#we could get an ai to do those things but it's not really the point

[gideonisms]

idk with this ai art stuff we kinda have to face the fact that the bots can make art as good as ours, maybe one day could generate stories just as easily, but they probably aren't having as much fun doing it. Their job is basically marketing. Ours is living

[darkwood-sleddog]

eeeeee the pure kotzebue boys that were on ice were used in a dual sired AI litter and they’re due at the end of june!!

[nobodysuspectsthebutterfly]

FYI artists and writers: some info regarding tumblr's new "third-party sharing" (aka selling your content to OpenAI and Midjourney)

You may have already seen the post by @staff regarding third-party sharing and how to opt out. You may have also already seen various news articles discussing the matter.

But here's a little further clarity re some questions I had, and you may too. Caveat: Not all of this is on official tumblr pages, so it's possible things may change.

(1) "I heard they already have access to my data and it doesn't really matter if I opt out"

From the 404 article:

A new FAQ section we reviewed is titled “What happens when you opt out?” states “If you opt out from the start, we will block crawlers from accessing your content by adding your site on a disallowed list. If you change your mind later, we also plan to update any partners about people who newly opt-out and ask that their content be removed from past sources and future training.”

So please, go click that opt-out button.

(2) Some future user: "I've been away from tumblr for months, and I just heard about all this. I didn't opt out before, so does it make a difference anymore?"

Another internal document shows that, on February 23, an employee asked in a staff-only thread, “Do we have assurances that if a user opts out of their data being shared with third parties that our existing data partners will be notified of such a change and remove their data?” Andrew Spittle, Automattic’s head of AI replied: “We will notify existing partners on a regular basis about anyone who's opted out since the last time we provided a list. I want this to be an ongoing process where we regularly advocate for past content to be excluded based on current preferences. We will ask that content be deleted and removed from any future training runs. I believe partners will honor this based on our conversations with them to this point. I don't think they gain much overall by retaining it.”

It should make a difference! Go click that button.

(3) "I opted out, but my art posts have been reblogged by so many people, and I don't know if they all opted out. What does that mean for my stuff?"

This answer is actually on the support page for the toggle:

This option will prevent your blog's content, even when reblogged, from being shared with our licensed network of content and research partners, including those that train AI models.

And some further clarification by the COO and a product manager:

zingring: A couple people from work have reached out to let me know that yes, it applies to reblogs of "don't scrape" content. If you opt out, your content is opted out, even in reblog form. cyle: yep, for reblogs, we're taking it so far as "if anybody in the reblog trail has opted out, all of the content in that reblog will be opted out", when a reblog could be scraped/shared.

So not only your reblogged posts, but anyone who contributed in a reblog (such as posts where someone has been inspired to draw fanart of the OP) will presumably be protected by your opt-out. (A good reason to opt out even if you yourself are not a creator.)

Furthermore, if you the OP were offline and didn't know about the opt-out, if someone contributed to a reblog and they are opted out, then your original work is also protected. (Which makes it very tempting to contribute "scrapeable content" now whenever I reblog from an abandoned/disused blog...)

(4) "What about deleted blogs? They can't opt out!"

I was told by someone (not official) that he read "deleted blogs are all opted-out by default". However, he didn't recall the source, and I can't find it, so I can't guarantee that info. If I get more details - like if/when tumblr puts up that FAQ as reported in the 404 article - I will add it here as soon as I can.

Edit, tumblr has updated their help page for the option to opt-out of third-party sharing! It now states:

The content which will not be shared with our licensed network of content and research partners, including those that train AI models, includes: • Posts and reblogs of posts from blogs who have enabled the "Prevent third-party sharing" option. • Posts and reblogs of posts from deleted blogs. • Posts and reblogs of posts from password-protected blogs. • Posts and reblogs of posts from explicit blogs. • Posts and reblogs of posts from suspended/deactivated blogs. • Private posts. • Drafts. • Messages. • Asks and submissions which have not been publicly posted. • Post+ subscriber-only posts. • Explicit posts.

So no need to worry about your old deleted blogs that still have reblogs floating around. *\o/*

But for your existing blogs, please use the opt out option. And a reminder of how to opt out, under the cut:

The opt-out toggle is in Blog Settings, and please note you need to do it for each one of your blogs / sideblogs.

On dashboard, the toggle is at https://www.tumblr.com/settings/blog/blogname [replace "blogname" as applicable] down by Visibility:

For mobile, you need the most recent update of the app. (Android version 33.4.1.100, iOs version 33.4.) Then go to your blog tab (the little person icon), and then the gear icon for Settings, then click Visibility.

Again, if you have a sideblog, go back to the blog tab, switch to it, and go to settings again. Repeat as necessary.

If you do not have access to the newest version of the app for whatever reason, you can also log into tumblr in your mobile browser. Same URL as per desktop above, same location.

Note you do not need to change settings in both desktop and the app, just one is fine.

I hope this helps!

[were--ralph]

why exactly do you dislike generative art so much? i know its been misused by some folks, but like, why blame a tool because it gets used by shitty people? Why not just... blame the people who are shitty? I mean this in genuinely good faith, you seem like a pretty nice guy normally, but i guess it just makes me confused how... severe? your reactions are sometimes to it. There's a lot of nuance to conversation about it, and by folks a lot smarter than I (I suggest checking out the Are We Art Yet or "AWAY" group! They've got a lot on their page about the ethical use of Image generation software by individuals, and it really helped explain some things I was confused about). I know on my end, it made me think about why I personally was so reactive about Who was allowed to make art and How/Why. Again, all this in good faith, and I'm not asking you to like, Explain yourself or anything- If you just read this and decide to delete it instead of answering, all good! I just hope maybe you'll look into *why* some people advocate for generative software as strongly as they do, and listen to what they have to say about things -🦜

if Ai genuinely generated its own content I wouldn't have as much of a problem with it, however what Ai currently does is scrape other people's art, collect it, and then build something based off of others stolen works without crediting them. It's like. stealing other peoples art, mashing it together, then saying "this is mine i can not only profit of it but i can use it to cut costs in other industries.

this is more evident by people not "making" art but instead using prompts. Its like going to McDonalds and saying "Burger. Big, Juicy, etc, etc" then instead of a worker making the burger it uses an algorithm to build a burger based off of several restaurant's recepies.

example

the left is AI art, the right is one of the artists (Lindong) who it pulled the art style from. it's literally mass producing someone's artstyle by taking their art then using an algorithm to rebuild it in any context. this is even more apparent when you see ai art also tries to recreate artists watermarks and generally blends them together making it unintelligible.

Aside from that theres a lot of other ethical problems with it including generating pretty awful content, including but not limited to cp. It also uses a lot of processing power and apparently water? I haven't caught up on the newer developements i've been depressed about it tbh

Then aside from those, studios are leaning towards Ai generation to replace having to pay people. I've seen professional voice actors complain on twitter that they haven't gotten as much work since ai voice generation started, artists are being cut down and replaced by ai art then having the remaining artists fix any errors in the ai art.

