#we know it's not canon guys

[iamumbra195]

I hate when people talk about Ashler like it’s inconceivable to ship them.

They’ll be like “Oh, they had so much beef, they’re barely even friends.” Genuinely asking here, have you even read the webtoon if you think that?

Tyler had issues with practically everyone at the beginning, hell, most of the kids didn’t even like each other. Ben, Aiden, Ashlyn, and Logan all thought he was a jerk and he was acting like one because he was trying to protect himself and Taylor and the whole situation was stressful as hell. That’s why his character development is so good. Even Ashlyn remarks that he’s being less of a jerk in one chapter and Taylor says that he's begun to see the others as real friends, maybe even family.

They all eventually became allies and then friends, including Ashlyn and Tyler. Sure, they like to throw some sarcastic remarks at each other but that’s just their sense of humour and part of the appeal of their friendship. Same with Aiden and Tyler, they insult each other all the time but the insults that were originally meant to hurt are now used affectionately.

He gave Ashlyn a nickname guys. He gave a jokey nickname to cheer her up because she felt terrible about the fact that she had to leave him behind while he got terribly hurt, while he died. She literally started crying out of guilt and being overwhelmed by the whole situation. She cares about him and he cares about her and the whole gang cares about each other, which is why there are so many ships in the fandom to begin with.

So stop acting like anyone who ships Ashler is stupid and stop saying ‘they’re like siblings’ on every post about them. We know it’s probably not gonna be canon, hell, Red herself said romance isn’t the focus of the webtoon at all.

I don’t even like shipping in general but the TikTok fandom keeps pissing me off. Stop acting like everyone has to ship the same things as you and stop commenting shit like ‘cute edit but I wish it was Aidlyn’ or ‘They’re just friends, they act like siblings’. Like yeah, they’re not canon but you’d have to be blind if you couldn’t see why some people ship it. Stop shitting on people’s ships and let them have their fun, we all know they’re not canon.

NONE OF THEM ARE.

Anyway, that’s the end of my rant. Sorry, I keep getting Ashler hate every time I search it up on TikTok. It’s so stupid and annoying, let people ship who they want in peace and stop undermining Ashlyn and Tyler's canon friendship and character development to shit on people’s ships. It’s an insult to the characters and your ability to read between the lines.

Live, Laugh, Love Ashler.

[poorly-drawn-mdzs]

...Turns out gay sex actually was the solution.

(This is basically a redraw, come read the real deal over at Tiger Tiger)

[lynxgriffin]

Eldritchrune - Dreemurr of Demons

1 | 2 | 3

Story Setup Eldritchrune Masterpost

Asriel ventures back to Hometown while on the trail of trying to find out what happened to Kris, and stumbles across an unusual man who's all too excited to share his demon-warding knowledge! But it's unclear so far whether this knowledge will actually be of help to him...

Yaaay all done with this series back with the Dreemurrs! This one was definitely the longest, but also had some important info! What I'll tackle next is a mystery to me right now...

Alt text for these pages is under the read more:

Page 1 Panel 1: Exterior shot of a back alley in Hometown, with old barrels and boxes stacked behind medieval buildings. Asriel walks down the alley, wearing a striped shirt, glasses and scruffy blond hair, and carrying a large canvas bag over his shoulders. The annoying dog trots happily beside him.

Panel 2: The annoying dog drops his nose to the ground, sniffing at some interesting smell.

Panel 3: The dog bounds off ahead of Asriel to a haphazard collection of trinkets, boxes, jars and displayed charms, all partially covered with colorful cloths. A man is kneeling under one of the tent setups. Asriel walks to catch up with the dog, asking, "What's got your interest this time, dog?"

Panel 4: The man pops up from his odd collection and turns to Asriel with arms spread and a big smile. He has short curly hair, and is dressed in a medieval robe with a cape slung over his shoulders, and bone designs in his sleeve cuffs. He answers, "Just the finest assortment of handmade charms and magical meals made by yours truly, THE GREAT PAPYRUS!" The dog happily circles Papyrus, tail wagging.

Panel 5: Asriel is a bit taken aback by the introduction, but waves in greeting anyway, and responds with "…Oh! Howdy!" The dog sits in front of Papyrus, panting and wagging his tail.

Page 2 Panel 1: Papyrus leans down with a big grin to pet the dog and ruffle its face. "What a bright and clever fellow! Such a sweet face!"

Panel 2: "You're a good, good boy, aren't you?" Papyrus continues. However, the dog glances over to the side, as something has got his attention:

Panel 3: It's one of the charms Papyrus has on display: a large femur bone decorated with paint, beads and feathers.

