#yeah that one is the subtle one

[poorly-drawn-mdzs]

Daddy, don't go.

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[scintillatingshortgirl19]

VERY interesting that this moment took place in the "woman in house and wilson's building thinks they're gay/dating" episode

also. hugh laurie's little smirk here really adds a certain . . . dimension to this moment that would not be there if he'd responded to the joke in a different way

[shima-draws]

Still going through it emotionally btw. I've seen a lot of character death in anime but it's been a WHILE since I've seen one as brutal as Ace's, especially bc of Luffy's reaction to it. Character death isn't unusual but the trauma and PTSD that comes after it isn't really shown that often so Oda actually showing Luffy going through it is. Oof. That shit HURTS bro. And the fact that Luffy's immediate reaction is to just. Self destruct. To hurt himself and risk his own life?? Like it was never explicitly said but I could see the suicidal intent there and jesus CHRIST. Just sitting there watching him refuse to accept it and then mourn and grieve was absolutely brutal;; Not to mention the fact that like. We can see him having PTSD flashbacks. It was just written very well (too well bc I'm still a goddamn mess) and I gotta commend Oda even tho he's putting me through the fucking wringer

[not-equippedforthis]

really love characters who have varied panic responses. kirk stating himself that he does not panic outright, externally, not in high-stress dangerous situations, but instead becomes tense and level like a wound string, on-guard: mostly because his role as captain necessitates that he maintain level rationality even when facing potential death as his training as 'the guy who tells you what to do when shit hits the fan' requires, but also because his childhood experiences taught him early that drowning in the desperate haziness of panic won't help you survive. especially as kirk already follows his intuition so deeply. he learned to grasp and contort the feeling. spock is the main person who represses his emotions, of course, but kirk does it to those deep-set, personal ones (this includes how he doesn't reveal anything truly personal about himself willingly 90% of the time, only what others already know/shallow anecdotes) in a much more subtle way that's really interesting to me. certified expert at avoiding the subject as long as he isnt caught out on the lie. professional bluffer.

in terms of past or parents we dont know much!!! hes known as the heart-on-his-sleeve guy!!! like yes he yells, he gets irritated, excited, hes a whirlwind of quick-thinking and plans and intuition, he goes out of his way to connect with his crew and shows it, when he puts on a little act or bluff he puts his heart into it and clearly enjoys the dramatics so much, at times he wears his heart on his sleeve, he laughs openly and is honest to spock about what he means to him, he's very sun-coded to me in a burning, passionate way, always intertwined with the stars and seeking them out, but when it comes to genuine deep-set turmoil? we dont actually know all that much about him??? hes so full of emotion and character (i love fics where spock characterises jim's mind/bond as a whirl of colour and sensations, hes a quick thinker!!! intuitive!! lively!!!) and yet its still so outwardly surface level. tarsus iv gets mentioned like twice? so especially here where kirk gets briefly jumpscared by the creature, because like:

its subtle but his eyes. his eyesss!!!!! kirk commands with his emotions but there's always some sort of level of control to it, or he transforms them into something that spurs on others or uses them to ascertain a goal: seeing unguarded fear/distress in his eyes even if its faint and brief (in this instance) makes me go insane every single time. like!!! its such a small moment!!! he isnt even panicking!!! really, he just got jumpscared!!! its insignificant!!!!!!! but seeing a two-second flash of actual, naked apprehension is just...oughhh,,,,,,,,,

oh god, and dont even get me started on the galileo seven episode where he assumes a tense level-headedness throughout the whole thing, irritated and apprehensive but not panicking, making sure he maintains intelligent rationality, even when he has to leave them behind, but when spock and the crew are confirmed safe and the bridge is occupied the camera pans to him and his eyes look like they're fucking watering and he's so achingly relieved. don't even talk to me. im. fuck.

he shows so so much but at the same time reveals so little.

[zeb-z]

also okay. Leo voiding and Foolish going “that’s alright I’ll just wait. I can wait. I wait.” like yeah totem boy that’s all you ever do isn’t it. waiting loyally for Vegetta to come back, for his plans to find fruition, for islanders and federation workers alike to take him seriously, for Leo to return now, just like he waited for her before, keeping patience like none other. he’ll wait - that’s kinda his thing.