Even beyond those things are the potential for misinformation. Here's an experiment: Which of these two are ai generated?

ready?

These two are both entirely ai generated. I have no idea if they're real people, but in a few months you could ai generate a Biden sex scandal, you could generate politics in whatever situation you want, you can generate popular streamers nude, whatever. and worse yet is ai generated video is already being developed and it doesn't look bad.

I posted on this already but as of right now it only needs one clear frame of a body and it can generate motion. yeah there are issues but it's been like two years since ai development started being taken seriously and we've gotten to this point already. within another two years it'll be close to perfected. There was even tests done with tiktokers and it works. it just fucking works.

There is genuinely not one upside to ai art. at all. it's theft, it's harming peoples lives, its harming the environment, its cutting jobs back and hurting the economy, it's invading peoples privacy, its making pedophilia accessible, and more. it's a plague and there's no vaccine for it. And all because people don't want to take a year to learn anatomy.

[harrysfolklore]

buzzcut - blurb

this kinda sucks but it was on my drafts sooo why not, hope you enjoy !

MASTERLIST | MY PATREON

//

"I wonder how would I look with my head shaved." Harry randomly said one night both of you were cuddled up in bed.

"Where is that coming from, lovie?" You looked up at him, curious by his sudden statement.

"Dunno, I've never in my almost 30 years of age had a buzzcut," he shrugged, "I feel like It's part of manhood to shave your head at least once."

"Your manhood is just fine," you rolled your eyes with affection and pecked his chin, "But if you want to know how you'd look with no hair, you can always look for those AI pictures your fans have been making lately."

Harry laughed and kissed the crown of your head, leaving the conversation at that and focusing on the romantic comedy movie you picked for the night.

Days passed by and you soon forgot about your conversation and Harry didn't bring up his desire to shave his head again, so when he mentioned that he wanted to get a haircut you assumed that he was getting his usual trim.

Oh boy, were you wrong.

"I want to chop my hair a bit before we head to Vegas." He said a week before your trip, Jeff kept insisting that you needed to see the show he had been working on at the Sphere and you finally agreed.

"That's fine, just don't do anything extreme you know I love the curls." You replied, unaware of what he had up in his sleeve.

"Nothing to worry about, baby." You failed to notice the devilish smile on his face that gave away that he was planning something else.

The following day Harry told you that he was going to Ayae's place to get his haircut, which was weird to you because his hairdresser always came to your house to cut his hair, but you still didn't overthink it too much.

Until you got a text from her that read "Don't kill me or your boyfriend for what he made me do."

Just a minute after you got the text you heard the front door open and your name being called from downstairs.

"H are you home? Ayae texted me but I don't know what she means." You said as you made your way to him, he was standing in your living room, his hair being covered by the hood of his hoodie.

"I cut my hair," he said and a confused frown made its way to your face, "And I'm going to show it to you, but you need to promise me you won't freak."

"Why would I freak? Why are you acting so weird about it?"

Harry only smiled and pulled the hood from his head, revealing that his brand new buzzcut.

You stood in your place for a few minutes before reacting, "Is this some kind of joke?"

"It's not love! I shaved it," he got closer to you, a big smile on his face, “Do you like it?”

“Oh my god! Your hair is really gone! What the fuck, Harry.” You laughed in disbelief, grabbing his face to get a better look at him.

“I told you I wanted to give it a try before my twenties ended, remember?”

“Yeah, but I didn’t think you’d actually do it,” you shook your head, “This is crazy! Does Jeff know? Forget about him does your mom know? Oh my god we need to facetime her right now.”

Harry laughed at your rant, “Jeff knows love, he wants to shave his too, and we’ll facetime mum later,” he pecked your lips quickly, “Now wipe that look off your face! You’re looking at me like I’m an alien!”

“This is just so weird, but also such a you thing to do,” you pecked his lips back, “Your fans are going to be absolutely nuts about this.”

“Lord, that’s what i’m dreading the most.”

A week later you and Harry were standing in the crowd of U2's concert at the Las Vegas Sphere, surrounded by friends and other concertgoers.

Somehow Harry's new look gave him a little more privacy, since the world didn't know that his signature brown curls were gone and he could go unnoticed sometimes.

"You've been busted." You said as you noticed a phone camera filming the both of you, Harry was standing behind you with his hand protectively gripping your neck.

"What, love?" He asked, making you discretely point at the person with the camera.

"Well, I guess the madness stars now."

A day later, pictures and videos of Harry's new haircut flooded the internet, making his fans go crazy once again.

taglist: @lightsoutstyles @willowpains @straightontilmornin n @sleutherclaw @gimsaysay @hazzassmirk @platinumbarbie143 @musicforcinemas @celesteblack08 @scntfrhs @eleanordaisy @lomlolivia a @iceebabies @iloveshawn @be-with-me-so-happily @watermelonsugacry @rayisthehoe @drewrry

[geopsych]

re: the tumblr ai stuff, please don’t wipe your blog!! your blog has been so important to me and many others as a place of authentic light and beauty and i would hate to lose it forever 💕

there is a way to download the contents of a tumblr blog (it’s in settings, i don’t remember rn, but i’ll find it if you need it) maybe you could upload to another site or a personal site?

i know this is very serious, and i hate how we are unwillingly contributing to synthetic art, but the world would be poorer for me without your pictures <3

Thank you. Your words mean a lot to me.

This is a dilemma for me. I have loved doing this blog and going out to look for pictures and interesting things to bring here has given me motivation and meaning through years of struggle with depression and several kinds of grief. Going out to look for pictures has put me in situations where I have seen incredible beauty, much of which I never really managed to capture. Also, the many warm and kind messages I've received from people all over the world have given me heart and made me feel less meaningless as a person and more connected. Sometimes I've been criticized for buying the checkmarks and giving money to Tumblr but I wanted to do what I could because Tumblr has been my one happy and safe place online. But now this. To me AI in relation to creativity is just a way for well-to-do but untalented people, the proverbial tech bros, to profit from other people's hard work and creativity. It has no redeeming value in relation to creativity and is actively harmful to artists of all kinds. <trying to figure out how to put a read more link here> I don't even count myself among the real creatives, artists and writers and others who have worked hard and put years into honing their crafts, into learning to translate their hearts and unique spirits into their creative expression. I just see beautiful things and take pictures of them. But it would still make me sick to see AI works based on my pictures, on these times and places that have meant so much to me. Recently I saw a set of cat 'photos' on here that everyone was reblogging and exclaiming over but that to me seemed to just be AI art that was more convincing than most. As time goes on more and more output of AI is going to be almost indistinguishable from real works and unscrupulous people will pass them off as real, getting credit for what was actually created by others. Whether they profit from them becomes almost irrelevant at that point because what's worse is that we will have less and less sense of what is real. And as some have pointed out AI will now also be scraping from AI, muddying the waters further from here on in. This is an apocalypse of sorts, an apocalypse of creativity, ultimately likely to kill the joy of artistic endeavor for many who would otherwise produced brilliant, beautiful, funny, and/or shockingly original things. I'm still parsing and dissecting my thoughts and feelings about what Tumblr has done and how to react. Staying and leaving my blog up feels like consent. I am not confident in the integrity of anyone connected with scraping sites for AI. I'm not convinced that a little toggle in settings is going to make much of a difference in the long run. On the other hand I like posting here and I have received enough messages over the years to know that my blog is a positive influence on some lives. I was looking forward to May and June and posting pictures of the incredible beauty of eastern Pennsylvania in those months. And I was planning on making a side blog for posting some poetry I've been working on. It will break my heart to leave.

