#william gibson

[jirving]

Widower

[drowsykappa]

[staud]

Mirror reflections in THE TERROR (2018)

[bitterkarella]

Midnight Pals: Hackin'

King: i can't believe elon's grok is pretending i'm friends with him King: i need to stop that AI before everyone believes it! King: i've got to hire a hacker King: franz, you've got to help me Franz Kafka: what? me? Barker: steve, no

Kafka: i'm not a hacker King: oh i thought franz was a hacker Barker: what gave you THAT impression? King: you know, with the cat ear headphones and the striped thigh socks Barker: no steve that's something ENTIRELY different Kafka: n-no it isn't, on second thought yes I'm totally a hacker

Kafka: it means i'm a hacker, nothing else Barker: sure franz Kafka: it does! it totally means i'm a hacker! Barker: franz, go play with your blahaj plush, the adults are talking here

Barker: you know who you need? you need william gibson Barker: the best hacker money can buy King: william gibson? how do i contact him? Barker: you don't Barker: he'll contact you

King: can you really hack grok, william? William Gibson: [wearing black duster and fingerless black gloves] my hacker name is shadow gigabyte King: oh sorry Gibson: can i hack grok? listen kid i was cyberbyting the megabyte mainframe when you were just rebooting your motherboard mouse data bandwidth modem email King: wow!

Gibson: my CPU is a neural net processer, a learning computer King: wow he really sounds like he knows what he's talking about! King: that definitely sounds like hacker talk to me Gibson: CD Rom Gibson: internet Joe Hill: dad can i talk to you for a second King: not now joe daddy's hiring a hacker

Gibson: [wildly slapping keyboard] i'll re-index the mega bit blaster cyber codex Gibson: [wildly slapping keyboard] now we'll cybersecurity the lock box data center King: hey what happens if you push that button? Gibson: what the-- no!! [klaxons sound] King: what's that mean? Gibson: shit Gibson: we've got company

Gibson: sentient cyber virus electronic guard cyberbots Gibson: real high tech Gibson: state of the art in bio-tech wetware neural-data scrapers Gibson: [putting on sunglasses with red laser scope] and they ain't friendly

King: what are we going to do?! Gibson: kid, you keep your hands to yourself unless you wanna become roadkill on the information super highway!!! Gibson: hold on to your CPU (central processing unit)!!!

Gibson: [wildly slapping keyboard] gotta reconfigure the darkweb logistics for ethernet wavetech Gibson: [wildly slapping keyboard] upload the memory downloader for dumpware backup Gibson: [wildly slapping keyboard] uncodify the cyberpatch modifer aaaaand Gibson: i'm in

King: wow, you hacked twitter?? how did you do it? Gibson: the greatest hackers never reveal their secrets [earlier] Gibson: [wearing fake mustache] hey elon its me catturd Gibson: could you give me your password? Elon Musk: sure it's "picklerick420"!

[caleblandrybones]

Steady, Mr. Gibson.

a delightful commission by @littledozerdraws

[theworstofallpossibleworlds]

The Worst of All Possible Worlds #110: William Gibson's Neuromancer

Hacktivist/irl tiny kitten maia arson crimew (maia.crimew.gay / @nyancrimew) returns to discuss Neuromancer, the 1984 sci-fi novel that coined the term “cyberspace” and inspired a generation of hackers. Topics include breasting boobily up and down stairs, the parallels with 1995's Hackers, and how impressively William Gibson manages to capture the feeling of being perpetually on the run.

[the-golden-vanity]

The Terror, s1e9; "The C, The C, The Open C" José de Ribera; The Head of Saint John the Baptist Guido Reni; Ecce Homo The Terror, s1e4; "Punished, As A Boy"

[theactioneer]

Henry Rollins & Dina Meyer, Johnny Mnemonic (1995)

[prokopetz]

Honestly, the thing about the stolen RAM chips might be one of my favourite little details in Neuromancer, because it's both the most obviously ridiculous detail to modern audiences, and practically the only thing about computers the text actually gets right. Prior to the price crash of 1996, RAM genuinely was the most expensive component of a desktop computer – like, by an order of magnitude. There really was a thriving black market in stolen RAM chips. This was literally the one thing William Gibson actually knew about computers, and now it's one of the silliest lines in the whole book.

[neondreams2145]

[kurjakani]

toxic yuri for the lovely @caleblandrybones >:3c I have discovered i rly like drawing hickey... unfortunately........

