#writing consequences

[writingwithfolklore]

If it doesn’t impact the rest of the story, you didn’t raise the stakes

              I recently went back to a chapter at the midpoint of my novel and changed a huge detail of it because I thought it didn’t raise the stakes enough as it was. Because of this change, I had to go through every single scene and chapter beyond that point and edit it to fit in and make sense. It was annoying, but that’s how I knew I achieved what I wanted to.

              Raised stakes change everything about a story.

              If your characters can continue on as they were, then you didn’t really raise the stakes at all. This heightened pressure or danger has to be heightened enough that their lives as they know them are different now.

              Consider this: at the midpoint, you introduce a mutated form of a monster your characters have been facing that’s more deadly and intelligent than its predecessor. It’s a super scary scene, but after that, your characters go back to their safe house to talk over how best to kill it.

              Suddenly, this new monster doesn’t feel as much of a threat. It’s just another element of the same threat they’ve already been facing.

              To properly use this element as a way to raise the stakes, it should take away something the characters rely on—safety, allies, powers, etc. Something they can’t get back, and don’t get back for the rest of the story. They now have to adapt to new circumstances, and things will never be as easy for them again.

              So maybe instead, they flee to their safe house only to discover that it’s no longer safe—the monster is smart enough to get through their hidden entrance and corner them. Now they’re stuck out in the open, taking turns keeping watch and slowly deteriorating to sleeplessness and stress.

              That’s a delicious steak.

[tariah23]

The manga industry, especially JUMP, needs to hurry up and do away with weekly scheduling for mangaka. There needs to better regulations put into place for their health and safety because this is pitiful. Two weeks - monthly updates should’ve already been the standard for the manga industry at this point. These money grabbers will only continue to put the lives of these artists at stake for the sake of capitalism unless some serious changes are implemented.

[momochanners]

Previous post

Happy Ending (in more ways than one)!

[thefloatingstone]

Appleseed PDA montage to save you from reading endless pages of unimportant politics that don't amount to anything

also because I have nothing better to do, I'm bored, I'm moody, my gaming laptop is still broken so no BG3, and it's too late at night to start drawing after doing animation clean-up all day.

[bbygirl-aemond]

Aegon was the son Viserys always wanted, the son he slaughtered one woman and raped another for, the son he neglected his daughter for. And yet he did not love him.

Helaena was the dragon dreamer Viserys had always hoped to be, the holder of the Valyrian magic he so revered. And yet he did not love her.

Aemond was the lover of dragons, the eager student of history, the kindred spirit Viserys was never able to find in court. And yet he did not love him.

I will rage forever at how much Viserys should have loved these kids. He should have loved them so fucking much. Every single one of them embodied one of his deepest hopes and dreams. And yet he spent the rest of his miserable life punishing them for his own goddamn decision to bring them into this world.

[thepersonperson]

Do you know how funny it is that Sukuna is literally suffering from Gojo brainrot?

This may be an illustration of Gojo's brain damage from forcefully resetting his cursed technique, but since Sukuna is copying him (pose included), this is what his brain looks like too.

[poorly-drawn-mdzs]

Gaslight, Gatekeep, Girl found dead in a hidden room.

[First] Prev <–-> Next

[evilminji]

I see the Clockwork so Khronos HC and I raise you Vortex is Zues

Immediate thought? "Why go to therapy, when you, a God, can LITERALLY rip out the Problematic Parts of yourself and just kill um! There, honey! Problem solved! :D this can in no way EVER come back to bite me in the ass!"

Cause I mean... killing your problems worked against his DAD. And most OTHER problems he's had. Why not? When you are a hammer etc etc...

So... yeah. Technically! He IS part of Zeus! The ASSHOLE part that Hera was threatening to divorce FOR REAL this time. The HAS No Chill, part. The THROW STORMS AT EVERYTHING 5EVA RAAAAAAAAAAAAH! Part.

Kronos did the same thing but in reverse. Killed off his Calm n Reasonable self who just wanted to be a mischievous Time Dude. Cause THAT does not a King Of God's make. Didn't turn out well for Kronos.

N Clockwork got stuck with THAT assholes reputation.

It's like making a twin brother out of yourself only to kill um. Vortex has eternal beef with Zeus. He was a GOD. An INFANT. Born only to IMMEDIATELY be butchered. Yeah, he was an angry God. Made to be the wrath to Zeus' peace. An Angry Sky to his Tranquil Sky.