Panel 4: The dog leaps up and snatches the charm in its mouth. Papyrus looks agape at this thievery, eyes cartoonishly wide. "Wh-HEY! That's my SPECIAL demon-warding charm!"

Panel 5: The dog goes running off further into the alley, the bone still in its mouth. Papyrus shakes his fist at it and yells after it: "You thieving scoundrel! I take back all the nice things I said about you!"

Panel 6: Papyrus quickly turns back to Asriel with a more apologetic look; even now he can't be too mean. He says, "I apologize, I didn't mean to yell at your dog. I'm sure he's normally better behaved!" Asriel waves off the apology with tired bemusement. "No, it's fine. He's not really my dog." Under his breath, he adds, "He just keeps following me around for some reason…"

Panel 7: Papyrus stands back up and gestures to his odd collection. "In any case, you at least are welcome to my little shop-in-the-works!"

Page 3 Panel 1: Papyrus leans in close to Asriel, observing him, and getting a bit into his personal space. "You look a little familiar, though! Are you perhaps related to Mr. Dreemurr?" Asriel nervously adjusts his glasses, and replies, "Heh, yes. I'm Asriel, his son."

Panel 2: Asriel holds up a hand and gives a little sideeye to the alley around them. "But, uh…I actually don't want my parents to know that I'm back in town, so I'd appreciate you keeping quiet about me being here."

Panel 3: Papyrus mirrors that sideeye, hands on his hips, as if recalling some recent incident. "Ahh…I know well the trials of avoiding family. Especially when they decide to try out some terrible new jokes."

Panel 4: Papyrus makes a lip-zipping motion with his hand and mouth. "Not to worry, my lips are sealed!" Asriel smiles back, and says, "Thanks, I appreciate it."

Panel 5: A wider shot of the two still standing within Papyrus's collection of tents and trinkets. Papyrus asks, "So, if it's not to see your folks, what brings you back around Hometown?" Asriel glances around them, and replies, "I'm looking for something. Or well…kinda hoping I don't find something here."

Page 4 Panel 1: Papyrus points up one finger, looking as if he's already solved this problem. "If you don't want to find it, then looking for it seems rather counterintuitive!"

Panel 2: Asriel looks a little taken aback by that logic. "Yes, well… Okay you have a point, but…"

Panel 3: Asriel keeps glancing behind him, as if expecting to see someone there. "This is kind of the next step in a trail of research I've been doing."

Panel 4: Papyrus puts a hand to a chest and puffs himself up, imitating his heroic poses from Undertale. "Well, if your research involves handmade charms and tasty foods both designed to ward off demons, evil spirits and the like… Then I'll be your most cited source!"

Panel 5: Asriel crosses his arms and raises his eyebrows, intrigued by this. "Really."

Panel 6: "You know a lot about demons, huh?" Asriel asks as he sits himself on one of the rugs within the tent setup. Papyrus keeps up his self-congratulatory pose. "I, the Great Papyrus, am a bonafide expert in such subjects! Sad that so few around here seem to recognize my talents."

Page 5 Panel 1: Asriel holds his hands up, willing to follow this strange thread wherever it might lead. "Well, I've got a question that all my research hasn't been able to answer for me, so perhaps you can…"

Panel 2: A pause as Asriel holds on to his thoughts, hands closed in front of his face. Papyrus sits down on the rug across from him.

Panel 3: Asriel lowers his hands, his face deeply serious. "How do you kill a demon?"

Panel 4: Papyrus looks back at him with an equally serious expression, then…

Panel 5: The seriousness is gone as he gives a casual shrug, and gives an answer. "Oh, that's simple. You don't!"

Panel 6: Asriel looks a little bit baffled, and disappointed. "…You don't?"

Panel 7: "No, silly. They're immortal, like angels!" Papyrus keeps up the casual shrug, as if this information is obvious.

Panel 8: However, Papyrus then seems to become aware of why this is being asked. He looks around the area frantically, his head whipping back and forth. "Why?! Are there demons around here that my detection flatbreads missed?!" Asriel offers an amused smile back. "Heehee… no, I don't think so."

Page 6 Panel 1: The seriousness returns to Asriel's face as he scratches at his nose, lost in worried thought. "I just…have this real bad hunch. I'm trying to prepare myself for all potential outcomes."

Panel 2: Papyrus ignores the seriousness of the situation, and just seems impressed. "Preparation! The hallmark of the truly intelligent!"

