#who writes shit like this on their writing blog?

[mal3vol3nt]

https://www.tumblr.com/longing-for-rain/755847912227028992/here-we-observe-the-aang-boymom-in-its-natural?source=share

Hi! I'm curious on your thoughts of this meta.

hi anon! so sorry for keeping you waiting with this response, i know it’s been months. unfortunately this probably isn’t gonna be the response you wanted to hear—me breaking down this zk brainrot rant and subverting their claims with canon content. please allow me to explain though (this is gonna be long sorry):

the reasons i’ve been slow to answer this ask and others that have sent me zk rants are:

since joining atla twitter (@arrsapphics if you’re cool) i’ve been exposed to a lot more zk coke-fueled rants and just do not have the energy to torture myself by willingly reading their shit

a lot of these zutara stans on tumblr are a lot more deranged and genuinely horrible people now that i’ve been exposed to the twitter zks. of course, zks are stupid and ship-obsessed on every platform and some of them (one in particular comes to mind—if you’re on twitter then you know) are genuinely just as bad, but i feel the ones on here have a special type of hatred considering they can tag their posts to ensure their hate stays within the echo chamber

CONTENT WARNING: RAP3

the second reason is the biggest part of why i will no longer entertain posts from longing-for-rain. i have recently found out via twitter that they write rape fanfiction of katara. being a chronically online shipper is one thing but to write fanfic of katara being raped so that zuko can save her is truly where i have to disengage. they have also posted rants of them analyzing katara’s body in the show, measuring the size of her breasts and hips to support the delusions in their head about this 14 year old girl. i truly cannot engage with this person’s rants as if they’re just regular shipping war bullshit. this person is a sick individual who not only projects onto a 14 year old brown indigenous character but also sexualizes and adultifies her

for these reasons, i refuse to read a rant posted by her and other big zk blogs on this app. people who take their obvious fetishes and racism and project them onto underaged asian and indigenous characters have gained too much attention from me on this blog. i can’t continue reading rants from these people and analyzing them because i know these people are not treating this show and its characters under an appropriate lens and arguing with their points will do absolutely nothing but enrage me, other people in the ka fandom, and fuel their delusions with our anger as “proof” their arguments hold any weight. on twitter, i’ll continue interacting with what comes up on my tl from my atla moots and if that includes shitting on a deranged zk then fine. but on tumblr i refuse to engage, especially since this app has a tagging system that i use religiously

and i would like to encourage anyone who reads this to also refuse to take this person’s rants seriously and look at them as nothing more than cope-hatred by a sick individual with sick fantasies and thoughts about these minor characters. of course, if you choose to still engage then i won’t stop you and will probably like and reblog your posts 😭

i will just no longer willingly click on links to their rants and subject myself to their bullshit. however, if you’d like for me to argue against zk claims then you are more than welcome to send me a summary of what they’ve said and i’ll do my best to organize a response! i absolutely do not want to discourage anyone from sending me asks because i truly do enjoy answering yalls questions and i love knowing that people like hearing what i have to say on these things lol. please, send me asks about anything and everything! just please understand that i won’t be clicking any links to their posts and blogs or be entertaining anything that comes from the three main delusional zk blogs 🙏

i hope this has made sense and again, i’m sorry anon for taking so long to answer this ask and for not giving the expected response 🫶

[katyspersonal]

God, not to be one of those "hateful anons" but you really need to drop the "holier than thou" type thing on all of your lore posts. As much as I'd love to debunk why half your arguements are overused and don't work, I'll save that because that's not my point.

On almost all of your lore posts you mention at least once how "people aren't ready for stories of this level" or some shit along those lines, and let me ask you this: Why do you think people like you can digest these stories better? You would probably answer something like "Because I can understand these stories unlike these stupid from haters" or something.

You aren't digesting these stories better then anyone else just because you spend 1000 hours looking into what Morgott's moldy toe item description mentions. Like seriously, all this complaining about why the fandom sucks yet youre just like all those "holier than thou" people in the fandom who keep mentioning how THEIR perspective is better then someone else's.

You also keep acting like personal interpretation doesn't exist on some note. Saying how [X] is actually what happened and that people are denying [X].

I looked into your blog because I thought some of your posts were interesting, but it turns out youre literally just like all the other fromsoftware fans you complain so much about. Hopefully this gives you some perspective, I guess.

Nah, it "didn't give me the perspective", because you are the one seriously misunderstanding here. I say that we as a fandom are not ready for Fromsoft stories SPECIFICALLY to criticize fandom behavior.

We as a fandom are not ready for Fromsoft stories because there are people who claim that "Miquella's character was assassinated by bad writing because in the base game he was hyped up to be kind and compassionate", when his arc was a fall from grace. How falling from grace equals writing him to never have had that grace to begin with? We as a fandom are not ready for Fromsoft stories because whenever Fromsoft does not directly state something, fandom splits into two hostile groups each accusing another of media illiteracy or even various -isms and -phobias. (I advice you to ask Gehrman fans from Bloodborne fandom for extra insight on this one) We as a fandom are not ready for Fromsoft stories because when they DO state something directly, the "cool kids" of the fandom decide it was either a bad writing or that they know better, and start to side-eye everyone who prefers canon over their """improved""" fanon. We as a fandom are not ready for Fromsoft stories because Miyazaki's brand of moral ambiguity, admission that there is no clear solution to world's problems and questioning the nature of humanity itself OFTEN falls on the deaf ears.

Like... you do realize that I still consider myself part of the fandom, despite not engaging beyond what is on my feed? That I do not claim that /I/ am ready for Miyazaki's writer genius? Just like everyone else, I can only do my best to TRY to understand him! Nonetheless, I am trying my best to be mature, and encourage maturity in others. It is hard to remain always calm and nice in a fandom that feels like a battlefield, everyone will get a bit rude! The point is to TRY to be better, which most people don't see the need for! I am calling out fandoms bad behavior and refusal to look deeper into story and characters than their habits and preferences, especially because these preferences often lead to conflicts and toxicity, not claiming moral superiority over my headcanons!

Personal interpretations are fair. What is NOT fair is when someone harps on a very well-researched post with easily debunked arguements, basically doing the "your post is nonsense because in my fanfic things are different" on them, and then another person that did not even read the post nor actually researched the lore beyond their preferences passionately agrees.