[multiocular-mushroom]

your weapons are empty phrases

you'd never start a fight

[alpaca-clouds]

The History of Cyberpunk

Or why every other SciFi Genre is called [something]punk

You know what? Let's do this. Because I have seen the discussion on whether or not Solarpunk is "punk" over the last few days and... people really gotta learn their history.

The first time a genre took the "punk" name was Cyberpunk. And for context we gotta talk a bit about the history of the Cyberpunk genre.

While some books that we in hindsight call "Cyberpunk" were released as early as the 1960s, the start of Cyberpunk as a genre got its start in the late 70s and early 80s.

The term was invented by Bruce Bethke, who published a short story in 1983 with the name "Cyberpunk". His idea was to juxtapose the term "punk" for both the mentality and the punk protagonists in his short story with the term cyber, short for the cybernetics they were wearing. And while the cybernetics have become a main stay in the genre, the punk attitudes are not always carried through...

Well, the title Bethke invented stuck, though. When 1984 Neuromancer was published, one of the most influencial works in the early days of the genre, he called it "a Cyberpunk novel" in the marketing. And from there... Well, the genre was suddenly named like that.

The 80s were definitely the decade that had the most influence on the genre, given that a lot of the big novels and graphic novels of the genre were released here.

A big influence was, no doubt, that 1982 the Blade Runner movie had released and had inspired quite a few writers and artists. (And yes, this makes Blade Runner a movie that released not only before the term Cyberpunk was coined, but also before the genre had a chance to define itself.)

Given that the genre was defined in the 80s, there are a lot of 80s anxiety kept within it about the rise of the Japanese economy, that are these days rarely questioned within the western Cyberpunk movement.

When the genre was coined and developed, Japan was the fastest growing economy in the world, being so influencial that they got to buy out several things in America. Something that kinda jerked white people in the US a lot. This is, why Cyberpunk originally depicted not only a capitalist hellscape - but specifically a capitalist hellscape were everything was bought out by Japanese companies, with many of those early antagonists being Japanese companies. And yeah... there was a lot of both anti-japanese racism, but also cultural appropriation of Japanese things in early Cyberpunk, at time surviving to this day. (But that is a story for another day.)

The general sense that Western Cyberpunk had, was always the idea of: We have a capitalist hellscape where the world is slowly dying and people are exploited with no end, while we have those kinda punky protagonists, who stand outside of the society and try to work against it. This being where the punk comes from.

Now, I could talk for length about how a lot of that punky attitude has been lost in more modern Cyberpunk media, but that, too, is a story for another day.

So, let me just talk about what happened then.

The term Cyberpunk really is darn catchy, right? So just when that name took hold, writer K.W. Jeter retroactively called his 1979 novel Morlock Night "steampunk". And guess what: This stuck, too. Though while the 80s Cyberpunk still stuck to the punk attitude, a lot of Steampunk did not. While for certain there is quite a bit of Steampunk that has kinda punky characters go against the quasi Victorian society of steampunk books (something most common in the air pirate novels I have read), a lot of other stories are more focused on a general sense of adventure.

But never the less... The genre names stuck and gave a nice baseline for naming other genre. We got Dieselpunk, Atompunk, Nanopunk, Arcanepunk, Dustpunk, Silkpunk and of course also Solarpunk and Lunarpunk.

And for the most part... The "punk" names mostly communicate: "It is SciFi with this kinda aesthetic/twist going on". Which is just how it turned out.

Funnily enough Solarpunk is for once a genre that brings back the punk, as it tends to include a lot of the ideals aspired to by the Punk counter culture of the 1970s: Anarchism, anti-capitalism, anti-consumerism, anti-classism, anti-racism, anti-colonialism and so on. Though other than with Cyberpunk and the real world punk movement, Solarpunk for the most part imagines a place, where those things are culture instead of counter culture.

I personally find it kinda sad, how for the most part Cyberpunk kinda lost a lot of the counter-cultural, revolutionary mindset. And how fucking defeatist the genre often is.

But again, it is a story for another day. Just as the story of Japanese Cyberpunk is.

[beautifulmonsters1312]

[22ratonthestreet]

"goodsir said he'd be surprised if you could drive tomorrow at all"

[theactioneer]

Keanu Reeves, Johnny Mnemonic (1995)