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#what if i end up as an etho stan . then what
vulqan · 2 years
Text
everybody say thank you Etho for Bdubs' short king energy <3
TRANSCRIPT:
Bdubs: (reading a chat message) "Bdubs is 5'6" and we all know it." stop it, stop it! Pojster's seen me in—irl. he knows, take his word for it, you see. Whey, thank you for the five, here we go—"you're better than Joel," wow. "he straight up lies and says he's tall despite the fact that he's, like, 5'8"." yeeees, yes, yes, yes. yes. smallishbeans, i think we're talking about, yes, yes.
(laughs) i'm not that short, but i do, i do—i do allow the character to develop, because Etho invented it, and it's a funny meme, and because i stan and love Etho so much, i just go along with it. if he wants to call me (laughs) short, i—i love it, i'll take it.
and i do short people thi—(wheezes) i've got, you know what? i'm not that short, but i have, i have short people energy. short—short person energy. i think that's it. that's the best way to describe it.
yeah, it's funny, so, so Scar, you can count on him either defaulting at some point to talking about Disney or Star Wars—with me—with me—you can count on (laughs) defaulting—to talking about Etho. is that, do i g—do i have that right? (laughs)
but also, i take it as upon myself to help everybody learn, uh, to laugh at yourself. don't take yourself too serious, that's my life motto.
END TRANSCRIPT.
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rainbowchaox · 1 year
Text
Now Jimmy already knew he was gonna lose against Scott. He didn’t really expect to get this far. Scott had the elegance and definitely better fashion sense then him. Heck even the announcers and producers of this contest literally found pictures of him from 3rd Life! That to say the least didn’t make him look good. One of the most ugliest pictures of him in his opinion. When tango saw it at the start of the round he said “cute” “adorable” “handsome” etc. Jimmy sometimes wonders if Tango needs glasses.
Though if Tango heard him considering him not attractive enough for this competition he would totally do a compliment hug attack. Speaking of Tango should definitely win. He is gorgeous and has the best clothes, and Jimmy doesn’t really know who the other person is. The guy? Wilbur smells way too much of smoke for his nose to handle.
So when Scott won against him. He wasn’t surprised. If anything he was surprised it was so close. Though he kinda is scared of his fans now. Some downright look like they were gonna bite Scott. Hell he pretty sure he saw Etho fans and his fans made some sort of dubious deal at the end. They are giggling way too much to it to be anything else. He sighs deeply and goes to see how tango is doing in his.
Jimmy is 100% sure that Tango has to be winning. Jimmy has eyes. And clearly in his objective and honest opinion Tango is most beautiful man alive in the overworld and the nether and the end combined,
What no Jimmy is a victim of bias whatsoever. Surprisedly when he gets there it’s already over. And somehow Tango lost. Are people blind?!? Wilbur isn’t attractive and shouldn’t have won against Tango!
If anything Wilbur should have gone to therapy instead of this glamorized popularity contest. Tango seems to be taking it in stride and immediately bounces up to greet Jimmy when he sees his honey.
“Hi Tango!” Jimmy softly giggles while Tango barrels into his arms. Tango squeezes tightly and mumbles “You lost as well huh honey? I’m telling you people eyes are blind af. How dare they think your ex is hotter than you” Before he trails into giggles before softly pecking his lips. Jimmy blushes and rolls his eyes fondly before accepting the kiss. Are they gonna get kicked out of a event again for “Excessive affectionate behavior” THERES numerous gag sounds primarily coming from Grian. Why does he always see his brother pda. He needs to cleanse his eyes.
Meanwhile the fans are in mourning and it’s total chaos. One is campaigning their au about android ranchers in despair. Another one gleefully makes apocalypse rancher angst. A simple tumblr user whose whole blog is propaganda about the ranchers slapping her mutuals for the past day realizing oh I need to work on my monster hunter au. So many fans and Stans and shipper despite the pandemonium do believe in one thing.
Jimmy and Tango are OUR tumblr sexyman. But at most all they are each other sexyman. And you really only need one person to be a sexyman for in the grand wisdom of Philza. And that is Each other. And really isn’t the sexyman the friends we made along the way.
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lovejustforaday · 3 months
Text
2023 Year End List - #6
Tumblr media
Red Moon In Venus - Kali Uchis
Main genres: Neo-Soul, Contemporary R&B, Psychedelic Soul
A decent sampling of: Synth Funk, Smooth Soul
Coming out as a Kali Uchis stan.
But for real, the Colombian American singer/songwriter seems to be the one artist that music hipsters, the English mainstream(ish), and the Hispanic mainstream can all collectively agree upon. Part of this is most definitely owed to Kali's versatility as an artist, with a primary basis of sound rooted in R&B (particularly neo-soul) but regularly dipping her toes into the waters of reggaetón, hip hop, bolero, and afrobeats.
Kali is also a definite lover of retro chic, given her clear appreciation for mid 20th century easy-listening pop and old Hollywood glamour. She cites artists like Ella Fitzgerald, Celia Cruz, and Curtis Mayfield as some of her biggest influences. At the same time, she modernizes these influences and aesthetics with a post-sexual revolution ethos of overpowering feminine-centred eroticism and fiercely wielded confidence and self-love.
Her voice is pleasant, mature, and strikingly womanly, in that same kind of way when you first discover as a child the sensation of being struck by the awe-inspiring beauty of a grown woman. Even as a gay man, I can confidently say that I think this is a sort of universal childhood experience, right?
Actually, I think a lot of Kali Uchis' success as an artist can be attributed to just how likable her musical persona is. I think that deep down, many of us want to be a Kali - completely liberated, in touch with our sensuality, and going through life as a warm and confident optimist. She makes music that isn't just well-written; it makes you feel good about life.
After making a big splash with her stellar 2018 LP Isolation and following it up with the success of 2020's Sin Miedo which was more invested in her Latin American roots and corresponding following, I was very curious to see where she would take things next with her career.
In the end, as it would turn out, Kali Uchis' 2023 record didn't really amount to anything that surprising. Instead, we were treated to a progression and evolution in her sound that feels very natural to her, culminating in an album that makes good on the typical promises of a Kali Uchis project.
That is to say, Red Moon In Venus exists in a rose-tinted world bedecked with lush palm trees and populated by curvaceous mermaids. The record is a creamy cocktail of smooth and funky soul jams with the sweet taste of cinnamon kisses and strawberry wine. A true musical oasis of the richest fruits.
Kali really is at the top of her game here. Everything is a subtle improvement on what already mostly worked for her on past projects, with a little more psychedelic flavour added into the mix, resulting in a final product that just sounds and feels really gorgeous and summery to listen to. Not all great music has to be challenging; this just does incredibly well at what it is already comfortable doing.
The record's first song proper is the lead single "I Wish You Roses", a beautiful parting gift to an ex-lover she holds no grudge towards. Petals flutter past the mind's eye as the world of this neo-soul paean springs to life with all the shades of a summer's rainbow. This song is a soft sigh of relief, heard quite vividly in the actual noticeable sighing melodies of those psychedelic keyboards in the chorus. A very classy song, expressing a sentiment not nearly heard often enough in most music about breakups.
"All Mine" is a lights off "wah-wah" slow jam describing a greedy lover's fantasy of having someone completely to themselves. The sound of the passionate id taking over the superego's domain.
Fans of the big city pop explosion that happened on the internet with the surge of Mariya Takeuchi's "Plastic Love" a few years ago may get a lot of mileage out of "Endlessly", a synth funk track that captures a similar kind of metropolitan utopianism. Kali really knows how to bring the kind of riding-passenger-in-a-red-convertible energy that a track like this one needs to really all come together.
"Moral Conscience", in mild contrast to "I Wish You Roses", is a cautionary tale of karma hunting down an ex-lover who hurt her. Even still, there's more of an air that she's simply warning the wrongful party here - it's not a threat, she's just stating a fact about how the world works (as she sees it anyway). Still keeping it classy. Musically, this is thick and fleecy, lounging languidly in a boudoir sofette with low humming synths.
"Deserve Me" is an elegant and drip-droppy hip hop soul duet with Summer Walker, who is now officially my new favourite random feature after previously popping up on last year's Kendrick Lamar record. Very killer refrain on this cut, almost as addictive as the track that follows it. Speaking of which...
"Moonlight" was quite possibly my SOTY for 2023. A lot can be said for how erotic round shapes are for basically all genders and sexual preferences, and I don't know how to explain this but the song simply sounds ROUND in every possible way. The funk bass is so bubbly and horny and sopping wet that it's probably illegal in many parts of the world. Kali is giving it her ALL on those verses. Absolutely luxurious production. The chorus has that subtle air of mystery that really ensnares the erotic imagination. I can't even remember the last time I heard a song that positively oozed sex like this, while also describing such a clearly healthy relationship. Is it possible to be getting drunk off of flowery bubble bath fumes? Because this is precisely what it would feel like. Interstellar spa getaway for two in the neon pink galaxy of Aphrodite. Perfect fucking song. A++ goddamn.
I could say a few words as to how this is a back-loaded record, but I think y'all have heard me call something front or back loaded at least a dozen times and I'm struggling to find original ways to express this sentiment. Either way, this is a milder case - more just that the second half is so consistently brilliant that it kinda blows the first half out of the water, particularly that early-mid section. The weakest moments here are the least imaginative ones.
But a very good chunk of this record is just pure gold. Red Moon In Venus is a vibrant and aesthetically immaculate R&B record, possibly the best of the new decade thus far.
As I publish this review, Kali has already dropped another album in the first few weeks of 2024 and it sounds almost as good as this one. I don't know how exactly she's doing it but she makes exploring a variety of genres and killing it at every one of them look so easy. Kali Uchis is the queen of her medium right now.
