#well those are things i just tagged

[brehaaorgana]

i’m making you know this knowledge in your brain now so that i’m not the only one

i was dealt psychic damage when my brain decided to realize this, but i would say that dragon riders of pern are easily definable as a (the?) proto-a/b/o [omegaverse] verse trope and now i can’t be the only one knowing this in my brain

a/b/o is literally just pern dragon mating with simplified “secondary genders” and mating bonds that aren’t guaranteed to be lifelong. 

and wikipedia hasn’t even pointed this out, so this is my groundbreaking contribution to literature/pop culture history because they only mention pon farr mating cycles 

actually POINT IN FACT they city the 1967 episode Amok Time ran in September of 1967, but the first dragonriders of pern book was actually comprised of 

Two components of Dragonflight were award-winning novellas published by Analog science fiction magazine. The first segment, "Weyr Search", illustrated by John Schoenherr, had been the cover story for the October 1967 issue.[3] The second segment, "Dragonrider", appeared in two parts, beginning in December 1967, and was also a cover story illustrated by Schoenherr.[4]

so obviously these works were more or less written simultaneously -- anne macaffrey couldn’t have possibly been influenced by  seeing Amok Time, since we can assume she had submitted her first draft before the october issue of Analog was published, meaning it was almost certainly already written, planned,  and edited for publication by the time the ST episode aired in september. and ursula k leguin didn’t publish the left hand of darkness until 1969. 

 i think i found a copy of the original 67 weyr search novella, as opposed to just my copy of the bundled publication dragonflight. 

this whole mates/unique people stuff is established here: 

“News travels fast,” F’nor chuckled, nodding at a hurrying craftsman, in the smock of a baker, who gave them a mumbled good day. “Not a female in sight.”

His observation was accurate. Women should be abroad at this hour, bringing in supplies from the storehouses, washing in the river on such a bright warm day, or going out to the farmholds to help with planting. Not a gowned figure in sight.

‘We used to be preferred mates,“ F’nor remarked caustically.

and

But she would have to be extraordinarily wary. Dragonriders were men apart. Anger did not cloud their intelligence. Greed did not sully their judgment. Fear did not dull their reactions. Let the dense-witted believe human sacrifice, unnatural lusts, insane revel. She was not so gullible. And those stories went against her grain. Dragonmen were still human and there was Weyr blood in her veins. It was the same color as that of anyone else; enough of hers had been spilled to prove that.

so we know that ‘dragonmen’ are different than other people, rumored to have ‘unnatural lusts’, talk about the status of being ‘mates’, and have an internal hierarchy [queen/gold, bronze, green, brown...]. 

my point here is like, yes pon farr is similar also, butI

dragonriders have:

secondary social “genders” and/or sexualities based on color of dragon 

secondarily the whole concept of green dragons being sterile females with usually gay male riders 

one specific dragon color that is like, the “one who can mate” and then lay eggs [the gold] is also more rare and highly coveted

the bronze riders are usually the big/powerful/strong personalities or w/e 

mating ritual chases [the mating flight lasting longer is supposed to be a good thing] and mating bonds

have the concept of the female rising [for the flight] which is just a dragon heat

have telepathy that may influence sex

the whole animal instinct thing/animal nature of people

dubious consent or rape is built into the structure of the whole...premise as a possibility aka “the dragon decides, the rider complies...” 

omegaverse is literally just simplified dragonriders of pern with less categories of “presentation” but with similar ritualization of status within society and sex/heats and instead of dragons, people use like, werewolves or wolves or whatever for the sake of knotting trope. the mating bite mark thing is unique from pern but the rest is pretty much the same

why does no on cite anne mccafrey’s weird dragon sex as an influence here like it’s so obvious and pern fans have a shitton of fanfic and text rp where they explore this whole.... *gestures* thing 

do you know i read those books in elementary school and i think they were even available in my school library??? weird dragon sex and all??? 

they were definitely on the list of possible book quizzes i could take for reading points or whatever the hell 

i don’t even read this genre but i do have pern books and now i can’t unthink this connection so there you go. 

[turtleblogatlast]

I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.

[peachyutdr]

i finished it, was kicked out of the game, and then spent the next 10 minutes drawing this. i will now go take a shower, most likely cry, and then go through the emotional turmoil of convincing myself to reset so i can do a geno run. i hate it here :D

[yikes-ajax]

I dont have a clever and witty sarcastic comment tonight, I just think she's cute

[dustbunsinspace]

Chatty boyfriend 💙💙 Quick redraw of something from last year. It was fun to see how my style changed.

💙Redbubble💙

Alts and old version under the cut 🍊;

[can-of-slorgs]

*japanese funky nightcore cover music in the background*

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[canisalbus]

Different Italian anon, but the thing with Tuscan C is that it's pronounced like a very strong H sound, which is extra weird cuz the letter H makes no sound in Italian, normally. It sounds the way Spanish pronounce the J. We say it's "aspirato". So then people from there will say things like Hoha Hola (coca cola), and it's funny. It's also extremely contagious, I got family in Florence, you spend 3 days with them you start doing it too before you even realize.

