Uh-oh! You are like, SOOO awkward!!
You're so awkward that it is occasionally mildly uncomfortable for people!
You're so awkward that sometimes people are confused by you and then there are awkward silences!
You're so awkward ...... that ultimately no one is harmed!!
Oh damn!!! What a vile crime you have committed! What an unforgivable thing it is to make a fellow human briefly confused!
Why, if *I* were ever briefly confused and kind of uncomfortable as a result, I'd be devastated.... by the absolute net zero change in my happiness and health! - From which I might never recover!! Yes indeed! No punishment can ever be enough for you!!
So you better absolutely hate yourself for it.
Better be SO MEAN to yourself about every single missed social cue so you don't forget your horrible crime! Meaner than you'd ever dream of being to someone else for the same thing! This is YOUR responsibility!
You need to show the world that you KNOW you are bad by punishing yourself constantly! After all, think of all the people who BENEFIT from you punishing yourself! - No, really! Think about it! Think about who benefits from your pain.
Think of alllllll the definitely-good people that your definitely-necessary self-torment definitely helps! I mean, you can't just cut off their definitely-life-sustaining supply of your suffering, right?? Sure, everyone else has a breaking point, but you're probably the only person in human history who doesn't, right? Best not to question it probably. Sure, it's a symptom that billions of people with trauma have had, but who knows? You could be a one-in-seven-billion exception. Anything's possible!
Instead, better just accept that idea that bullies carry like guns in holsters - the idea that people who have trouble with social cues deserve to suffer. Better carry on the burden they placed on you until you drop. Aid the cause of the callous by enforcing shame and suffering upon yourself extra hard; try your best to do their work for them. They're very busy.
Better not recognize that you need patience and kindness to heal from your trauma. Better not find out that it was trauma rather than personal weakness filling your head with self-hating thoughts. Better not find out it wasn't your fault.
Better not find out that awkwardness is not inherently harmful or unkind, and, in fact, the people who act like it is *are the ones enacting harm and being cruel.*
Better not get righteously angry when you realize just how much unnecessary damage this has done to you. After all, if you get mad, you might realize you deserve better. You might even feel brave enough to DEMAND better! You might build boundaries that keep you safe! You might make other people think they deserve to feel safe too! And we obviously can't be having that, so...
Better not show yourself even a little kindness a little bit at a time.
Better not make a habit out of it after all that practice.
Better not get confident.
Especially if you can't first wipe out every trace of awkward. (And you probably never will. Because people who experience absolute social certainty at all times tend to be insufferable assholes that enforce the status quo. And you just don't have the stock portfolio for that.)
Better not be confident and awkward because then you might confuse and delight people
- you might accidentally end up making other people feel less shame for their social difficulties
- you might make isolated, traumatized, and shy people feel like they deserve to be included in social situations
- you might even make them feel they can be themselves around you
- you might start loving the effect you have on a room
- you might enjoy conversations more
- you might forgive yourself and bounce back from shame more easily and frequently
- you might come to enjoy some of those moments of harmless confusion you cause because NOBODY expects the Confident Awkward, and that can genuinely be an advantage in social situations
- you might stop apologizing so much.
- you might find that socializing is like a video game: it requires practice but also a safe space for it to be fun and positive.
Or if you can't become assertive and confident, better not remain awkward and shy and quiet, and then love and forgive yourself anyway!
Why, it would be carnage!!
In either scenario, you run the risk of finding out that it's not your fault that safe spaces full of kind people can be really hard to find, create, and nurture. You could end up building a skillset that helps you do those things if you're not careful!
If you start giving yourself even the tiniest amount of grace at a time, you will find that you've accessed a gateway drug with extreme long-term side effects:
- You might realize that it was never your fault that it took so long to like yourself.
- You might realize that you were always worth talking to, even when you didn't like yourself and communication felt impossibly difficult.
- You might realize that you'll still be worth talking to even if communication becomes harder as you age and/or experience disability.