9/10
Highlights: "Moonlight", "I Wish You Roses", "Deserve Me (with Summer Walker)", "Moral Conscience", "All Mine", "Endlessly", "Not Too Late (Interlude)", "Love Between", "Happy Now"
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linxkly · 1 year
Text
Grians upload!!
my little liveblog for myself I’ve never done this before but it looks fun
- rip the audio quality but it’s not too terrible, I have a feeling I know what happened to the pesky webcam tho,,,
- Maui!! we love cat cameos
- NEW PORTAL WHO DISJDBDJDND
- FWHIPS MESSAGE IS JUMBLED
-omg the compasses grumbot is spitting out — for the other hermits??
- I am totally normal about this
- you might travel to another universe AND HES WORRIED ABOUT HIS FLOOR???
- GRIAN ACCIDENTALLY FINDING CUBS MINIGAME AHAHA
- that is,,, so many pumpkins my goodness
- look at my buildy boi, whizzing about in his spiffy timelapse
I’ve seen the kings vault challenge alr, so I’ll only really cover over bits concerning grian, also heads up his room is optional
- the silence in response to rens initial announcement is DEAFENING, and the cheering after he says he’s going to step down is amazing
- him missing the slime block and punching pearl off is peak sibling energy
- sorry ik he was dare to but jevin starting red light green light before the game even started is so funny
- grian not even doing the game in the first bit, opting to watch everyone else fail is me
- bdubs just gives up on his elaborate speech
-GRIAN’S LITTLE “aw cmon SCAR PUT A SHIRT ON”
- grian popping off on scars parkour?? we stan a king
- scar looks like a glorious porcupine
- BETRAYAL MOMENT will they choose to do grians room??
-they don’t wanna do it
-grian trying to explain his whole resistance assistance semantics to the group and they’re all like “mhmm sure traitor, but no”
- they’ve resorted to doing his room, which results in a very grian “YAY!”
- grians room!
- jevin doc and etho answering wrong on what is grians name for the example question rip
- vaflaphobia,,, what a word
- we love when false etho and gem are the big brain team they stay winning
- HE MENTIONED THIRD LIFE
- ethos’ “what’s third life” SIR-
- MUMBO JUMBO IS A GOD AMONG MEN CONFIRMED
- grian straight up making sure his side is stacked woweee
-the sheer chaos of the final fights cannot be described in words to fully exemplify their mayhem, you’d have to watch it to fully take it in
- you and me both g idk who is who they’re all in blue
- THE KING IS DEAD (rip rentheking)
- everyone’s just flicking the levers screw complicated red stone
- uh oh the diamonds are gone, where did they go?
- (im secretly hoping mumbo stole them)
- grian insisting ren will pay all them back
- THE CAGE OF SHAME AND TOMATOES
-ren just being so pathetically sad (in a lovable way) that they’re all like “noooo come back”
- ooh it’s nearly 8pm bst
- WAIT THIS MEANS GEM MISSED THE MEETING TIME BASED OFF HER VIDEO SHE SHOWED UP AFTER THEY WENT IN
- the hermits are trickling in slowly but surely
- ah yes. my favorite flavor of jam. Nifty.
- THEYRE GOING IN OH GOD
-THATS WHERE IT ENDS
anyways this was my little live-blogging experience, idk if anyone will read this but I had fun making it :)
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abigailnussbaum · 2 years
Text
The Monkey Island Games, Reviewed
We unexpectedly and delightfully got a new Monkey Island game last month, from series creator Ron Gilbert no less. And probably like a lot of other people, I took the opportunity to replay the series. I first played MI in the late 90s/early 00s (I actually remember the original, fully-pixelated versions of the first two games) and I've gone back to some of them from time to time. But this was my first time playing the whole series in order. These are my thoughts.
The Secret of Monkey Island (1990, remastered edition 2009) - the wellspring, the place where it all starts, and a game that lays the foundation for a lot of what’s at the core of this series. The story is pretty basic, and the puzzles are a bit on the thin side. But what’s important about this game, and makes it worth playing nonetheless, is how it establishes the essence of this series: the characters and their personalities and foibles, the historical setting that is nevertheless full of modern (well, late 20th century) touches. Most of all, this is a game that sets the tone for how this entire series will approach its puzzle writing - nothing sums up the Monkey Island games more than the fact that a crucial component for solving an early puzzle is a rubber chicken with a pulley in the middle. That humorous, improvisational approach will guide the best puzzles in this series for decades. (It’s also the game that invents insult swordfighting, which brilliantly squares the circle between the adventure game ethos and the more action-oriented setting.) There are better games in this series, but if you want a good sense of what its whole deal is, you’ll get it by starting at the beginning.
Monkey Island 2: LeChuck’s Revenge (1991, remastered edition 2010) - a game that wants to be The Empire Strikes Back while also referencing The Empire Strikes Back. It succeeds at the second one. On a surface level, LeChuck’s Revenge does a lot of the things we expect from a sequel that deepens and improves upon the original - the story is more complex, the tasks are more involved, and it reveals a backstory that threatens to develop into lore. But none of it feels particularly Monkey Island-ish. The irreverence of the setting is still there (Stan the used coffin salesman is a great touch), but the puzzles - which are also on the opaque and convoluted side - feel entirely generic, the sort of thing you could find in any adventure game of the period. That improvisational quality, the inherent silliness of the series and how it all ties back to Guybrush’s counterintuitive approach to being a swashbuckling hero, is absent. (Also, even by the standards of this series’s, shall we say politically incorrect, attitudes, the fat-phobic subplot is pretty hard to take.) The final act is a huge swing, and I’ve come to appreciate its weirdness - all the more so given that the cliffhanger ending has never been resolved. But when taken together with how atypical the rest of the game feels, it contributes to the impression that this whole installment was a creative dead end.
The Curse of Monkey Island (1997) - this is the first game in the series made without Ron Gilbert at the helm, so obviously I’m supposed to decry it as soulless extruded commercial product. But honestly, it’s very good? It’s a game that elaborates on the world and characters in exactly the way that LeChuck’s Revenge didn’t manage. This is the installment that cast Dominic Armato, Alexandra Boyd, and Earl Boen to voice the three main characters, and that’s perfect casting across the board. It’s also the game that introduces Murray, the demonic talking skull, one of the series’s best recurring characters. Most importantly, the storytelling and puzzle design feel like they reach back to the essence of the series - when one of the core puzzles involves improvising the materials for a voodoo hangover cure, and another requires you to impersonate a giant spectral chicken, you know you’re in good hands. It’s not without its flaws - that “try everything with everything” attitude that makes the second game such a slog is still present here, and the final act is a bit of a letdown (it tries to resolve the LeChuck’s Revenge cliffhanger without actually committing to a resolution, and ends up doing neither). But even with those problems, there’s an essential Monkey Island-ness that shines through and makes you feel like this series has a lot of life in it yet.
Escape from Monkey Island (2000) - and then the next game comes along and explodes that theory. Look, I’ll be honest here: I played this game fifteen years ago and hated it, but I didn’t remember much about why. So my plan was to replay it for this post, but I only made it half an hour before giving up. It’s just so badly conceived from top to bottom. The graphics are terrible - the mind boggles at having hit on the perfect visual approach with Curse’s cartoony style, and then switching to a fugly, cheap-looking 3D look. The controls are borderline unusable - why remove the point-and-click aspect from a point-and-click adventure game? And not only has Alexandra Boyd been replaced as Elaine, but the character is now speaking with an American accent for some ungodly reason. While I can’t critique the story or puzzles of Escape in much detail (I do remember a rather uninspired twist on insult swordfighting), I feel confident in saying this installment can be skipped.
Tales of Monkey Island (2009) - practically perfect in every way. I liked this game when I first played it, but I appreciate it even more every time I go back. This is a much broader canvas than the other games - the Telltale approach was to release their games in chapters, which means that each of the five installments here is a game in its own right, maybe half as long as any of the other games on their own. That gives the writers scope to create fantastic new characters, like the pirate hunter Morgan LeFlay, the mad scientist Marquis de Singe, the voodoo lady’s old flame Coronado de Cava, and his mutinous crew, setting them all in an involved story that creates the kind of lore that LeChuck’s Revenge was aiming at. It also allows them to go a little deeper with the established characters - the Guybrush of this game is a little insecure; its Elaine feels a bit torn between the need to be the responsible adult and her innate pirate nature; there’s a lovely frenemy-ship that develops between Guybrush and Morgan; and towards its end the game has real notes of darkness and tragedy. None of this would matter, of course, if the gameplay wasn’t up to snuff, but happily, Tales delivers Monkey Island puzzles at their fullest flower, whether it’s improvising the materials for a voodoo spell, helping a giant manatee court a mate with the help of a human-to-manatee tourist phrasebook, or corralling votes from the members of an anarchist collective by, for example, beating one of them at a face-pulling contest. I don’t recommend people start with Tales, because it helps to have a grounding in the series to fully appreciate it. But it absolutely could have stood as the end of the story.
Return to Monkey Island (2022) - but of course it doesn’t, because Gilbert has returned with this game. Which is… sweet. Not essential by any means, but a worthy return to the world and the characters for those of us who have missed them. There are some impressive technical improvements - the stylized graphics are fantastic and I think will age a lot better than most of the other games’ looks, and the point-and-click interface has been streamlined in a way that is a profound relief if you’ve recently spent the previous games laboriously trying to combine objects or hit on the right action. But in terms of the story and puzzles, the watchword here was clearly nostalgia rather than innovation. The puzzles are fairly simple, and instead of riffing or paying homage to canonical Monkey Island puzzles from older games, Return often seems to just copy them, usually in a very simplified form. In an afterword to the game, Gilbert writes that he was aiming at something more contemplative, befitting the fact that he’s returning in middle age to the game that made him famous as a young man. But again, this feels like something that the previous games in the series - especially Tales - had already managed more successfully. Return is worth playing if you’ve missed these characters and the vibe of the series, but there’s nothing here that really stands out.