I haven't decided yet. Believe it or not this whole thing has given me awful physical symptoms. I'll let you know when I decide. Thank you again for your kind and lovely note!

[sanshofox]

At this point I am really wondering how the entertainment industry, especially gaming industry, is going to uphold/maintain themselves.

One layoff after another. How are people from that industry supposed to find a new job there when layoffs are happening everywhere? Do studios really think there’s longevity when they aren’t even willing to hire newcomers/juniors so there‘s adequate supply in the work force? Because look at how it’s currently going: investors want more and more money, the workload increases, but people are getting fired, leaving a smaller team to do said work, even distributing them for 2 or 3 projects at the same time, only to crash in a burnout or in later years go into retirement. Then who’s left? AI? Are you kidding me? As if games aren’t becoming more and more repetitive anyway, because of some „safe recipe for good numbers“ strategy. Creativity and the people behind it are suffering.

It’s been almost 2 years since I saw a junior 3D character artist offer. Ever since then it’s been a desert. And it’s not looking all too bright in other departments either. It’s now even a thing in job descriptions where they want you to have „AI abilities“. So as a junior or regular they want you to feed their machine, so in a few years they can fire you. The audacity.

Another audacity are those layoffs just to rehire people for a smaller price (can’t tell me otherwise. For me this is a tactic to put pressure on the work force to say yes to less money otherwise they will stay jobless). People that made projects what they are today, who are seniors and leads for a reason, out of a job just like that. Make it make sense (it doesn’t).

Studios like ubisoft now openly saying that they want to focus on AI, like assets completely made by AI to „save time and money“ and expand AI onto more fields. Shame on them.

The way creative industries like gaming finance themselves is also their biggest poison. And I only see a solution in that by regulating investors demands and upper positions sheaningans. They can’t have „absolute power“ anymore. It’s destructive and greedy and not realistic. Games can not be linearly successful. For the game design „recipe“ to improve it needs iteration just like when you work in a project for example and work on a design that needs to be iterated until it‘s improved or solid even. We see time and time again that „business/numbers people“ and creatives do not go hand in hand. We see an extreme imbalance.

I would predict that with less creative new input and letting mainly AI do the work consumers will be less and less entertained because everything seems to be and look the same. It will stagnate. And then crumble. And the industry needs to start like it did before. And that’s what I guess for the big companies.

With the layoffs happening and not enough job offers in return I could see that big talents get together to build their own studios now and we may get an era of new successful and growing studios happening that may even replace the current triple A studios one day in the future. They may even change the financing game. We saw successful games happening through platforms like kickstarter more often. So it might lead back to a „power to the people“ thing. Having an idea for a project and seeing if enough people agree and invest to see it happening. There’s room for improvement in that system. That’s all what it leads back to; in the end the consumers need to be satisfied to make it a creative and monetary success. BG3 and larian studios was a good example for that. It’s what made coral island grow and grow too. So there‘s potential.

Feel free to comment your theories. I really would like to see what others think about the current state of gaming studios and how it will or could develop.

[hana-no-seiiki]

HELLO??? WHY IS NO ONE TALKING ABOUT THIS MASTERPIECE??? especially the last line holy shit im scared yet excited at the same time 😬😬

YANDERE! AQUAMARINE HOSHINO x REINCARNATED! READER x YANDERE! RUBY

Guess I gotta do a full fic about it huh. Here we go. Link to previous part in the ask!

tw/cw: yandere themes, gaslight tactics courtesy of aqua, girlkeep tactics courtesy of ruby, girlboss [y/n]. mentions of suicide. reader is gn but gets described as beautiful.

is this really a yandere fic when both the twins are canonically insane tho-

IT WAS SAID THAT DURING THE NIGHT OF YOUR BIRTH THE SUN WAS AT ITS HIGHEST POINT AND FULLEST BLOOM.

Its rays buried humanity under a blanket of heat and devastation. Fortunetellers would wax on and on of the disasters you would soon bring upon the world.

That was your experience in your first life.

Many could only wish of being born to a worldwide pop-star, but to you it was a reality. You resented those that vied for your place. How could they romanticize such a life when every single day was torture for you. Some predicted you to be world-class singer before your first cry. People knew you before you could even speak to them. Everyone already idolized you, expected you to do great things before you’d even learn the alphabet.

The pressure had already been insurmountable the moment you took your first breath.

Your second life was terrifying to say the least. It didn’t matter that way you died before, just the thought of experiencing the same motions again frightened you to your bones.

And so you pretended. A shining star to a dim moon that barely reflected any light. Ever so meticulously making sure none knew of your so called genius. The last thing you wanted was to be labeled a prodigy even with the more lax nature of your new family.

But art will always call to you, a sunflower drawn to its source of energy.

You kept everything as lowkey as you could, reconnected with contacts you knew would keep their mouth shut, and even kept your identity away from prying eyes.

To the world you were just this masked musician that was oddly reminiscent of their previous luminescence.

You were satisfied with that life. Fame wasn’t something you agonized about or wished for. But now that veil had been taken away, it’s as if everything was crashing down yet again. Emails, messages and articles about your success as a young star was beginning to show its true weight. Stress began accumulating further and further as you had distanced yourself from your family and threw yourself to work as a distraction.

On one such ‘productive’ night, you were met with a face you didn’t expect.

“Aqua-niisama! Nice seeing you here. Thought you would be staying at that director’s place for the night—“

“Why didn’t you tell me? Didn’t you promise to tell me everything? Don’t you trust me?”

Aquamarine had this knack of being utterly terrifying without meaning to. He had the talent to frighten at a glance. His beautiful sea-like eyes turn dull, murky. Capturing all the light, and drowning you in the same pressure your old family would throw you under repeatedly.

With his arms caging you between his form and the wall, you knew there was no escaping this. So in spite of the crippling anxiety, you gulp it do

“I wasn’t confident enough with my skills. Your mom is the Ai Hoshino and Ruby is so talented I—“

He lowered his face, nestled it right beside yours. You could swear he was breathing in your scent. “You looked anything but ‘not confident’ up on the stage.”