[pixiecactus]

i'm going to call this post book!gendrya for dummies (it's me i'm the dummy): i had always loved the parallel that gendrya share about being the third born child (we are five books in, and still to this moment we don't have another baratheon bastard introduced to us that's older than gendry, so the order for me is: mya, bella and gendry) and (if we go with the r+l=j theory, jon obviously is not ned's son... so we have robb, sansa and arya) but something that has never ocurred to me before, is that we obviously already know the plot point of "the seed is strong" and we have gendry directly telling ned how his mother used to have yellow/blond hair (this is my own headcanon, but i like to think that she had brown eyes as well) meaning that all children sired by robert baratheon shared his hair colour and eyes colour, so gendry in his colouring and looks does not resemble at all his mother and we know exactly the same thing about arya, how of all of the catelyn tully/stark's children, she's is the only one that has none of her mother's looks, she and jon had the stark look, long face and grey eyes, like her father (and jon's mother) and like all of the starks of old time (karstarks included), and meanwhile genetics in asoiaf had always been somehow really wonky if compared to how genetics work in real life, it always interested me this fact about arya, one could simply said that arya having stark's looks and colouring is to help the narrative of arya feeling like an outsider in her own family, just like jon, and to establish even more how deeply the jon/arya bond runs, even when she knows both of her parents, and it's a true-born daughter. so this post was me discovering another gendrya parallel shared between them, i don't think it's really important but hey, it's still there alright

[zelkams-art]

camera, cut!

[minticecodes]

I'm slowly getting through devil may cry v and got inspired enough to doodle again. Sure they aren't polished but I love looking at others' sketch dumps, it's like looking at a smorgasbord of ideas. So here you go. Read more for close ups of the other doodles. The ID in alt are the same as written in the text.

[I.D. Digital art. A boy in a shirt hoodie, Nero, sits cross legged as he leans backwards to smile up at his companion. Said companion is a tall horned knight, Nelo Angelo, kneeling behind Nero. Nelo gazes to the side, but braces his broadsword by Nero, and his cape drapes around where Nero's sitting. Nero is rendered in light blue and red, Nelo is rendered in light blue, and they're brightly illuminated. End I.D.]

(Was thinking of 'Love Seeketh Not Itself to Please' by Indigomoods on ao3 while doing this one).

[I.D. A number of digital art sketches, most prominently featuring Dante and Vergil from the Devil May Cry series. From top to bottom, right to left:

Headshots of two boys, Dante and Vergil. Short comic of a man (Dante) ruffling a boy's (Vergil's) hair. Sketch of two boys on a couch, one (Dante) looking concerned at the other (Vergil) in foetal position. Branches curl under the couch. Sketch of child Dante and Vergil in red and blue, running hand in hand. Thumbprint sized chibi child Dante and Vergil. Nero and Nelo sitting together.

Semirealistic headshot (DMCV Vergil) in blue. Boy (Dante) curled in a fire, and fire demon (SDT Dante) gazing at his palm against a black background. Loose sketches of a man's head, roughly scribbled out except one, and an angry cat with a sword. They're labelled in blue and red writing. Side profile of a young man in blues (DMC3 Vergil), face shadowed, a yellow ribbon curled in the background. Side profile of DMC3 Vergil. End I.D.]

[I.D. 4 black and white digital pen cartoony sketches of child Dante and Vergil. Head and bust shot of a boy with slicked back hair and black turtleneck (Vergil) looking right. His brows are furrowed, eyes narrowed; he looks unimpressed. Below is a head and bust shot of a boy with shoulder length hair and white shirt (Dante) looking left with wide eyes and a fang toothed, wide grin. Centre close up of a cloaked boy (Vergil) glaring up, brow furrowed. His hair hangs over a shadowed face. One narrowed eye is visible. Right sketch is of a cloaked boy (Vergil) hugging a book to his chest, referencing a Visions of V panel. His one visible eye is wide as he gazes down with a small expression. End I.D.]

[I.D. Coloured digital art over a black background. Two panels. Panel one is child Dante, arms hugging his legs as he sits within a fire raging around him. He's buried his face in his arms. Panel two is an adult Dante in his demonic SDT form. He gazes down at his clawed hand while the fiery core in his chest glows as the main source of light, casting shadows and red light against his armoured form. The tips of his claws seem to glow in the reflected light. End I.D.]

[I.D. Messy sketch of child Vergil and Dante, running hand in hand. The two look at each other with smiles, Dante with a wide grin and Vergil with closed lips and determined brows. Their full expressions aside from the smile cannot be seen; Dante's hair whips back and covers his face while Vergil's face is eyeless. They're softly rendered in light blue and red, and bright lighting. End I.D.]

