#we also had surprise mitties tonight

[outofthecavern]

Foaming at the mouth

[daleisgreat]

Fast and the Furious: Tokyo Drift

Welcome back to my latest entry going through the Fast and Furious franchise. Today I am covering the third movie in the series, 2006’s The Fast and the Furious: Tokyo Drift (trailer). If you are going through my blog archives and am curious why there is no entry for 2Fast, 2Furious, that is because as I stated in my blog for the first film that is the only film in the brand that I loathe and do not own so I am going to pretend it does not exist. -I always considered Tokyo Drift a side story in the F&F universe since Vin Diesel & Paul Walker’s characters take a backseat and this film focuses on one Sean Boswell (Lucas Black). After getting in a nasty wreck in a street race gone awry with high school rival Clay (Zachery Ty Bryan), Sean is sent packing overseas to live with his father (Brian Goodman) in Tokyo. Even in the Far East Sean cannot escape the thrills of the underground street racing scene after getting introduced to it by new friend, Twinkie (Shad Moss aka Lil Bow Wow).

-I ended up watching Tokyo Drift twice. The first time I watched it with the Giant Bomb staff commentary like I did with the first film, and the second time with director commentary from Justin Lin (Tokyo Drift marks the first of four straight F&F films that Lin directed). The Giant Bomb crew once again was a riot to listen to especially since GB head honcho Jeff Gertsmann flew nationwide to join up with the East Coast office’s crew to specifically watch this film with these guys. Jeff has a lot of awesome stories about relating to this film with his rambunctious street racing tales growing up and lays down some knowledge on drift culture and goes in depth on some car industry lingo when appropriate. Lin also had a lot of nonstop insight throughout and had a lot of love for the cast and I got a kick of his memory of car enthusiasts riding him on swapping out the engine of a Dodge Charger in order to make it drift-worthy. I also appreciated Lin explaining what it took to pull off and how grateful he was to get a certain cameo at the end of the film. -The opening race scene where Sean and Clay race is awesomely cheesy where the two demolish a new expansion of residential areas under developmen. There is silly a BluRay GPS extra feature where each driver’s location is shown on an overlay map on the screen. I nodded along enthusiastically following the dots with intense driving action playing out to Kid Rock’s “Bawitaba” in the background.

-Tokyo Drift is the final movie in the franchise to have street racing be the primary focus of the film. Tokyo Drift’s hook on the racing is by introducing drifting to the street races. I recall being surprised at how the film made it seem like it was this revolutionary technique that was only applicable in Japan, but that was probably because I played too many driving videogames that had a drift feature such as various Need for Speed and Burnout games by 2006. Regardless, I loved how the film embraced drifting here by introducing the antagonist street racer of the film, DK aka Drift King (Brian Tee). He smokes Sean in an early race in the film as Sean is flummoxed at this radical new car technique, but luckily Han (Sung Kang) takes him under his wing and shows him the ropes at making him a master drifter in a well-produced montage. -Spoilers ahead, skip this paragraph if you have not seen Tokyo Drift. Yes, Han makes his F&F debut in this film, and even though he bites the dust to set up the final act, Justin Lin loved the character so much that he brought him back for the next three films. When asked about this in interviews, Lin simply stated that F&F 4-6 all take place before Tokyo Drift. Sure, why not. That is fine, because Han is an awesome character and Kang nails his laid back role and even has a couple throwaway loose references in Tokyo Drift on how he use to ride with ‘The Family’ that formed in the following films so it all makes sense anyways. If you are new to the series and absolutely want to watch the films in the proper canonical order then the correct way to do so is starting off with the first two movies, then skip to four through six, but skip the post-credit scene at the end of six, then watch Tokyo Drift and then the F&F6 post-credit scene and continue on to seven and eight. If you can follow that, then you will be set and the timelines will all fall into place….I think.