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niannianyabao · 1 year
Text
The Monkey Island Games, Reviewed
We unexpectedly and delightfully got a new Monkey Island game last year, from series creator Ron Gilbert no less. And probably like a lot of other people, I took the opportunity to replay the series. I first played MI in the late 90s/early 00s (I actually remember the original, fully-pixelated versions of the first two games) and I’ve gone back to some of them from time to time. But this was my first time playing the whole series in order. These are my thoughts.
The Secret of Monkey Island (1990, remastered edition 2009) - the wellspring, the place where it all starts, and a game that lays the foundation for a lot of what’s at the core of this series. The story is pretty basic, and the puzzles are a bit on the thin side. But what’s important about this game, and makes it worth playing nonetheless, is how it establishes the essence of this series: the characters and their personalities and foibles, the historical setting that is nevertheless full of modern (well, late 20th century) touches. Most of all, this is a game that sets the tone for how this entire series will approach its puzzle writing - nothing sums up the Monkey Island games more than the fact that a crucial component for solving an early puzzle is a rubber chicken with a pulley in the middle. That humorous, improvisational approach will guide the best puzzles in this series for decades. (It’s also the game that invents insult swordfighting, which brilliantly squares the circle between the adventure game ethos and the more action-oriented setting.) There are better games in this series, but if you want a good sense of what its whole deal is, you’ll get it by starting at the beginning.
Monkey Island 2: LeChuck’s Revenge (1991, remastered edition 2010) - a game that wants to be The Empire Strikes Back while also referencing The Empire Strikes Back. It succeeds at the second one. On a surface level, LeChuck’s Revenge does a lot of the things we expect from a sequel that deepens and improves upon the original - the story is more complex, the tasks are more involved, and it reveals a backstory that threatens to develop into lore. But none of it feels particularly Monkey Island-ish. The irreverence of the setting is still there (Stan the used coffin salesman is a great touch), but the puzzles - which are also on the opaque and convoluted side - feel entirely generic, the sort of thing you could find in any adventure game of the period. That improvisational quality, the inherent silliness of the series and how it all ties back to Guybrush’s counterintuitive approach to being a swashbuckling hero, is absent. (Also, even by the standards of this series’s, shall we say politically incorrect, attitudes, the fat-phobic subplot is pretty hard to take.) The final act is a huge swing, and I’ve come to appreciate its weirdness - all the more so given that the cliffhanger ending has never been resolved. But when taken together with how atypical the rest of the game feels, it contributes to the impression that this whole installment was a creative dead end.
The Curse of Monkey Island (1997) - this is the first game in the series made without Ron Gilbert at the helm, so obviously I’m supposed to decry it as soulless extruded commercial product. But honestly, it’s very good? It’s a game that elaborates on the world and characters in exactly the way that LeChuck’s Revenge didn’t manage. This is the installment that cast Dominic Armato, Alexandra Boyd, and Earl Boen to voice the three main characters, and that’s perfect casting across the board. It’s also the game that introduces Murray, the demonic talking skull, one of the series’s best recurring characters. Most importantly, the storytelling and puzzle design feel like they reach back to the essence of the series - when one of the core puzzles involves improvising the materials for a voodoo hangover cure, and another requires you to impersonate a giant spectral chicken, you know you’re in good hands. It’s not without its flaws - that “try everything with everything” attitude that makes the second game such a slog is still present here, and the final act is a bit of a letdown (it tries to resolve the LeChuck’s Revenge cliffhanger without actually committing to a resolution, and ends up doing neither). But even with those problems, there’s an essential Monkey Island-ness that shines through and makes you feel like this series has a lot of life in it yet.
Escape from Monkey Island (2000) - and then the next game comes along and explodes that theory. Look, I’ll be honest here: I played this game fifteen years ago and hated it, but I didn’t remember much about why. So my plan was to replay it for this post, but I only made it half an hour before giving up. It’s just so badly conceived from top to bottom. The graphics are terrible - the mind boggles at having hit on the perfect visual approach with Curse’s cartoony style, and then switching to a fugly, cheap-looking 3D look. The controls are borderline unusable - why remove the point-and-click aspect from a point-and-click adventure game? And not only has Alexandra Boyd been replaced as Elaine, but the character is now speaking with an American accent for some ungodly reason. While I can’t critique the story or puzzles of Escape in much detail (I do remember a rather uninspired twist on insult swordfighting), I feel confident in saying this installment can be skipped.
Tales of Monkey Island (2009) - practically perfect in every way. I liked this game when I first played it, but I appreciate it even more every time I go back. This is a much broader canvas than the other games - the Telltale approach was to release their games in chapters, which means that each of the five installments here is a game in its own right, maybe half as long as any of the other games on their own. That gives the writers scope to create fantastic new characters, like the pirate hunter Morgan LeFlay, the mad scientist Marquis de Singe, the voodoo lady’s old flame Coronado de Cava, and his mutinous crew, setting them all in an involved story that creates the kind of lore that LeChuck’s Revenge was aiming at. It also allows them to go a little deeper with the established characters - the Guybrush of this game is a little insecure; its Elaine feels a bit torn between the need to be the responsible adult and her innate pirate nature; there’s a lovely frenemy-ship that develops between Guybrush and Morgan; and towards its end the game has real notes of darkness and tragedy. None of this would matter, of course, if the gameplay wasn’t up to snuff, but happily, Tales delivers Monkey Island puzzles at their fullest flower, whether it’s improvising the materials for a voodoo spell, helping a giant manatee court a mate with the help of a human-to-manatee tourist phrasebook, or corralling votes from the members of an anarchist collective by, for example, beating one of them at a face-pulling contest. I don’t recommend people start with Tales, because it helps to have a grounding in the series to fully appreciate it. But it absolutely could have stood as the end of the story.
Return to Monkey Island (2022) - but of course it doesn’t, because Gilbert has returned with this game. Which is… sweet. Not essential by any means, but a worthy return to the world and the characters for those of us who have missed them. There are some impressive technical improvements - the stylized graphics are fantastic and I think will age a lot better than most of the other games’ looks, and the point-and-click interface has been streamlined in a way that is a profound relief if you’ve recently spent the previous games laboriously trying to combine objects or hit on the right action. But in terms of the story and puzzles, the watchword here was clearly nostalgia rather than innovation. The puzzles are fairly simple, and instead of riffing or paying homage to canonical Monkey Island puzzles from older games, Return often seems to just copy them, usually in a very simplified form. In an afterword to the game, Gilbert writes that he was aiming at something more contemplative, befitting the fact that he’s returning in middle age to the game that made him famous as a young man. But again, this feels like something that the previous games in the series - especially Tales - had already managed more successfully. Return is worth playing if you’ve missed these characters and the vibe of the series, but there’s nothing here that really stands out.
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selenealwayscries · 2 years
Text
Just finished Etho's 2 modded minecraft episodes and now I'm shaking out of sheer excitement from the amount of soup jokes and memes I can make
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plan-d-to-i · 2 years
Note
Hi i just read the asks about the Jiang families.
How do you think, in general, JFM would've felt to witness the events after his death? From the whole golden core transfer to WWX leaving the Jiang Sect for protect the weak? What would've been his thoughts on his son and the son of his friend's?
It's just a curious question and you don't need to answer it if you don't feel like but from what ik, JFM is bashed very much by YZY and JC stans.
Unlike them, i find your opinion more canonical so...
I don't think you have to extrapolate very much, it's all here:
Jiang Cheng, “It served you right to be bored to death. You shouldn’t have played the hero and you shouldn’t have cared for such a hell of a thing. If in the beginning you didn’t…”
Suddenly, Jiang FengMian spoke, “Jiang Cheng.”
Jiang Cheng paused, knowing that he had said too much. He was quiet at once.
Jiang FengMian didn’t look as if he was blaming him of anything, but his expression had turned from calm to more solemn, “Do you know in which ways what you just said is not appropriate?”
Jiang Cheng’s head hung low, “Yes.”
Wei WuXian, “He’s just angry and speaking without care.”
Seeing how Jiang Cheng’s mouth and heart were still at odds, how he still felt defiant, Jiang FengMian shook his head, “A-Cheng, there are some things that can’t be said even if you’re angry. If you said them, it means that you still don’t understand the motto of the Jiang Sect, that you still don’t…”
Jiang disciples clearly had more of leeway, compared to a place like Cloud Recesses that had a much more rigid and established set of rules. However the motto and ethos of his clan are very important to JFM and he tries to instill that in his son. He repeats it before they leave for the Wen indoctrination camp too:
Having sat for a while, Jiang FengMian spoke up, “Tonight, I’ll count eighteen more people. You’ll depart together next day.”
Jiang Cheng nodded, hesitant on whether or not he should say anything else. He never knew how to converse with his father, while Wei WuXian was proficient. Finishing his soup, he replied, “Uncle Jiang, don’t you have anything to give us?”
Jiang FengMian smiled, “I’ve given them long ago. Your swords are by your side, and the adage is in your hearts.”
Wei WuXian, “Oh! To ‘attempt the impossible’, right?”
How do you think he would have reacted to jiang cheng not even attempting to aid people he owed his life to?
Jiang Cheng, “I’m the one who fucking wants to give you a thrashing! Yes, they helped us before, but why in the world don’t you understand that right now any remnant of the Wen Sect is a target of criticism! ...
Wanting to let innocent people die?