“Liar.” His hands then moved from the wall to encircle themselves around your body; his face to your the top of your head and nose between your hair. Yet even in this tight embrace you still felt chills down your spine. “I scare you don’t I? You were worried that I would stop you like I did with her.”

“Yes.”

“I’m sorry. I’m a terrible brother.”

“No, I understand you. You just wanted to keep her safe and I—“

“Not for that.” He pushed himself away for a couple of moments, and for that short amount of time you were ashamed to say that you felt utterly relieved until— “This.”

— he kissed you.

You’ve seen Aqua kiss Akane before. Both on and out of camera. You respected their relationship despite knowing of how unhealthy it truly is. They’d eventually break up and things would go smoothly you thought.

Pfft, as if. You knew shit would hit the fan. You were just too much of a coward to get in his way. Akane could suffer for all you care, she chose to date your psychopath of an adoptive brother anyways.

But you didn’t expect him to fall for you.

He never seem interested. Despite your mother telling you time and time again that Aqua cared deeply about you, you just couldn’t see it.

He was the deep, dark ocean. You were at the highest point of the sky, sailing across the cosmic sea. There was no way you two could meet eye to eye much less love normally.

You did the only thing your body could muster at the moment and slapped him.

“You’re right. You are a horrid brother.”

As you ran away, sobbing, Aqua couldn’t help but feel aroused.

Oh, how charming you looked with tears streaking down your cheeks.

It felt like hours when you first started crying nonstop. You never cried in your original life. You had no time or energy to. You never expected that your second, mundane life would be the one that shattered you.

And shattered you it did. You felt sorry for the future you who had to wash off all the tears and snot on your pillows and bedsheets, but it had to be done. You knew if you didn’t let it all out that day it’d happen sooner or later at a more inconvenient time.

Aqua only entered once to leave a tissue box and water bottle before he left. The sounds of typing outside of your room never ceased however, indicating he never actually went too far.

Ruby arrived far earlier than you expected as well. Her schedule that day should have had her busy til midnight but you had the feeling Aqua told her what he’d done.

“Ruby-nee—“

“Ssshhh…” Ruby silenced you with a kiss to the forehead.

“Why would he do that— he - he has a girlfriend.” You stuttered and hiccuped throughout your speech, still crying as hard as you did back then.

“Do you really think he loves her?”

“No.”

“But that isn’t what you’re worried about isn’t it?”

Ruby brought you up to her shoulder, massaging your back in a circular motion. “Trust me, nothing will change. He loves you very much. We both love you. I’m just sorry we didn’t make you feel comfortable enough to share your passion with us. You’re amazing [Y/N] in every shape, way or form. You don’t have to be the brightest to the world, you have no obligation to.”

“To us you’re already perfect.”

You never knew she had the capability to be this comforting in a mature sort of way. She always radiated a loud vibration; refreshing most of the time, though it did get tiring.

Never have you been afforded this kind of consolation. It was always you against the world. Being reminded that there are other stars in the sky beside you gave you a strange sense of solace. An odd variety of relief borne out of being insignificant in the sky.

“This incident just means he loves you in a different way alright?”

“But what about Aka-neesama?”

“I’ll talk to him about it.”

“You should thank me. I left them all vulnerable for you.” Aqua spoke, his right hand quickly moved across his laptop’s keyboard and his left held a can of Monster.

“You felt it too didn’t you?” Ruby exhaled. It took a while to get you to lull you into sleep; a necessary step to have the conversation she was partaking in.

“Yeah. . . I did.” Aqua took a sip from his drink, his starry eyes laser focused on the recording of your performance. He had set up several fan accounts and gotten footage from all sorts of angles. He couldn’t wait for your next stage. May it be from sheer excitement or the caffeine in his blood, but the man was absolutely shaking all over over in anticipation. “We have a second chance, don’t mess things up.”

“I should be saying that to you. Break up with Akane by next week. And be careful with how forward you are with your feelings.”

“Already done.” Aqua held up his phone without breaking moving his head at all, in his phone were a few texts between him and a panicking Akane. “and no promises”

Ruby sighed one last time that night, leaning her head back to your bedroom door. “. . . You were right.”

“Hm?”

Both of her eye’s stars hard turn tar black, a blush covered her cheeks.

“[Y/N] does look enticing when they cry.”

[natalchartnurtures]

PAC: How can you wear your "Big Boy" pants right now?

Sometimes we need reminders that we can in fact, be "big boys" in our lives and take responsibility to change what we don't like about our lives. Happy reading!

_________________________________________________________

Pile 1:

There's a lot you CAN do. In fact, you have been doing a lot by yourself, weathering proverbial storms all on your own. Unfortunately, you haven't been conscious enough to acknowledge all the effort you've been putting in to simply push through. Let me be the one to give you the kudos you deserve, Pile 1. You've been doing way more than you think, albeit these are mostly internal efforts (like maintaining a headstrong attitude in the face of a challenge). You currently feel challenged to take active steps in your external life, though. You might find it hard to apply things you learn to your life or simply lack the discipline to see your (quite excellent) plans through. You need to be reminded that you do have the free will to choose to make all your plans come to life :) You have what it takes, sweetie; you really do.

Bonus - How do you need to go about it? One thing that can EASILY help you execute your plans is to bring in help (trigger warning though). You all seem Independent AF, and I get it, sweets. With everything you've been doing, of course, you can handle anything, but you definitely need some support too right now. Especially if you struggle with something like discipline (or whatever challenge you're facing right now). Bringing in even just ONE person (or multiple) to help hold you accountable to your plans, with compassion, would help you a lot (that person/people don't have to be real too; you could bring in a bot from an app or AI, I don't care) as long as you feel like you have a buddy, you know? Somebody who makes you feel like your plans matter. It's an excellent way to pour into yourself right now and show yourself some TLC ✨️ You deserve to make your plans a reality and have a bit of fun on your path towards it.

Love, light, and hugs!

_________________________________________________________

Pile 2:

Doing things your way and rejecting convention might be a BIG step for you, to be honest, but it's well worth it, Pile 2. Celebrate yourself, basically. Slow down and enjoy yourselves a little bit. Maybe you've been living your life BY THE BOOK so far, and now you're going to put your big boy pants on by letting loose and doing things differently for once. You're not abandoning yourself and your needs nearly as much anymore, and so you're quite stable in your own skin as a result. That's really impressive, Pile 2! You have lived in fear (possibly a fear of failure), and I'm sensing some mommy wounds maybe? This is where your fear stems from, and this fear has kept you from really truly living. You might identify as a workaholic too. Maybe you prefer to keep yourself busy as a coping mechanism to ward off any feelings of anxiety. This has a direct correlation to childhood wounds of yours. So put your big boy pants on and put an end to conforming to standards that don't respect you and what you stand for, Pile 2.