-The two best scenes in the film are when Sean and Han have a serious life moment with rooftop soccer in the background and the final mountain-top race showdown between DK and Sean. It is appropriately ridiculous and filled with countless ‘yeah right’ drifts and stunts. This race went out of its way to show how advanced Japan cell phone tech was in 2006 by being able to live stream and broadcast the race with the latest flip-phones available at the time. Also, I hope you made the connection by now that F&F 4-6 all take place a couple years before the introductions of smart phones, so even though they are ubiquitous in those films, just think of them as alternate model flip-phones and avoid thinking twice about it. The race was the ultimate thrill ride and a fitting end to a surprisingly enjoyable film that did not prominently feature any of the cast from the first pair of films. -There is a significant amount of extras on the BluRay, but unless you are seriously into car culture and drifting then you can easily skip at least half the extras. If you are a big gearhead, you will absolutely eat up Drift: Sideways Craze a one hour look at the pro drift racing scene and a few other shorter extras on drift culture. If I were to recommend just two of the 11 extra features (totaling around two and a half hours!), then check out Han’s Last Ride and Tricked Out to Drift. Those two extras break down the gang car chase scene and how the filmmakers modded the Dodge Charger in the film to make it drift-worthy. There is also a feature-length ‘Picture-in-Picture’ BluRay exclusive extra that combines all the extras and constantly switches between them all when appropriate throughout the film so that could be a better way to take in all the extra features, but I would rather suggest checking out the director commentary from Justin Lin instead. -I still recall regretting going to the theater when initially seeing The Fast and the Furious: Tokyo Drift and thinking it was going to be a complete waste with none of the noteworthy cast in it. I was glad to be proven wrong. Tokyo Drift is far from the best film in the series, but I would still give it a strong recommendation because it is a fitting swan song for races and driving being at the forefront of the movies before the series transitioned into the over-the-top-yet-amazing-what-will-they-do-next CG experiences that we know them as today. Other Random Backlog Movie Blogs 3 12 Angry Men (1957) 12 Rounds 3: Lockdown 21 Jump Street Angry Video Game Nerd: The Movie Atari: Game Over The Avengers: Age of Ultron Batman: The Killing Joke Batman: Mask of the Phantasm Batman V Superman: Dawn of Justice Bounty Hunters Cabin in the Woods Captain America: The First Avenger Captain America: The Winter Soldier Christmas Eve Clash of the Titans (1981) Clint Eastwood 11-pack Special The Condemned 2 Creed Dirty Work Faster Fast and Furious I-VIII Field of Dreams Fight Club The Fighter For Love of the Game Good Will Hunting Gravity Guardians of the Galaxy Hercules: Reborn Hitman Ink Interstellar Jobs Man of Steel Marine 3 & 4 Mortal Kombat The Replacements Rocky I-VII Running Films Part 1 Running Films Part 2 San Andreas ScoobyDoo Wrestlemania Mystery The Secret Life of Walter Mitty Steve Jobs Source Code Star Trek I-XIII Take Me Home Tonight TMNT The Tooth Fairy 1 & 2 UHF Veronica Mars Wild The Wrestler (2008) X-Men: Days of Future Past

[daleisgreat]

Major League

Last weekend I made it to one of my two annual summer treks out to catch a Minor League baseball game and while getting swept up in the spirit of watching a live baseball game it reminded me that is has been a couple years since I have seen a baseball film. Longtime readers here may recall it was almost an annual tradition to recap one here during baseball season. While making our way out after the game it suddenly clicked that 2019 marked the 30th anniversary of my favorite baseball film, the original Major League (trailer) from 1989. For the first time in the five and a half years after starting this blog I will have to break my rule and watch a DVD/BluRay from my collection that I have already viewed and is not in the backlog box, but trust me it is worth it and I am long overdue for another viewing! I have a unique history with this film frachise. The sequel in 1994, Major League II was the first film I saw in the series and I specifically recall my dad taking me to it at the theaters when I was 11 and super gung-ho into baseball, baseball videogames and baseball cards! Needless to say I fell in love with the film and its diverse range of flamboyant long-shots help what would seem like the helpless Cleveland Indians make it to the World Series. My dad saw how much I loved the movie and shortly after it hit video he went to a friend I recall he told me had what seemed like an infinite supply of movies on tape. I remember he took me there once and I was too young to realize it then, but looking back he was the local go-to guy who hooked everyone up with bootleg VHS tapes filled with a few movies on them in super low quality SLP playback. My dad got this guy to make a tape that contained what would wound up being 11 year-old Dale’s four favorite movies at that time in the first two Major League films and both Wayne’s World movies. I cannot tell you how many times I watched that tape all the way through, except that it was well into the double digits.

That tape was how I originally saw the first Major League and I was blown away by how much better it was than the sequel that I already cherished. Who was this Wesley Snipes fellow who is a vastly superior Willie Mays Hayes compared to Omar Epps in the sequel? After misplacing that tape after several years, the original Major League was one of about ten VHS tapes I bought before I was able to save up to buy my first DVD player. I snatched up the bare-bones original DVD release of the film the week it came out, and bought it again several years later when it got a ‘Wild Thing Special Edition’ jam packed with extra features and a killer slipover turf cover! A couple years after that in 2009 Paramount re-released the Wild Thing edition on BluRay, but without the turf cover I adored so I made sure to save my DVD turf cover and slip it over the BluRay in my collection like any diehard Major League fan buying the movie for the fourth time on home video would! I still love the old timey song, Randy Newman’s “Burn on” being used in the opening of the film to set up the sad state of the Cleveland Indians in 1989. The opening montage brilliantly interspersed newspaper clipping about the owner passing away and how his widowed wife, Rachel Phelps (Margaret Whitton) cut most of their top talent and replaced them with has-beens and long-shots in hopes of tanking the team enough to move them to Miami. Shortly after that is a great start of spring training scene introducing the dynamic cast of hopefuls such as the Mexican League wash up Jake Taylor (Tom Berenger), California Penal League pitching sensation Rick Vaughn (Charlie Sheen), surprise walk-on Willie Mays Hayes (Wesley Snipes), superstitious slugger Pedro Cerrano (Dennis Haysbert) and stock market guru Roger Dorn (Corbin Bernsen). They are managed by former Dunlop Tire specialist Lou Brown (James Gammon).

