thinking about mizu from blue eye samurai. thinking. thinking so much. thinking about how mizu operates outside of gender. like we joke about her gender being revenge but straight up? it literally is. like she grew up as a boy and is most comfortable being a man, but behind that is the feeling of betraying himself because he isn't being honest about who he is and he lives in fear of being discovered. and when he lived as a woman, she found joy there as well. she fell in love, and though she wasn't good at it, she liked being a wife and enjoying a simple life. but in that life too, she isn't being honest about who she is. and when she reveals her true self, it's not a woman, she's a demon, a weapon. she's to masculine to be a woman, and too feminine to be a man. ultimately, mizu is most comfortable when they are being a murder machine. that's when they feel they are being the most true to themself. like a sword, they are neither man nor woman, but a blend of both, which makes them stronger.
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Got a bunch of Sasuke-centric asks, so here we are!
Sakura has some complicated feelings about Sasuke.
In my AU, Sakura was born to civilian parents who didn't really want her to become shinobi, even though that had been her dream for as long as she could remember- and it was no secret in the Haruno household that they were hoping she'd drop out, or at the very most, be career genin.
So Sakura never really had anyone to believe in her and had to go into the academy (late!) as a civilian-born, meaning she was automatically behind in development (and status) compared to the clan kids. (I headcanon that until the Academy, Sakura didn't ever spar with anyone, versus clan kids who had probably learned how to wield kunai before they knew how to walk).
So Sakura worked hard and did her absolute best to get the barest minimum that clan kids were afforded by default. Unfortunately, her best, without the resources/opportunities, just wasn't good enough. And Sakura knew it. Academically, she was brilliant, but that's not enough to be a good shinobi. And somewhere deep down, Sakura (at the very least Inner Sakura) knew it.
It's why I headcanon that she developed such a violent temper. People who are secure in themselves don't have such explosive, uncontrolled outbursts- it's why she picked on people like Naruto, who was probably the only person below her in the pecking order (maybe Tenten? But they're equals I guess). It's why she's so quick to anger and usually has those responses OUT of combat- it's because that's the only place her violence is actually effective.
It's also why she's such a teacher's pet- she needs validation from others to try and fill the gaping void.
So when Sasuke appeared on the radar, and everyone wanted him, so did Sakura. Because if she got him, she would do something that no one else- clan-privileged and better- could do. In fact, she staked most of her identity (her hair, her diet, her clothing) on it.
None of this was conscious. She really did have a crush on Sasuke, but the seed of it was born from a very misguided desire to prove herself on an even playing field.
After all, she didn't have a clan upbringing/resources to teach her how to find self-worth and actualization through her skills (she went home, and her civilian parents praised her for things that absolutely didn't matter in shinobi reality, amazement that she could throw a kunai! how good her grades were! and how cool it was that she could jump high!)
(and Kakashi absolutely didn't help, lol), so she defaulted to what she knew- which was being a regular girl with a regular crush.
Now, as an ~adult, she's come to the painful realization that her love for Sasuke was just a goalpost. Ironically, she set her sights on someone who would inadvertently feed into all of those insecurities, and because Sakura didn't love/believe in herself, she accepted Sasuke's abuse.
She also understands that she ran into the Chidori/Rasengan deathmatch of her own stupidity, but she just can't forgive Sasuke for leaving. For never owning up. 'Cause that's just coward behavior..
Basically, Sasuke's cruelty was just a reflection of her own self-loathing, and unfortunately, Sakura just wallowed in denial and ended up paying a hefty-ass price.
So if she ever sees Sasuke again? Honestly, she doesn't know whether she wants justice or revenge. It's complicated.
Whew- that was a text dump....
Once again, thank you so much to everyone for all the interest and asks! I'm so happy we can all share Naruto rotbrain together.
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Accidently cooked up a silly little au the other day that I am very much enjoying
gonna. talk about it under the cut because4 the FUCKING WORMS
OKAY so basically. literally everythign is the same except for the fact that. Ed got entirely yoinked instead of Alphonse. I dunno why that happens but. It does because I say so. Anyways. So this basically mean that Ed gets bonded to an armor instead of Al, and because I desperately wanted the secondary set of Armor to see some light I thought it would be funny to bond Ed to that instead.
I haven't fleshed everything out, but as I'm working on that I wanna add a few of the different things in here just because. And I still might tweak things if I think it doesn't make sense.
- Al lost his arm first, then traded his tongue and his eye to bond Ed to the armor, making him effectively mute. He's learned ASL and Ed has to translate for him a lot. Although in my hcs Al is a foodie so like. major bummer for taste buds. He likes fun textures and stuff though. I gotta figure out what problems this poses though so we'll figure that out.
- Al most likely is going to go into being a state alchemist just for the fact of staying somewhat close to the storyline and stuff. and I don't know, insert random reasoning in here. Yeah
- just a little design note. uhmmmmm I thought the cross thing on Ed's head/helm was cool and I had the bright idea of like "hey what if I put the emblem like. through the cross yk" and I might not do that. But at the moment it looks cool to me. so yeah.