Panel 3: Asriel is still set on getting some information, and continues his questions. "Thanks. So, if you can't kill them, what do you do about them?" Papyrus holds up a finger again, happy to keep explaining: "Well, you got two options! First, you can banish them back to their own plane!"

Panel 4: Papyrus continues, "However, that's really only the ideal option if you're the one that summoned them in the first place. Otherwise it's a whole ordeal." In the background, Papyrus's point is illustrated with a little graphic of a cult member holding up a hand in rejection of a demon within a summoning circle. The demon looks confused and perturbed by the rejection.

Panel 5: Asriel says, "I see. What's the other option?" Papyrus continues his explanation across the two panels: "You bind the demon to something! Quickest and easiest thing to do is bind them to an object! Buuut, problem with that is, if your object gets broken or destroyed, now your demon's free and even angrier than before."

Panel 6: To illustrate his point, another background graphic shows a shocked human with a broken jar in front of them. A demon rises out of the remains of the broken jar, looking angry and ready to strike.

Page 7 Panel 1: Papyrus again continues his explanation across two panels. "Hardest and most time-consuming thing to do is to bind them to a place! Good option if you have the prep time, but then you can't really use that place anymore. Better pick a restaurant you hate and hope no one there minds you standing outside it chanting for three days straight."

Panel 2: To illustrate his point further, a scene (perhaps a flashback) shows Papyrus with his arms raised outside of a restaurant, supposedly chanting angrily at it, while another person stares back at him from the doorway, hands on their hips in annoyance.

Panel 3: Asriel watches as Papyrus finishes up the rest of his explanation: "Aaaand, last thing you can do is…bind the demon to a person! Which…"

Panel 4: Papyrus stops suddenly. For the first time, he looks actually disturbed and hesitant.

Panel 5: Asriel watches quizzically, waiting for him to continue.

Panel 6: When he doesn't continue, Asriel tries to prompt him on, tilting his head towards him. "…And?"

Panel 7: Papyrus quickly waves his hands in front of him, smiling nervously, clearly trying to dismiss the whole idea. "But you know, we don't need to go into the details of that!"

Panel 8: Asriel says nothing, but remains in nervous thought, one hand covering his mouth. It's clear that this is sticking in his mind the most.

Page 8 Panel 1: Asriel remains sitting with a hand to his chin in thought, but Papyrus has moved on to better advice. "But as I always say, an ounce of prevention's worth a pound of cure! You're much better off trying one of my charms or meals to-go!"

Panel 2: Asriel lets himself smile more at this suggestion. "Y'know? I'm sold. And also a bit hungry."

Panel 3: Asriel gets up, and drops a handful of coins into Papyrus's open hand, which Papyrus looks at in surprise. Asriel says, "Give me your best demon-warding meal."

Panel 4: Papyrus stares down at the coins in his hand, his eyes cartoonishly big and shiny, full of excitement. "WOWIE!! My FIRST ever sale!" he says with a big smile.

Panel 5: Papyrus leaps up and begins to rummage through some of the boxes and barrels around his collection. "This calls for my finest delicacy!" Asriel watches him from a few steps back, and mutters under his breath, "…First ever?…"

Page 9 Panel 1: Papyrus straightens back up, gesturing to a small sack that he is holding in one hand. He looks pleased with himself. "Spiced candied yam bites, from my home country!"

Panel 2: "Each one will purge you of evil spirits for a whole ten hours!" he continues. He hands the small sack off to Asriel, who takes it from him and says, "Sounds like a good deal." In the background, the annoying dog pops back up from behind some other boxes, holding something in its mouth.

Panel 3: Asriel hefts the bag over his shoulder again, and holds up the sack of treats in acknowledgement of the exchange. "Well, I know where to come if I need more info and good charms."

Panel 4: Papyrus stands proud, both hands on his hips, happy at being able to spout off his knowledge to a stranger. "Yes, yes! Tell all your friends about the fantastic advice and the culinary masterworks of the Great Papyrus!" he says excitedly.

Panel 5: Asriel heads off back into the alleyways, and waves goodbye to Papyrus. The annoying dog follows close behind his steps. Papyrus enthusiastically waves to the two as they leave, and says, "Safe travels to you and your annoying dog!"

Page 10 Panel 1: Papyrus turns back to his collection of trinkets and boxes with a determined look, hands on his hips. "And now to see where that criminal canine buried my special charm…" he says to himself.

Panel 2: While continuing on through the alleyways, Asriel opens the small sack and pulls out one of the candied yam bites.

Panel 3: Asriel glances back down at the dog, and notices that he's carrying something that's making a tinking noise. It's partially hidden from view. "Oh boy, what did you steal now?" he asks with a wry smile.