For a film that is a little over an hour and a half it does a bang-up job at managing to capture the feel of a whole baseball season from spring training all the way up until the post season. Like most sports movies, it has a predictable format, but the journey there is well worth the ride as we see early season struggles with this unique clash of styles not gelling whatsoever to all of a sudden the team eventually starting to click and gain momentum before having a one game playoff against their heated rival, the Yankees, to get into the ALCS in a thrilling final act of the film. Throw in a supplemental arc of Jake chasing down his old flame Lynn (Rene Russo) for some breathing room between all the heavy doses of baseball and it adds up to establishing one of the most tried and true formulas in sports films. I love how all the on-the-field action is shot as it not only captures well choreographed baseball, but also captures the unique characteristics and mannerisms from this bombastic roster. Hayes has his vintage batting stance swivel, Taylor taunts opponents behind the plate to throw them off their game, Pedro has his rituals in order to hit homers and overcome the dreaded curveball and Vaughn has his trademark frames and “Wild Thing” walk-on song. Combine all this with unforgettable commentary from the loveably quotable Harry Doyle (former ball player and hall-of-fame announcer Bob Uecker) in the press box. On top of that is a memorable original score that kicks in at all the right moments in montages and especially in the final game with powerful beats hitting at the precise moment in Jake Taylor’s pivotal at bat to close out the game!

Time flies as I cannot believe it has already been 30 years since the first film in the franchise just as I am still shocked MLB allowed an R-rated movie featuring its brand to make its way out into the public. Major League is filled with the players drinking and smoking in the clubhouse (and press box), dropping nonstop F-bombs and all other kinds of colorful language throughout. In the commentary David Ward stated he did this to originally capture the spirit of the players in the clubhouse, and regretted it after the fact when he was confronted by many people saying they wanted to take their kids to see it, but did not because of the language. I am guessing that is why the sequels dialed it down to a PG-13 rating. David Ward is joined by producer Chris Chesser on the commentary and the two are primarily subdued as they state after a few lulls that they were taken in again by watching the movie for the first time in many years. Lulls aside, the duo have a fair amount of production facts to share from Milwaukee being a great host city primarily filming in to having to reshoot the ending after the original failed in test screenings. The original twist ending is part of the rest of the fair amount of extras. There are three main behind-the-scenes features that make up most of the bonuses. Just a Bit Outside is a must-see 12 minute extra interviewing Bob Uecker on his evergreen quotes and how he landed the role. Major League Look at Major League is a 14 minute bonus interviewing MLB players on what the film meant to them and their favorite moments and lines and reflecting on how spot-on some of the movie is in actual baseball. Finally, My Kinda Team is the featured bonus clocking in at 23 minutes of cast and crew interviews nearly 20 years after the film released and reflecting on training for the film and many other fascinating anecdotes from the production. All three are recommended viewing for any Major League enthusiasts.

30 years later and Major League holds up splendidly! It and Field of Dreams came out within a year of each other and are likely the catalysts for many other fondly remembered baseball films that hit over the next several years like The Sandlot, Rookie of the Year, Little Big League, A League of Their Own, The Scout and naturally, Major League II. All these years later and Major League remains one of my all-time favorites and I can only give it the highest of recommendations! Other Random Backlog Movie Blogs 3 12 Angry Men (1957) 12 Rounds 3: Lockdown 21 Jump Street The Accountant Angry Video Game Nerd: The Movie Atari: Game Over The Avengers: Age of Ultron The Avengers: Infinity War Batman: The Killing Joke Batman: Mask of the Phantasm Batman V Superman: Dawn of Justice Bounty Hunters Cabin in the Woods Captain America: Civil War Captain America: The First Avenger Captain America: The Winter Soldier Christmas Eve Clash of the Titans (1981) Clint Eastwood 11-pack Special The Condemned 2 Countdown Creed Deck the Halls Die Hard Dredd The Eliminators The Equalizer Dirty Work Faster Fast and Furious I-VIII Field of Dreams Fight Club The Fighter For Love of the Game Good Will Hunting Gravity Guardians of the Galaxy Guardians of the Galaxy Vol 2 Hercules: Reborn Hitman Indiana Jones 1-4 Ink The Interrogation Interstellar Jobs Joy Ride 1-3 Man of Steel Man on the Moon Marine 3-6 Metallica: Some Kind of Monster Mortal Kombat National Treasure National Treasure: Book of Secrets The Replacements Reservoir Dogs Rocky I-VII Running Films Part 1 Running Films Part 2 San Andreas ScoobyDoo Wrestlemania Mystery The Secret Life of Walter Mitty Shoot em Up Skyscraper Small Town Santa Steve Jobs Source Code Star Trek I-XIII Take Me Home Tonight TMNT The Tooth Fairy 1 & 2 UHF Veronica Mars Vision Quest The War Wild Wonder Woman The Wrestler (2008) X-Men: Apocalypse X-Men: Days of Future Past