Jiang Cheng, “You burn this corpse right now and return to them all these leftovers of the Wen Sect. That’s the only way to make the subject die!” As he spoke, he raised his sword again, preparing to attack.
However, Wei WuXian clenched his wrist, “Are you joking?! If we return Wen Qing and the others to them, they’d meet nothing but a dead end!”
Jiang Cheng, “I doubt you’ll even return all of them. Why do you care what kind of end they meet? A dead end it is, then—what does it have to do with you?!”
jiang cheng knows it too, it's part of why he's so angry w WWX:
Jiang Cheng, “… All for the Wen Sect…? Wei WuXian, do you have a savior complex? Is it that you’ll die if you don’t stand up for someone and stir up some trouble?”
Wei WuXian stayed quiet. A while later, he answered, “So that’s why we should cut ties right now, in case anything I do affects the YunmengJiang Sect in the future.”
Or else, he really couldn’t make any guarantees on what he’d do in the future.
“…” Jiang Cheng murmured, “My mom said that you do nothing but bring our sect trouble. It’s true indeed.” He laughed coldly, talking to himself, “‘To attempt the impossible’? Fine. You understand the YunmengJiang Sect’s motto. Better than I do. Better than all of us do.”
jc's words here echo what his father reprimanded him for in WWX's room so closely! jiang cheng knows his father would not have approved of his own actions, but he's completely set aside the clan motto and adopted his mother's world views that conform to his own selfish, self serving nature ... How could any of this have pleased Jiang Fengmian? WWX is still living by YunmengJiang's teachings: doing everything in his power to help the Wens to stand by "the weak, the old the women and the children" who jc mocks, finding a way to truly do the impossible and get jc a core, especially at such huge personal sacrifice, finding a way to contribute to the war even without his golden core, helping jc as JFM had asked until he was firmly back in a position of power- which YunmengJiang was when WWX defected; but jc, his own son and heir has forsaken everything the Clan stood for and was established on. Maybe an amoral person like Jin Guagnshan would be happy just to see his clan be rich and steady, but the few glimpses we've had of JFM's character indicate he would most likely not feel the same. Especially later on when we find out how jc is setting up nets everywhere putting people in harm's way to help Jin Ling cheat, or how ppl are too afraid to go to YunmengJiang Clan for help bc jc low key turned Lotus Pier into a torture dungeon.
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riacte · 3 years
Text
HBomb watching Grian’s world tour.
It’s like 1h 30mins long with the commentary. Here’s some highlights lol. Keep in mind most of this is paraphrased :P
*seeing Grian has 61 eps* Hermitcraft is nuts. They are so invested and talented.”
“Did they makes little railing things to send messages to each other? That’s the cutest thing ever. It’s like when you’re living on treehouses with your next door neighbour.” OK HBOMB WAIT TILL YOU SEE THE SEASON WHEN REN AND FALSE LITERALLY LIVE IN THE SAME AREA.
Grian, about the mansion: It’s lacking soul
H: WHERE??
H FREAKING OUT ABT STRESS’S BUTTERFLIES
About Grian’s chest monsters: “I’m starting to realize me and Grian have a lot in common.”
“You can give villagers dragon heads?”
He was stunned into silence by Scar’s Big Dig. For like fifteen seconds. Just gaping.
About the Big Dig: that’s more work by Scar than we put into Dream SMP
AND YEAH HE HASN’T EVEN SEEN THE SHOPPING DISTRICT???
About Mumbo’s base: “This is so beautiful”
H said people really under appreciate Minecraft grass and leaves. YEAH HE’S ON TEAM HEP LMAO.
He smiled so much at Grian and Mumbo’s shenanigans lol.
He screamed “ISKALL!” the moment the Omega Tree came into view. And he proudly told chat “I KNOW THAT GUY!”
H legit made the POG face when he saw Stress’ base. “I thought they all lived super far from each other.” “I know Stress too!! She’s on Vault Hunters!”
“I wanna see more of the dragonflies”
“Renpog renpog renpog? That’s my MCC9 Teammate”
About Ren: “he’s nuts”
About Ren’s Darth Vader base: “this would take me a full year to build”
AND THEN REN SAID “<3 <3 <3” in chat
“We love Ren in this chat. Ren’s out of his mind.”
Now he said Ren put in more effort than everyone on DSMP except Sam.
Grian: I struggle with terraforming
H: I struggle with everything compared to the Hermitcrafters.”
“It’s so crazy!” H said while massaging his head.
“Mumbo Baggins.”
“I forgot about Keralis! I haven’t watched him in so long.”
H also stared at Keralis’ build for ten seconds just making the Pog face.
“I can’t tell how big that is. 30 blocks or 300.”
“I feel like there’s always 40 people on the server.” Good try, H. Lol.
Grian fell down Keralis’ hotel’s elevator chute but flew himself to safety. “Grian’s at 3 hearts. Thank God’s he’s so good with an elytra.”
H about graffiti: “Oh I love this”
H saw the Keralis Bee in front of X’s base and instantly made the same face.
Grian admitted he doesn’t watch his friends.
H: as a content creator, it’s very awkward to watch your friends. 100%.
He said Etho was the first MCYT he fanboyed over aaaa
About Etho’s base: ohh it’s so cool
“I love that the beacon is going through the end crystal!”
About Wel’s base:
Grian: I don’t think he’s on very much
H: that’s more than I built in my lifetime
H confusedly squinting and peering at Zedaph’s base lmaoo
About Tango’s base: “that looks straight out of a Doctor Suess novel. I LOVE IT. I LOVE THESE TWO (Tango and Impulse’s) BUILDINGS.”
About Impulse’s base: the quartz and water combined look really cool
Grian, about Impulse’s base: is this mega?
H: y e s
Grian: no
H: that thing is freaking huge. I’ll say that’s mega. That’s huge. It’s mega.
Grian: it’s not mega
H: it goes down the water IT’S MEGA
H ARGUING WITH GRIAN ABOUT MEGA
H stared at Tango’s base for fifteen secs. “I love it. I love it. Chat, have I ever told you I love it.”
“Did he make an iron farm with ravagers?!”
Grian: I don’t know what I’m doing with farms
H: I don’t know what I’m doing 24/7
LMAO BOTH H AND GRIAN BEING CONFUSED BY TANGO’S PEASHOOTER CREEPER FARM
HE RECOGNIZED FALSE’S BASE AYYYY
“She’s nuts, chat”
“When I raid False, I ask my chat to ask her to show her base because it’s so freaking cool”
Grian: is False’s base mega
Grian: this is juuuuust mega
H, screaming: JUST? I’m gonna throw hands with Grian
H: LET’S TALK. CHAT.
Then he proceeded to talk about False’s water at the bottom of her base and how she had to place water sources and blocks (chat told him she used ice, but hey it’s the thought that counts)
“That’s insane, chat!! It’s so cool!”
“I’m ready to throw hands with Grian.”
He wanted to win the mega argument with Grian lol. “Hbomb VS Grian.”
“I actually don’t know what Grian looks like irl. He might beat me up.”
H stared at Cleo’s armour stands. “OHH THAT’S SICK!”
“WHY IS SHE ABLE TO MAKE BETTER MINECRAFT CREATURES THAN MOJANG. EXPLAIN.”
“I’m still mad at you on the megabase thing. Other than that, we’re good.”
He watched False make the Nether hub on Twitch.
Grian: X made this Nether build-
H: X gonna give it to ya
“Ren and False are just built differently.”
H’s face legit froze when he saw Cub’s base. And he bellowed “WHY?!”
H: size matters
“Link’s ready to throw hands with Grian” (Link is H’s dog)
“He managed to make our Targay look absolutely irrelevant.”
“Do you think they’ll let me on to play with them? Just for like, twenty minutes? 🥺👉👈”
“THAT IS DOPE!!”
“Walls made out of ancient debris. Jesus Christ. WHY?!”
Pomo, donation: impulse once raised his base by one block bcz he thought it looked better
H: oh no
“Imagine there was an ancient debris wall on the Dream SMP, chat. It would be there for an hour. Maybe two. Maybe.”
“Doc was another Minecracker”
He was so relieved when he saw Joe’s stuff lol. Since people can be “normal”.
About Mt. Goatmore: OHH THAT’S DOPE!
He went to a Bdubs meet up when he was in college. And had a photo and autograph of Bdubs and Gen.
“Yo that cliff is dope”
About Bdubs’ castle: I won’t be surprised if he used diamond blocks.
“I love how Bdubs use the nether wood trapdoors.”
He loved the anvil droppers thing and said he’s gonna steal the idea. He also mentioned Beef and Mindcrack.
H is such a HC stan now lol. AND HE WANTS TO PLAY THE HC MINIGAMES. PLEASE LET THE MAN ON. Also he’s gonna vibe so well with Grian. Not only do they have similar views in MCC but also in a lot of other things (don’t watch their friends, chest monsters, etc).
397 notes · View notes
an-echos-thoughts · 3 years
Text
Master post of all my aus so you and I can easily find them. If you want to see more about a specific one feel free to send an ask otherwise I probably will forget about them until a sporadic stroke of inspiration comes along.