Panel 4: Asriel takes the yam bite and pops it into his mouth with a crunch…

Panel 5: …Only to then make a face, his eyes wide and his mouth scrunched up, as if tasting something indescribable.

Panel 6: "What IS this flavor?" Asriel asks to himself, although all but his back foot are off-panel. The focus is on the annoying dog, who is shown to be carrying a strange, heart-shaped metal lantern on a chain.

[chyarui]

Commander Wolffe, no introduction needed.

I had so much fun with his tattoos, if you couldn’t tell. After Fox’s depressing ones and Cody’s cute but simple one, I needed to go all out with Wolfy boy’s tat. Honestly, this man deserves a cool tattoo after having to deal with the torture of interacting with C-3PO. I could FEEL his annoyance through the screen (that sassy fucking eyeroll I swear you could feel it though his helmet)

[knifearo]

ultimately when it comes to shipping and fandom space treatment of aspec characters i just don't accept "aro/ace people can still date/have sex" as an answer from nonaspecs. like yeah. mhm. okay. now i think we both know that you're not saying that out of real interest in the diversity of aspec experiences. so you can turn in your seventeen-page essay on why and how you plan to examine this character's aspec identity within the context of a romantic or sexual relationship complete with evidence from canon and peer reviews from multiple aspec people within the next week or i'm putting you in the pit from the edgar allen poe story

[bacchuschucklefuck]

doing chibi is a good design exercise bc it forces u to think on shapes n essential details, essentially thumbnailing ur designs. its also a terrible design exercise bc it ends up looking cute no matter what

[feralforbeanix]

Manfred Von Karma did not burn Phoenix's letters to Miles.

Like, I'm not even saying this to defend Manfred's character (though the fanbase does get a little crazy with what he actually did and didn't do) I'm saying this because that's not canon. I'm not sure it was even possible in canon.

Phoenix didn't write letters to Germany. He didn't know Miles was in Germany, let alone Von Karma's address. He didn't even know who Von Karma was until Edgeworth told him about Manfred in Turnabout Goodbyes.

In the game canon, Miles just stopped showing up to school one day. All Phoenix seemed to know was that he transferred schools suddenly. He didn't know why or where to. Remember, Phoenix didn't even hear about DL-6 until Turnabout Sisters when Maya mentioned her family's involvement.

Even in the anime canon (I haven't watched the anime in a while so I might be off about this) where Phoenix and Miles get a chance to properly say goodbye, Phoenix still doesn't have a direct means of contacting him. His best way of doing so was dedicating a song through the radio using Signal Samurai codenames and hoping Miles would hear it.

Phoenix mentions trying to contact him several times when explaining their relationship to Maya, but this was after finding out Miles was this "Demon Attorney". Miles would have to be at least 20 at this point in time, living back in California with at least a few trials under his belt. With how young he reached success, it's not impossible Miles was living on his own at the time. Even if he wasn't, I doubt Manfred was going through this grown adult's mail.

No, what the game seems to be implying is that Miles ignored Phoenix. (Maya even says, "I guess he didn't want to hear from his old friends.") And I don't think this was out of hatred or anything, I think Miles just wanted to forget his past entirely because even the good memories of his childhood would be bittersweet at best.

And to be honest that makes it even more tragic to me. Why do we need Manfred to intercept their connection when Miles' trauma and guilt complex is already doing that?

I like to think Miles knew Phoenix would be asking questions if he ever responded to those initial attempts at contact. Questions he of course doesn't want to answer because they'd at best open old wounds or at worst risk his childhood friend finding out he might have committed patricide.

I also like to think he knew Phoenix of all people would stubbornly try to find the answers Miles wouldn't willingly give because he literally mentions Phoenix always being "single minded in his work" and "always seeing things through to the end". If anyone was going to press and bring those uncomfortable and painful memories out in the open for the sake of "helping him", it would be Phoenix Wright.

Why do we need Manfred to take away all that complexity and tragedy? That is such a waste!

[fuupan]

drew these for heart pirates day and uhhhh ep1115

[wistfullywaiting2]

The biggest misconception in the bsd fandom ever to me is people constantly portraying Atsushi as someone who trauma dumps excessively when he canonically barely talks about it at all.

The entire point is that Atsushi does not talk about his trauma he’s just constantly thinking about/reliving it. He can’t escape the memories of his past so he tries not to acknowledge them.

He only mentions it when asked, either directly or when someone asks him to explain himself.