[daleisgreat]

Indiana Jones and the Kingdom of the Crystal Skull

Now it is time for the film I have been dreading to cover the most of the quadrilogy of Indiana Jones adventures and yes I am talking about Indy’s return to the big screen after a 19 year absence with 2008’s Indiana Jones and the Kingdom of the Crystal Skull (trailer). For new readers you can catch up on my posts for the original trilogy by clicking right here. When it originally released it was the only film in the franchise I vividly recall seeing in its entirety on release week. I recall walking out of that film irate because of a few gut-wrenching cornball scenes I will touch on later, and also because it featured Shia LaBeouf in one of the lead roles of the film fresh off his ultra-annoying performance in the first Transformers film. Needless to say I recall being furious anytime Shia’s mug appeared onscreen. This was 11 years ago however, so it was interesting revisiting this with a fresh set of eyes. Before I continue bear with me for a quick sidebar. I specifically recall Crystal Skull being the last film playing in what was once the featured theater in my town throughout my childhood. The good ‘ol Columbia 4 was the place where I waited in long lines for tickets to see family blockbusters like Home Alone, D2: The Mighty Ducks, Beethoven and Major League II. Later in the 90s a 10-plex opened, and in 2007 a 15-plex debuted which was the catalyst for the Columbia 4 turning into second run $1 theater a couple months later. For the next several months I caught at least two movies a month there and would chance anything for a $1 but felt something was amiss when the only movie they had playing on all four screens for its last three weeks was Crystal Skull until they finally locked their doors. I miss $1 movies and I hope we get another second-run theater again someday.

Back on track, Crystal Skull opens with Indy (Harrison Ford) and his colleague Mac (Ray Winstone) being thrown out of a trunk by the Soviet KGB. Yes, Indy is no longer squaring off against Nazis in the 1930s, but now communists in 1957. The standard thrilling opening chase sequence transpires with Indy evading peril once again, but with the Russians constantly on his tail. Not all is well for Indy back home as his latest capers leads to his dismissal from his longtime professor job at the university, but he has a hot tip for this film’s self-titled Magoffin, a legendary Crystal Skull. This leads Indy to meeting up with one Mutt Williams (Shia LeBeouf) for more info on the Skull’s whereabouts, and that leads the pair to tracking down the kidnapped duo of Indy’s former pal, Dr. Oxley (John Hurt) and Mutt’s mom Marion (Karen Allen). The Russians are led by one Irina Spalko (Cate Blanchett), who has some hinted psychological gifts early on, but that part of her persona is quickly brushed aside and she is essentially one of the weaker Indy antagonists. Mac is pretty amusing though with his constant double-crossing. Sadly, Sean Connery does not return to reprise his role as Indy Sr. as Connery stated in interviews at the time he was already a few years into his acting retirement and enjoying it too much to return to the screen, but there is a nice quick little tribute to him here. After re-watching the original trilogy and now having 100% reverence for Marion’s role in Raiders, I was thrilled to see her return this time around. Her chemistry with Ford does not miss a beat and the two shine together whenever they share a scene after Marion’s introduction halfway into the film. Some of my original qualms was Ford obviously being too old to make a return to all the swashbuckling action the series is famous for as he was 65 when Crystal Skull was filmed. Ford must have had some bizarre combination of good makeup and training, because he comes off as barely spry enough to pull off most of the vintage Indy acrobatics and I was further stunned to see the interviews claim how he did most of his own stunts to boot. Being many years removed from the dreck of the original Transformers trilogy also helped re-watching this as I was able to give Shia’s performance a now un-biased perspective and I was legit surprised LeBeouf actually pulled off a pretty good outing as the greaser, Mutt Williams.