I'll have you know that I never spent "1000 hours on analyzing". I am autistic, you goddamn coward. I understand some obscure detail in a flash by just looking, or suddenly come up with an insight while busy at work. Sometimes I literally dream a theory or observation! I do not understand where the misconception that everyone needs to spend a lot of time to be hyper-observant about their special interest comes from. However, you believing that about me makes your claim even worse. You seriously just said that analysis of someone who.... well, analysed the lore, is not as valid as analysis of someone who just took scraps of lore they personally enjoyed to create their own thing. How does this make sense, exactly? Again: you'd have SOME point if you spoke against a stuck-up Reddittuber who makes it their daily mission to ruin someone's joy if their headcanon is not 100% accurate to the source, however, so far the inverse has been happening. People who decided something about lore just because it appealed to THEM will go and be rude to people who are trying to be objective. Not only this; I've had my headcanons (!) "corrected" multiple times because they were different from popular fanon!

.........speaking of certain people who think it is okay to harp on someone's lore post to downplay it when they are not even lorediggers themselves.... -_-

The way you glazed through my blog and jumped into an extremely inaccurate conclusion about my personality and attitude reminded me of the same impulsivity when someone took "stop treating Marika as noble hero against Hornsent evil, here are bad things that happened during her reign" as as "just another poorly researched Marika hate 🥺". 🙃 Your obvious vitriol for thorough lore research, your poorly disguised manipulation (you clearly did not think my posts were "interesting" with how much disdain you just expressed FOR them, but you wanted to wound me by faking "disappointment"), and above all, timing. My tone in yesterday's Marika and the fandom rant was in no, NO way different from how I usually speak in my blog! My mutuals (all 8 of them lol) can confirm! Yet I've never received (inaccurate) anon hate for this.. until now. Until recent very unfortunate encounter with extremely shallow individuals that started a debate yet refused to finish it when hypocrisy of the both was pointed out. 🌛

I think I know who you are. :/ 🤔 I'll keep that in mind, and being "prepared" will definitely lessen the effect if you try anything of the sort again, be sure of this.

(At the same time, IF I am wrong and you are just a fan that found me through that interaction, I'll have you know that your lowly cowardice by using anon instead of showing your face has put someone else under suspicion, and it will remain so unless you show yourself. In which case, hope you are proud of yourself. 🤦‍♂️)

[puffyducks]

DCRC Week #16

Wiggity what's up my fellow book clubbers, today we're taking a look at the ethics of treating artificially made intelligent lifeforms as second class citizens and what the qualifying factors are to determine a being as truly "sentient" and deserving of basic social rights. And by that I mean we're reading PKNA #12: "Second Draft" which is a comic where nothing bad happens!

This post is LOOONG btw.

okay we're just gonna start off our comic as normal and-

WOAH who's this handsome young devil in his little fancy suit??? What's that? Head of Ducklair Industries?..... yeah sure that makes sense I think.

Everett Ducklair 🤢🤢🤢 get a job stay away from him. Also this is a really nice way of saying you had to stop him from being overtaken by insane homicidal tendencies and putting guns in all his inventions btw

Haha woah what was that. Did the fabric of reality just tear for a second there or did my ADHD meds just kick in. Probably just me.

MASTER Donald???..... I don't even think I can write out the jokes I wanna make here they're too inappropriate for this blog sorry. But also what the fuck.

Uno stop mothering maybe I WANT to get frostbite and lose all my fingers

Not to take a sudden side tangent here but is this supposed to be like, a good thing? Don't the other seasons exist for a reason? I always thought fall and winter were meant to be like a cleansing period, they bring balance to the two other hotter seasons. If it's eternally spring, do some plants just never die? Are animals ALWAYS in the breeding season? Today we're going to overanalyze this one concept in an essay where-

OH MY GOD IT'S ODIN wait nevermind hiii Odin hiiiii. what's lookin good cookin. I mean- shit. fuck. shit.

I'm kind of obsessed with the way Odin is drawn in this comic. His whole body is all wiggly like a bendy straw. His stances go crazy.

gayass

Guys ever since I made that post about Odin's outfits and noticed that he's barefoot here it's been haunting me. Like it might just be a coloring error in this panel but also... why'd he take his shoes off. Also sorry for immediately revealing that it's Odin but um uhh I totally don't know who the OTHER cloaked figure is.

girlll you're giving away the game SHUT YOUR MOUTH

TWO Lylas?!?!?!

I'm loving Donald's shock lmao bro is fucking flabberghasted

This picture is so fucking silly bro. Nooo you can't put Odin in jail, he has such a nice suit on :(

Donald getting offended on Uno's behalf, not knowing that Uno is literally sitting right behind him. SURELY he'll figure it out eventually right.

Omg guys it's Geena!!! Remember Geena? From Portrait of the Young Hero? Anyways she has a gun now

Way to go Donald, you showed her basic empathy for like 2 panels and it gave her an actual sense of self value and NOW she thinks she deserves rights 🙄 she's gonna Detroit Become Human up in this bitch

beaming you with my evil lasers. what if he just fucking fried her brains here I think it would've been funny

Oh that's. probably bad.

ohhhh noooo.....

OOOOHHHH NOOOOOOOOOOOO

Ok so bad news, Geena fucking exploded and her droid rebellion is presumably over. The GOOD news though is that droids are destined to get their rights anyways, just in a less violent manor than in the timeline Geena had started. So... I guess that's a win?

Disappears in a cloud of beautiful sunset smoke... Goodbye Odin 👋

Donald. Please. DONALD.

Okay so there's a LOT to say about this comic (so much that I kept hitting the image limit and having to make edits to my post to make it more concise) but if I could summarize it into one word: damn. Like I'm just kinda sad now.

The whole concept of "do robots deserve to be treated like human beings" is a common argument to explore, we've seen it in all kinds of media before. The ethics that get touched on in this comic are nothing new, but I can't help but find this comic incredibly interesting to read in the year 2024. Maybe in 1997 the idea of robots integrating into our society seemed like a far-off concept, but in present day the ever-growing integration of AI technology really makes this chapter feel a little more close to home.

I mean, it's easy to be like "yeah, well of course the droids deserve to be treated like people." I mean, Lyla and Odin are droids, and we like Lyla and Odin! Odin is literally so lifelike that people don't even KNOW he's a droid. But I can't help but think about how this all ties back to the current ongoing debates surrounding the usage of AI, and specifically AI-made content. Obviously the AI we currently have is nowhere near the level of the characters in this series (chatGPT fucking WISHES it was Uno) but there's really interesting debates to be made here.

