flags) to Simone Leigh (thatched) to Fred Wilson (applying borrowed imagery of Africans bearing the roof).

Korea Pavilion 

With its focus on scents, the Korea (Corea) Pavilion at first looks spare inside. Round the corner to find a larger than life bronze elf-child balanced on a toe while waving peace signs… and exhaling perfume, visible as steam, every couple minutes. To arrive at the experimental and commercial scents for this exhibition, artist Koo Jeong A gathered input about scents that define the Korean peninsula and then worked with perfumers to create 17 distinct scents. Several of these are emitted faintly from diffusers hidden around the larger room.

Ethiopia Pavilion 

The number of countries presenting in the Biennale has grown over time to this year’s 86. Newer pavilions are set up around the city, most typically in historic palazzos that aren’t open to the public otherwise. These include the Ethiopian Pavilion in the Castello district which offers a generous show of abstract portraits and multi-figure compositions in oils by Tesfaye Urgessa. Currently based in Addis, Urgessa studied and then worked in Germany for more than a dozen years. His command and style show the influence of Neo-Expressionists like Baselitz and the London School, along the lines of Bacon.

Ivory Coast Pavilion  

Further afield in the Dorsoduro district are the Ivory Coast and Nigeria Pavilions. Ivory Coast’s theme is The Blue Note, described as a resilient expression combining fatigue and hope. Here Jems Koko Bi’s massive dark man, carved from trees, sprawls on the floor amid scattered beams. When departing from this pavilion note the San Trovaso shipyard just across the canal. Also look for a popular shop that sells cicchetti (little sandwiches) near the pavilion entryway.

Nigeria Pavilion 

Where Ivory Coast’s galleries are painted deep blue, Nigeria’s are accented with bright green and mirror effects. Exhibits of objects and artifacts in tri-way mirrored vitrines with cursive descriptions etched on glass fill the central area of the main floor. Staff explained that these are the concept of curator Aindrea Emelife herself. Curator choices give the quality of a shimmery illusion throughout. The mirror theme persists in shiny metal placards about works and writing inscribed on them. Per its placard, Tunji Adeniyi-Jones’ vibrant yellow-orange ceiling mural, Celestial Gathering, “…mirrors the spirit of the nation. The work boldly pushes into an imaginary where, perhaps, a Nigerian painter was patronized by the scuole or confraternities of Venice…”

Holy See Pavilion 

Situated in a women’s prison on the island of Giudecca to the south is the pavilion of the Holy See – seat of the Catholic Church in the Vatican, Rome. Its theme is to “embrace with the eye,” to bring sight and perception into dialogue. When Pope Francis visited in April he called for art to “…create forms of human belonging capable of recognizing, including, protecting and embracing… Everyone.” Artists, among whom are Maurizio Cattelan and the Claire Fontaine collective, have collaborated with prisoners in the making of artwork on view. While there, visitors will be accompanied by prisoner–conferencers.

Finland Pavilion 

Returning to the Giardini, the Finland (Finlandia) Pavilion is a literal breath of fresh air owing to the freeform adobe “air conditioner” Pia Lindman has built/sculpted adjacent to the far wall. Lindman, who experiences heightened sensitivity to toxins, explores concerns to do with healing through her work. A theme of accessibility is evident in this all-women exhibit through elegant handrails designed by Kaisa Sööt that compliment the artwork and the 1956 Alvar Aalto pavilion.

Canada Pavilion  

Trinket, the title of Kapwani Kiwanga’s solo installation at the Canada Pavilion, points to Venice’s production of seed beads also known as conterie. Innumerable long strands of same-color conterie delicately flow over the exterior roof and interior walls creating a solid-color or gradient and together end in defined edges – suggestive of controlled water flow like a yard sprinkler or, conversely, a haircut. Four elegant, slim sculptures combine various metal forms with panels of conterie, clear blown glass, and/or palm oil. Choice of conterie as medium connects Kiwanga’s installation to Murano and related histories. 

Since 1291 Venetian glass hot shops have all been located just north of Venice proper on the islands that make up Murano. Concentration and isolation led to proliferation and safeguarding of trade secrets, and Murano became a primary supplier of glass to the world. From the late 1500s to late 1700s beads – “perle di vetro” (pearls of glass) – grew to become 70% of Murano’s production. Beads were shipped from the ports of Venice by the tons and per orders for specific and wide varieties including conterie, larger multi-colored flame-worked “perles,” and glass “rubies.” We think of a profound duplicity that bead-trading across cultures seems to represent, from the purchase of Manhattan to purchase of human beings in Africa, because beads are now viewed as trinkets. However, bead-trading began in a pre-industrial age where “perle di vetro” were used as currency and valued like rubies and pearls.