But that did NOT give Zeus the right to MURDER HIM in cold blood for the crime of being INCONVENIENT.

He didn't even get a NAME.

Had too, IN DEATH, Name HIMSELF.

Ffffffuck his Father/Brother! Zeus is gonna get what's coming to him! Infant murdering BASTARD!

[wasabi-gumdrop]

oh

i am. unwell.

[mozart-the-meerkitten]

*rolls up 15 years late with Avatar the Last Airbender thoughts*

So I've been rewatching clips from the show lately to refresh my memory while I'm writing my Zuko Alone fanfic. And last night I rewatched the clip where Iroh teaches Zuko how to redirect lightning and I have had thoughts about this scene for years so I might as well finally throw them into the void of tumblr.

So, this scene is insane to me, because at the end of learning how he could-hypothetically- redirect lightning, Zuko looks at Iroh and, completely seriously says "okay I'm ready to try it with the real thing now". Like, Zuko, the boy with a massive scar on his face from where his father burned him just looks at his uncle and says, "shoot me with lightning".

And yes, he's 16 and not thinking but that's part of the point because the amount of blind, complete trust Zuko has in Iroh to look at him and say "shoot lightning at me" after the insane trauma he had at the hands of his own father- that is WILD to me. Zuko literally trusts Iroh so much that he just assumes, without even having to think about it, that no matter how volatile and unpredictable the lightning is, Iroh won't hurt him because Zuko cannot fathom his uncle hurting him.

And of course, Iroh's appalled because Zuko's standing there with a massive scar on his face from when his father misused firebending against him and likewise, Iroh cannot fathom hurting Zuko. And since IROH knows how volatile and unpredictable lightning is and how it could literally kill his son nephew he is absolutely NOT going to use it just to let Zuko practice redirecting lightning, but he's so flabbergasted that Zuko would even ask him that that he just kind of splutters angrily that he will ABSOLUTELY NOT shoot lightning at Zuko. (it's also just another layer of how messed up Ozai is because he shot lightning at Zuko without a second thought later)

But I hope Iroh thought about it later and realized the amount of pure, unthinking trust Zuko has in him because ;-; the child didn't even THINK about it. "Okay uncle shoot lightning at me now. I know I'll be safe because it's you." I love them so much 😭😭

[stxrslut]

i’m gunna be very active lol-

can i request rafe and quiet reader like there at a party and she’s just sat w him and he’s just comforting his girl cause she gets abit overwhelmed 🥰

-🫧anon

guys. I have been gone for so long. I apologise. also I made this a tiny bit different but I hope you like ittt <33

°❀⋆.ೃ࿔*:･

“you’re fine.” he mumbles, lifting you onto his lap so you can tuck yourself into him while you sniffle and cry. he tugs on his fleece to adjust it around your shoulders, “told you not t’drink so much baby. you didn’t listen huh?”

“sorry” you sniffle, shuffling into him and looking down, so as to avoid the ticked off expression on his face.

he sighs and nods “apology accepted baby. just gotta listen to daddy next time he tells you somethin’, kay? s’for your own good.”

“stop tellin’ me offf,” you whine and he borderline laughs, putting on that stifled grin and looking upwards.

“not tellin’ you off, just making you aware that this,” he points to your temple which he knows is throbbing, “is the consequence of your own action.”

“I don’t like the consequence of my own action.” you pout and cross your arms petulantly, though still not leaving his side.

“too bad baby.” he pats your back and places a kiss on your head. “gonna finish up here then we can go back to my place, yeah?”

°❀⋆.ೃ࿔*:･

[writingwithfolklore]

How Conflict Causes Character Change

              You’ve heard me say over and over again that your character arc is your plot and it’s driven by conflict. But that’s easy to say and a lot harder to do. How does conflict actually inspire change? Let’s talk about it:

1. Choose your conflicts

Not every conflict is equal, and it may be harder to justify change for some conflicts over others. The type of conflict that’s going to inspire change will force your MC to come face to face with their flaw.

       Okay for example maybe your character’s flaw is that they self sabotage whenever things are going well for them. A conflict they could run into is that they’re working on something with someone they care about, and their sabotage not only impacts them, but the person they’re working with as well.