#Watchers Three au
Joe hills, Zedaph, and Grian are all Watchers. Each of them are a different type of watcher and through reasons end up acting as rulers of hermitcraft and its previous worlds.
https://an-echos-thoughts.tumblr.com/post/641411763332677632/watchers-what-are-they-are-they-gods-that-rule
https://an-echos-thoughts.tumblr.com/post/641232081839652864/watcher-grian-has-always-been-a-fun-thing-to
https://an-echos-thoughts.tumblr.com/post/641414034207506432/three-watchers-reside-on-the-hermitcraft-server
https://an-echos-thoughts.tumblr.com/post/642762608659906560/non-traditional-sight-keralis-he-doesnt-see-the
https://an-echos-thoughts.tumblr.com/post/644074168509513728/ok-so-in-the-watchers-three-au-grian-zedaph
https://an-echos-thoughts.tumblr.com/post/643401758982438912/hey-so-you-know-your-watcher-three-au-and-how
https://an-echos-thoughts.tumblr.com/post/643938784911720448/watchers-three-au-how-does-zedaph-learn-that
https://an-echos-thoughts.tumblr.com/post/643489155608920064/so-in-the-watchers-three-au-how-well-known-are
https://an-echos-thoughts.tumblr.com/post/644222259461013504/i-love-your-watchers-three-au-i-kinda-wanna-know
https://an-echos-thoughts.tumblr.com/post/643651425691369472/just-gotta-say-i-love-the-watchers-three-au-will
https://an-echos-thoughts.tumblr.com/post/644758266518405120/so-with-the-watchers-three-au-im-thinking-that
https://an-echos-thoughts.tumblr.com/post/645028038801817600/you-know-how-after-the-hermits-are-done-with-a
https://an-echos-thoughts.tumblr.com/post/641592155150991360/tango-with-hearts-in-his-eyes-zedaph-are-you-an
#Techno Raises Fundy au
Wilbur in grief after Sally died/left gives Fundy to Techno to raise as he has a stable income and he himself is a shapeshifter like Fundy.
https://an-echos-thoughts.tumblr.com/post/641497891918249984/am-i-wrong-to-want-some-techno-and-fundy-soft
https://an-echos-thoughts.tumblr.com/post/641533081696829440/raising-a-child-was-unsurprisingly-hard-techno
https://an-echos-thoughts.tumblr.com/post/641930204997189632/the-child-was-clinging-to-him-and-sobbing
https://an-echos-thoughts.tumblr.com/post/641938466763161600/so-you-know-your-techno-raises-fundy-au-tho-i
https://an-echos-thoughts.tumblr.com/post/642946900056784896/because-i-cant-stop-thinking-if-angst-anons-ask
https://an-echos-thoughts.tumblr.com/post/643650062282539008/thinking-ab-in-the-techno-raises-fundy-au-what
https://an-echos-thoughts.tumblr.com/post/643580405255192576/fundys-first-word-was-tno-techno-didnt
https://an-echos-thoughts.tumblr.com/post/643838792338489344/fundys-trans-in-the-fundy-raises-techno-au-right
#Two Birds of a Feather au
Grian was chosen by the Watchers to replace their third, who happens to be philza. After ending up in hermitcraft he heals, but ends up meeting philza later who never even knew he existed. A version exists where where TBoaF is the prequel to Bodyswap.
https://an-echos-thoughts.tumblr.com/post/643937541431689216/from-the-beginning-grian-knew-he-was-a-replacement
https://an-echos-thoughts.tumblr.com/post/644038327351345152/grian-meeting-phil-in-two-birds-of-a-feather-and
https://an-echos-thoughts.tumblr.com/post/644051215869788160/hi-i-just-read-your-thing-where-grian-is
#The Bodyswap au
Grian and Techno swap bodies. Each has to deal with the other's life and the fallout if their previous actions. Two versions currently exist, the soulmate body swap and the angst oops my powers acted up and now I think I stole your son's body and killed him in the process.
https://an-echos-thoughts.tumblr.com/post/643760575577522176/new-au-grian-ends-up-switching-bodies-with-techno
https://an-echos-thoughts.tumblr.com/post/643842074989477888/so-the-bodyswap-au-yea-what-if-you-said
https://an-echos-thoughts.tumblr.com/post/644224321720598528/okay-so-its-time-for-that-angsty-grian-backstory
https://an-echos-thoughts.tumblr.com/post/644851587803758592/for-some-reason-i-want-to-smush-together-your
https://an-echos-thoughts.tumblr.com/post/645484421514919936/some-shenanigans-for-the-body-swap-au-that-could
#Hermit Eret au
Eret becomes a hermit and is adopted by mama Stress. A chill au cause Eret deserves some love and free hermit therapy.
https://an-echos-thoughts.tumblr.com/post/641721013259960321/i-love-dsmp-kiddos-becoming-hermit-kiddos-and
https://an-echos-thoughts.tumblr.com/post/643585815774150656/for-eret-i-think-they-would-vibe-most-with-stress
https://an-echos-thoughts.tumblr.com/post/641773341865361408/i-would-love-to-hear-your-thoughts-on-hermit
https://an-echos-thoughts.tumblr.com/post/644203483730509824/that-is-an-excellent-headcanon-one-that-i-whole
https://an-echos-thoughts.tumblr.com/post/642130375115767808/hermiteret-brainrot-time-he-is-the-baby-of
#Demi-god Ranboo au
Ranboo ends up in Hermitcraft, the home of runners and exiles, and Xisuma and their fiance Etho ends up adopting them. Angst and the hermits taking care of their new merchants and child.
https://an-echos-thoughts.tumblr.com/post/643219936828964864/hermitcraft-is-the-home-of-exiles-and-runners-you
https://an-echos-thoughts.tumblr.com/post/643309661409378304/because-the-lovely-taryk-asked-more-of-my
https://an-echos-thoughts.tumblr.com/post/643403206393741312/while-ranboo-is-safe-in-hermitcraft-for-now-back
https://an-echos-thoughts.tumblr.com/post/643870134779412480/the-ranboo-awakening-for-my-demi-god-ranboo-au
https://an-echos-thoughts.tumblr.com/post/643858168654512128/unfortunately-mcc-does-not-exist-in-this-au
#Zedeath's Angel au
Zedaph is Death and adopts little ghostinnit as his new son and future angle of death. Philza panics on the background because he is a workaholic that just got forcefully retired after a couple millennia.
https://an-echos-thoughts.tumblr.com/post/644554480384360448/usually-i-try-and-stay-away-from-creating-a-hermit
https://an-echos-thoughts.tumblr.com/post/644567784750186496/sorry-for-how-messy-these-thoughts-are-might-clean
https://an-echos-thoughts.tumblr.com/post/644613020193046528/the-interaction-between-dream-and-zedeath-for-my
#Hermit Mom au
Ghostbur remembers his adventurer mom that promised to always come back to him. Only oneday she left and never came back. Too bad amnesia after death runs in the family and ZombieCleo has no interest in prying into the life of AliveCleo.
https://an-echos-thoughts.tumblr.com/post/642402359505469440/ghostbur-remembers-not-what-he-tells-the-others
https://an-echos-thoughts.tumblr.com/post/642587045973426176/cleo-doesnt-remember-much-from-before-joe-brought
https://an-echos-thoughts.tumblr.com/post/642673661150724096/cleo-refrained-from-asking-about-humancleo-she
#Demon Dadpulse au
Impluse was Sapnap's demon dad after his moms died. Sadly both think the other is dead after an unfortunately timed summoning ritual.
https://an-echos-thoughts.tumblr.com/post/644668742050168832/and-just-as-i-say-i-want-to-work-on-one-of-my-aus
https://an-echos-thoughts.tumblr.com/post/644486533411389440/zit-as-the-recent-conversation-between-me-and-my
#Bdubs Bloodvines au
The vines in the jungle in s5 of hc was an young Egg. Bdubs managed to break free from its control and it could never grow strong. Now Bdubs is trapped in Dsmp and has to survive until he can find away back home or doc gets him back. The hermits better hurry up though, the whispers of the bloody vines are getting louder.
https://an-echos-thoughts.tumblr.com/post/643755843327770624/the-thing-that-swallowed-up-bdubs-could-have-been
https://an-echos-thoughts.tumblr.com/post/643953040726081536/red-vines-covered-the-earth-where-he-arrived-it
#Cursed Princes au
Greek inspired fundywasfound. Both Fundy and George are princes cursed by the gods. Fundy starts to get jealous when his husband starts too spend too much time around George after he brought him home, his insecurities kick in. I want a happy ending goddammit so it will end with the blind hero, bless by the gods, and his two monster husbands, that was cursed by the gods, living out the cottagecore dream.
https://an-echos-thoughts.tumblr.com/post/643675647742558208/okay-so-greek-mythology-inspired-fundywastaken-and
https://an-echos-thoughts.tumblr.com/post/643759421168680960/thank-you-so-much-for-all-your-suggestions-and
https://an-echos-thoughts.tumblr.com/post/643758575823601664/scream-omg-yes-they-are-absolutely-gorgeous-i
#Imortal Friends au
Etho and Phil are best friends and immortals who have very different ways of deal with their immortality.
https://an-echos-thoughts.tumblr.com/post/641953700022222848/etho-is-an-imortal-by-what-means-changes-each
https://an-echos-thoughts.tumblr.com/post/645208871673167872/so-time-for-some-imortal-etho-he-is-extremely
https://an-echos-thoughts.tumblr.com/post/645304665687359488/imortal-etho-and-philza-being-friends-philza
#Ghost Hunter Techno au
Modernish au where Techno and the dream team plus Skeppy and Badboyhalo investigate haunted places on weekends. Techno can see and interacts with ghosts as his twin, Wilbur is one, but plays the skeptic. He is best friends with Skeppy. Both are dating Bad.
https://an-echos-thoughts.tumblr.com/post/641929520979509248/hello-i-just-had-the-most-amazing-idea-a-ghost
https://an-echos-thoughts.tumblr.com/post/641963444188430336/so-further-on-this-topic-this-takes-place-in-a
Some other potential aus
NPG in DSMP au
https://an-echos-thoughts.tumblr.com/post/645933713588404225/a-mishap-occurs-and-friendly-if-a-little-intense
Slow and Unapologetic Redemption au
https://an-echos-thoughts.tumblr.com/post/645127074896658432/many-villains-have-slow-and-unapologetic-decents
Gecko Tommy au
https://an-echos-thoughts.tumblr.com/post/644701327677669376/gecko-hermitcraft-stan-account
Changeling Fundy au
https://an-echos-thoughts.tumblr.com/post/645026563721723904/fundy-as-we-know-him-is-a-changeling-wilburs
Unnamed mumbo adopts ranboo au
Gritho
https://an-echos-thoughts.tumblr.com/post/642038562938896384/yalls-know-what-ship-is-so-goddammed-cute
Watcher fundy
https://an-echos-thoughts.tumblr.com/post/642325140438401024/watcher-fundy-fundy-although-not-being-born-a
Hermitcraft is where herobrine goes to retire
https://an-echos-thoughts.tumblr.com/post/642493177179389952/hermitcraft-is-were-herobrine-goes-to-retire-the
Insomnia buddies gritho
https://an-echos-thoughts.tumblr.com/post/643127144861564928/alot-of-hermits-find-it-hard-to-sleep-many-would
32 notes · View notes
missholland · 4 years
Text
“Shouldn’t I hate you? Can’t I hate you?”