Bonus - How do you need to go about it? I feel like this pile needs extra guidance on how to exactly wear their big boy pants. Start by acknowledging that you do have wounds from childhood, specifically those from female (motherly) figures, if not your mother herself. Take a radical approach to your healing journey right now. Look into the concept of mothering yourself and come up with customized ways to do just that. You got this, Pile 2 :)

Love, light, and hugs!

_________________________________________________________

Pile 3:

It seems like you've already been wearing your big boy pants, Pile 3. Good job! Looks like you've been on a healing journey, and you're now at a point in life where you can reap the benefits of all the inner work you've done. You've reached a level of mastery over the mind, and now it's time to make room to tend to your heart. You need something that your authority figures couldn't give you readily, and that's unconditional compassion. Show yourself kindness even when things don't go as you'd like them to. Hold yourself through the thick and thin of life, as you would a child. This should open up a brand new way of living and viewing life that you never thought possible. It has always been waiting for you and your attention. Nurture yourself on a whole new level and be ready to receive 10X from the universe. You're going to feel so spoiled, I love it, haha! 😄

Love, light, and hugs!

_________________________________________________________

[dana-chan-the-control-brain]

Things from the ruin dlc that keep me up at night.

Spoilers under the cut.

SERIOUSLY DO NOT READ IF YOU'RE AVOIDING SPOILERS.

Disclaimer: I wrote this before I had seen Everything the DLC has to offer or all the endings yet. I was on the wrong track, but I think my cooking before I knew everything was good cooking. I have more concrete theories now under #danachan's rants

Something that I was 100% right about that I was going to write into Lofi eventually.... But I guess I'll talk about it now since the dlc confirmed it.

But Balloon Boy world was literally Eclipses cage as I suspected. It was suppressing them. It wasn't an evil arcade or Eclipse was living in there. Eclipse's AI was being suppressed in the arcade cabinet.

Eclipse is how they talk to eachother, and Eclipse was asleep and completely blocked off from the Virus. So Sun and Moon had no communication with eachother anymore. Which is why they were both so stressed and lost.

I was astounded I got that completely correct in regards to what Eclipse is, and what the balloon boy game is.

(the dlc does not explain the Dcas weird connection to Vanessa and why the arcade cabinet was in Afton's boss fight room though)

Bonus points Moon talks exactly how I write him when speaking about the Sun and the Moon.

Another thing that has been mind-blowing me that all the comic book endings are scenarios that GREGORY DREW.

And according to the dlc....

The Afton Burntrap Blob ending is another one of those endings that he drew.

Which means Peepaw Afton and the Blob were never real in the first place.

Which is why no one could really figure out what the blob is.

It doesn't exist.

Princess Quest ending was the canon ending.

Vanessa leaving the Pizzaplex with Gregory is the canon ending.

The ending where you fight Afton in the basement.... Never happened and was just Gregory attempting to make sense of the FNAF lore that Vanessa probably explained to him. Since in the DLC, we do find a book about Fazbear History in Vanny's room.

I honestly don't know if Steel Wool retroactively made Burntrap non-canon due to everyone making fun of him, not taking him seriously and hating the blob, or if this was always the case. Because despite the Afton ending being the hardest to get.... It's still a two star ending.

So it's hard and too early for me to tell if I want to give them points for that soft retcon. I mean I don't blame them honestly.

But yeah. Skeleton man Afton in the basement and his best friend the Blob isn't actually real, and neither is Freddy's "I am not me" speech either.... Which honestly makes sense. Because it's all Gregory's comic book trying to make sense of FNAF Lore he doesn't understand.

Also, I can say definitively, and finally, Afton is not the Mimic. Glitchtrap exists as its own entity in this, and the Mimic seems to have its own agenda. It's unclear if Afton is possessing the Mimic via virus corruption, but for now, I believe the Mimic is acting of its own will.

And man oh man. I feel so sorry for people who haven't been keeping up with Tales of the Pizzaplex Books.

The ending of the dlc is just really "who's Henry???" From pizzasim all over again huh....

Anyways. Those are my thoughts. I will be streaming the dlc again tomorrow. Gonna try and get a better ending, but I have a suspicion they're all sad.

[themattress]

Untitled Kairi Post

Y'know what? In a way, Kairi was tragically doomed as a character from the very beginning.

"Oh, because she was a love interest and damsel in distress!"

No. Myths, fairy tales and, well, Disney movies have used those tropes for ages, and if you're doing a story where a huge point is the influence of those things, it's kind of a given that the leading lady be a love interest and damsel in distress. And the writing is smart enough to put a twist on the trope given that Kairi's distress is much less than it appeared to be because she's Sora's love interest and he's her's, and after Sora saves her she saves him right back.

"Oh, because she wasn't a playable character or party member!"

No. It would have been nice to have the playable puzzle solving-based Kairi sequence they initially planned at Hollow Bastion, but I can understand why it was removed given how it would slow down the pace following what is perhaps the signature sequence of the game. And in any case it doesn't have any bearing on how things went for the rest of the series, given that Riku also was not a playable character or party member (he just had a crappy AI when pretending to help you fight Parasite Cage all so that he could kidnap Pinocchio).

"Oh, because she was stuck in a coma the whole game!"

NO! God damn it, how much must the game beat the point into your stupid head!?

And who could forget?

Stop laughing right now.

Kairi. Not just "her heart". KAIRI. Since the heart = the person.

I've said it before and I'll say it again, it exposes some serious sexism if one goes with the "Kairi was in a coma" line for KH1 and yet says "Ventus was inside of Sora" post BBS, since it's literally the exact same situation except that Kairi was always awake within Sora's heart as opposed to Ventus only waking up at the end of 3D. It's why Sora felt things regarding Hollow Bastion, why he experienced the memory of Kairi and her grandfather, and why he saw and heard Kairi multiple times. He wasn't hallucinating; that was always really her.

So, enough beating around the bush. What did I actually mean, then?

Well....let's start at the beginning.

Kairi's arc in the original Kingdom Hearts is not just told through the writing. Utilizing a video game as a visual/audible medium, it is also told through animation, voicework and music. During her introductory cutscene, we see Kairi asked by Sora if she remembers the world she was born in before being sent to Destiny Islands. "I told you before. I don't remember." She answers this sincerely. "Nothing at all?" Sora responds. That's when we see this detail.

"Nothing." Kairi is lying. She doesn't remember everything given the trauma caused by being forced out of her old home, but she does remember just enough to understand why it was traumatic. She had a comfortable life there, and a family. She was happy. And then it was all gone in an instant. Now, on Destiny Islands, she is similarly content ("Well, I'm happy here.") and fears risking that same loss. And yet a small part of her still yearns for the past. She loved what she can recall of her past, as she loves her present. She fears only the future.

Riku's fixation on his existential woes and the mysteries of the universe, while also putting her up on some sort of pedestal like she's something special, is not helping at all. Something about it feels wrong to Kairi...wrong and uncomfortably familiar. It's making her very anxious.