Atsushi doesn’t even give a cohesive explanation for what he saw while under Dogra Magra, he just apologizes to Haruno and Naomi.

If Lucy hadn’t had her whole “you’ve never suffered the way I have” spiel then I doubt even the audience would’ve gotten to find out about his scars

If Akutagawa never asked him how it felt for the orphanage headmaster to die Atsushi would have never told him that he’s been hallucinating.

In the omake where Kyoka asks him why his hair is like that it’s clear he wouldn’t have told her that unless she had asked.

In 55 minutes Atsushi very briefly mentions sleeping on a dirty floor somewhere to Kunikida because he was trying to explain and justify his behavior.

And the thing is that there are scenes that implies that the other characters see Atsushi behaving strangely and are visibly confused because they do not understand what’s wrong with him.

Remember, we as an audience get to see things about characters that the main cast doesn’t. Just because we see into Atsushi’s mind doesn’t mean the other characters know what’s going on in there.

Also little footnote here that I think this is a reference to the moon over the mountain but I digress

[nebuladreamz]

A little different than last year's, but here we are again. To say that this past year hasn't been absolutely wild would be a lie, cause HOLY SHIT MAN

This year's birthday is. A little different for me, but you already have the silly comic to show that so I won't make like a broken record oops

But, despite the changes and hills that life's decided I should climb or throw at, it hasn't changed the fact that I'm so genuinely fucking thankful to the people that I've known since joining this fandom. I'm not even kidding when I say that being here has actually changed my life for the better. I know I said something similar last year, but this time, hoo boy it sure turned up the AMP and test how far I could go.

So, to everyone, both new and old; thank you for being here :D

@garbagechocolate @darkxsoulzyx @smoljeanius @bunmuffin @skizabaa

@tuzesdays @sleepykas @fernzwing @kandidandi @starsketchez

@just-a-drawing-bean @notdysfunk @ilsole @amberluvsbugs @cloudyvoid

@nomsthecat @alfinefalf @nosleepygay @theblog-with-thestuff

@cacaocheri

(Edit: ty kibbits for informing me of the. Fuck ass tagging system)

AND TAGGING OTHERS BECAUSE. POINTS. BONKS WITH HEAD. GETTING TO EITHER INTERACT OR TALK OR WHATEVER IS ALWAYS A DELIGHT

@ohno-the-sun @kibbits @ink-yy @saltyfryz @kaprisvn

@hierba-picante @sunny-sophies-garden @cookiiemancer @sneeblbop @justaduckarts

@pepethehumanz @crystalmagpie447 @woolysstuff @mocha-illustrates @duhsty1

@sanchensky @pillowspace @victarin @witherfide

[I DEFINITELY GOT SONAS WRONG AND THESE AREN'T ALL THE SILLY PEOPLE I KNOW BUT IM SITTING HERE AT 2:30 IN THE MORNING JUST KNOW YOU'RE THERE IN SPIRIT HANDING YOU ALL POPTARTS WAUGH]

[milkywayes]

says cheese, doesn't know what cheese is

[poorly-drawn-mdzs]

Tis but a flesh wound!

[First] Prev <–-> Next

[aroaceleovaldez]

It's honestly wild to me that ToA went through so much trouble to emphasize the fact that Will did not magically fix all of Nico's problems and was explicitly not Nico's only doctor.

Only for TSATS to have Will fix all of Nico's problems and have Nico be entirely reliant on him the entire book and literally helpless without him and LITERALLY have Nico's problems be magically removed.

[thepersonperson]

Sukuna's Loneliness Part 2 (Sukuna is a fraud and it's funny.)

Part 1 Part 3

Before we start...

1) I will be mainly using the TCB scans because of their accessibility. 

2) This was written as of JJK 262.

(Click pictures for captions/citations.)

Fraudkuna

You’ve probably heard JJK dudebros call The King of Curses a fraud. Fraudkuna to be exact. I want to say that they’re 100% right, but that doesn’t make Sukuna a bad fighter. Sukuna is a fraud in the way Saul Goodman is a fraud. He’s so good at being fraudulent that it’s his very way of life.

This person puts it succinctly. 

And remember Reggie’s Star’s words of wisdom.

The best sorcerers are masters of deception.

Mimicry

Sukuna constantly steals from people—he takes something that isn’t his, and then morphs it into something for his purposes whether it’s bodies, Cursed Techniques (CTs), or strategies. This guy barely has original ideas of his own, using someone else’s work as the base and then building himself on top of that. This is fraud behavior. 