“Why do you treat me like a fool?”
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Jiang Cheng tearfully asked his adopted brother, and we could all feel the pain in his voice. He must have held on to these wonders for a very long time, even beyond the past 16 years when WWX was presumably dead.
JC grew up with WWX, and despite a rough start of having his puppies sent away, the two truly became close as a little JC promised to chase dogs away for WWX. I don’t have a brother, so I can’t personally relate to what it’s like living with one. I guess the fact that JC and WWX are same age supposedly make them best friends too. Male friends rarely sit down and talk about their feelings, let alone young men like these two. 
From the very beginning, we get to know JC as the more disciplined one and constantly looks out to make sure WWX does not cause any trouble. That makes a lot of sense, since JC bares the heavy responsibility of being the next Jiang clan leader, on top of enduring his father’s tough love and his mother’s unpleasantness toward WWX. For those who instantly fell in love with WWX’s free spirit, JC comes across as a massive killjoy.
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Just think about it, the two did quarrel quite often growing up, as boys do. I’m not sure when it started, but WWX eventually develops a habit of not telling JC things. He could be seen regularly dismissing JC whenever the latter asks him a question. We got to see this several times during their studies at Cloud Recesses, and it’s likely JC justified it as WWX’s newly developed attention to LWJ. JC’s envy cannot be anymore obvious - from his rolling eyes every time WWX is around LWJ to snarky comments like ‘You’re so close to LWJ now, just stay in Cloud Recesses and don’t bother coming back to Lotus Pier’. As much as we all ship young WangXian, wouldn’t you be really upset if you were in JC’s position?
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JC has a lot more to lose than WWX - his family, his clan’s reputation. Considering how his father tended to maintain a passive position whenever it comes to clan politics, JC would follow through with the stay-out-of-trouble mindset and prefer as least attention as possible during chaos. Unfortunately, that’s not how WWX operates. He simply cannot stand idly by when someone is in trouble. There is no such thing as ‘those irrelevant’ to him. If the weak is being bullied, he will step in to help in a heartbeat. This is why WWX is MUCH better off being a free agent like Xiao Xingchen and Song Lan. Once you live that major clan life, every step you take and every move you make represent your sect, not just yourself, no matter how many times you keep saying ‘Hey, you can slander me, but not Yunmeng Jiang clan’. JC knows this very well, and in his head he has to be the adult/bad cop to WWX as there is really no choice.
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There is nothing wrong with having that ethos. JC just has completely different priority comparing to WWX, and that’s what he based on when making decision. JC’s intention has always been about protecting WWX, even after the event in Qiongqi Way. The reason for the downfall of their relationship comes from both sides: JC doesn’t know how to ask, and WWX doesn’t want to answer. Maybe because JC keeps go on and on about WWX better not bringing trouble to Jiang clan, WWX finds it more difficult to confine in him with his problems and eventually not tell him at all. Or, deep down, WWX already knows JC treasures completely different values. Hence, it is no use to share this sort of thing with him. That is obviously different from his experience with LWJ, as they made the same promise in front of Master Lan Yi in the cold cave and under the rabbit lantern. All of the above, in addition to JC not being conversationally gifted, keep the brothers further and further away until their misunderstanding becomes too deep to resolve.
I’m not team JC, but I feel for him when it comes to holding on to things. He remembers stuff and doesn’t let go easily. So when his adopted brother said ‘I will be your subordinate and assist you for life when you become clan leader’, that promise meant a lot more to him than the person who made (and broke) it. Besides, JC already lost his parents. With his sister getting married, he was practically all alone in rebuilding Lotus Pier and WWX’s help was supposed to be his greatest asset. 
But all he received in return is a flaky assistant who became depressed, drank all day, nowhere to be found when needed and just seem to give up life in general. JC probably considered him already having too much go on, and it’s just easier for him to scold others instead of holding back for one second to think ‘What happened to him? I need to find out and sort him out!’. We all know how everything went down after that, and it really echoes what JGY said to JC in episode 49: ‘If you had treated WWX better, none of this would have happened’.
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Honestly, JC doesn’t deserve to be treated like a fool, which was what WWX kinda did to him. He started telling all of his burdens revolving WWX, from how WWX had always been winning in everything - from talent to chivalry, from the affection of their father/sister to the cost of their own lives. But that’s not the point. JC was aware of all that, but he was definitely never jealous of WWX’s qualities in a negative way. JC did not care about any of that, as long as WWX remained his loyal best friend/brother. 
This is where his actual deepest frustration unfolded - ‘What hardship could you not tell me’ is the most haunting question I’ve heard. JC knew there was a reason, but could not figure out why he was not the one WWX went to for help. He was getting to that point when capturing WWX in Qinghe, asking why WWX went elsewhere rather than Lotus Pier once he was resurrected. As ridiculous that question might be (I mean, would your first point of contact after coming back to life be the person who wanted to kill you before?), it was the confused and desperate little brother inside Jiang clan leader’s hard ass cover crying for answer from his former best friend/brother.
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If there was ever any jealousy inside JC, I would think it gotta be toward LWJ. Sure, the closeness with WWX is one thing, but it’s weird to compare your brotherhood to.... you know, romantic/spiritual soulmate-level bond. I might be stretching this, but it just seems to me JC is somewhat envious of how LWJ can confidently (maybe, in his head, blindly) stand by WWX post-resurrection. 
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The whole ‘oh you’ve been everywhere for 16 years looking for someone’ comment - I mean really JC, weren’t you doing the same too? The dirty look he gave LWJ when he took out Bichen and pointed toward Jin Clan’s guards to protect WWX at Jinlintai, when LWJ stood next to WWX against the cultivation world at Burial Mounds, when LWJ remained by WWX at Lotus Pier’s doorstep and even willing to wait OUTSIDE with him, when LWJ was taken to offer some incense to his family, and when LWJ still fiercely shielded WWX while having his spiritual power sealed at Guanyin Temple.
Deep down JC never stops loving his brother, but he’s just not willing to let go of the past. And sadly, he has probably never really believed in WWX anyway. A lot of people may not be able to stan JC, but it’s still heart-breaking regardless thinking about how his relationship with WWX deteriorates through time. I guess the only comforting thing is that by the end of the series, both of them can move on with their lives. And hopefully, whenever they think of each other, it’s only with the good memories of sitting together eating shijie’s lotus soup.
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I think part of the reason we saw so many adaptations of Spidey in college before 2005 (and why so many of the high school adaptations are divisive) is a lack of historical context.
Let me explain.
As originally intended Peter Parker was a high school senior; not a 15 year old as he has been presumed in 21st century depictions. And more importantly he was a senior in 1962 from the POV of two middle aged people. 
What it meant to be 17-18 years old back then coupled with that it meant when lee and Ditko were that age is starkly different to what it meant/means to be 15 in the 21st century.
No matter what politically correct terminology is used today, there is a broad cultural understanding that 17-18 is not realistically emotionally/mentally mature. You are technically an adult but you are still dismissed as not knowing the way the world is. 
But in 1962? Or when Lee and Ditko were that age? Very different story. In either context you were considered a young adult. Emphasis upon adult. There was an understanding you were either going to earn your bread straight out of school or earn it whilst going to college.* 
As times changed and the concept of the teenager crystalised more and more, it would’ve become more natural to simply introduce Peter when he was already partway through his college education.
Because it was a natural way to retain the spirit and ethos of the early Lee/Ditko stories as opposed to pinning down the details. Basically what a 17-18 year old in Lee/Ditko’s day or in 1962 gradually drifted more towards what a college student (or in 2018 a 23 year old post-grad, see Spidey PS4) would have been. 
This is why I think so many Spider-Man fans who grew up on pre-Ultimate Spidey comics/cartoon takes on he character chaffe when these ‘moderniations’ crop up.
They get into a broom head/broom handle situation wherein they have not only de-aged the character to 15 but then filtered that through the lens of what a 15 year old would be like in the 2000s or 2010s. The end result is something drastically different and barely recognizable as the character.
Essentially they adapted the superficialities of the character rather than the spirit. 
This is why I think the PS4 game’s interpretation of Peter’s character was so uncontroversial. Because a 23 year old post-grad is mentally/emotionally much closer to Stan Lee’s Spider-Man (even in high school) than what a modern day teen would be. 
*Remember, the Greatest generation parents of 1960s children (let alone the parents of Lee and Ditko’s generation) were not baby boomers. Baby boomers comparatively have more disposable wealth than those generations and so a higher proportion of them could afford to send their kids to college than back in the 1960s.
