Le 15 Mai (1969), dir. Claire Denis
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Please do not sleep on this: check out this free access to movies by lesbians!!! Just for the month of June.
From the website:
Celebrating Pride Month 2023!
To commemorate PRIDE Month, WMM is hosting a virtual film festival that highlights some of our newest releases about the LGTBQIA2S+ community. Films are available for viewing at no cost for the duration of the festival (June 1 – June 30, 2023). Sign up below to receive a link and password for the festival.
(click the link above to sign up, sign up now so you'll have movies available later)
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Just a reminder that I wrote and directed a short film and you can watch it here:
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one of the things that annoys me so bad right now is seeing letterboxd reviews about Lisa Frankenstein being like "she's such a horrible character", "those people didn't deserve to be killed" blah blah blah
SHUT UP
it's a horror romance!! a girl keeps a reanimated dead guy in her closet and falls in love with him! what did you think was going to happen? it's SUPPOSED to be fucked up and weird and that's part of its charm. quit being boring, let female characters (esp in horror) be messy and chaotic and morally gray.
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So I know Lisa Frankenstein is about more than the romance, there’s so much to be said about Lisa’s relationships with those around her and how she was treated and how that parallels how wider society treats women, young women in particular. But the fact that the Creature loved her completely, to the point of searching for her when he “came back to life”, killing those who harmed her, using the body parts of those same people to please her, and always listening to her even though he couldn’t speak (even when it hurt him) just hits me in all the right places. The people who were supposed to love and cherish her didn’t (Taffy loved her of course) yet he did. Idk guys, seeing a girl being loved for all that she is after almost everyone else has rejected her for no reason other than she’s different just means so much to me
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Apetaxamin (1980), dir. Frieda Liappa
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Rachel Corrie (April 10, 1979 – March 16, 2003)
«Rachel, who came to Rafah to stop the tanks. We remember her with love and honour as an inspiration.»
«This has to stop. I think it is a good idea for us all to drop everything and devote our lives to making this stop. I don't think it's an extremist thing to do anymore. I still really want to dance around to Pat Benatar and have boyfriends and make comics for my coworkers. But I also want this to stop.»
– Rachel Corrie, excerpt from an email to her parents [in My Name is Rachel Corrie, taken from the writings of Rachel Corrie, edited by Alan Rickman and Katharine Viner, with the permission of the Corrie family, in collaboration with the Royal Court Theatre International Department, Theatre Communications Group, New York, NY, 2006, pp. 49-50]
(initial quote from: The Only House Left Standing. The Middle East Journals of Tom Hurndall, Foreword by Robert Fisk, Trolley Books, London, 2012)
(image: Rachel, (2009, documentary, 1h 40m), (still), Directed by Simone Bitton, Cinematography by Jacques Bouquin, Edited by Jean-Michel Perez and Catherine Poitevin, Women Make Movies (WMM). Palestine Film Institute)
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honestly sooo crazy to me that people will make sex-focused movies (especially the nc-17 ones) and yet we don't get to see penis? at all? not even a little bit? need equality in my movie nudity...cmon now...
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