What qualifying factors determine whether or not a living being is deserving of the same rights we humans give to ourselves? Is it being biological? I mean, there are literally millions of types of animals on our planet, but we don't even treat them with the same level of respect we give to ourselves. So, is it intelligence? If we were to create a computer with the intelligence level of a living, breathing human person, would they be entitled to basic "human" rights? HELL IF I KNOW.

I love the way this comic handles exploring this topic. Geena isn't WRONG for wanting more, she's wrong in the way she went about it. Going as far as to literally alter the course of spacetime only further complicated things, for her AND for the other droids. Had Geena instead devoted her energy into droid advocacy in the modern day, things may have gone differently. This story isn't the end of droids getting rights, but it is unfortunately the end of Geena.

We ended on a happy note, but overall this story is a pretty melancholic one. Especially that whole "only machines can be rebuilt" like DAMN.

Anyways that's enough media analysis for today, time to take off my smart thinking hat and go back to being generally kinda stupid. I'm not gonna add anything about Angus Tales here at the end because I already hit the image limit lol. Umm shoutout to Angus Fangus for having like 110 parking tickets. Idiot.

[sabakos]

there's some guy on here who gets like thousands of notes on his absolutely dogshit original poetry, like we're talking random-ass linebreaks in shit that wouldn't cut mustard as a post, and i couldn't figure it out until i looked in the notes and saw that this shit gets reblogged by a bunch of those "quotes" blogs despite the fact that pretty much everything else those things post is unoriginal, and i realized he probably made those quote blogs himself and managed to get a whole bunch of followers reblogging a bunch of dreck from dead novelists for months and now he's using that homegrown platform to cloutchase for his own work.

i mean, probably some of his time would have been better served getting good at writing poetry if he actually cared about that, but i gotta admire the grift, if you want a bunch of lobotomized tumblr users to jerk you off every day there's probably no better way to do it.

[fionaapplerocks]

The Long and Winding Road That Leads to Fiona Apple

By Tyler Coates 2012-05-31

“The past is never dead. It’s not even past.” So goes the oft-quoted line from William Faulkner’s Requiem for a Nun. Time is circular, and our relationship with our own personal histories is ever changing. This is a concept with which the enigmatic Fiona Apple is deeply familiar.

The 34-year-old singer-songwriter is about to release her fourth album—the first in seven years—aptly titled The Idler Wheel is wiser than the Driver of the Screw, and Whipping Cords will serve you more than Ropes will ever do. The spinning wheel of time cranks back and forth for Apple, who continues to re-examine her past while trying to keep up with the present. Like most artists, however, Apple finds that her fans cherish the past more than she does.

In 2000, a 16-year-old fan named Bill Magee approached Apple after a show in Upper Darby, Pennsylvania with a request: he told her he was a member of his high school’s gay-straight alliance and hoped that Apple could write a few words of support. “[I] was much more interested in interacting with a celebrity than building an alliance between gays and straights,” he admitted on his blog 12 years later where he posted a scanned image of the letter he received less than a week after requesting her response.

Apple wrote: “All I know is I want my friends to be good people, and when my friends fall in love, I want them to fall in love with other good people. How can you go wrong with two people in love? If a good boy loves a good girl, good. If a good boy loves another good boy, good. And if a good girl loves the goodness in good boys and good girls, then all you have is more goodness, and goodness has nothing to do with sexual orientation.”

“My brother was the one who told me about it,” Apple tells me just weeks after Magee posted the letter on his Tumblr, which was then picked up by various sites like Jezebel and Pitchfork. “I was like, ‘A letter I wrote to someone when I was 22 has made its way online?’ That’s the scariest thing I could possibly hear in my life. And the subject matter was so important—I know how I’ve always felt so I knew it wasn’t going to be a bad letter, but I was like, ‘What did I say?!’”

The letter’s sudden popularity online is indicative of how much has changed since Apple released her debut album, Tidal, in 1996.

For starters, she was then a 19-year-old singer-songwriter signed to a major record label and churning out emotional and dark odes at a time when her contemporaries were singing bubblegum-pop love songs.

She made headlines after appearing in the video for “Criminal.” Shot in a seedy apartment, the video featured a scantily clad and emaciated Apple, sparking criticisms of the exploitive quality of the images (and suggesting that she had an eating disorder). In 1997, when accepting her award for Best New Artist at the MTV Video Music Awards, Apple infamously shouted into the microphone, “This world is bullshit, and you shouldn’t model your life on what we think is cool, and what we’re wearing and what we’re saying.”

While the speech was replayed and parodied on TV for years following, Apple was lucky enough to have said those words before the days of blogging and YouTube; had she given the speech 15 years later, it may have turned into a career-damaging viral video and sparked a few thousand snarky tweets.

She also has the luxury of being a successful artist who doesn’t need to promote herself online. “They want me to tweet now, but I don’t,” Apple tells me of her label reps. “It doesn’t feel natural to me. But I do find it actually more interesting to see people posting ridiculously mundane shit. I like to hear about what people had for breakfast or what they did all day. It’s interesting because I don’t know how other people live.”

While Apple is hardly a recluse, she’s made few public appearances in the seven years since the release of her third album, Extraordinary Machine. The excitement following the announcement by Epic Records of the late-June release of The Idler Wheel speaks to the loyalty of her fan base. (And as for that long-winded title, it’s a callback to the much-maligned 90-word title of her acclaimed sophomore effort, universally shortened to When the Pawn…)

The Idler Wheel does not deviate from the familiar sounds of Apple’s earlier records; the songs are still layered with complex instrumentation, and her reverberant voice still takes center stage in each tune.

The album was produced nearly in secret over the last few years—a surprising move from an established artist with the resources of a major label at her disposal. But Apple explains that her experience with the label system is what allowed her to feel free to work on her own. “It was very casual, and I wasn’t fully admitting that I was making an album,” she says. “I got to use the time in the studio to inspire me to finish other things rather than feel like I was finishing homework to hand in. It wasn’t a lot of pressure. And the record company didn’t know I was doing it, so nobody was looking over my shoulder.”