Netherlands Pavilion  

Through my tour of Biennale pavilions, I struck up conversations with staff all of whom seemed to have been personally informed by the artists. In the Dutch/Netherlands (Olanda) Pavilion, a team of staff assist gallery goers with comprehending and navigating the complex exhibition within a high-ceilinged “white cube” where rivulets of yellow palm oil appear to be seeping in from the roof and down walls. Throughout the space, twenty-one sculptures stand on rough hewn pedestals. These were initially sculpted in clay in the Democratic Republic of Congo by members of the collective, Art Circle of Congolese Plantation Workers (Cercle d’Art des Travailleurs de Plantation Congolese / CAPTC). In Amsterdam, the works were cast in cacao and palm oil – plantation/cash crops deforesting the DRC... and a chocolate recipe echoing those of Ghirardelli and Godiva. The pavilion brochure explains that, through their art practice, the Lusanga-based CAPTC has reclaimed nearly 500 acres-worth of depleted plantation land previously confiscated from Congolese by British-Dutch Unilever and subsidiaries. 

This exhibit has been orchestrated by Dutch artist Renzo Martens along with Dutch-Moroccan curator Hicham Khaladi. It includes a twin event with the White Cube in Lusanga (built 2017) connected with the Dutch Pavilion in Venice by livestream video. On the opposite side of the gallery from the livestream, stories surrounding Lusanga’s White Cube are related in video. The drama seems to incorporate an earlier film by Martens, White Cube, symbolizing a kind of Congolese revolt against the general idea of a “white cube” art gallery made possible by wealth directly or indirectly accrued from forced labor in the Congo (whether for cobalt/smartphones in the present day, palm oil/soap under the Lever brothers, or rubber/tires under Leopold). 

The screening also shows the arrival of a Pende sculpture in Lusanga on loan from the Virginia Museum of Fine Arts until the conclusion of the Venice Biennale in November 2024: the enshrinement and display of this work in the Lusanga White Cube is the exhibit twin to the 2024 Dutch Pavilion in Venice. The pavilion brochure explains how the subject of this work, Belgian colonial officer Balot, forcibly recruited laborers for Unilever until he was killed in a revolt in 1931. The sculpture was created to harness its subject’s angry spirit for the benefit of the Pende people of the southwestern DRC. The screening shows how members of the CAPTC wonder at the sturdiness of the work’s museum shipping crate, yet this awe is quickly superseded by sincere shows of reverence for the figure itself.

Thoughts

Do the Biennale’s Dutch and Holy See pavilions seem to meet with more scrutiny than most because they strike a nerve and create discomfort ? Or perhaps it’s that their aims are so high that there are bound to be small flaws in the outcome ? 

In reviewing the pavilions of the 60th Venice Biennale I consider what it means to shift masses of material culture around the world for an ever increasing number of biennials and art fairs. In the background is the up-and-down cadence of the sea barrier, MOSE, a stopgap to protect timeless Venice from becoming an Atlantis. And then we gallery goers, with phone in hand, snap and record while Congolese and their children risk life and limb, frequently under force, to mine materials needed for our next phone upgrade or environment-friendly EV. 

Will the notion or act of livestream twinning to places we never travel serve as a self-check to guide us in making our next choices with heightened awareness ? 

Can a conference with a prisoner in a prison lead to the sense of human belonging being spread more widely ?

Shall we embrace with our eyes ?

•••

List of picks – Venice Biennale Arte 2024 national participations (pavilions): click country names for official details including opening hours and last day of exhibit most exhibits continue through November 24, 2024

United States of America – Giardini Castello 30122, requires Biennale Arte ticket Korea – Giardini Castello 30122, requires Biennale Arte ticket Ethiopia – Castello 3647, free of charge Ivory Coast – Dorsoduro 947, free of charge Nigeria – Dorsoduro 3121, free of charge Holy See – Island of Giudecca 712, required reservation & minimum age 18, free of charge Finland – Giardini Castello 30122, requires Biennale Arte ticket Canada – Giardini Castello 30122, requires Biennale Arte ticket Netherlands – Giardini Castello 30122, requires Biennale Arte ticket Also mentioned: San Trovaso shipyard – Dorsoduro 1097