This is why Peter and Flash earning scholarships was such a big deal in the Lee/Ditko run. 
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recentanimenews · 3 years
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ESSAY: How Does My Hero Academia Fit Into Global Superhero Culture?
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  In 1989, Batman became the first film to make over $40 million in its opening weekend. In 2002, Spider-Man became the first film to make over $100 million in its opening weekend. In 2007, Spider-Man 3 hit over $150 million. In 2012, The Avengers nabbed over $200 million. And in 2019, Avengers: Endgame got over $350 million. Despite the fact that there have been concerns over “superhero movie fatigue” for literal decades now, it’s a genre that shows no signs of slowing down. As its universes expand on streaming services like Disney+, it’s apparent the age of the cinematic hero might be an indefinitely lengthy one. 
  As Marvel Comics luminary Stan Lee once said: “The pleasure of reading a story and wondering what will come next for the hero is a pleasure that has lasted for centuries and, I think, will always be with us.” In that quote, it seems our destiny is almost sealed — we crave heroes and we crave their stories and we crave their sequels. 
  This is the environment in which My Hero Academia was born.
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    My Hero Academia is, first and foremost, a superhero story. One could argue that most narratives of its ilk are superhero tales — anime like Dragon Ball, Naruto, One Piece, and others are full of good guys shutting down malicious attempts at local or world domination — but My Hero Academia embraces the iconography, both thematic and physical, of the superhero in a way that many other stories don’t. In fact, it might be one of the purest explorations of that kind of universe ever in fiction. It’s a world where heroism is practically currency, where roughly 80 percent of the earth’s population is imbued with some kind of inherent genetic power. 
  Populating your superhero story with powerful people instead of going the typical cinematic route of having one or two supernatural characters with a supporting cast of everyday folk might have been subversive 20 years ago. But in the age of the Avengers, where multiple heroes cross in and out of each other's storylines and the narrative objective was to eventually wrangle them all in one mega-movie, My Hero Academia fits comfortably. That doesn’t render it as uninteresting, though. Instead, rather than build to the issues that will inevitably crop up in a world full of Supermen, these themes are inherent in the story.
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    As such, most of the plotlines have to do with the idea of rampant heroism and the backlash that it would create. Plenty of superhero films address this (multiple Batman movies make the case that if there were no Batman there would be no Joker), but in My Hero Academia it is a constant struggle. Overhaul, wearing a variation of a 17th-century plague doctor mask, looks at these “Quirks” as if they’re a disease. Stain is against superheroes using their status for fame. Tomura Shigaraki wishes to destroy society as we know it, hating its values and its borderline divine treatment of figures like All-Might. These patterns are not just repeated in My Hero Academia, but inevitable. They are anime embodiments of that “superhero fatigue” article I shared above, except in this case they hurt and destroy in their attempts to find an alternative to the super status quo, rather than write essays in The New York Times.
  It’s certainly an enthralling formula, though: My Hero Academia continues to be a best seller and has won numerous awards. Its anime has been similarly well-received. Despite the fact that superhero films very rarely have the same box office prominence in Japan as they do in America, My Hero Academia has been able to make an impact. That might be because, at its core, My Hero Academia adapts the ethos found in a hero that many Japanese creators really do enjoy: Spider-Man.
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    Kohei Horikoshi, My Hero Academia’s creator, loves Sam Raimi’s Spider-Man films. Creator of JoJo’s Bizarre Adventure, Hirohiko Araki gushed over his love of Spider-Man 2 to director Sam Raimi during an interview. Yusuke Murata, illustrator of One-Punch Man, has done some absolutely amazing work when it comes to posters for Peter Parker’s cinematic adventures. Hideo Kojima, a video game designer whose creations are absolutely inspired by anime, called Into The Spider-Verse a “great masterpiece” and was “moved” by Spider-Man 2. After it became the best-selling game to be developed in the West but funded by Sony since 1998, Japanese game developers voted Marvel’s Spider-Man as their 2018 game of the year. So why the embrace of this particular character? 
  Journalist Kuremasa Uno told the Japanese site Business+IT that it’s because Japanese youth are more accustomed to embracing younger heroes. Since so much of Spider-Man’s Hollywood journey deals with him experiencing problems as a teenager and young adult, he fits in among the protagonists of series like Gundam or Naruto. Hideo Kojima even told Famitsu that Spider-Man is “similar to Japanese heroes,” as he has “worries.” 
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    The aspect of youth is particularly interesting, as it’s what often renders heroes like Spider-Man to be the most relatable of all of their peers and rivals. In the comic book world, age tends to warp characters, turning them into beacons of impossible standards rather than troubled everymen. We have little in common with the hulking, aging Batman snapping bones in Frank Miller’s The Dark Knight Returns. We are enthralled with the story on a narrative level. Even the legendary curmudgeon of the comic book industry, the supremely talented Alan Moore, found The Dark Knight Returns fascinating because it gave a hero a chance to end, rather than cycle through an eternal series of escapades. If you know Moore’s stance on heroes, that’s high praise, but it’s hard to connect with him no matter how cool he looks taking down the Mutant Leader.
  In youth we find common ground. We all grow up, and for the most part, we all experience that mix of angst, desperation, and uncertainty that comes with finding yourself on a bullet train to adulthood. In my interview with Matt Alt, author of Pure Invention: How Japan’s Pop Culture Conquered The World, the writer/historian affirmed these feelings as especially true in anime: “It doesn’t look at adolescence as a lesser form of adulthood and it doesn’t condescend to the young people experiencing problems.” That is true of My Hero Academia, which treats Midoriya’s teenage problems as valid and worth concern, and is also true to Stan Lee’s affinity for Spider-Man: “He’s the one who’s most like me — nothing ever turns out 100 percent OK; he’s got a lot of problems and he does things wrong, and I can relate to that.”
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    So perhaps it is in collecting a cast of characters that, like Spider-Man, are all dealing with youthful problems that Horikoshi found the fantastic formula for My Hero Academia. It’s a world with teachers and Pro Heroes, but there is no real equivalent of a Justice League, no impenetrable class of demi-gods to impart moral lessons on not just younger heroes but the world at large.
  Instead, much like in real-life youth, the characters of My Hero Academia and the class of 1A must discover those lessons for themselves. With that, the reasons for the aforementioned creators’ adoration of films like the Spider-Man trilogy and Into the Spider-Verse seemingly become more clear. Though these films feature a ... ummm ... supportive supporting cast, the integrity must come from the hero alone in the end, no matter how tough their obstacles become. You are born with Quirks, but how you choose to implement them for the good of mankind is up to you. Great power, great responsibility, etc.
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    My Hero Academia and Spider-Man are not a 1:1 comparison as, again, the basics of its world and the attributes of its cast fit it more firmly with late-term Avengers films where dozens of heroes interact in a spectacle created by the sheer existence of their number. My Hero Academia rarely feels as lonely as Spider-Man tends to be. But in capturing the relatable qualities of adolescence and focusing on the “quirks” of what is essentially high school life, it does manage to hit some of the same high notes, notes that I imagine contributed greatly to its popularity.
  Does that mean All-Might is an Uncle Ben character, with his “Now it’s your turn” point to Midoriya serving a similar purpose to the “Great responsibility” speech? Eh, a little bit. But in relating it to the superhero genre that currently forms an entertainment monolith around the world, especially when it has to do with the character of Spider-Man, we start to unlock some of the reasons why My Hero Academia has been such a powerhouse series over the past few years. You can see just as much of Midoriya in Peter Parker as you can in guys like Naruto or Asta — characters that aren’t relatable simply because they’re young, but because we connect to their experiences of youth, experiences that are somehow both deeply specific and also beautifully universal.
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      Daniel Dockery is a Senior Staff Writer for Crunchyroll. Follow him on Twitter!
  Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features.
By: Daniel Dockery
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mariaiscrafting · 3 years
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Aight, I wasn't going to let myself be mad about the Dream discourse, but a) I'm bored and have no life, so why not get myself cancelled on mcytblr, and b) I'm not even mad at Dream anymore, I'm mostly just mad at the fans.
Okay, so there are several common logical pitfalls I see most of you falling into. Some are understandable because I get that most of the fanbase is made up of kids, but they're annoying nonetheless. One, there are many people who don't actually understand the statistics or logical fallacies in Dream's argument; they were just waiting for a response, any response really, so they could go back to stanning Dream, guilt-free. Two, lots of you are falling for the ethos trap he carefully set up in that video. Basically, he worded his argument so that viewers would intentionally believe him over the mods because he frames them as disorganized, biased, unreliable, and inexperienced, while he frames his "expert" as much more professional and academic in comparison. This is so that people like you guys don't actually look into the problems with this guy's report, and will simply believe him at first glance.
What I would like to see is much more critical thinking from this fanbase since blind devotion and adamant support regardless of truth or skepticism are what make people hate stans in the first place. I think MYCT fanbases are extremely toxic, in that they're full of apologists who joke about being apologists, but they truly are like that and shouldn't be. We can't keep blindly defending people we don't even know just because we like their content and they make us laugh. We have to be critical and skeptical in all our thinking when allegations such as these arrive. We need to be the voice of reason among the skeptics in this argument since we actually watch and like Dream. It's better that we're the ones criticizing him than for all the counter-arguments and calls to reason to come from random Redditors who utterly hate Dream and are as or more biased against him as the mods team were.