Most might take that mentality as a reaction to the restrictions of her record label, especially after the drama surrounding the release of Extraordinary Machine. After collaborating with Jon Brion (who produced When the Pawn) to create an early version of the third album in 2002, Apple then decided to rework all but two of the songs with producer Mike Elizondo.

The original version of the album leaked online, and Brion suggested in interviews that Apple’s label had rejected the demo and forced her to rerecord the songs (a claim that Apple later denied). Still, it incited an uproar among her fans. An online-based movement called Free Fiona organized demonstrations outside of the Sony headquarters in New York, and protestors sent apples to the label’s executives.

The final version of the album was released in 2005 and received positive reviews and earned Apple a Grammy nomination. “I ran into the guy who started Free Fiona after a show in Chicago,” she tells me. “He apologized to me! They didn’t get the story quite right, but they did help me get my album out. I felt so bad that he had spent all this time thinking I was pissed at him—I had a physical urge to get down on the floor and kiss his shoes!”

It’s an intense reaction (she admits she didn’t bow to her fan because “it would be weird if I did that”), but Apple is still a very intense person. Dressed in a flowing skirt paired with several layers of spaghetti-strapped tank tops that reveal her slender frame (which seems healthier than in her early days, giving the impression that she must spend most of her downtime on a yoga mat), Apple fidgets in her seat during our conversation, often giving off an infectious giggle.

But she is surprisingly comfortable to talk to, not much like the somber young woman who sang of heartbreak and disappointment. “I don’t think I’ll ever have an idea of what I look like to the rest of the world,” she replies when I ask if she ever worries that her lyrics, which are sometimes in stark contrast to the up-tempo, progressive sounds of her songs’ instrumentations, give off the wrong impression of her personality. “It’s all your own perception. I could easily be concerned with how I’m taken and then have all the good stuff filtered through to me and choose to believe that. For the rest of my life it’d be the truth for me, but not the whole truth.”

Born Fiona Apple McAfee Maggart in New York City to Brandon Maggart and Diane McAfee, Apple’s musical destiny was settled at birth. The McAfee-Maggarts are, while not reaching Barrymore-level name recognition, an entertainment family; Apple’s father was nominated for a Tony for his performance in the Broadway musical Applause, both her mother and sister are singers, and her half-brothers work in the film industry—one an actor and the other a director.

She’s a third-generation performer, as her grandmother was a dancer in musical revues and her grandfather a Big Band-era musician. While Apple’s auspicious introduction to the pop world had critics calling her a prodigy, she crafted her early songs as a cathartic necessity. (“Sullen Girl” from Tidal, in particular, is about her rape at the age of 12.) “Over the years it’s transferred more into a craft,” she says. “I use myself as material because that’s what I’ve got. But these days I write less than half of my songs to get myself through things. I have to find other things to be meaningful— otherwise I’d just be miserable all the time.”

Her songs are still extremely autobiographical, which is perhaps their charm. Following in the footsteps of other singer-songwriters, especially women who emerged in the early ’90s and expressed their emotions in particularly vulnerable ways, Apple’s openness has always had an empowering appeal. Her songs seem to suggest that feeling a variety of emotions—sadness, glee, despair, insanity—is not only normal, but, like those self-reflective musicians before her, she also gives permission to her listeners to feel the same way.

Even for Apple, her older songs are relics of another time, and she now makes them applicable to her life in the present. “They all kind of become poems after a while,” she says. “You can take your own meaning out of them. It’s been a very long time [since my first albums], and I can apply those songs to other situations that are more current in my life.” She admits she has changed greatly since she started writing songs in her late teenage years, especially when it comes to how she portrays herself. “I don’t feel comfortable singing the songs that I wrote. I used to blame other people and not take responsibility. I thought I was a total victim trying to look strong.”

And she is much harder on herself in the songs on The Idler Wheel than she ever was before. Sure, she admitted to being “careless with a delicate man” in “Criminal,” arguably her most famous song, and in When the Pawn’s “Mistake” she sang, “Do I wanna do right, of course but / Do I really wanna feel I’m forced to / Answer you, hell no.”

On The Idler Wheel, Apple examines her own solitude and neuroses as well as their effect on her relationships with others. “I can love the same man, in the same bed, in the same city,” she sings on “Left Alone,” “But not in the same room, it’s a pity.” On “Jonathan,” a somber love song layered with robotic, mechanical sounds that’s presumably about her ex-boyfriend, author and Bored to Death creator Jonathan Ames, she urges, “Don’t make me explain / Just tolerate my little fist / Tugging at your forest-chest / I don’t want to talk about anything.”

But performing, as a central requirement of her career, still takes precedence. “Some nights I’m very, very nervous, and some nights I’m not at all,” she tells me. “I think, ‘This is ridiculous. I’m not a person who does a show, I’m a person who should be on a couch watching TV.’ But then it’s like I get knocked into another state of consciousness, and then I’m left behind, and the person that’s doing the show is there and there’s nothing else in the world existing other than the note she’s singing. It’s such a joy to do, but I forget about it until I’m on the stage.”

Apple has lived in los Angeles since Tidal’s release in 1996, although she admits that she’s “not an L.A. girl.” “I was supposed to stay in New York,” she tells me. “I remember being 17 and asking if I could record in New York. How did I end up here? It’s 15 years later… How did that happen?” Apple doesn’t seem to process time like other people. When I ask when she began recording The Idler Wheel and when she knew it was ready, she has a complicated answer. “It must have started in 2008. Or 2009. I don’t know! I have no idea. It’s weird to think that there was 2008, 2009, 2010, 2011.” Her big blue eyes suddenly look to her right as she furrows her brow. “Where’ve I been? What was I doing? What was that year about?”

Maybe the solitary nature of living in L.A. contributes to her aloof tendencies. “I’m not a social creature,” she says, “I don’t go to parties all the time because I’d probably just wonder why I’m there in the first place.” Her preference for being alone may also stem from the kind of personal criticisms that people tend to throw at female musicians. “I’ve gotten so used to being misunderstood. Nobody’s ever really said anything bad about my music, but when I’ve had albums come out there are always people making fun of me. ‘Oh, she’s back?’” She didn’t even expect the comments (mostly online) when the full title of The Idler Wheel was announced. “I didn’t stop to think that anyone would call it ridiculous, but people did. I thought, ‘Ahhh. My old friends.’ I’m not sure what’s ridiculous about it, but that’s what they’ve got to say.”