Most of the requisite chases and swashbuckling action scenes of Crystal Skull hold up surprisingly well. As a matter of fact nearly halfway through the film I jotted down in my notes in all caps ‘THIS IS ACTUALLY PRETTY GOOD SO FAR.’ There are still a few instances that are big asterisks where Crystal Skull does not tiptoe over the wrong side of the line of groan-inducing, hokey moments, it straight up jumps the shark on them. The first instance is a jeep chase that was going well until monkeys and vine swinging gets involved and it instantly took me right out of the moment. The second moment was when Indy and crew all survive a mammoth waterfall drop and instantly all of them walk right out of it without even a scratch. I would be a fool at this point not to point out the elephant in the room in what is the most ridiculous jump the shark moment in cinema history….really….when Indiana…..I am not kidding….survives a nuclear blast on a testing ground by hiding in a lead-lined fridge and to rub salt in the wounds walking out of it WITHOUT EVEN A SCRATCH OR DROP OF BLOOD (SERIOUSLY, CLICK HERE TO RELIVE THIS ABSURDITY)!!! For that last instance it knocks the bonkers ball right out of the park and I can almost give Spielberg and Lucas a pass for being brazen enough to include it in here…almost.

My final gripe with Crystal Skull is how the final act plays out. I remembered enough bits and pieces of the original trilogy going into my first viewing of the fourth film to expect some supernatural material, and the inclusion of it is not what bothered me, but how it is pulled off is. When Spalko gets her just-deserts upon her inappropriate handling of the Crystal Skull, the way the CG-affair plays out is way too over the top to be taken seriously and get on the edge of my seat for like in previous films. This is also the first Indy film in the HD-era and Lucas already had the polarizing Star Wars prequels under his belt which featured the latest and greatest CG so it is baffling how silly the CG alien spectacle is executed. On the bonus features disc of the BluRay set there is only one extra specific to Crystal Skull and that is Making of Indiana Jones and the Kingdom of the Crystal Skull. It runs just under a half hour and it does a good job interviewing Lucas, Spielberg and Ford on how the fourth film came to be and how it is an ode to the 1950s alien invasion B-movies like how the original trilogy was an homage to 1930s serials. I checked out the last several bonus features on the extras disc that run 10-12 minutes each to round off all the bonus content I had not seen yet. These shorter extras cover the filming locations, the leading women of the films, and post production. They are all well done, but of them the only one I would recommend would be the extra containing excerpts from a panel interviewing the three lead women of the movies that looked like it was shot shortly after The Last Crusade. The actresses are interviewed in the other bonuses, but it is nice to see them shine on their own here and give more insight and anecdotes than the other interviews.

For those interested in one more extra not contained on the set, the Cinemassacre crew did another recent video debating on whether Temple of Doom or Crystal Skull is the worst Indiana Jones film you can check out by clicking here. If it was not for these guys making these videos in the last few weeks it would have taken me several months to get around to covering the last two Indy films so kudos to them for driving me to get to them sooner than later. As far as which of those two films do I rank as the inferior Jones caper, I would have to rank Temple of Doom at the bottom. As I detailed in my entry for Temple of Doom, I had a lot of beef with it and the only parts I cared for were the opening sequence and the final mine-cart and rope-bridge scenes which only tallied up to about a quarter of the film. For Crystal Skull however my opinion of it turned a complete 180. Yes, I detailed four major gripes above with the film, but those are my only noteworthy problems and other aspects of the fourth film aged better than I could have imagined and I was on board for around two-thirds of the film! I still would rank it as only my third favorite of the series behind Raiders and Last Crusade being my standout favorite, but Indiana Jones and the Kingdom of the Crystal Skull will likely be the only movie in the history of this blog that I had a positive 180 change of opinion on. Other Random Backlog Movie Blogs 3 12 Angry Men (1957) 12 Rounds 3: Lockdown 21 Jump Street Angry Video Game Nerd: The Movie Atari: Game Over The Avengers: Age of Ultron Batman: The Killing Joke Batman: Mask of the Phantasm Batman V Superman: Dawn of Justice Bounty Hunters Cabin in the Woods Captain America: Civil War Captain America: The First Avenger Captain America: The Winter Soldier Christmas Eve Clash of the Titans (1981) Clint Eastwood 11-pack Special The Condemned 2 Countdown Creed Deck the Halls Die Hard Dredd The Eliminators The Equalizer Dirty Work Faster Fast and Furious I-VIII Field of Dreams Fight Club The Fighter For Love of the Game Good Will Hunting Gravity Guardians of the Galaxy Hercules: Reborn Hitman Indiana Jones 1-4 Ink The Interrogation Interstellar Jobs Joy Ride 1-3 Man of Steel Man on the Moon Marine 3-6 Metallica: Some Kind of Monster Mortal Kombat National Treasure National Treasure: Book of Secrets The Replacements Reservoir Dogs Rocky I-VII Running Films Part 1 Running Films Part 2 San Andreas ScoobyDoo Wrestlemania Mystery The Secret Life of Walter Mitty Shoot em Up Skyscraper Small Town Santa Steve Jobs Source Code Star Trek I-XIII Take Me Home Tonight TMNT The Tooth Fairy 1 & 2 UHF Veronica Mars Vision Quest The War Wild Wonder Woman The Wrestler (2008) X-Men: Days of Future Past