But Kairi has someone to lean on and help her keep up an optimistic, cheerful front, perhaps enough to talk herself into believing it: Sora. And during this scene, we hear the track "Kairi I":

This track reflects Kairi's character in this moment. While there is a subtle undercurrent of worry, her heart is strong enough to not let it get to her and look on the bright side as she looks out to the sun setting over the ocean. With Sora's reassurance, she is able to feel as though her home and friends won't change or go away no matter what happens on her, Sora and Riku's planned voyage, which allows her to feel anticipation for it. All finally feels right.

Of course, things were not right, and Kairi ended up in heart form as her body and soul were lost to darkness along with Destiny Islands. From Kairi's POV, she is now in the Station of Awakening (aka Dive to the Heart) and can do little but watch Sora's adventures as she can see them through his eyes, not fully putting it together why she can and where she truly is.

In the scene at Merlin's House, we get to hear "Kairi II".

While it's similar to "Kairi I", there is now a more somber and mysterious feel to it given the present circumstances. While she doesn't know if Sora can hear her, Kairi wistfully waxes nostalgic over how Merlin's House reminds her of the Secret Place on Destiny Islands. And while Kairi feels sad over missing that place, she's also happy that there are places like it elsewhere in the universe. She's clearly learning as much from Sora's journey as Sora is.

Finally, we hear "Kairi III" in the flashback with little Kairi and her grandmother.

And while it starts out reflecting Kairi's childhood innocence, it ends up turning...almost sad. The reason why being one of the most overlooked details of the scene: at the end of the grandmother's story, she disappears, and little Kairi is shown moving her head all around looking for her. This isn't actually part of the memory, but a reflection of Kairi's heart. She knows that she had a grandmother and that her grandmother isn't here anymore, but she can't remember how her grandmother "left". But she at least still exists...within her heart.

Speaking of which, once Kairi's heart returns to her body and Sora loses his heart in the process, Kairi puts her foot down. She may have learned how to better deal with and accept change and loss, but a line still has to be drawn somewhere and Sora is that line for her.

Thus is she able to save him. Later, we see her worry about the future and things changing again when she questions whether anything can be the same between her, Sora and Riku again after the corruption Riku had underwent. Once again, Sora boosts her optimism.

More importantly, he helps her learn, as he does, that even when separated you can take strength in keeping your loved ones (metaphorically) in your heart, and that even if things change and Kairi is cut off from the people and things she loves, they will always exist within her heart, just as with her grandmother and the story she told her about light and darkness.

This is why, in the end, Kairi is able to let Sora go and yet still feel content.

From "Hikari" (JP):

I'll stop doing pointless things like thinking about the future. Today I'll eat delicious things. The future is always before us, Even if I don't know it.

From "Simple and Clean" (EN):

 Regardless of warnings, the future doesn't scare me at all.  Nothing's like before.

This is a really good, really well done character arc.

It's also a very human character arc.

Yes, there are a lot of fantastical things going on, but when you put all of that aside, what are you left with? A young girl moves away from her old home and everything that she ever knew and loved, which gives her anxiety about the same thing happening with the new home and everything that she's come to know and love from it, which now includes a certain boy. She fears the future; she fears change. In the end, she ends up staying in her new home - but the boy moves away! However, through her time spent with him she's learned to accept this because he'll always be a part of her heart, which is something that won't ever change.

When put that way, it sounds positively mundane, and by and large the KH fandom - and Tetsuya Nomura himself for that matter - don't want or like mundane stuff like that. They want the crazy, the overdramatic, the angsty, the flashy, the anime tropeyness they're familiar with. This is why they were unreceptive to Kairi's arc to the fullest degree, as in many of them are literally unaware it even happened because they were too busy fixating on the archetypal Japanese media-style dick measuring contest between Sora and Riku (which is also far deeper than they tend to give it credit for, btw, but I digress). And if that's the case, then the question gets raised: why bother focusing on or expanding Kairi at all? She doesn't "sell".

THIS is why Kairi was doomed from the start. It's not her fault. But it's sadly the truth.

[theswordwizard]

ai art: both sides

I think a lot of non-artists are also just really and truly not understanding the big picture. I personally could not care less about that cat image, it was fun, whatever, but you are only producing those kinds of images in the sense that an art director "produces" whatever art they are in charge of. They are telling another artist what to do, even guiding them, but they are not considered the artist themselves. Artists who are creating their own art, who are trying to survive off of their work (many of whom have some form of disability, as art is easy to do while sitting down, etc), who are already in the middle of fighting to not just be tossed aside for a product which doesn't even produce the results it claims, are reacting negatively because they are seeing that in parallel with tabling spaces taken up with people presenting generated art as their own illustration, and game devs/producers using it as a way to explicitly avoid paying people for work, while using something that was trained on their work.

"Why do people react so strongly to things possibly being AI art?" If you want to keep it out of the courts, then public opinion matters all the more. It's about a party line that is easily communicable. Most artists are going to be strongly anti-AI because that's the best way to protect themselves than trying to "open a discussion" about it. It's like nurse scabs. We can argue back and forth all day about the intricacies of scabbing for important jobs, but at the end of the day the party line will generally be "scabbing is bad," "we don't like scabs," "scabbing harms workers."

People are trying to compare people getting mad about it to people getting mad about Duchamp's fountain, which just lets me know about their level of art education, and the level of which they like to talk out their ass.

Duchamp's fountain isn't a major point in art history because of the object itself, its because of the STATEMENT. It is because of the placement of the object IN THE GALLERY. It is the equivalent of a political pamphlet, but summed up in a single object that incites discussion around his political statement. It isn't about the object it is about the CONCEPT. We can literally call anything we want "art" if we dedicate ourselves to reframing it and treating it as such, it's just that most non-artists don't even care. They want the label of being an artist without even putting in an effort to. It's like if I wanted to be called a photographer and I wanted people to treat me as such, and so I just made a portfolio of pictures I took off of Pinterest or even a stock photo site, because I've decided that it's the photos I would WANT to take, and thus I can just act like they have anything to do with me.

There have been arguments over much more "similar" things for a long time too. Since the 90s Richard Prince has been taking people's instagram photos, making slight tweaks to avoid copyright, and then printing them large scale and selling them for tens of thousands of dollars. Technically legal, kinda shitty, as he does it without even contacting the (plenty of times, women) original posters. And that's just with selfies people have taken! But I don't see people mentioning that because a lot of people don't like him, and most people arguing to legitimize AI art to be uncontested don't actually care that much about contemporary art. They have zero real interest in being an artist and talking about art to that degree, to have those discussions in a way that isn't validating themselves. Duchamp's fountain in a gallery incites discussion because galleries are places of art discussion. If someone brought a crate of mechanically woven baskets (that they bought from amazon) to a craft fair, people are going to be rightly pissed off. It's about context.