Puppeting Megumi

In a 2 for 1 special, Sukuna steals Kenjaku’s original idea to turn body parts into cursed objects and Megumi’s 10 Shadows along with his body.

Naturally he steals the hand signs for Megumi's CT too.

What’s interesting about this copying is that the hand signs are inversed for every Shikigami except Mahoraga.

I think the inversion for Sukuna is an act of disrespect or a form of acknowledgement for a lesser since the hand sign for Mahoraga, who Sukuna respects greatly, is identical to the original form. Sukuna’s Mahoraga is virtually unchanged in design as well. It might be slightly bigger, unlike the other Shikigami whose forms are distorted compared to Megumi’s.

I lean towards distortion being an act of disrespect since Sukuna despises Choso almost as much as Yuji and steals his Piercing Blood while tweaking the hand sign.

They say imitation is the highest form of flattery. And just about everyone has picked up on Sukuna’s Megumi obsession. However, what most don’t realize is that this obsession wasn’t for Megumi the person, but his potential. Mahoraga to be exact.

And though Sukuna adores Mahoraga, his obsession with this Shikigami is in service to someone else…

Professional Gojo Satoru Simp

When I was writing this section, I was greatly surprised. I went back and scanned through everything post-Gojo Death (JJK 236-262) to see how often Sukuna copies Gojo as evidence of fraud. What I found fundamentally changed the direction of this analysis. I will tie it all into how Sukuna is a fraud don't get me wrong, but there's something else at play here...

Post-Gojo's demise, Sukuna thinks of Gojo whether directly from himself or implied by the narrator. 15 TIMES.

Sukuna, for no discernable reason, keeps copying everything Gojo did. It's not a one-off thing like Megumi for a long-term goal, it's a consistent non-stop mimicry after their fight. Here's all of them so far:

1. Using Reverse Cursed Energy (RCE) to heal a burnt-out CT.

2. The hand sign for Unlimited Void. (Aside: Yuta inverts the hand sign as Yujo, but in his case I think it's an act of respect since he doesn't see himself as Gojo's equal.)

3. The hand sign for Red.

4. Shrine based Infinity barrier.

5. Using Blue's gravity to fast travel.

6. Black flashing to restore Cursed Energy (CE) output.

7. The chanting and Honored One Pose at the same time. (And there’s even more layers to the chants themselves check out this post.)

8. Detonating his own technique on himself.

9. Even the way in which he smiles as he beats teenagers up.

By the way this face punch he did to Yugo is a replica Gojo's very first punch he landed on Sukuna.

They say imitation is the highest form of flattery but got dang. This is a bit obsessive to put it lightly.

But it didn’t start here. Sukuna’s Gojo obsession started from this panel. As Sukuna himself confirms.

No. Let’s go back further. This is when it began. Chapter 2 of the manga and Episode 1 of the anime in early June of 2018.

This motherfudger has been planning on how to slaughter Gojo for 200+ chapters. In canon time that is about 6 months.

I want to point out that his promise to kill Gojo first wound up being a lie on multiple fronts (more fraudulent behavior). He admits that it's the wrong brat's body while leaving out the fact that Gojo wasn't his first kill.

Technically Sukuna made Yuji's body his temporarily in Shibuya and killed thousands, but that wasn't deliberate. Sukuna didn't target those civilians specifically, they just got caught up as collateral in his fights with Jogo and Mahoraga. The first person Sukuna went out of his way to kill was Yorozu/Tsumiki (killing Ryu along the way). And he didn't tell Gojo that for a reason.

Much like Gojo, Sukuna is a 2 birds and 1 stone person as in he has multiple reasons for doing a single action. This can make his motives appear dubious or have plausible deniability. Sukuna on the surface went after Yorozu/Tsumiki to subjugate Megumi's soul. But that too was still in service of killing Gojo. Yorozu’s Perfect Sphere, if you remember, acts just like Infinity. And Sukuna trained Mahoraga on it deliberately to get past it.

This also means that retroactively, his Megumi and Mahoraga obsession is a part of his Gojo obsession. He saw his personally trained student’s potential, found out about Mahoraga’s adaptation, and used it specifically to upgrade his CT for the sole purpose of killing Gojo. Sukuna admits to this himself.

Not with his own technique by itself, but with Megumi’s because deep down he realized Gojo’s CT was better than his and he’d lose to him in a fair fight. A fraudulent way to victory.

By the way, when Mahoraga finally adapts to Infinity in a way Sukuna can copy, he's observing the adaptation from the shadows, fully bumming the fight, as Gojo 1v2s Agito and Mahoraga.

