#we love foreshadows

[linusbenjamin]

Tenet (2020) dir. Christopher Nolan

[poorly-drawn-mdzs]

Dog Meshi.

[gummi-ships]

Kingdom Hearts 3 - San Fransokyo

[wowitsverycool]

something i really love about isat is that it's very aware of mental health problems and what one should/probably shouldn't do in their relationships with others, but it never regresses its character dialogue into therapyspeak. they all talk like people. they approach topics like they're fully formed people who have their own way of saying things and don't need a mindful buzzword to get their idea across. and the way it talks about these things is so masterfully woven into dialogue beats!! like!!

okay. take mira's "we reserve the right to be mad about it still later" dialogue. normally you'd think "oh so this is how everyone is going to react, this is going to be the Correct way to react" but it's IMMEDIATELY followed up with each character giving their own unique take on the matter, leading up to a joke about bonnie not understanding the situation. ISAT is a lesson, yes, but it also lets its characters be characters. and it incorporates its ideas and philosophies so well to the point where it never feels like pandering or saying it just to say it. CHARACTERIZATION, BABY!!!! IT'S GOOD!!!!

[nenoname]

i need to see people talk about the bill+stan dynamic so bad....

bill and his endless loathing for stan, the fact that stan beat him with a trick that they used as a kid and bill seeing all the traits he hates most about himself reflected in stan

stan being able to read bill like a book and encouraging ford to forget about that creep, while part of him is still stuck thinking about bill and realising the extent bill hurt his family back when he was completely oblivious to him

the contrast of bill being offered the chance at redemption for destroying his world but refusing it, while it's been stated that stan knowingly risked the destruction of the world all for the chance of being redeemed

and that poem.....

[akirathedramaqueen]

No rest for the wicked

What often keeps my mind occupied and worried for the last couple of... weeks, or even months, maybe, is what might happen to Stolas's relationship with Octavia in the near future.

We know something bad is brewing. The trailer gave us enough information to freak out but learn nothing from it. I think though that I have found yet another foreshadowing, and I am sad I did. I was not sure if I should post it since predictions and speculations are not quite my style, but fuck it, I’ll roll with it. I want you to suffer with me <3 Besides, after yesterday's @tealvenetianmask's wonderful post about Stella and how society enables her behavior, and my rambly reblog, which delves more into Stolas's relationships with Octavia and how they are affected, I decided I need to let it out of my system.

So, you see... while I believe this screenshot is our last hope for us, the Stolitz nation—that these two dumbasses will have ANOTHER chance to talk properly...

It implies that something arguably worse than their breakup is going to happen. Something on the 'whole palace is in ice and Stolas is in immediate mortal danger' level of 'worse.' Something bad enough to make them forget all the shit they’ve gone through with their disastrous miscommunication and unite to face a common threat.

Andrealphus.

Something that would make Stolas to leave quickly and forcibly. Run for his life. Disappear, sweeping off his trail, without Octavia knowing...

And let her think he ran off with Blitzø.

Are you gonna run off with him and leave me behind? Go away, where I can't find you?

Make her run around the palace looking for him and not being able to find him. Because he isn’t there.

Daddy! Daddy... I had a dream! A really bad dream! I was looking all over the palace, and I couldn't find you anywhere! You weren't there!

And the worst part is that it would make her assume the worst: that he left her behind just for a weird red dickhead.

Why?

Because Stolas's relationship with Blitzø has caused a rift between the prince and his daughter.

Because he, unfortunately, has never told her what kind of mother Stella is, or what she has done to him. She is left to believe everything was okay until that imp came around, seduced her father, ruined her family, and wrecked her home.

Because Stolas grew distant and forgot about the important stellar event he promised to show her. Was he wrong for it? Of course not! Stella made everything to throw him off the rails completely that morning. But Octavia still has the right to be upset.

Not to mention that she’s nowhere to be found since that night in Los Angeles… Why isn’t she around? Is she resentful toward him? Is she being kept from him? Or is he keeping her at arm's length because of the assassination attempt and his deteriorating state of mind? What happened?

I can already see how Stella and Andrealphus could use all of it against Stolas, grooming Octavia and simmering her in hatred for him. Bluntly lying about true reasons Stolas fled.

Stolas kept silent about the abuse he survived, hoping to protect Octavia and let her live a perfect childhood. But instead, she won’t have a single soul to support her, since Stolas will be chased off and hated. By her. Surrounded by vultures who now prey on her, who have couped her father and forced him to break the solemn, earnest promise he made to her.

What?... No! No, no, never! I'd never do that. Never...

How fucking tragic is that?

[koyehn]

"we had such hope... you would understand."

[denkies]

Their asses are NOT beating the deeply in love allegations

[norfkid]

sure, maybe you’re stranded in the middle of the sea on a floating hunk of metal & your mates have turned into lovecraftian monstermeat but not to worry. We Know The Drill

[livelovecaliforniadreams]

Chenford + Talking about Their Future Kids/Grandkids

[gorandomshesaid]

this has definitely been done before but

[veerbles]

we do not talk nearly enough about how, during the ice court heist (before kaz's epiphany while drowning in the spring, before inej was kidnapped, before the bathroom scene, before kaz had really come to terms with it) kaz tried to tell inej that if they didn't make it out, he wanted her to know his feelings for her.

he didn't actually manage to say that, and it understandably wasn't enough for inej, but it's just so incredible to me that he tried. even when repressed, the depth of his love for her is so deep that it managed to almost override his normal reservations and let itself known.