.

[luck-of-the-drawings]

so REVENGE, HUH? or justice, if that makes you feel better. it tastes the same when cooked just right. 'I REALLY WANTED A BROTHER.' such a shame to burn a bridge you so desperately wanted to keep, especially when it wasnt even you who started the fire. especially when you hope that not a single fragment of that bridge ever washes ashore.[MAY IT ROT FAR FROM MY SIGHTS] an unfortunate loss! atleast he has his friends.

[camellcat]

hello timepetals people!! I was curious if doctor who has, like, The definitive "if you like timepetals you are practically obligated to read" tenrose/ninerose/whichever doctor timepetals fic(s)

[imminent-danger-came]

So, this parallel, right.

That parallel and the 4x11 shadowpeach fight as a whole:

Macaque: "No that's YOU! You're the one always running off! Looking for more power, more sources of immortality—you're the one who wouldn't quit while were were ahead! Not the great sage, he's got to drag EVERYONE else into his mess!" Sun Wukong: "You're not in this mess, you're still free! Everything I did was for us!" Macaque: "You did it for yourself! You've become like this, obsessive demon! I told you going against the Jade Emperor was a bad idea, but no, Wukong doesn't listen to anyone! He just does whatever he wants! You put yourself here, not me."

(4x11 A Lifetime of Mistakes)

-

A large part of Wukong's motivation to keep getting more power was the freedom of it—the more power you have the easier it is to do whatever you want. It's easier to ignore everyone else and focus solely on yourself. It's also easier to ensure yourself and your loved one's are protected and have the ability to do what they want.

So, a punishment where the great Monkey King is imprisoned and trapped for hundreds of years? It's effective and tragic and fitting. Wukong wanted to have the freedom to protect the people he cared about, and in trying to reach for the power to do that, he completely had his freedom removed. He went from the mountain, to then the circlet, and then all of a sudden he had morals and was bound to those.

And then I think about his end of s3 choice to go face the Lady Bone Demon alone. Once again Wukong was trying to protect his loved ones (not to mention the whole reason he went after the Samadhi fire to begin with was to have the power, the freedom to stop LBD (which in itself is another case of SWK believing he needed to be stronger for such freedom)), but he also wanted to make sure MK and himself both had agency. He didn't want MK to have to fight LBD, and he didn't want LBD to end the world.

This is exactly the sentiment he tells Macaque in the 4x11 flashback:

Sun Wukong: "It's so we don't have to worry about anything or anyone ever again! Just living a lazy life, sitting in the sun, eatin' fruit, and doing whatever we want!"

But where does it all lead him?

To possession, imprisonment. Once again Wukong no longer had the freedom to do what he wanted (which is to protect the people he cares about). Once again in his attempts to help his loved one's, he only hurt them.

This can be applied to his relationship with Macaque, to MK in s2, hell, even Wukong trying to get the map in the first place left him powerless, which then led to him and the gang being imprisoned in 3x02. It's a familiar pattern, one we see with antagonist and protagonist alike.

MK in s2 trained to become more powerful, which in the end only strengthened LBD and forced him and his friends on the run. Mei in 3x12 protects MK by letting herself get captured and placed into LBD's crystal. Mei in 4x05 goes to protect MK, breaking her sword and leaving her vulnerable to being captured by Kui Mulang ("How am I supposed to protect everyone without my sword?"). DBK reached for more power and then became possessed by LBD, hurting his wife and son. Azure reached for the Jade Emperor's power and bound himself to that role, jeopardizing Peng and Yellowtusk in the process.

It's a cycle of reaching for power, endangering others, and then being imprisoned.

So anyways, here's why MK is going to lose control (his agency) next season and hurt his friends with his own- *get's shot*

[aromanthur-lester]

Here is a couple of fun activities to do, while waiting for malevolent:

1. fall inside a prison pit! it's classy and you'll have a lot of time to think and recite poetry. you might even be forced to eat someone else in the pit!

2. get shot by a weird guy in a gas mask and fall into a coma! the following month will pass in the blink of an eye, meanwhile the voice inside your head will get some time to think about what it means to be human!

3. get reattached to the elderitch entiety you got separated from. This may not sound fun, but in the end you will be able to possibly make a bad deal with another elderitch entiety! wow!

[tradingjack]

having fun with colors for once :P

thanks @creepycoffins for the awesome dtiys :D

[bidokja]

I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then

SIGHS...

Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.

I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:

There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.

Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.

I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.

No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."

Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).

So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?

This is an extremely significant turning point dressed up as a dress-up scene.

---

P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.

[lunarharp]

when an obsessed orufrey person plays ace attorney for the first time in a while

[einsatzzz]

i think it fits these two a lot wwww