It's also, in my opinion, a similar discussion to the one that was big on twitter not too long ago, where people argued that artists weren't obligated to be able to draw non-white and/or disabled people. Which, sure, but you probably aren't that good of an artist if you don't know how to. And someone going through a portfolio of exclusively white people might go "huh, only white people. interesting." (I even want to include a gotcha here! If an artist has a portfolio of white people, and they have a section talking about their focus being painting their family tree in like, northern Ireland, it's gonna be a totally different story. why, you ask? because there is an underlying concept other than "wow this artist really only likes white people." this is part of the reading comprehension test that will follow.)

And you know what, I'm going to be honest - and this is likely a result of me not being a photographer - but I'm not even really talking all that much about AI photo edits, outside of the large scale implications of what it means that anyone can create a highly realistic image of anything they want (including political figures, female celebrities, you see my pattern here) with zero effort, on a mass scale we've never seen previously. I think they should only be used with stock, and I even think that photographers who upload their works should get additional payments from it. I actually had used a generator back in 2019 for a project, well before this even became a discussion, and it was even featured in a gallery show for a bit! The overall theme was "fake news," so it was a conceptual piece with fake landscape photography that I made with some beta tool. The point was the tool in combination with the tool's result, not how pretty the fake pictures were. I also want to say it was trained a lot more ethically than a lot of the generators that are so popular today.

And this isn't to say that you have to have a gallery or be so fully integrated in a physical art scene or whatever to be able to make conceptual art or talk about it - honestly I think zines that could actually combine whatever your concept is with having room to talk about it, and they're easy to create both physically and digitally and share. maybe just don't have it be around "look at all these pretty pictures that I made with AI." similar to how people at the art book fair aren't going to be impressed with me being like "look at all these pretty pictures I found on Unsplash."

Sure, AI art is "real art," but it's not illustration or photography or whatever, it's conceptual art. Which means it's main goal is to incite thought and discussion about it. Like the D&D book's release that suddenly turned to being about the AI art they used. So if you want to be an artist using primarily AI, go ahead, no one can stop you, but the topic is culturally significant with the current fight between the entertainment unions to protect their livelihoods, so the discussion will be heated.

[wayfayrr]

Hello! If I may, I’d like to make a request.

When I was little (between 4 and 8), my brother and I played Ocarina of Time constantly. It was our go-to game when hanging out. We replayed it and found all secrets and stuff. I was wondering if you could do a platonic self aware OOT!Link one shot? One where Link considers the player to be like a sibling to him since they grew up together in a way?

Thank you so much! I really enjoy your work ❤️

you're very welcome anon! this was such a sweet request to write!! I went with the post timeskip link for this seeing as I've already written one for Majora's mask link and I thought it would be more interesting to have that difference between the two pieces <3 I hope you'll enjoy this

[masterlist]

“Hey, I’ve been wanting to ask for a while… do you still have that old copy of Ocarina of time we used to play together? I’ve been kinda wanting to replay it. It’s a bit of a pain to get a new one or an emulator though so…”

“Uh? I think so, I can check in my attic later and drop it around your place tomorrow if I can?”

“That sounds perfect, thanks for the favour man.”

That was a fairly productive phone call, now I hopefully won’t have to mess about with an emulator or shell out for the subscription to play it again. Seeing as Nintendo doesn’t want to make their old catalogue accessible. All I need to do on my end is to wait and possibly google how to set up an N64 in the meantime.

Turns out that we did still have the old thing, and that it isn’t all that hard to set up either so it’s not like it takes too long for me to hear the calmingly melancholic tones of the game’s opening theme. Our old save file is still there too, although some of the stats on the file seem to have gotten a little bit corrupted because I’m convinced we completed it fully. Although it’s been what like 10 years or more since I would’ve last played, it makes sense that I might just be misremembering things. No harm in seeing where we left off though is there?

Well even though the file says otherwise, looking through Link’s inventory really wants to disprove that - there’s something with the same sprite as Zelda’s letter where it should just be an empty slot. It’s not got a name, if I hover over it it simply brings up a missing value error and the button prompt me to read it. It’s not like there’s any issue if I did open it, it’s an old save file so even if it does corrupt I won’t lose anything. 

Nothing happened, just a fade to blank before it glitched out and the inventory screen popped back up so that I could close it and have a look around…

How did Link turn around as I was paused in the inventory and how did his face get so close to the screen?

“[Name]? I knew you’d be back at some point! I knew you wouldn’t just leave your older brother for good… you wouldn’t would you?”

“...How do you know my name..?”

I know that Ai has gotten incredibly good recently but this is an N64, an unmodded one at that, so whatever the hell is happening right now can’t be due to that. This feels like it could be the start to a creepypasta though with everything going on right now - is this like a real life ben drowned - no it can’t be, he’d be crying blood if it were the case and he wouldn’t be as friendly either. 

“Because you told me it all those years ago when you first played through the game? You always spoke to me like I was a real person, like you saw me as your older brother, so it’s only natural that I started to see you like a little sibling right? Then when you disappeared I got so worried, It’s been so long but you’ve gotten so much older! Did you pull the mastersword yourself, because this much time can’t have really passed can it?... Can it?”

He looks almost like he’s about to cry, I should be caref- why am I so worried about hurting the feelings of a fictional character? Is it cause he sees me like a sibling, a younger one; because he knows me from when I was younger; or because he seems so attached to me already? Maybe I should just… turn it off so I don’t have to deal with it.

“I don’t remember how long it’s been, a good few years at least, Since I’ve played it. I wasn’t exactly planning to-”

“Is that what you used to control me!? I’ve never been able to get a good look at it before. Would you mind bringing it closer?”

“...Yeah I can bring it closer.”

The way he interrupted me was so so sad, he’s forcing himself to be cheery when he looks like he’s about to break down, like how an older brother would act. He really sees himself as my older brother doesn’t he? I have to admit that the way he’s leaning against the screen like an excited kid is also pretty cute I won’t lie to myself, if it weren’t for how insane the situation is I don’t think I’d mind him being my younger brother. He’s younger than me now anyway so that makes far more sense. 

Is the screen cracking beneath him? 

It’s definitely cracking under his weight, there are seconds left before it shatters.

“It’s so simple and yet it was the reason that you were able to-”

Glass can only last so long. And now he’s out, lying on my floor in a shocked heap with glass shards surrounding and covering him. After a couple of seconds of neither of us knowing what to do, we both snap into action at the same time, while I try to help him up and check for any serious wounds… he’s just laughing with the widest goofiest smile on his face, grabbing at my arms like I’m nothing but a wisp of a dream. 

“I - wow I - I could never have imagined that I could - that this - that this was even an option for me…”

“But I can be your brother in person now can’t I?”

[not-terezi-pyrope]

The push for legal prohibitions against AI training on public data via copyright law feels like it's going to have one of two outcomes, and I don't like either of them.

The law enforces a legal distinction between mechanically indistinguishable actions performed by a computer system and by the human brain, enshrining a double standard where what is doing a thing matters more than what the thing is.