I cautiously mention the infamous acceptance speech from the VMAs, a moment early in her career that defined the public persona of Fiona Apple as an angry, ungracious woman. “I’ve never been ashamed of that,” she replies immediately. It was the first moment, she says, in which she felt like she could speak up—to break free from the shyness that defined her childhood and early teenage years. “I genuinely, naïvely thought that I was going to put out a record and that was going to make me have friends. I expected to give it to people and they would understand me; no one would say to me, ‘We don’t want to be your friend because you’re too intense or too sad all the time.’” It wasn’t necessarily the case.

“Do you still think the world is bullshit?” I ask when we talk about the VMAs. She laughs. “It’s not the world!” she exclaims. “Of course people think that ‘the world’ is the whole world. I felt that I had finally gotten into the popular crowd, and I thought, ‘Is this what I’ve been doing this for?’ I felt like I was back in the cafeteria in high school and still couldn’t speak up for myself.”

These days, Apple spends more time focusing on her own art rather than the reactions to it. With age has come calm and decreasing desire to pay attention to her detractors. “I’ve decided it takes too much energy to try to avoid it,” she tells me, brushing aside her freshly dyed crimson hair. “I’m not going to hide from the world.”

Source Archive.org:

https://web.archive.org/web/20120603033544/http://www.blackbookmag.com/music/the-long-and-winding-road-that-leads-to-fiona-apple-1.49114

[sailorsplatoon]

HOLY SHIT YALL

WE FUCKING DID IT

Hang on I'm about to get super sentimental.

I'm going to start by saying thank you to everyone!!! I seriously did not think I'd ever get this far. But now I'm running what is kind of a legitimate blog and I get to write stuff for all of you! I absolutely love being able to do this and it's because all of you showed me support on my posts and fanfictions and sent me asks and helped me build this little world of my Splatoon ships and ocs!

Thinking back to everything I've done with this account since I made it, it's gone through so much transformation since I first got Tumblr. I didn't even plan on writing fanfic when I made this account, I just thought I'd scroll around a bit.

And then I made this post:

And then suddenly I had an ask blog!!!

I'd like to extend a special thank you to @frog-man-moments @joltthewolf and @flamingskull28. You all did so much to help me build this blog to where it is today and I cannot express my graditude enough. If it weren't for you, I would never have made it this far.

Also I'd like to thanks @dinomite2 for being my first ever ask! I got so excited when I saw you in my ask box for the first time!

There are so many more people who I want to tag, but this already feels like a lot and I don't want to bug anybody. Maybe I'll make another post later tagging a bunch of people!

I think I definitely need to do something to celebrate this milestone. So if you've got absolutely any ideas at all, let me know please!

With that I'd like to thank you all again for helping me get to this point! Here's to many more posts and fanfictions to come!

[squinch-depraved]

Can I send you a TikTok link? https://www.tiktok.com/t/ZTFhjgKYU/

This edit is so hot and it made me think of your work lol I hope this inspires you, I’m excited to see what you come up with

- 🪐 (the one who requested the cooper x ted thereesome) (i check your blog everyday for new Schlatt material LOL)

firstly, holy SHIT i watched that for like five straight minutes THAT made you think of MY work??? i'm gonna explode,, , it did give me ideas tho dw >:) now the only issue is making myself sit down and type them out

thank you for the continuous support of my blog, i try to get out at least one fic every day because i know people enjoy my shit for whatever reason but sometimes my brain just don't be workin right for the day.. i have a queue full of requests and some ideas of my own so just know that i'm usually working on something (or like multiple projects tbhhh) unless i specifically post that i'm taking a break. but yeah requests might be closing soonish so put in any ideas and shit you guys want while you can and i promise i'll read them all and write my favorites :3 once again my dms are always open, i'm super down to talk and make new friends so don't be shy!!

thank you everyone for reading and thank you 🪐 for being my first cscoop request and for the incredibly hot edit (which i will link directly so you guys can see how glorious it is) (if the link doesn't work i'm gonna kms so just pretend it does no matter what ok)

MWAH (kisses u all on da head) i hope ur days are joyous and whimsical my friends thank u all again <3

[necrotic-nephilim]

in lieu of having posted any writing/headcanons/asks in the past few days because i have been *so* busy and unable to do anything fandom-related which is terrible and evil, i have a poll out of morbid curiosity and self-indulgence. i've been meaning to ramble here about how i feel about DC's lack fo Deaf representation and which Batfam members i would personally make Deaf, but i am mildly curious about the larger opinion and now i will subject you all to the question, i would love to hear thoughts/opinions/headcanons on any specific choices. (would love d/Deaf/HoH opinions esp but i'm mostly expecting this to reach the hearing crowd, so opinions from hearing ppl are ones i'm very curious about. if you've never given it thought before you are going to now or else /lh)

[whoify]

“Eddie’s? Why would I want Eddie’s attention?” It felt like Tommy was trying to jam a puzzle piece into his brain that was a shape Buck had never even heard of.

“Well… I just thought…” It seemed like Tommy was being careful with his words. “Sleepovers, and Chris, and acting all territorial… I kind of thought he was destined to be your gay awakening, not me.”

Buck let out a strangled almost-laugh. “Ah-ha ha. Eddie. My best friend Eddie. You thought I was, what, into him?”

buck/eddie via buck/tommy. 13k. read more on ao3 :3

[spectrophobias]

ok apparently im going to have to make this a rule on here if i want to come back but if you write nasty characters with absolutely no critique of their gross bits im not interested in writing with/following you. this includes ableists, fascists, cops, etc. i've seen way more of it than usual lately and it makes me super uncomfortable and honestly grossed out. i'm all for writing foul characters, not so much for supporting certain charged ideologies with no critical analysis behind it.

[nixie-deangel]

Hi. I've never done this before, but I've been eagerly reading everything since weekend started.

So if it's okey for me to ask I would love to request 💔💔🔥🔥🔥🥹🥹 ( hope it's not to much. I'm totally hooked on all of them but writing down every single emoji felt a bit crazy 😅)

🥰🥰🥰🥰 Please know I am bestowing the gentlest kiss to your temple and giving you the biggest hug! It is absolutely okay! (and I won't be mad if you wanna send in more or others asks for my stories!) 💛💛💛💛💛💛💛💛

💔 icemav break up / icedad

this is directly continuing from this ask!