I'M STILL TOYING WITH THINGS. . . I have to figure out what happens and designs and stuff. but yeah. I think that covers. what I have for now. p sick. scuttles away
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I honestly love the clothing styles of each of the turtles in this show and I love how these styles really incorporate their personalities as well.
Like, obviously Donnie has the best sense of style, yeah? Think that’s something pretty agreed upon here. Everything we see him put together is very meticulously crafted and clean. That goes with his personality because Donnie is a very meticulous person in general, and he knows what he likes very, very well, and knows how to flaunt it in turn. Him commenting on colors he enjoys or disapproving of outfits that the others see no problem with also shows how he just generally has an eye for this kind of thing. He doesn’t just know what looks good on himself, but also what looks good on others - and I think this ties into his love of gift giving too. Donnie also has a flair for making sure that his things have his “mark” on them, and his clothing is no exception. All that he wears and how he wears them screams “Donnie.”
Mikey is really fun because his styles are honestly a pendulum between super simplistic and incredibly out there. And often, you’re going to see a lot of color or patterns to both. And in my opinion I think that all reflects really well on Mikey’s character - he’s got a colorful personality but even more than that he’s incredible sure of who he himself is. Mikey’s style, I feel, is less what looks good as clothes and more what sparks joy in Mikey himself. His bright stickers he wears are a testament of that! He’s comfortable in his own skin and his style reflects this perfectly, whether he goes for a more out-there look or a more toned down one.
Now, for Leo. Okay, I think I’m actually in the minority here I feel because Leo’s style isn’t really that bad? Hear me out- if you actually look at what he wears, try taking out, like, one accessory. Suddenly, that outfit works! He even manages to put together many good outfits in the series, but his “bad” ones are the ones that tend to stand out, alas (just like how his mistakes tend to be big ones oop-) Basically, my personal look at him is not that he’s inept at styling at all, but that he has a “too much” gene. And like everyone else, this sense of style is completely like him, too. Going too far to impress when all he needed to do was slow it down some to think things through. (And funnily enough, a lot of his outfits take random aspects from his brothers too - “nothing without them” huh?)
For Raph, I feel bad for him since pretty much all of his clothes are inevitably going to be ripped, but he makes them work pretty much each time. Like Leo, Raph tends to go more sporty with his looks, but I also noticed that his stuff often goes in that in between of comfy, cool, and cute. His pajama suit in particular comes to mind in terms of “cute” as it’s more something you’d see younger children in rather than older kids, and I think it can be a subtle nod to the fact that for all Raph tries to seem older, he’s still just a kid too.
I could probably go on, but these are just all off the top of my head - I love how the boys’ personality’s come out in so many different ways.
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god what really gets me about dead boy detectives and what i think i love so much about the show and the relationships in it is that like. the romantic and sexual relationships aren't portrayed as being more unique or important than the platonic relationships. they're all just RELATIONSHIPS.
charles and crystal's attraction to each other and eventual hookup isn't this big end-all be-all relationship that shatter charles and edwin's friendship and draws charles' attention away from edwin; it's just a THING that happens. they're just two people that care about each other and happen to also be attracted to each other, and a hook-up happens, then they decide that neither of them are in the right place for it and it's nothing awful. crystal kisses charles, but it isn't some big spectacle of her declaring her love for him; it's just her saying goodbye and that she cares about him, like her hugs with niko and jenny and her handshake with edwin.
edwin realizes he loves charles romantically and tells him, and charles says he doesn't really love edwin romantically BACK, but it's okay, because they still love each other so much in so many other ways that this one tiny difference could never change them—and it doesn't!! they're still just as close, still care for each other just as much, still SHOW that care for each other just as much. their relationship didn't completely end because edwin loved charles in a way charles couldn't reciprocate, but at the same time it isn't "solved" by edwin getting over it, because there's nothing TO solve. it's just another type of love, added to everything that already exists between them. and they have LITERALLY FOREVER to figure out what it means.
the relationships between edwin & niko, crystal & niko, and crystal & edwin aren't given any less weight for being solely platonic, just as charles & crystal's relationship and edwin's feelings for charles aren't given (that much) MORE weight for being romantic. crystal and charles' conflict in the closet is about EDWIN, about how they're BOTH his friend and BOTH want to get him back; it has very little to do with the feelings between THEM, romantic or otherwise. similarly, the weight of charles' and edwin's relationship isn't diminished in the LEAST by charles not reciprocating the romantic side of his feelings (or SAYING he doesn't reciprocate, at least—we can all argue about the legitimacy of that in the notes).
i'm sure there are more examples than this, as well as probably some examples that CONTRADICT this, but like... by and large, it feels like dead boy detectives is a show where all the relationships are given equal weight regardless of platonic, sexual, romantic, or familial status, and as someone on both the asexual and aromantic spectrums who has struggled time and time again with shows casting out the importance of all other relationships in favor of prioritizing romance, that is INCREDIBLY refreshing to see.
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