Subjective art attributes like "style" and "influence", currently seen as so nebulous that fair use need not even be applied to them, become acceptable points of contention under copyright law, such that human artists can get sued for perceived infractions (e.g. you saw this artwork and "stole" the style of it in your work that looks similar).

Both of these concentrate power to corporations who already hold large corpuses of licensed artwork. It makes me so uncomfortable. Are we heading for a scenario where only corporations can meaningfully monetize "authorized" art, where they can prove that they have ownership of either the training data for an AI model or any nebulous artistic influences that could otherwise be targeted for suppression?

It's not like the latter case is even enforceable but it could be used to intimidate. Honestly, I think art style copyright would be so obviously absurd that the "codified double standard between human and machine actions" option is more likely to be what becomes law, but even that is... very bad, it ensures that AI systems can only be deployed by those with the most money and influence, in service of that money and influence.

I honestly thought that fair use and similar legal concepts were strong enough to withstand the push for this sort of regulation, but this has become such a hot button issue that I'm not sure. We are maybe sleepwalking into some very foreseeably unpleasant consequences here due to artist anxiety which, while valid in especially an economic sense, hasn't actually been thought through, is often not really validated by the reality of the situation or checked against the consequences of being asked for.

Artists want their work posted publicly by untouchable by what they see as some sort of infecting monster, perverting what they made with their own two hands, and that emotion is so strong that it feels like it's going to push us into an objectively worse regulatory future for AI and/or art than anything we have now.

😬

[thechekhov]

So I'm not an artist but i know a few things here and there about it, so i can understand some things about what people talk about like layers or some brush stuff but when it comes to AI art I don't have that artist eye that would help immensely distinguish between real art and ai generated images. I used to use the "look at the hair/hands/fingers/toes/ribbons" advice but some AI is actually progressing to a point where the people making those images hide the noticeable stuff or the AI actually did a decent job .

I looked at that ghost image and the only thing i could even kinda assume was the rainbow glass looking effect but I've seen oil painted images that look so realistic that i immediately assumed it was AI until i read a caption or notes.

Do you have an insight or advice or tips to share to make it a bit easier to distinguish without relying to see other people, if there even are people, who say anything about questionable art?

I don't know if they're really tips, per se. I'm not an AI sleuth or anything, nor do I mean to be. I just think it's necessary to label this stuff. Especially because the further in we go, the better AI is getting at looking very reputable and real. There will be, I imagine, a day when no one can tell an artificially generated image from one created by a person... and it's important to try to normalize NOT hiding it early on.

That being said, with that image in mind I saw the following:

Yeah, the cabinet handles. They're not symmetrical. That's it. That's the only thing that tipped me off. That and just... another sixth sense I can't place.

If I was an artist that drew these, I would probably fix that. It's not an aesthetic choice.

[literaila]

HI! Would you want to write about tasm peter and a reader who is in a band?? I have realized on character ai that I can just tell characters that I'm in a band and I love to see their reaction. I just love the idea of being one of those cool people that play and sing

THANK YOU!!

singing

tasm!peter x reader

a/n: i know nothing about bands but i do know lots about singing in the shower

*

peter enjoys standing by the sink—pretending to brush his teeth—while you’re singing in the shower (even though you deny it every time he brings it up). he’ll run the water softly and take extra precautions over the health of his teeth. his dentist will be pleased.

he’s used to your voice. you sing everything.

you sing while you’re cleaning, or when you’re cooking dinner for the two of you. you’re always singing along to buzzing music when he meets you at your favorite coffee shop every thursday for lunch. you sing when putting your shoes on, and when dabbing at a fresh cut on his face.

you make up ridiculous songs about the things you’re doing, and laugh when peter walks in the room like you hadn’t noticed he was there. you change your voice and dance along and, honestly, peters not even sure if you’re aware you’re doing any of it.

he loves it all; if he knew as much music as you did, or was any less tone deaf, he would gladly sing along, and for once be apart of the sweet serenading rather than just flushing every time he knows you’re singing a song about him.

peter could listen to you and your voice and your silly little songs for days on end.

but he’s come to love you singing his name the most.

when you’re the first to wake up in the morning, and peter can feel you hum his name onto the skin of his cheek while you kiss him. when he comes home from a late night and you’re still awake, still happy to see him, and smile while you sing like he’s been away for longer than just a few hours.

when you’re messing with him, sing-songing peter just so he’ll frown at you. or when he interrupts you in the middle of your singing, his name becoming a slightly off pitch, slightly surprised exclamation.

if peter walks in the door and you’re not singing, then something is very wrong.

he’s listening to you now, adding toothpaste to his toothbrush for the second time. just to be safe.

when he hears the water turn off, he frowns and a dribble of minty spit falls from his mouth.

you startle when you open the shower door, eyes bright and skin glowing from the water. “peter,” you say—hum—soft and harsh. “why are you just standing there?”

peter mumbles something incoherent through his toothbrush.

you shake your head, but your lip twitches. “we talked about this. i’m tired of having to pick up new toothpaste every other week.”

peter grumbles.

“if you really miss me that much,” you tell him, purposefully bumping into him while you grab lotion from the cabinet, “you can just join me.”

peter spits and frowns. “you don’t sing when we shower together.”

he watches you glance at him from the corner of your eyes.

“i think you mean to say that i don’t sing in the shower ever, peter. it’s okay, we all get confused.”

“i’ve been standing here for the past ten minutes. i heard your rendition of it’s all coming back to me.”

you tilt your head at him, reaching a moisturized hand to touch his temple. “did you hit your head a bit too hard yesterday?”

peter laughs. “i don’t know why you’re so weird about it. i love it.”

“because you’re confused, peter. that’s why.”

“im confused,” he nods solemnly, “about why you continue to deny this.”

you sigh dramatically, turning back to the mirror and beginning to hum again—which peter might point out just proves his point, but he’s a bit too distracted to notice.

he could listen to your voice all day, or he could stare at you, like right now. watching your eyelashes brush your cheek and your smile reach the tip of your nose. he could just admire the slight glow of your skin under the light, or the amusement you’re trying to keep out of your eyes.

he could just wait for you to sing his name again.

“yes, peter?” you ask, after he’s been staring at you for thirty seconds too long.

“i was just wondering if i could join your band?”

your brows furrow inward and you laugh at him, subconsciously leaning your body towards him, and indiscreetly staring back at him in the mirror.

“i play a mean triangle.”

you wince. “ooh, yikes. we just hired a new triangle player. i’ll let you know how it works out.”

peter pretends to think for a moment. “it’s also been said that i’m pretty good with my mouth—“

you push him, laughing as he pushes you back. “that so?”

he nods.

“are you sure?” you ask, sounding doubtful. peters brows furrow at your tone.

he starts to say something but you cut him off. “you know,” you say, voice sly and soft. “we do have one position we need to fill.”

“what?”

“a new muse, of course.”

*