“No! Of course not! But come on, Ice, you have to see-” “I don’t have to see shit,” Tom explodes, cutting Mav off before he can start trying to justify his, and Carole’s as well most likely, actions. “You hurt him. Do you get that? Does she get that? Bradley is here. He is living and breathing and you both are hurting him.” Scoffing, Mav rolled his eyes as Tom continued on. “Do you have any idea what your actions almost did? You both almost drove him away! I’ve had to stop Bradley from running off to do it all on his own three, three goddamn times! And I’m the only one who’s shown him even an ounce of support, Pete, and he still keeps trying to run off and do it all on his own because he thinks he can’t trust me!”

🔥 virgin jake - hangster

“You confused me,” Bradley blurts out. “You confused me and enticed me and I didn’t know what I was feeling. What I was meant to be feeling the first time I laid eyes upon you.” Snapping his mouth shut, he turns his gaze away from Jake to stare down at the floor. Scoffing, Jake huffs at his half thought out explanation. But before he could open his mouth to call him on it, Bradley continued on. “I was raised knowing I would have a courtesan. I knew what that all entailed,” he powered on. “But then…but then I saw you. I saw who would be mine and I lost my damn mind. I know I did. I broke tradition because I could not bear the thought of anyone but me guarding you until you were officially mine.” Jake flinched back, eyes going wide in surprise as he stared at Bradley. “What? What do you mean broke tradition"?”

🥺 chap2 of helper - a/b/o hangster

“Sweetheart, come here,” the voice calls, soft and soothing and like a balm to the raw nerve Jake’s worked himself up into being. “That’s right baby, I got you, okay? Just listen to me, okay, Jake?” He thinks he nods or maybe he mumbles out a yes or noise of agreement. He’s not sure, not really but what he does know is that suddenly he’s not pressed against the cold unyielding side of his tub or bathroom floor. Suddenly he’s pressed against warmth.  Wrapped up in it really. In warmth and love and feeling like he’s once again tethered to something. But that can’t be right, Jake thinks, because he’s not supposed to be wrapped up in warmth and love.  Because he doesn’t deserve that after what he did to Bradley.

Make Nixie Write This Weekend!

[utilitycaster]

the thing about "let people like things" and "curate your media consumption" and "don't like don't read" and similar is that all of them really just mean "don't throw yourself in front of people to tell them the stuff they like sucks, and don't act like you're being forced against your will to see things you dislike" but both those phrases are increasingly co-opted by an unfortunately loud minority to mean "if you complain about anything I like, regardless of tone, context, or location, I am allowed to call you slurs, harass you, and otherwise abuse you."

It is also immensely important to understand that most tagging systems on social media and elsewhere use the same tags for both inclusion (ie, finding things you like) and exclusion (ie, hiding that which you don't like) and those two use cases clash:

Inclusion typically means people are looking for highly relevant material to whatever they're looking for and might be annoyed when it's something tangential, ie, if I'm looking for fic about a character it sucks to get results in which they appear for one unimportant line.

Exclusion might mean someone wants absolutely no mention of a character, and therefore not tagging that same fic will irritate that group.

There is no fool-proof curation method, and frustration is inevitable, even there were universally agreed upon conventions (there are not) and even if everyone were to follow common courtesy (they don't).

tl;dr any principle in fandom that essentially boils down to "live and let live" doesn't mean "you must be positive about everything all the time" and it definitely doesn't mean "you must be held hostage to the viewpoint of whoever is most shameless about harassing others under the guise of scolding." It means that you shouldn't walk into the bar on publicly announced trivia night and yell "HEY STOP DOING TRIVIA, YOU SUCK", but you're allowed to look annoyed and not participate.

[mirrortouchedsea]

(CW for Suicidal Ideation)

Hinata’s breath was heavy as he landed the final move of their act. The tinny music playing from their speakers went quiet and the audience clapped politely. It was always the same song and dance as the crowd moved on with their day. A few of them tossed some yen their way but otherwise it was time for them to regroup for their next performance. Yuta knelt down by the hat with some coins and bills sticking out of it, counting their earnings thus far. 

“Hey aniki! We might be able to eat well tonight! There’s like 3,000 yen in here!” Yuta exclaimed. The idea of a filling dinner made Hinata’s mouth water. Oh what he wouldn’t do for even warm noodles not from a cup. 

Hinata turned to grab the iPod from its place on the speaker, choosing the next song to play. He put the phone back and turned the volume up a little more to play over the evening rush. The music started and he and Yuta moved in unison around their little stage, taking in the crowd. There were some regulars that Hinata recognized, the businesswoman who was perpetually tired but always stopped for their performances and a few kids who looked up at them in awe as their parents were trying to usher them away. There were always new faces too, of course people traveled across the country all the time or took new trains or moved cities, but there was something different about the boy with the bright red hair at the back of the crowd. His sky blue eyes pierced straight through to Hinata’s heart and made him stumble when their gaze connected with his own. 

“Hey, aniki focus! We’re almost done, don't fail on me now!” Yuta whispered, carefully shielding Hinata from the crowd as he regained his footing. Yuta was always so quick thinking. Hinata got back to his position and finished up the routine, eyes looking for that boy he had spotted earlier. He half hoped the boy would come talk to them afterwards while they were packing up for the evening, but when he finally saw that shock of red hair, it was moving away with the rest of the crowd. 

Hinata sighed, disappointed. Maybe that boy would come back someday. There was something about him that drew Hinata in. 

Someone bumped his shoulder, drawing him from his thoughts. “Hey, aniki, are you alright? You seem out of it today.” Yuta’s hand rested on his shoulder and Hinata couldn’t help but smile. Wasn’t it supposed to be the other way around, the older brother checking in on the younger one? 

“Hey hey everything’s fine Yuta-kun, don’t worry about me. I was just thinking about that delicious dinner you’re treating us too~” He playfully pushed back on Yuta, the red haired blue eyed boy all but forgotten now. 

“Hey! It’s technically our money so I’m not treating you to anything!” Yuta scowled but the smile in his voice was obvious to Hinata. 

“Hehe, then dinner’s on me! Say ‘thank you aniki!’” 

--- 

It was a week before Hinata saw the red headed boy in their audience again. He had all but slipped his mind, but those striking blue eyes were impossible to forget. Yuta was introducing their next performance which allowed Hinata to take a better look at the older boy who had made his way to the middle of the audience. He was tall and what Hinata could see of his outfit seemed ill-fitting at best, along with a headband holding his hair away from his eyes. 