[daleisgreat]

Die Hard

Now, now, do not act surprised to see an entry devoted to the iconic 1988 action film, Die Hard (trailer) as Christmas draws near. It has been long debated among film fans that if Die Hard is truly a Christmas movie or merely a film that takes place at Christmas. I feel that it is both. Nearly the entire feature focuses around a Christmas party at the Nakatomi Building where sinister German terrorists headed up by one Hans Gruber (Alan Rickman) seize control of the building and attempt to penetrate its vaults filled with countless riches. The film’s cast is consistently humming/singing Christmas songs throughout and there is various Christmas lingo and jargon peppered in throughout. Protagonist and NYPD officer John McClane (Bruce Willis) who is assisted by the affable,Twinkie-loving LAPD officer Winslow….er I mean officer Powell (Reginald VelJohnson) are among those belting out Christmas tunes and references throughout and both are endlessly fun to root for throughout Die Hard’s just over two hour runtime. I have an odd history with the Die Hard films. I was always aware of the initial trilogy being much-revered action films, but until last year, yes 2017, I did not get around to watching them until I mentioned that fact to a friend and we then proceeded to knock them out over that summer. I did see the fourth and fifth films when they hit theaters this century, and while Live Free or Die Hard was solid, I very much detested A Good Day to Die Hard and it soured me on the series….until watching the initial trilogy last year turned me back on to the series (minus Die Harder anyways). I loved the first movie so much that earlier this year it wound up being the first movie I picked up on 4K BluRay! I do not have a 4K TV, but it was the only version Target had when I went there to get it, and that version came with a regular BluRay that I was thrilled to make use of yesterday as the final film in a six-movie Christmas marathon with friends this past weekend. I could not think of a better Christmas film to finish off the night with!

Part of me is still surprised I came out of the original Die Hard such a big fan knowing all the high critical acclaim and praise for it going in. I had no choice but to go in with high expectations and that usually comes back to bite me when I am late to the party to a much-buzzed about movie. Longtime readers here probably know I am a sucker for the cliché 80s and 90s action movies, both of high and low budget fares. It only helps that Die Hard was a pioneer for establishing a specific formula of action films where a big gang of thugs/terrorists (of whom almost all have their own unique personalities, moments and even are named throughout the film other than the typical ‘terrorist #6’) overtake a high-stakes building with many hostages and leaves it up to a low-level everyman cop to overcome the odds and slowly work his way through the lower tiered terrorists before having a climactic clash with the ringleader of the pack. Top if off with countless well-produced exchanges of gunfire, explosions, epic stunts and plenty of time to space in moments of character development for Powell, Gruber and McClane that includes classic one-liners that I do not need to remind you of because they are repeated ubiquitously to this day.

Another reason why the first Die Hard is special that is lost in most of the other installments other than With a Vengeance is that McClane takes a beating throughout the film. Taking out Gruber’s goons has taken a toll on him as McClane is a bloody, limping mess by the final act which resulted in me getting behind him even more as he worked his way up Nakatomi Tower. McClane’s relationship with Powell helping him on the outside of the tower is also fantastic to see unfold throughout as Powell represents the viewer at home constantly in McClane’s ear through the CB radio encouraging him to keep hanging in there and how everyone is rooting for him down there despite those pesky FBI officials attempts to interfere. It all culminates in a great payoff towards the finale where McClane has a personal exchange with Powell earlier that foreshadows Powell overcoming his personal demons and taking justice into his own hands! The final reason why Die Hard lived up to the hype for me is that it has one of the quintessential villains in Hans Gruber. Alan Rickman delivered a masterful performance as this antagonist who remains cool, confident and calm throughout no matter what obstacles McClane overcomes to attempt to thwart his heist. He has a few classic moments throughout which shows how ruthless he is to get the prize he desires. Much like McClane interacting with Powell, watching Gruber command his troops and maintain order amongst McClane’s chaos is an irresistible force to get swept up in. If I were to relate this to sports it would be like McClane representing the weakened and throttled underdog team late in a game overcoming insurmountable odds to make an unbelievable comeback to defeat the heavily-favored competitor.