So, personally, what do I think we should be skeptical about? First, the claim of sampling bias, considering that only including his last six streams in the original math was for good reason. The last six streams were, in fact, a large enough sample, because they included a multitude of individual runs within them. Plus, if one looks at the luck change overtime in all his runs, you can see that his luck severely increases for the last six, giving reasonable credibility to the assumption that that's when he started cheating. Second, the way Dream structures his argument. Too little of his data is actually used for statistical purposes; a lot of it is just used to "prove" that the mods team is biased, and therefore, their math and arguments should be thrown out. He overly focuses on less significant aspects of this whole drama in order to frame the mods as unreliable, so his audience will rely more on their anger towards the mods than on impartial analysis of Dream's statistical argument. Third, his argument, at the end of the day, boils down to: "no, I didn't have 1 out of 7.5 trillion odds. I had 1 out of 10 million odds, and this should be believable because extremely lucky things can happen to anyone" which, frankly, I fucking laugh at. And finally, I think we should all be extremely skeptical of the focus on mod bias and proving their statistical analysis wrong in the video and the report. At the end of the day, the easiest thing to look at is the world files; if there was tampering, it would be shown in the coding of the world files. Personally, if Dream had gone into detail about those 37 factors a cheater could possibly alter in their favor, and then gone through the code and proven that none of it had been altered, I personally would've found that to be decisive evidence in his favor. Fuck statistics, why is no one talking about the actual, goddamn code?
Anyways, at the end of the day, I think this just goes to show that fanbases need to stop jumping on the hate bandwagon to insult people who criticize the people we are fans of, and also need to stop blindly supporting and justifying the actions of our favorite content creators. Everyone does stupid shit, and that's okay. We are allowed to enjoy works and consume for our own entertainment without having to believe in the unconditional morality of the works' creators.
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billdenbrough · 4 years
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so, a while ago, @audraphillipps tagged this post with a tag saying that bichie were on ron/harry levels, and like... i have literally not stopped thinking about it since? i was talking to @neibolttrio when nat’s reblog popped up on my dash and i went completely feral (ara can confirm, and also was right there with me) bc there’s just like. so much there!!
i know i said in the neville/eddie ask that i tend to think mapping characters onto each other is reductive, and i stand by that (there’s a difference between loose parallels and trying to make them fit neatly, you know? and sometimes equating the characters isn’t the most effective way to express that), and it’s not even what nat was saying, but like. there are parallels
just to get the basics down: bill/harry, richie/ron
(which is interesting bc @benverlesbians and i were having a discussion (well, in tags) where i posited stan as logos and eddie as pathos, and bc jem is galaxy brain, she carried it home to position richie as ethos, and i stand by our choices, but for the golden trio, i’d put harry as ethos and ron as pathos and hermione as logos (like i think there’s other combinations that fit too, but i think this fits best for me), which is interesting. not bc i think the parallels need to map perfectly, but it’s just really fucking fascinating to me how people can shift in different contexts, like new dynamics lead to new positionings... [siken vc: what can you know about a person? they shift in the light. you can’t light up all sides at once] anyway tangent over)
like on the most basic of levels, bill leads his friendship group, and richie is his Loyal Best Friend who follows him everywhere, even places he doesn’t want to go (ron LITERALLY invokes the idea of following. “follow the spiders,” he says, twelve and terrified and going anyway, because harry’s going, because hermione’s hurt and needs them, because hagrid’s been accused, because ron loves his friends)
i think something we don’t talk about super often (at least recently, i don’t want to presume about earlier content i missed) is how anger plays its part in bill’s story, in terms of the degree to which it motivates his quest to kill It. like at one point in the book he even frames it as “using his friends, risking their lives — to settle the score for his dead brother”, which i think is indicative of the anger/desire for revenge that drives it (and that’s not all that motivates him, but it’s definitely a major component)—-that sense of revenge isn’t present as much in the films, mostly because bill is desperate to try hold onto the idea that georgie is still alive (haha, harry after sirius goes through the veil, anyone?), but it’s still there, i think, mostly in the moments bill charges off (even when all his friends are shouting at him to wait or not go) bc he’s so determined that It won’t get away, not this fucking time. and that’s something true of harry too, the way his anger can consume him. we see it throughout the whole series, but order of the phoenix is the most relevant part rn, with how enraged he is after sirius’ death. how gasping and jagged and burning with fury he is. he tries to hurt bellatrix, wants to hurt her in ways we’ve never seen from him, and it’s desperate furious grief leading him to chase her from the room with the veil. and there’s a line, a little later, that always hits me in the chest: when harry is shouting I DON’T CARE and destroying dumbledore’s office, the reply is “you care so much you feel as though you will bleed to death with the pain of it”. which honestly is just generally applicable to the losers, given how much heart they have and how much trauma they endure, but i look at baby book bill, with his revenge-seeking, and i look at jaeden’s bill, with his trembling voice but resolute expression as he gives the “walking into this house is easier than walking into my own” speech, and this quote hits me in the chest
(wrt the bill quote abt risking their lives: it’s important, i think, bc it’s incredibly cognisant of what he’s asking, which is illuminating. but ig to balance it against some things losers say, so that it’s... like he leads them there, absolutely, but they all follow him, and that’s important too. they do choose to, and their choice matters, it’s not just on him. anyway something eddie says, while looking at bill (and it’s not like. in the context of dying for bill’s quest, but it’s got the love and hero worship mention that suggests it applies to more than just the moment), “some stuff has to be done even if there is a risk. that’s the first important thing i ever found out i didn’t find out from my mother”. also, when the werewolf has bill, he’s shouting for richie to go, to get out, and richie stays and tries to save him instead. and i think both their choices there matter)
richie, as much as he Jokes, is one of the more pragmatic and resourceful losers, and really fucking smart, and so often underestimated. (hello, master strategist ron weasley. hello, prefect who literally nobody expected. hello, insecurity) like... we all know how richie is brainy, but also, like. when he’s not clouded by his own fears, he sees things with clarity so sharp it could cut you. (“It’s a monster,” Richie said flatly. “Some kind of monster. Some kind of monster right here in Derry. And it’s killing kids.”) there’s a line, bill says it when talking abt richie and eddie in fights, and it’s about how richie simply can’t keep his mouth shut, like he has to insult bowers, even when he’s got his hands on him. which is actually pretty harry energy, but ron’s the closest thing amongst any of the hp characters to a trashmouth, ron’s the one who doesn’t hesitate to be rude on behalf of his friends (harry tends to be worked up when he says these things; ron’s just naturally got that energy. “light reading? that’s light reading?” is the same energy as “can only virgins see this? is that why i’m not seeing this shit?” don’t @ me), ron’s the one who drags harry for filth when he’s being an idiot. ron follows harry, even when he’s mad about it. and boy oh boy. richie is ambitious, richie is always practicing his Voices because he wants them to be worth a damn one day, richie is constantly trying. and ron’s erised is based in simply wanting to stand out in a family full of people he thinks are more interesting or valued than him, amongst best friends who are more incredible, which is a different motivation, sure, but look at his dreams. look at how high he rises when he lets himself want it. richie’s always doing Voices because it’s easier to Pretend to be someone else than be himself, and ron is constantly scrabbling for purchase in a world where he thinks he’ll never be worthy
(there’s room for discussion about how ron’s fears are primarily creature based—spiders, werewolves, the grim; how sirius hurt him, even unintentionally, how he was betrayed by peter, how his father was attacked by a snake, how his brother was attacked by a werewolf—and how richie has his famous werewolf, but that’s more abstract of an analysis than i’m doing here, i’m just thinking about the parallels, so this is more throwing a thought out.)
and, boy oh boy. my favourite part of this. i mean, we get ron and harry always together (consider: neibolt house (in the book, when bill and richie go there; in the film, when they’re confronting the doors, separated from eddie) as their chamber of secrets), them being best friends, ron having harry’s back even against his own family (ron angrily tearing up percy’s letter and calling him a git, esp after harry doesn’t know how to react in a way that doesn’t show how much it upsets him, has my entire fucking heart), harry having ron as “what [he’ll] sorely miss”... but. but but but. we also have the goblet of fire fight. even more crucially, we have the blow up in deathly hallows. they fight, they fight, and it’s bad. harry and bill you could compare a little with their focus, ig, but the crucial part is ron and richie. ron throws harry’s parents in his face when he’s terrified for his family (and under the influence of a horcrux); richie says georgie’s dead and for the first time all film, doesn’t take it back, not when eddie’s gone and stanley’s terrified and ben’s leaking blood and richie doesn’t want to die, doesn’t want his friends to die. it’s best friends fighting viciously, with something too sharp to hold—-it’s words that cut like knives, fists in the middle of the street and leaving when they’ve always followed you.
but. it’s also coming back. when harry needs him, ron is there. they haven’t had a chance to talk about anything, but ron is saving him. when bev goes missing, when bill goes to richie, even though thing are still fractured, still angry, richie comes back. richie follows. even when they haven’t talked about anything as far as we can tell, even when there’s no resolution to their fight, richie’s the one who stands up and makes the choice that mobilises the losers, the one who tells bill everything bad that’s happened from following him but follows him yet again, doesn’t leave him behind, stays and saves him. it’s about the coming back, the saving, the i’d follow you anywhere of it all. like god but georgie/bill is the dynamic that informs chapter one & richie/bill is the dynamic that drives it // lily/harry is the dynamic that informs the hp series but ron/harry is the one that bookends it—-the first person he ever chooses, who ever chooses him in return, and he’s right there at the end, when all is well. billrichie ronharry best friend RIGHTS
not really part of this but other things that make me scream: bill and richie on silver when richie’s catatonic/harry and ron when ron’s out of it bc of the brains (and also, now that i think abt it, injured from sirius’ bite). ron clinging to harry’s side in the forbidden forest w aragog/“i’m stickin’ with you, big bill”. ron imitating harry’s parseltongue to get to the chamber of secrets, taking hermione down the path they took/richie remembering confronting the doors with bill, trying to take eddie down the path they took.
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