What’s so fascinating about this planning is that it was made up on the fly. Sukuna has been obsessing over how to kill Gojo Satoru since their first 10 seconds interaction. (Toji behavior much?) Megumi and Mahoraga being a part of his plans occurred by chance. There’s a certain level of adaptability and skill needed to think on the fly like this. It truly makes Sukuna the Best Fraud in verse.

Lies and Hypocrisy

Simply copying those you admire is base level fraudulent behavior. What makes Sukuna the King of Frauds are the contradictions in his words and actions. This isn’t like Gojo Satoru who is actively hiding his true feelings as a trauma response. Sukuna betrays his own inner logic on convenience. Uraume even notes this as his “capricious nature”.

These are excuses made by a Professional Sukuna Understander who also acknowledges just how much he was into Gojo despite Sukuna actively denying it himself. (He’s just a fish? What kind of fish engages in 6 months of psychological mind games and preparation to catch outside of Moby Dick? Yes I know he’s a whale but the obsessiveness bordering something else is there.)

We'll get back to this eventually. For now we will focus on how Sukuna picks on children.

Hating Ideals and Roles

Sukuna hates ideals. Everyone knows this because he tells Yuji constantly how much he hates them. He spits on Yuji for having ideals and goals. And then turns around and gets hyped when he finally has his own goal to chase. The hypocrisy speaks for itself.

But that’s not the end of it. He also berates Yuji for seeking a role in life, outwardly teasing him when he finds one besides cog. And then gets this excited when Maki “forces” one on him.

He’s not just being a hypocrite here. I think it’s envy. Yuji gets all the things he was denied—a society that does not exclude him for the circumstances of his birth, clear cut goals and purposes alongside others, and fulfilling connections with equals. In the worst case of Sour Grapes I’ve ever seen, he derides the things he believes he’s incapable of having. But the second he gets a taste, he starts salivating.

Hating Love

Sukuna's hatred of ideals and roles in society is but a microcosm of his one true hate—love and connections. Anything soft like bonds makes people weak. Sukuna seeks only strength so he believes the following:

Not only does Sukuna admit here that connections with other people are a weakness, he believes Gojo to be the modern pinnacle of casting them away to obtain strength. In a very roundabout way this is him praising Gojo for being a monster like himself.

And that's where the next contradiction lies. Despite Sukuna preaching the benefits of isolation, he still craves that monster to monster connection. He adores anyone just like him. Monsters who throw all their humanity away just like him. He wants that connection so badly. Look at how often Sukuna gets excited when he thinks others might be like him. (Notice the half-assed Brat is Sukuna calling Yuji out for not committing to monsterhood.)

Uraume of all people should fulfill a bit of that social want Sukuna has, but they put him on a pedestal. They are his servant and he is their master. Even though they can intuit his needs, they can’t fulfill all his emotional ones since their relationship is one with inherent distance between them. That being said, Uraume still understands exactly what Sukuna is looking for—other monsters.

Professional Sukuna Understander once again gives insight onto how this fraud thinks. Sukuna is strong enough to endure solitude. He is fearless and alone by embracing power.

And yet Sukuna cannot abide by his own principles against love.

December 24th is the most romantic day in Japan. This information is in part how we infer Gojo Satoru is in love Geto Suguru time and time again. Kenjaku calls Gojo out for this. Setting a battle date to December 24th is romantic in nature. And Sukuna, of his own volition starts seeing Gojo as the one who will teach him love.

No. That's not right either...

Gojo has never been the one trying to teach Sukuna love. He never heard those words from Yorozu. Not once. It's the other way around. Sukuna is the one trying to teach Gojo about love. Every single time "The one who will teach you about love is..." appears, Sukuna is in the final frame. It's never Gojo. It's always Sukuna.

The loneliness that comes with unrivaled strength. The one who will teach you about love is...Sukuna.

Kashimo takes Sukuna up on the offer. He has Sukuna teach him about love. When Sukuna first starts his speech about love, he speaks of Yorozu as someone who could've taught Gojo of love—as in Gojo was the one who needed teaching. He also spells out for Kashimo that the strong love with their violence. Sukuna himself admits that he loves by slaughtering. All while saying it's worthless in the end, because the only thing that matters to him is strength.

Wanting love and strength is greedy. You can't have both. Sukuna killing Gojo was not only an act of love, but an act of denial in pursuit of self-preservation. Sukuna found someone he could possibly love and he did everything in his power to kill him for the sake of maintaining his strength.

This could be proof he's not a fraud when it comes to hating love. But he still engaged with it and became stronger as a result of it—contradicting the very principles on which he decries love as weakness.