[nalyra-dreaming]

Roget knowing Lestat might be asleep is interesting in and by itself of course, but also the foreshadowing once more. Maybe dead, maybe... sleeping.

The whole episode was shock-full of foreshadowing: brain-switches, beheadings, refused replacements, body-sizes, forgiveness, the coven's judgment. The fire at the mansion and the screams Louis left behind.

The last performance/play being the only one that counts.

[blvesoda]

1920s south park au part 26

the song bebe’s singing was released in 1921 and was one of the biggest hits of the year. the original version by van & schneck is actually more sexual than most modern covers. the 20s version has a lot of sexual implications that get left out in later recordings — lines such as “the rich get richer and the poor get children”, “the rich get rich and the poor get laid… off”, and “when i’m paid off, i’ll get laid… off”.

most modern versions just say “the rich get richer and the poor get poorer”, which i guess flows better but sounds a lot more boring.

part 1

next part

[lara635kookie]

What if Sylus is a half Wanderer/any other kind of monstrous creature that escaped from Philo? What if he can't die or only die in a very specific way, so Philo kept him incarcerated instead of just killing him and that's how he became Philo's most wanted criminal? We know 28 years old is his real age, because if it wasn't, it would probably be stated like Xavier's "age unknown, fake age 23" so what if Sylus was a new monster, transformed pretty recently, saw his kind being decimated by Philo for some reason and he is now the only one left and swore revenge on them and that's why he did all he did in his anedoctes stories? What if he's on Earth to mess up with Philo's plan for it? What if whatever Philo wants, Sylus finds it first and tortures them with it until they beg for mercy but at the end doesn't give them because it's also useful to him? What if the thing in his eyes is not an aether core but something else that is similar? Because when MC directly asks if he has an aether core in his eyes and that's why he can do that glowy thingy he says:"you could say that" which to me sounded like one of those vague ass answers that neither confirms or denies shit. So what if there's only one aether core in the world? Even BETTER, it's probably MC's Aether Core that Philo and now Sylus wants, so what if Sylus realizes he can't have the aether core and MC and to have one the other has to go? What if he had to choose between having the aether core with its power full on the palm of his hands to fulfill his complete revenge on Philo and maybe some other personal goals or MC's life because you can't freaking have both? I remember I said a while ago that Sylus doesn't have trauma, he is the one that causes trauma. So what if I was fucking wrong? What if I can handle MORE angst? What if I want Sylus to give it to me just like the others have been doing? What if all of it happens? What of any of this never happens? So many questions, no answers at all

[froggydoddles]

So let’s talk about No Longer You from Epic: The Musical

I just finished listening to The UnderWorld Saga from Epic and even though it’s the shortest saga out of the musical the amount of lyrical symbolism and foreshadowing from this saga is incredible but I specifically want to talk about No Longer You and how this song uses foreshadowing to its advantage but also to show the inevitable character growth and development that Odysseus will actively go through in Act 2. Tiresias, when Odysseus first meets him and gets his prophecy pretty much not only tells Odysseus how his journey will end but how to do it. First is, ‘’I see portrayals of betrayal, and a brothers final stand’’ now to Odysseus this seems like he is going to lose another member of his already dwindling crew however to the audience and those who know of the myth know that this is to show Eurylochus’s mutiny that will/is happening, its hinted at in the opening verse of Puppeter that Eurylochus was going confess to Odysseus that he’s the reason why the wind bag was opened, so this was pretty much a warning by Tiresias for Odysseus to be very careful of those around his crew, so this might come into play in Act 2 about Odysseus being a little more apprehensive around Eurylochus and his crew. Second is, ‘’I see you on the brink of death. I see you draw your final breath. I see a man who gets to make it home alive but it’s no longer you’’, these lines are the most important in the entire musical cause it show that at some point on Odysseus’s journey back home he will go through such a change that the ‘’final breath’’ is to show that the Odysseus we knew since the beginning of the story will ‘’die’’ and a new Odysseus will emerge to do what ever is necessary to get back home and will accept ruthlessness, I also find it interesting that Tiresias says the exact same words to Odysseus when he first got his prophecy it’s as if Tiresias is almost telling him ‘hey, this is what’s going to happen to the exact dime, change your way of thinking now or you will not live long enough to get back home’ and in Monster, Odysseus finally accepts ruthlessness and at this moment I believe is the old Odysseus’s ‘’last breath’’ and in Act 2 we will see how this new Odysseus will use what ever tools he has to get back to Penelope and Telemachus. No Longer You is an excellent use of foreshadowing and how it can be used to show a character’s growth and development and this song should be studied for writers to help better use clever foreshadowing in there stories just, aaarrrghh it’s so good!