Biennale Arte tickets

The Venice Biennale Arte 2024 also includes large scale exhibitions in the central pavilion at the Giardini and at the nearby Arsenale which hosts some national participations (pavilions) in 2024, too. Arsenale Castello Campo Della Tana 2169/F Further, Venice Biennale Arte 2024 Collateral Events (typically art exhibits) take place throughout the city. In general, no ticket or admission is necessary for Venice Biennale Arte 2024 national participations (pavilions) or Collateral Events occurring outside of the Giardini and Arsenale. ABOUT OZ VIZ & read aloud

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author Maria Ogedengbe & her studio

[cckbvd]

10 Ways to Achieve a Coastal Bathroom Look

Transforming your bathroom into a coastal oasis can provide a daily escape to the tranquillity and beauty of the seaside. Imagine starting each day with the refreshing ambiance of the beach, surrounded by the soothing hues and natural textures that evoke the ocean's calm. Whether you live near the coast or simply yearn for a seaside retreat, these design tips will help you capture the essence of the shore. From colour palettes to decor elements, here are ten creative ways to bring a coastal bathrooms Central Coast look to life, ensuring your space is both relaxing and stylish. Dive into these ideas and let the waves of inspiration wash over you. 

Choose a Light and Airy Color Palette

Start with a light and airy colour palette. Shades of white, soft blues, sandy beiges, and seafoam greens are perfect for creating a beach-inspired atmosphere. These colours reflect the ocean, sky, and sand, bringing a sense of calm and openness to the space. You can paint the walls in these colours or incorporate them through tiles, countertops, and cabinetry. A fresh coat of paint in a pastel hue can instantly brighten the room and make it feel more spacious.

Incorporate Natural Materials

Natural materials like wood, stone, and jute are essential for a coastal look. Consider a wooden vanity with a weathered finish, stone countertops that mimic beach rocks, or jute rugs that add a touch of rustic charm. These materials add texture and warmth, making the bathroom feel more inviting and connected to nature. Additionally, bamboo or teak accessories, such as soap dishes, toothbrush holders, and storage baskets, can enhance the natural aesthetic.

Add Nautical Elements

Nautical elements like ropes, anchors, and ship wheels can add a charming maritime touch. You can incorporate these through accessories like towel hooks, mirrors, or even cabinet knobs. Just be careful not to overdo it—subtlety is key. For example, a mirror framed with rope or a few strategically placed anchor motifs can be enough to evoke a nautical feel without overwhelming the space.

Use Beach-Themed Decor

Decorative items such as seashells, starfish, and coral can enhance the coastal feel. Display these items in glass jars, on shelves, or as part of your wall art. They add a personal touch and remind you of the sea. Consider creating a shadow box with a collection of beach treasures or hanging a piece of driftwood as a unique focal point. These items not only contribute to the theme but also bring a sense of nostalgia and personal connection to the beach.

Opt for White Fixtures

White fixtures, such as sinks, bathtubs, and toilets, create a clean and fresh look. They also help to reflect light, making the space feel brighter and more spacious. Pair these with chrome or brushed nickel fittings for a sleek, coastal finish. If you have the opportunity to choose a new bathtub or sink, look for designs with smooth, flowing lines that mimic the gentle waves of the ocean.

Incorporate Woven Textiles

Woven textiles like baskets, rugs, and shower curtains add texture and warmth to your coastal bathroom. Look for items made from natural fibres such as cotton, linen, or seagrass. These materials are not only aesthetically pleasing but also durable and easy to care for. A woven basket can be used to store towels or toiletries, while a jute or sisal rug adds comfort underfoot and complements the coastal theme.

Install Shiplap Walls

Shiplap walls are a staple of coastal design. They bring a rustic yet refined look to the bathroom. You can paint them white for a classic look or choose a soft blue or grey for a bit of colour. Shiplap is also a great way to add architectural interest. If you’re not ready to commit to shiplap on all walls, consider an accent wall behind the vanity or bathtub to create a focal point.

Enhance with Coastal Artwork

Artwork featuring beach scenes, ocean waves, or sea creatures can tie the whole coastal theme together. Choose pieces that resonate with you and complement your colour scheme. Framed prints or canvas art can add a focal point and elevate the overall design. For a more personalised touch, you could use your own photographs from beach vacations or create a gallery wall with a mix of different coastal-themed prints.

Incorporate Greenery

A touch of greenery can bring life and freshness to your coastal bathroom. Consider adding potted plants such as ferns, succulents, or even small palm trees. Not only do they improve air quality, but they also add a natural element that enhances the coastal vibe. Hanging plants or wall-mounted planters can also be a great way to introduce greenery without taking up valuable floor space.