I cannot attest for how great the 4K UHD looks because I do not have a 4K TV, but the BluRay still looks stunning in HD….for a remastered film from 1988 that is. Other than that there is a smattering of extra features available. There are eight minutes of newscasts scenes taken from the film and also contain unused newscast updates and outtakes from the anchors in a nice extra. There is a ten minute slide show of stills and production shots and a ton of trailers. The only standout extras are ‘subtitle commentary’ from various cast and crew members and feature-length audio commentary with director John McTiernan and production designer Jackson DeGovia. The subtitle track is similar to pop-up factoid tracks I have seen in other films, but it is better at having a constant flow of quotes from the cast and crew relative to the scene playing. Watching the subtitle track along with the audio commentary was a vastly insightful experience. McTiernam and DeGovia have a lot of nonstop facts and stories from the production with some highlights being callbacks to props used in their other films, making the heavies stand out by intentionally casting European models to portray the goons and McTeirnan explaining how the ideal movie shoot is done in under 80 days and how he was doomed for going over that like he did with Last Action Hero. Die Hard easily ranks among one of my all time favorite action films. That is not nostalgia talking either because as I stated earlier, even though 2018 is the 30th anniversary of Die Hard, I did not watch it for the first time until last year. For a movie that old to be that timeless, especially in a genre where special effects goes a long way in proving how special Die Hard truly is. Regardless of whether you have seen this Bruce Willis classic countless times or never before, go out of your way to watch it now and show to your friends how it is the perfect Christmas movie! Other Random Backlog Movie Blogs 3 12 Angry Men (1957) 12 Rounds 3: Lockdown 21 Jump Street Angry Video Game Nerd: The Movie Atari: Game Over The Avengers: Age of Ultron Batman: The Killing Joke Batman: Mask of the Phantasm Batman V Superman: Dawn of Justice Bounty Hunters Cabin in the Woods Captain America: Civil War Captain America: The First Avenger Captain America: The Winter Soldier Christmas Eve Clash of the Titans (1981) Clint Eastwood 11-pack Special The Condemned 2 Countdown Creed Deck the Halls Dredd The Eliminators The Equalizer Dirty Work Faster Fast and Furious I-VIII Field of Dreams Fight Club The Fighter For Love of the Game Good Will Hunting Gravity Guardians of the Galaxy Hercules: Reborn Hitman Indiana Jones 1-4 Ink The Interrogation Interstellar Jobs Joy Ride 1-3 Man of Steel Man on the Moon Marine 3-6 Metallica: Some Kind of Monster Mortal Kombat National Treasure National Treasure: Book of Secrets The Replacements Reservoir Dogs Rocky I-VII Running Films Part 1 Running Films Part 2 San Andreas ScoobyDoo Wrestlemania Mystery The Secret Life of Walter Mitty Shoot em Up Steve Jobs Source Code Star Trek I-XIII Take Me Home Tonight TMNT The Tooth Fairy 1 & 2 UHF Veronica Mars Vision Quest The War Wild Wonder Woman The Wrestler (2008) X-Men: Days of Future Past

[daleisgreat]

Guardians of the Galaxy

We are mere weeks away from the release of the latest Marvel Studios film, Guardians of the Galaxy Vol. 2, so naturally it felt right to pull 2014’s Guardians of the Galaxy (trailer out of the backlog box. I specifically remember thinking that this was going to be the first full-on flop from Marvel Studios. The comic it was based on was around off and on over the years but I never considered it a top-tier book from Marvel by any means and could not name a single character by the time the film arrived. GotG was certainly going to be the first Marvel film to focus on a character that was not in the upper-echelon of Marvel Heroes such as Iron Man, Captain America, Hulk and Thor. I also despised the original trailer for the first film. For whatever reason it played before nearly every film I caught at the theater for several months before the movie hit. The preview gave me all the wrong vibes that this was going to be full of bad jokes from a bunch of unknown heroes in the cosmic branch of the Marvel Universe that will go right over my head. I could not have been happier to be so wrong.

GotG centers around one Peter Quill aka Starlord (Chris Pratt). The film starts off with him as a young child at his mother’s deathbed, when all of a sudden a mysterious spaceship abducts him and the film immediately jumps a couple decades ahead where Quill is now a ‘junker’ (futuristic treasure hunter?) residing in a intergalactic community somewhere in another universe. A routine quest for a mysterious orb goes haywire and lands Quill in prison. It is here where Starlord teams up with some unlikely allies. His new comrades consist of Gamura (Zoe Saldana), Rocket the raccoon (voiced by Bradley Cooper), the monstrous brute Drax (David Bautista) and a full sized animated tree capable of speaking only five words Groot (voiced by Vin Diesel). Ronan (Lee Pace) is GotG’s lead villain. He is a lieutenant of the high and mighty Thanos, but breaks off from him after he finds a new source of power. Minus Groot, Marvel did a tremendous job with the casting. I will give props to Quill for this being his big motion picture breakout performance after several years on the ensemble mockumentary TV series, Parks & Rec. Saladana proved she is already capable of sci-fi greatness in the latest line of Star Trek films and went on to double down on that expertise in another sci-fi franchise. Bautista went above and beyond what anyone expected out of a pro-wrestler. Bradley Cooper shows all kinds of range with his voicing of Rocket, but Marvel could have saved a good chunk of money on the budget by having anyone voice Groot. Vin probably commanded a high dollar since he is in the midst of riding the success of the Fast & Furious money train. Watching the GotG unwillingly come together to break out of prison in a fantastic scene and transition into a well-oiled machine by the time they take on Ronan in the final act is simply an awesome experience. Part of the reason on how they got there is a stunning job in the CG department. GotG got nominated for two technical Oscars for Best Visual Effects & Best Costume Design. After witnessing a few of its dazzling-yet-intense spaceship duels and watching the behind-the-scenes feature on the multi-hour process of what Saladana and Bautista had to go through in makeup justifies the film as being a Oscar contender in those departments.