Hinata scrambled to his position as the music queued up and let his instincts take over. Every so often he found himself glancing at the red haired boy, trying to see what he thought of their performance, but his face revealed nothing. 

Why was he so focused on this one boy? It’s not like they didn’t have strangers who watched them sometimes, and none of them had caught Hinata’s attention quite like this boy. He really couldn’t be much older than Hinata, maybe 17 at the oldest. Was he an older brother too? The boy’s eyes made contact with Hinata’s and it took everything in him to not look away. 

Once again however, Yuta snapped him out of whatever trance he had been in and everything was forgotten. 

“Are you really okay aniki? You’ve been out of it a lot recently…” Oh how it pained Hinata to see the concern on Yuta’s face. Nothing was even really wrong per se, but Hinata was distracted nonetheless. 

“I’m fine, Yuta-kun. Geez, can’t your older brother have some peace?” His mouth ran faster than his brain and he immediately regretted it. Yuta’s face flipped through several emotions; hurt, confusion, exhaustion. It wasn’t like him to hide things from his brother, so why was he doing it now? “Whatever, let’s get some dinner. My treat~” 

“It’s our money!” 

--- 

The boy continued to make appearances at the twins’ performances on the street, becoming something of a regular but disappearing before Hinata could flag him down. Hinata wasn’t even sure what compelled him to want to talk to the older boy, but he wanted to say something. He had even noticed that the boy seemed happier and his clothes fit a little better, not like they were just the first thing he grabbed out of a donation pile. 

Finally, after almost a month of trying to say something to the boy, Hinata saw him walk up to their hat on the ground and drop a few coins into it. 

“Thank you!” He said, walking up to the boy. “Hope you enjoyed the performance!” 

The boy froze as if he wasn’t expecting to be greeted like that. There was a slight flush to his face. “I-it’s nothing, don’t worry about it. You uh…you were great?” The boy seemed unsure of how to reply, though Hinata was happy with the compliment nonetheless. Maybe… 

“What brings you here? I mean--agh, sorry! I just mean…I noticed you don’t have a regular schedule?” The words were practically falling out of his mouth and Hinata wasn’t really sure what they were doing. “Like you show up a few days in a row but then go three weeks without stopping by at all!” He was just digging a bigger grave for himself! Great! 

“Ah uhm…I’m not from around here.” The boy scratched at the back of his neck. Maybe Hinata should back off. 

“O-oh, yeah of course. Duh. Are you visiting family or something?” 

“Not quite. I really should get going though. See you…later?” 

“Yeah, see you later.” 

“Hey Aniki, are you coming or not? The food’s gonna get cold!” 

“Coming!” 

---

It was almost a month before the boy appeared again. In the time between, Hinata had come up with a million different ideas for what his life was like. Was he a delinquent who skipped school to hang out on the street with gangs (how scary! But he looked strong enough to fit in)? Or was he a runaway from a city far away, somewhere Hinata only dreamed of visiting like Okinawa? Maybe he had a bad relationship with his dad and ran away, a thought that Hinata hated to admit had crossed his mind more than once. Or maybe he just passed through the city on the way to somewhere else. That seemed to be the most likely option, especially if he couldn’t come very often. 

When the boy did finally show up again, Hinata had to hold himself back from practically jumping him after the performance. Something looked…different about him though. His eyes seemed more tired? Like he hadn’t been sleeping well. Hinata thought of a fight he had with his dad a few weeks ago that made it hard for him to sleep and thought maybe this boy was the same as him in that regard. 

Hinata decided to wave him down after the performance, hat in hand (they had done pretty well! It felt heavier than normal and even without counting everything, they’d probably have enough for breakfast too). 

“Hey! You look tired, are you--did you want to get something to eat?” Please say yes please say yes please say yes--

The boy’s mouth opened, then closed, then opened again. Did Hinata mess up? Oh he overstepped and now there really wasn’t any chance of getting to know him. Why was he so interested in talking to the boy anyway? Hinata had been asking himself that for a while now and he still had no answer. 

“I…I can’t. I need to go.” The boy turned and ran off before Hinata could ask more. He just kept messing up, didn’t he? Maybe he really was just a burden to Yuta and their dad and the restaurant owner. He shouldn’t have been born and Yuta would’ve been better off--

“Aniki! Sheesh, get your head out of the clouds. How much did we make?” Yuta grabbed the hat out of Hinata’s hand and quickly counted out the coins and bills. “Woah! We could eat a whole five course meal with this…” 

“Think with your head a little Yuta-kun. We’ve got breakfast paid for if we don’t blow it all tonight!” 

Yuta nodded before handing the hat back to Hinata. “So, my pick tonight?” 

--- 

Hinata signed the note, trying his best to keep the tears from dripping on it and smudging the ink. After his blunder with the red haired boy, he hadn’t shown up to their performances for over two months. Hinata was certain that he had messed up and was too forward. He didn’t even know the kid’s name! Why did he think the two of them could ever be friends? 

And on top of all of that, Yuta had become more and more distant from Hinata, as if Hinata just existing was dragging him back from his full potential. Yuta would have been better off as an only child and maybe Hinata deserved this life. Thirteen years living with their father, who had treated them as nothing but monsters, blaming them for their mother’s death and everything bad that had happened since, Hinata had resolved to run away. He’d make his way to the mountains and maybe he’d find someone willing to help him or maybe he’d slip into an endless sleep. 

Dear Yuta-kun, the letter had started. I’m sorry that I’m leaving like this, but I know that I’m just a burden to you. I’m sorry for that. I wish I had more to say but I just want you to be happy and maybe father will treat you better without me. I love you. 

The other letter, already folded and placed on the table, was much shorter, addressed to his father. 

Dear Father, I’m sorry I couldn’t be a better son. Please don’t take this out on Yuta-kun, it was my decision. 

The less words he spent on that man, the better. Hinata folded Yuta’s note and placed it on top before quietly exiting through the front door. 

---

Everything was cold. Hinata slumped against a tree, head between his knees in a last ditch effort to keep warm. Sleep should come soon and he could painlessly move on, at least that’s what he hoped. He barely registered someone approaching him, but didn’t look up. 

“Hey.” The voice was vaguely familiar, but where did he remember it from? A warm hand shook at Hinata’s shoulder. 