Embrace Natural Light

Maximise natural light in your bathroom to create a bright and welcoming space. If privacy is a concern, consider frosted glass or light, airy curtains. Mirrors can also help to reflect light and make the space feel larger. The more natural light you can incorporate, the closer you’ll feel to the beach. Skylights or larger windows can be a great investment if your bathroom layout allows for them, offering a direct connection to the outdoors and enhancing the airy, open feel.

Creating a coastal bathroom is all about embracing light, natural materials, and beach-inspired decor. By following these ten tips, you can transform your bathroom into a serene seaside retreat, no matter where you live. Embrace the tranquillity of the coast and enjoy your new coastal oasis!

In addition to these ten tips, don’t forget to personalise your space. The best coastal bathrooms not only capture the essence of the beach but also reflect the homeowner’s personal style and memories. Whether it’s a piece of driftwood collected on a family vacation or a seashell picked up on a romantic beach stroll, these personal touches will make your coastal bathroom truly unique and special.

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Introducting San Juan

In 1508 the Spanish expedition leader Juan Ponce de Leon established Caparra, a small settlement close to a protected bay on the north coast of the island of Puerto Rico. In 1521 the town was vacated and resited to the present location of Old San Juan. In the 16th century, San Juan was the origin for Spanish exploratory trips to little known parts of the Caribbean.

Nowadays the old section of San Juan has an authentic Old World feel with over 300 restored Spanish 17th century town houses. The area also contains many shops, restaurants, bars, and casinos for cruise passengers to sample.

Touring San Juan

Characterful Old San Juan sits on a bluff overlooking the Atlantic Ocean northwards, and the port southwards. This walled and fortified area, now a major historical landmark, was established in 1510. Old San Juan is compactly sized, easy to get around on foot. If your energy runs out take the free bus that runs around the main attractions. Take time to stroll along the narrow cobblestone streets and admire the brightly colored houses, craft shops, and go to the interesting museums.

El Morro Fort

El Morro, a huge fort dating from 1539, defends San Juan from sea pirates. Its full name is Castillo San Felipe del Morro, after the patron saint of King Philip of Spain. You'll find six sets of gun platforms and huge walls that loom over San Juan Bay and the Atlantic Ocean.

La Fortaleza

Don't miss La Fortaleza, San Juan's oldest fort, founded in 1540. Later it was to become the official residence of the governor. Informative tours take you through the sumptuous building, with gilded banqueting hall, tall galleries, and rooms furnished in period fashion.

Cathedral de San Juan

This impressive cathedral dates back to 1592, on the site of the previous cathedral which was destroyed by a storm. Situated on Calle Cristo, this structure with a unique gothic pavonine facade contains the crypt of Ponce de Leon, a Spanish seaman, and the first ever governor of Puerto Rico.

Shopping

Most of the shopping in Old San Juan is to be found in the many shops along Cristo, Fortaleza and San Francisco streets. As an alternative go to the two markets where you'll find a big choice of jewelry, fashions, art and souvenirs. One is located at the Plaza de la Darsena, in front of pier 1, the other on the Paseo de la Princesa, just along from pier 1.

Bacardi Rum Distillery

Rum drinkers may prefer its nickname the Cathedral of Rum. There's a free guided tour and enjoyable trolley ride. After the boring talk about the distillery's early years enjoy a drink or two.

El Yunque

The only tropical rain forest in the US National Forest system. Very beautiful with a totally sylvan atmosphere. Situated about 45 minutes from San Juan.

Cabezas de San Juan Nature Reserve

A fascinating ecological reserve with 7 different tropical habitats. Be warned though, visitor numbers are limited, so a reservation is essential.

Cruise Ideas

Enthusiastic cruise vacationers pick San Juan as an alternative to a Florida port. Thanks to its central Caribbean location, the island provides quick access to wonderful Southern Caribbean ports, like the Netherland Antilles and the Windward Isles. A short flight is a better alternative to the long cruise to these areas from mainland US. The range of cruises on offer from San Juan is wide, including the Leeward Isles (USVI, St Maarten, St Kitts, Guadeloupe), the Windward Isles (Dominica, St Lucia, Barbados, St Vincent, Grenada,Tobago), and the Leeward Antilles off the north coast of Venezuela (the ABC islands ie Aruba, Bonaire, and Curacao). See San Juan cruises for detailed cruise departure information. Several major cruiselines offer cruises from San Juan, such as Carnival, Royal Caribbean, PO Cruises, Princess Cruises, Silversea and Celebrity Cruises.