              While they may be used to and fine screwing over themselves—facing the consequences of hurting someone they care about may inspire them to try to work through their flaw or make a real change in their life.

2. All conflict comes with consequences—or it’s not really a conflict

Leading from the last point, note that it’s the consequence of something happening that truly makes it a conflict, and allows it to inspire change. One thing my screenwriting prof always used to ask us was, “why hasn’t your character reached their goal yet, and why haven’t they already overcome their flaw?” You have to justify why they are in the place they are in at the start of the story.

If their flaw is self sabotage, just facing the consequences of their self sabotage wouldn’t be enough to inspire a change—because if it was, why haven’t they changed yet? So consider what consequences to their flaw they’d have to face to really force them to change. Hurting people they care about, taking away things they want, allowing their enemy to gain the upper hand, etc. are all good consequences outside of their usual that may inspire change.

3. One conflict spurs another

To help with driving the story with conflict, consider how each conflict you create can spur the next. Following our example, maybe our MC screws something up for someone they care about, then that person decides not to stay friends with them, or tells someone else what happened.

Conflict can also come from seemingly good or harmless acts, like holding the door open for someone about to rob a bank, or writing an article for a relatively unknown newspaper that turns out takes an extreme political stance in your world, etc. Each action should have its consequences that leads to more action that leads to more consequences. With enough of that cycle, the gradual change of your MC will be believable and propel their story.

[kirkwallguy]

extremely funny coming from writers whose characters return and play major roles in more than one game. yeah sorry guys we couldnt do anything interesting with the game because we had to protect our fans from the conflict we would write if we did <3

[brucewaynehater101]

I'm bad at math, but is Bruce theoretically 38 years old when he goes into the time stream?

Hear me out (and canon likes to fluncate their ages, so this is my best guess without trying to account for birthdays):

Bruce becomes the legal guardian of 9 year old Dick when he's 23. That's a 14 year difference.

Jason becomes Robin when Dick leaves at 18. Jason is 13. That's a five year difference.

Jason dies at 15, and Tim becomes Robin at 13. That's a two year difference.

The age difference between Tim and Bruce would thus be 21 years.

Tim becomes Red Robin to find Bruce at 17.

That means that Bruce had to be 38, right? Why was I imagining him closer to 50?

Adopting so many kids must have aged him

[gossippool]

so i do think it's very interesting how, at least from what i've observed, people see/depict worst logan as kind of different from the x men logan in terms of their propensity for violence, or rather how this violence is released. i think it has to do with a couple of things:

as many have pointed out, wade is the only one who has ever been able to match him in a fight. so it makes sense that people would headcanon their relationship as involving fights on the regular. but also;

most of what we see from him in the movie is him fighting, and so we assume that he has a tendency towards it, especially since the past he's trying to escape from is exactly that: him being violent towards others, including those who don't deserve it. i think this has definitely subconsciously shaped some people's perception of him in some way.

but i think it's good to remember that what we are shown isn't proportionate to who he is, because the movie necessarily can't develop his character much outside of the plot. i don't think worst logan and x-men logan are different at all in the sense of x-men logan being "gentler", because not only have we just not had the chance to see worst logan act otherwise, but x-men logan also has this same animalistic violence in him. we can see how quickly he unleashes himself in the movies when the situation calls for it, and even when he's doing it to protect, there's still that rage underneath it all.

worst logan is violent towards wade because 1. he's projecting, and 2. wade can take it. but also it's a symptom of something else that he hasn't worked through, possibly decades of trauma he hasn't worked through. i'm working on a fic that explores this rn, but my headcanon is that his post-x-men rampage was a sort of addiction for him because of the release it gave him, which he then replaced with getting shitfaced, and finding someone who could take him in a fight (wade) could be a reversion to the former addiction if he doesn't work on it. (i think that especially with superhero movies, it's so easy to brush off violence as just another normal thing, but realistically, a failure to unpack all that baggage could escalate his problems into something way worse.)

so imo i think worst logan is practically the same, if not very similar, to x-men logan, just that he's a variant that was dealt the worst card, but we interpret his character differently because all we're shown is what he became because of it. we all know logan is gentle with his lovers, and i think that unless wade shows that he enjoys it, logan would not be violent towards him just because wade can take it. just because you can doesn't mean you should, and i think he of all people would understand that

[loveaetingkids]

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