[I.D. Messy sketch of child Vergil and Dante sitting on a couch, shot from behind the couch. Dante directs a concerned gaze to Vergil, his hand braced on the couch back as he leans closer. Vergil only looks down. His arms are curled around his knees. From the angle, his expression cannot be seen aside from a small frown. Under the couch slithers Qliphoth tree roots. End I.D.]

[I.D. Chibi doodle of child Vergil and Dante, holding hands. Light blue and red ovals were airbrushed on the page, and a pen lined out their features. They have round cheek patches, like budgies. Vergil has a cartoony pout and a book tucked under an arm, labelled with a V; Dante has a toothy grin and is making a bunny ears hand sign. End I.D.]

[I.D. 'DANTE' is evenly block printed in blue pen. Underneath are what looks to be the start of three portraits of Dante in black pen, but they're roughly scribbled out. The most detailed of the three scribbled out portraits is Dante's grinning side profile. He had sunglasses on. The only intact portrait is a shot of Dante from behind, from the chest up and face not visible aside from a grin. Carried on his back is the Devil Sword Dante, rendered in more detail than Dante.

Meanwhile 'VERGIL' is written in orange/red pen, but strikethroughed. Written above instead is 'PURR-GIL!!', an arrow pointing at a doodle of a cat holding a roughly drawn katana(Yamato). The cat is grimacing with furrowed brows. It has spiky fur on its head, a spiky curled tail, a thorn pattern on its arms resembling Vergil's coat sleeves, and fat round blushy cheeks. End I.D.]

[I.D. Semirealistic rendering of DMCV Vergil from the neck up in three quarter view. He's painted in blues, with soft red shadows. He glares at the viewer, brows furrowed. His irises are a soft red, and he has eye bags. His lips are somewhat glossy. To the side is the blue color palette. End I.D.]

[I.D. Stylised depiction of DMC3 Vergil glaring downwards in profile, from the chest up. He's rendered in blues, his face shadowed from the light against his back. Running over his skin are cracked gold lines, reminiscent of kintsugi. In the background curls a yellow ribbon in the same gold. He's wearing a sleeveless turtleneck and cravat. End I.D.]

[I.D. Stylised black and white lineart of DMC3 Vergil glaring in profile, lips sneering, from the neck up. He's in a coat and cravat. End I.D.]

[I.D. Messy comic.

Panel 1: DMCV Dante ruffling child Vergil's hair. Dante's face is out of the panel

Vergil (grimacing): "Dante!"

Panel 2: Vergil's staved off the hair ruffling, lifting up Dante's hand with both his hands. His brows are furrowed as he looks up at Dante. In the background is a laughing sound effect, that tapers off. 'HA HA ha...'

Panel 3: Adult Dante gazing down at child Vergil, arm hovering over him. His expression seems sad, despite the small smile.

Dante: ... I missed ya, Verge.

Vergil gazes up at Dante, a small question mark by his head. End I.D.]

[writing-for-life]

Dream and Bast—Craig Hamilton

I still think they should have hooked up. They definitely had chemistry, and to see Morpheus, who is always so dead-pan, slightly flustered by her flirtatiousness still cracks me up. To this very day, I’m wondering what would have happened if she’d answered, “Yes,” to, “You’d ask that of me?” Maybe that was giving her a way in, and the silly cat didn’t take it 🤣

They should have gotten it out of their system if you ask me…

On a completely unrelated note: That darned free-floating ruby is back…

[ghost-proofbaby]

well i just had an older!eddie idea that is going to haunt me.

[astranauticus]

shoutout to my friend who introduced me, lover of angst and tragic gays, to omniscient reader, a webtoon with angst and tragic gays, and then was somehow surprised at how fast i fell ass first into the orv hole. real dead dove do not eat situation if you ask me

[allgremlinart]

part 1 | part 2 | part 3

part 4 of my “Clark Kent is repressed and doesn’t know what to do about it” comic

[crimsongrimoire]

i need 4.1 to be here faster so i can be insane accurately

[a-s-levynn]

"Too many swallowed keys / Will make you bleed internally someday" A Series of Small Offerings - III/5 - day26

[nostalgic-shamefest]

A collection I like to call

"bcs characters sussing lacho out"