Cruise Ship Terminals

There are three major pier areas in San Juan port. Old San Juan piers 1 through 6, the Pan American pier, and Navy Frontier pier. Most times cruise ships visiting San Juan berth at the Old San Juan Piers, so passengers can walk into Old San Juan. Cruise ships leaving from San Juan will berth at Old San Juan pier 4, or the Pan American Pier, 15 minutes by cab from Old San Juan.

Getting to the Port

From the Airport

San Juan airport is located about nine miles from the Pan American pier and 12 miles from the Old San Juan piers. It usually takes about three quarters of an hour in a cab for the journey. The cost is around twenty dollars. Additional charges apply for luggage, some drivers charging by item.

Resources

San Juan Port https://www.prpa.pr.gov/

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Elevating Homes with Pure Design Constructions: A Tale of Craftsmanship on the Central Coast

In the heart of the Central Coast, where the gentle waves meet the shore and homes nestle amidst nature's beauty, lies a haven of craftsmanship and creativity – Pure Design Constructions. Picture this: a weary house, worn by the passage of time, longing for a rejuvenating touch. As we embark on the journey to discover the essence of Pure Design Constructions, let us weave a narrative that goes beyond mere renovations. It's a story of transforming spaces into timeless havens, a tale of custom carpentry that breathes life into dreams, and a celebration of flooring that resonates with the heartbeat of the Central Coast.

Renovations Central Coast: Transforming Dreams into Reality

At the core of Pure Design Constructions lies a commitment to turning dreams into tangible realities. Home renovations on the Central Coast are not just a service; they are a passion, a way of breathing new life into spaces that hold memories and stories. Imagine a family home that has witnessed laughter, tears, and the passage of generations. Pure Design Constructions steps in, understanding that every corner has a story to tell and every wall has witnessed the evolution of a family. Through meticulous renovations, the company honors the past while crafting a future that blends seamlessly with the spirit of the Central Coast.

Custom Carpentry Central Coast: Crafting Dreams with Precision

When it comes to custom carpentry, Pure Design Constructions stands as a beacon of precision and creativity. Every piece of wood is not just a material; it is a canvas waiting to be transformed into a masterpiece. From bespoke furniture that narrates tales of craftsmanship to intricate detailing that reflects the client's unique taste, Pure Design Constructions approaches carpentry as an art form. The result? Homes that resonate with individuality, where every piece is a testament to the client's personality and the skilled hands that brought it to life. In the realm of custom carpentry on the Central Coast, Pure Design Constructions doesn't just build; they craft dreams.

Flooring Central Coast: Grounding Homes in Elegance

As we venture into the realm of flooring, Pure Design Constructions unfolds a tapestry of elegance beneath our feet. The Central Coast, with its diverse landscapes and coastal charm, inspires flooring solutions that go beyond the ordinary. The company brings to life floors that mirror the essence of the surroundings – be it the warmth of the sun-soaked beaches or the cool tranquility of the hinterlands. Each step on the custom-crafted floors is an experience, connecting the dweller with the very soul of the Central Coast.

Tailoring Spaces with Pure Design Constructions: A Symphony of Services

Pure Design Constructions doesn't just renovate, craft, or floor spaces; it conducts a symphony of services tailored to the unique needs of each client. In their hands, a renovation is not a task but a transformation, a piece of custom carpentry is not just furniture but a statement, and a floor is not merely a surface but a canvas reflecting the beauty of the Central Coast. The company's dedication to understanding the dreams and desires of its clients sets it apart, ensuring that every project is a collaboration that brings visions to life.

How Pure Design Constructions Can Help You: Beyond the Surface

In choosing Pure Design Constructions for your home transformation needs on the Central Coast, you are not just hiring a construction company; you are inviting a team of passionate artisans into your home. The journey begins with a consultation that delves into your vision, lifestyle, and the unique aspects of your space. Pure Design Constructions believes in co-creating, where your dreams are not just heard but incorporated into the very fabric of their work. Whether it's a renovation project that needs a touch of history or custom carpentry that demands precision, the company's expertise ensures that your space reflects not just their craftsmanship but your soul.

Conclusion: Crafting Timeless Spaces on the Central Coast

In the realm of home renovation, custom carpentry, and flooring on the Central Coast, Pure Design Constructions emerges not just as a service provider but as a curator of dreams. The company's dedication to storytelling through spaces is evident in every project undertaken. As we conclude this journey into the heart of craftsmanship, one can't help but wonder – what story does your home long to tell? With Pure Design Constructions, the answer lies not just in the beauty of the finished project but in the chapters of your life that unfold within its walls. What tale shall we create together?