What also helped round off this sublime audio/visual package is a five star soundtrack consisting primarily of 1970s pop hits such as “I Want You Back,” “Hooked on a Feeling,” and “Cherry Bomb.” Director James Gunn stated in the commentary for the film that Disney got every single song he requested approved for the soundtrack, and I am presuming Gunn must have spent a great deal timing when each and every song would kick in at just the right moment to add that extra dose of impact. A couple of my favorite examples of this are when the Guardians are planning their final assault on Ronan to “Cherry Bomb” and the opening title screen where Quill is dancing away to “Come and Get Your Love.” I remember being super giddy the day Google generously released the soundtrack for free on its Play Store and it has been in a consistent rotation in my running playlists ever since. There is only one noteworthy qualm I have with GotG and it is the fact that it is too lighthearted. Do not get me wrong, nearly all the jokes and zingers in here are clever and witty and each character has several standout lines/moments in the film that cracked me up. That there is the problem however! Unlike other past Marvel films that know when to cut back and get serious, this one never lets up on the jokes, so the few times that GotG attempts to have a pivotal, meaningful moment in the movie I found myself waiting for the surprise gag to come from out of nowhere to steal the scene, and in a couple of those moments that is exactly what happened. Again, that qualm is not a deal-breaker by any means and when you are dealing with a talking raccoon and tree as two of your main actors, I could see why Marvel felt like they had to dial up the jokes to help the audience suspend their disbelief. They just dialed it up a bit too much.

There are a few extras on the BluRay you can easily cruise through in no time, but are worth consuming. There are four minutes of deleted scenes with or without commentary from James Gunn. If you have watched past Marvel films on video, you know they have some of the best produced gag reels out there, and GotG does not disappoint with a killer array of bloopers that culminates with a spectacular dance-off you have to see to believe. Intergalactic Visual FX is a seven minute look at the costume and makeup design that made me get sympathetic for what Saldana and Bautista had to go through every day on set. Guide to the Galaxy is a 21 minute all-encompassing behind-the-scenes look at the film hosted by Gunn where he explains the world lore, interviews the cast and goes into what it took to pull off the huge final battle scene. Finally Gunn goes solo for a commentary track on the film, and it is a decent solo commentary where he has a lot of notes filling everyone in on the backstory of the universe from the comics and a lot of recollections about the casting for the film. Guardians of the Galaxy made me feel like a fool for doubting it as it went on to be both a critical and commercial success. It is one of several movies I have seen in the theater twice. If you somehow had my original premonitions on this film being a flop and avoided it because it featured a lot of characters you were unfamiliar with then go ahead and put those reservations to the side and watch this immediately so you can be ready for the sequel in a few weeks. I recommend watching it solo so you can avoid others judging you as you jam out and get your dance on to the songs throughout the film! Other Random Backlog Movie Blogs 3 12 Angry Men (1957) 12 Rounds 3: Lockdown 21 Jump Street Angry Video Game Nerd: The Movie Atari: Game Over The Avengers: Age of Ultron Batman: The Killing Joke Batman: Mask of the Phantasm Batman V Superman: Dawn of Justice Bounty Hunters Cabin in the Woods Captain America: The First Avenger Captain America: The Winter Soldier Christmas Eve Clash of the Titans (1981) Clint Eastwood 11-pack Special The Condemned 2 Creed Dirty Work Faster Fast and Furious I-VIII Field of Dreams Fight Club The Fighter For Love of the Game Good Will Hunting Gravity Hercules: Reborn Hitman Ink Interstellar Jobs Man of Steel Marine 3 & 4 Mortal Kombat The Replacements Rocky I-VII Running Films Part 1 Running Films Part 2 San Andreas ScoobyDoo Wrestlemania Mystery The Secret Life of Walter Mitty Steve Jobs Source Code Star Trek I-XIII Take Me Home Tonight TMNT The Tooth Fairy 1 & 2 UHF Veronica Mars Wild The Wrestler (2008) X-Men: Days of Future Past