In retrospect, this makes this particular Gojo glazing Sukuna sequence from the infamous JJK 236 ironically hilarious.

Gojo never realized that Sukuna obsessed over him for 6 months nonstop after meeting him for 10 seconds. He never realized that Sukuna's cruelty and cuts were trying to reach him. The most Gojo knew was that Sukuna bagged Mahoraga to kill him. He didn't know about the planning that went into it or the heart behind it all. Gojo has always been iffy about understanding other people's feelings towards him mind you, but...

In the same way Geto did not understand Gojo's love for him until both of them were dead, Gojo did not understand Sukuna's love for him even in death. Because Gojo and Sukuna are the same person.

Umineko no Naku Koro ni (When the Seagulls Cry) is a visual novel about a person who is fundamentally misunderstood by those around them. They desperately want to be loved without being perceived, believing themself to be unworthy due to trauma and immutable characteristics given to them at birth. Instead of telling anyone these feelings directly, they play games akin to torture. They torment the ones they love over and over in hopes they'll see through their actions and understand them.

The Consequences of Fraudulent Behavior

The tragedy of Sukuna is his inability to fully realize his desires. He wants an equal in strength to play with or be killed by, but he crushes anyone with the potential to do that. Gojo was the closest thing Sukuna ever got to realizing that desire. Hence the “You cleared my skies. I shall remember you for as long as I live.” and subsequent "Where's Gojo Satoru?" ad nauseum.

Instead of allowing these potential companions to realize their abilities fully, he kills them and then gets upset about it. There's honestly no difference between him and a dog impulsively tearing his favorite chewtoys to pieces and getting confused by the outcome. (And in the case of Gojo Satoru, that's the dog catching the car but if the dog had spent half a year studying the exact speed and timing down to the stud before ripping the bumper off.)

I genuinely cannot tell if Sukuna is aware of this problem himself. Seriously, I don’t think anyone has told him that if he wants a matured fighter, he needs to let them…mature in the first place. I know he was treated like animal since birth, but he’s smart enough to know better. 

He’ll never reach satisfaction like this and it’s as funny as it is pathetic. Even Megumi, the first person he saw with the potential to entertain him, was chewed up with ease. Not just him, but the very reason he took interest—Mahoraga. Instead of having a Shikigami that will always evolve with him and therefore always be a source of everchanging entertainment, he tamed it and added it to his arsenal.

Sure all of that was to kill Gojo via masterclass frauding, but that too cucks him in the long run. Gojo is still the only person in Sukuna’s entire existence to keep up with him and nearly kill him on his own. If Sukuna were smarter, he could’ve developed a lifelong rivalry that fueled both of their growths. But Gojo beats him fair and square, so he binding vow frauds his way out in a way that permanently destroys this source of fun.

And on top of that, his killing of Gojo may have also been Sukuna trying to trick himself into believing he doesn't need anyone to satisfy him ever. He probably believes this from the bottom of his heart. Kashimo calls him out for it. "Then why mince your soul into cursed objects and watch all those years go by?" Why get so excited when Uraume shows up too?

I'm not saying that Sukuna has been secretly craving romantic or sexual love for the past 1,000 years. He has had plenty of opportunities to engage with this kind of love and has chosen not to. (Though I do think Sukuna saw his fight with Gojo as a some warped version of a date at this point.) The kind of love Sukuna seems to crave is one between friends, peers, and equals. What I'm saying is that Gojo shattered his world view in the same way Gojo also shattered Toji's world view. But unlike Toji who was able to admit his way of thinking was flawed, Sukuna is actively in denial.

He denies his own feelings and desires for companionship while running around looking for another Gojo Satoru that will never exist. All that Sukuna is left with are disappointments and ghosts to chase. The only person who keeps getting up stronger every time he knocks them down is Yuji. And he hates Yuji. 

I’m not sure what this all means in the grand scheme of this story, but I am fascinated by how this absolute menace sabotages his own chances at happiness because his power and fraudulent behavior has stripped him of his ability to socialize.

[pepperpixel]

Initial drawings of that old man… I literally, I haven’t finished reading the book of bill yet!!! I had to stop and take a break for a week to feverishly draw fanart of myself petting fords floofy hair and giving him attention and shit…!!!! The urge was too great….!! I’ve literally. I had a crush on this guy the instant he was first REVEALED in the show, but I did not have the artistic prowess to draw good looking old men back then… but I do now… thank god… thank fucking god

[lazycranberrydoodles]

oooooh you want to read my huaxuan hookup fic sooooo bad

bonus :P