- You might come to know that you deserve to be heard even on bad days when words come slow and blurry.
You might discover that you were always deserving of kindness, first and foremost from yourself.
So. As you can see, it's FAR too much of a risk to start granting your awkward self free pardons for your many heinous and harmless crimes. Better to just leave it there.
13 notes
·
View notes
hi! I was scrolling down your DC tag and found this post (www(.)tumblr(.)com/cleromancy/735420182202368001/fucking-no?source=share) -I hope the link doesn't vanish but just in case it's one where you talk about approaches to writing DC and you cite waid, grayson and morrison. I know a bit more about morrison's, but (if you don't mind), would you care to elaborate on each style?
speaking very very broadly here, and therefore making generalizations that won't apply to every single thing each writer has ever written, but rather their general reputation or what i personally have found reading their work
waid is famously well-read and generally tries to reconcile as much canon as he can while still 1) telling the story he wants to tell and 2) fitting with modern style/genre/etc conventions. if he does make a departure you generally assume he knew he was doing it and did it on purpose while still mostly adhering to that former goal. im thinking of the donna/garth situationship in worlds finest teen titans here, which to me read like he was like "wait, why *wouldnt* they have ever had a thing, they have so much in common" and an exploration of that, and it does actually mesh with stuff that came before imo. but i picked waid as an example of someone who is extremely well read and puts a lot of effort into yes and-ing what came before. but at the same time he Builds a lot off of it, he's not just parroting.
devins approach to my reading is more like... she's character driven in a way where like. 1) she probably has a solid understanding of the history of her mains and has probably read at least the recent stuff but definitely hasnt sat down and read their Whole History, and 2) if her character concept differs from what came before she's comfortable stepping away from it. so by contrast to waid as an example, you generally won't see her playing with minor elements from teen titans 1966 or new teen titans, or if you do it's a surprise and she might have just taken a concept and turned it on its head, if that makes sense. shes more likely to bring in her own stuff. but at the same time you usually don't expect anything of hers to be a sharp departure from anything recent or any of her contemporaries. devin is someone who can read catwoman comics and then be like "i actually think catwoman should be more like xyz, because when i boil her down to what i see as her essential/core elements, this is what feels honest and compelling to me," and then that's how she'll write her.
morrison is pretty infamous for their "everything is canon" approach by which i mean. they may not have read anything recent scrimblo scringus was in, but they *did* read the elseworlds comic from 1989 where they originated that bears little to no resemblance to their current iteration, and they think it would be fun to randomly bring in some shit from that story into scrimblo's mainline continuity. so you get things like new earth jason being a redhead but also entirely unlike either pre-crisis jason or post-crisis jason in any discernable way, or they'll import batcow from tiny titans to the main continuity. because actually why Shouldn't we have batcow too. so morrisons something of a wildcard in terms of both what they might have read and in what they'll use and what they'll ignore, its a total free for all. every comic ever written is their playground, pretty much.
hopefully that makes sense lol. and i am oversimplifying a lot but that was my logic in name-dropping those three
5 notes
·
View notes
ok so i watched a video of the op with lyrics yesterday and i’m sure this has been analyzed to hell and back already BUT there’s still these two lines that are making me Emotionally Unwell
so this one, which is in the first minute or so, no news to anyone “knowing it all, am I destined to fall, like you once did for me” OUCH!! if we’re assuming the song is from LG’s POV (which...we are, right?) then not only Ouch but also Hm bc like. this implies that cxs “fell” for him once before right??? IS THERE A TIMELINE WHERE CXS TAKES A BULLET FOR LG OR SOMETHING. im gonna die
but then!!! then i listened to the REST of the song and this line came for me and my family: “wasn’t it hard to follow? I’d do it again tomorrow” LIKE....again if we’re assuming LG’s POV then like. he’d do it all over again. again and again, no matter how many times it takes, to save cxs iM FINE ITS FINE EVERYTHING IS FINE IM FINE
1 note
·
View note