“‘M fine.” The words were barely a whisper. The other voice grunted before walking away. It was another minute before Hinata felt something drape around his shoulders and a cup shoved in his hand. Whatever was in it was steaming, warming his fingers. 

“Drink.” The voice said. And he did, the tea was very, very bitter. That voice… 

Hinata looked up, meeting a pair of bright, sky blue eyes. That’s where he recognized the voice from. Did he…live? In the mountains? The boy seemed to recognize him too. He was wearing a headband and what looked like very warm clothes that Hinata wished he had. Hinata finished the tea, trying not to focus on the flavor. It helped at least, in warming him up a bit. 

“Why are you here?” The boy finally spoke again. It sounded like he was unsure if he should be mad or concerned, or both, but he offered Hinata another cup of tea, which he accepted if only to warm his fingers up. He pulled the blanket closer around his body. 

“I…ran away.” Hinata looked downward, as if admitting this out loud was a cardinal sin. The boy gestured for him to continue. “I guess I just…I was dragging my brother down. I’m not really talented at anything like he is and I’m the reason our dad sees us as monsters. He shouldn’t have to deal with a brother like me.” Hinata wasn’t really sure why he was spilling this so easily. The boy was a good listener though, hanging on every word Hinata spoke. Was he shaking? He’d never admitted this out loud before and it felt oddly freeing to say it to someone. 

He waited for a response, anything to chase away the uncomfortable silence Hinata had created with his confession. He really fucked up, didn’t he. He should have just kept that to himself like he always did instead of burdening a stranger like this! 

“I…” The boy started, barely audible above Hinata’s racing heartbeat. “I’m glad you’re alive.” He sounded unsure of his words. Was he just trying to be nice? Of course he was, how else do you respond to a kid telling you something like this? 

“You don’t have to pretend.” 

“I’m not. When I saw you singing and dancing…I think I realized something--” The boy cut himself off, the suddenness of it making Hinata look up. A moment later he heard his brother calling out from the woods behind him. 

“Aniki! There you are!” Yuta tackled him to the ground, squeezing Hinata like he might just blow away in the wind if they weren’t careful. “You scared me! I can’t believe you’d do something like that!” 

Tears pricked at Hinata’s eyes again. “I’m sorry, Yuta-kun. I’m really sorry.” He buried his face in Yuta’s jacket. His nose started to run, from the cold or the tears he couldn’t tell. 

“You aren’t a burden to me. I don’t know what I’d do without you around Aniki!” Yuta pulled back, hands gripping Hinata’s shoulders. “Promise you won’t do something that stupid again.” 

Hinata wiped the tears from his eyes, sparing a glance where the boy had been. It was as if he had never been there at all and Hinata had just hallucinated the whole interaction. He looked back at his twin brother. “I promise.” 

“Now let's get you home and warmed up. Where’d you get this blanket anyway? It doesn’t look like one of ours.” 

“I…” The boy had been real, and he told Hinata he was glad he was alive (even if his explanation was cut short by Hinata’s brother rushing in). “I guess I just found it. There must be people living nearby or something.” 

--- 

The chatter of the night club died down for the night as everyone was getting ready to go home. Hinata’s feet were sore from running around, but it was satisfying to be back in a restaurant like this. It reminded him of his childhood working for the Chinese restaurant with Yuta. 

Rinne, the leader of Crazy:B who had wanted to get closer to Hinata, and by extension 2wink, slid a drink down the bar. It looked like a horrible mix of syrups and club soda, but one sip was all it took for Hinata to drink it all down. 

“Great job tonight Hina! You’re a real natural at this stuff.” Rinne was washing the other glasses behind the bar now as Hinata finished the rest of his soda. 

“Yuta-kun and I used to work in a restaurant so it comes pretty naturally to us!” 

“That so?” 

“Mhm!” Hinata slid the empty glass back to Rinne, who quickly dumped the ice and washed it before tossing the towel over his shoulder. The entire week they’d been working the club together, there had been something bugging Hinata at the back of his mind. “Hey, Rinne-senpai…did you ever watch our shows?” 

“Huh? ‘Course I have, vice prez wants us to work together so I’ve seen a few of ‘em.” 

“That’s not what I mean. I mean like…back when Yuta-kun and I did street performances.” 

Rinne paused for a moment. “Why’re you askin’?” 

“Oh, it’s nothing. You just reminded me of someone who used to watch them.” 

“Well I’m sure whoever it was is proud to see you singin’ and dancin’ on stage.” Rinne had come around the bar and stood next to Hinata, ruffling his hair. “Let’s get goin’ or I’m never gonna hear the end of it from Niki-kun.” 

[kaeyx]

Ok let me be serious for a moment. If you have this carrd as your "basic dni criteria" or support it I do not want you on my blog. Also please remember to read it thoroughly because I constantly find that the people who use it are in violation of it.

[i-like-books-and-women]

Okay so I haven't listened to the book in the past couple days but there's this line from one of Zach's chapters that I can't stop thinking about cause it's like "good God that's so fucked" he says something along the lines of "I might have to work to transition from cute to hot but Rubens already there" and potentially in the same line but also maybe not cause I don't remember he says something close to "I have to make the switch from cute to hot if I want to have a career" which is like? Like it's so gross dude. Zach and Angel are barely 18 like tf- like yeah sex sells but Jesus christ what in the fuck. And then like the internalized issues?? Like it's not quite the same vein it's similar tho. I've always been "the fat kid" since I was in elementary school and let me tell you comparing your body to your friends' is literally the quickest way to start resenting them and hating yourself. Quite literally chorus was kinda pitting them against each other and started instilling body image issues in very impressionable teenagers and then was like *surprised Pikachu face* when they were all starting to show signs of depression and anxiety and started fighting and started doing dumb shit and drugs to try and cope.

[voltstone]

I HAVE MORE PROOF VIOLET AND MINNIE WERE NEVER ✨A THING✨ I SWEAR

plus how violentine is better bpd relationship. i mean what? hm?

i dont know what spawn within be woke me up from a dead sleep but here we are.

violet gots bpd (…probably). bpd idealization is not at all a good thing and is actually a sign of a rough connection. also, there's a taste of how identity plays into it.

and stuff. but whatever. nobody likes talking about bpd and i'll just sit here and rot or something.

okay, i'm being dramatic. lol. i'll go work on other essays. this is the one that it coms from btw.