🐌 did you vote for me? a million snail kisses for you!!!
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(Edit: Thanks to the people who informed me on what Leif's species is!)
Sat down and got to finally properly render these fuckers while also settling on how I should draw them. I actually did a tiny bit of research on their respective species, took a few elements here and there but nothing to drastically change them.
So as far as I'm aware, Leif is not a specific moth but plenty of blue and red moths will usually have the eye patterns on their wings and as well as have fluff on their bodies. Had fun with the posing and if you can guess where I referenced it then you get a cookie. Thought it was neat that the original concept was that he was suppose to dance.
Vi is obviously a honey bee, they're very well known to be fuzzy. I don't have much to say besides from that but if anyone doesn't know, only females have stingers.
Now Kabbu was really testing my patience, according to the wiki it states that is he is a rainbow scarab beetle. If that is wrong then too bad, those guys are gorgeous and it took me too long to figure how to balance the colors without burning my eyes. Its faint but noticeable, just so I can still be true to the game model, also I know it's not as visible here but I realize beetle wings are very pretty.
So what's the conclusion here? There needs to be a website dedicated to bug references so I can sit there and admire them all day.
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So I want to draw out some of the grousings I put in the tags of @phaeton-flier's recent post on Waller's characterization in My Adventures with Superman.
I think the problem you're gonna run into with adapting Waller in 2024 is that they basically nailed her completely twenty years ago in the DCAU Justice League continuity, they already captured the perfect balance of good intentions and ruthless utilitarian amorality. In the DCAU, Waller's arrival on the scene was contextualized by more than a decade of superheroic precedent- she lives in a world where Superman specifically got brainwashed into attacking earth, she lives in a world where Kryptonian war criminals took a shot at Earth, she lives in a world where an alternate-universe totalitarian Superman crossed dimensional boundaries to take a shot at earth. She lives in a world where Superman helped disarm the world's nuclear arsenal at the behest of a guy who turned out to be the fifth column for an extraterrestrial invasion. She lives in a world where the Justice League formed specifically to stop something similar happening again and then tripped over their own dicks when one of their founding members turned out to be a partisan mole for an extraterrestrial empire. She lives in a world where these city-leveling clowns have consolidated sixty or seventy other city-leveling clowns in an orbiting circus that's armed with a city-leveling orbital laser canon. This is just the stuff that would have made the in-universe news, there's even more I'm not mentioning here. In other words, she lives in a world where it's completely reasonable not to trust the superheroes and to want to have contingencies against them.
She does horrible things in pursuit of those contingencies, but they're targeted, goal oriented horrible things. Aside from her usual suicide squad routine she clones and basically enslaves dozens of super-soldiers, which is of course terrible on the face of it, but comparatively easy to justify from the realpolitik cold-equation way in which she approaches things. When her bullshit generates externalities for civilians, it's not because she sics those super soldiers on them. She doesn't declare martial law. That's not what she's after! She just keeps losing control of the bastards, and then she shrugs, and she signs off on additional bastards from scientists and magicians who've proven time and time again that they do not have their shit buttoned down- but what else is she going to do? Roll over? Let the capes treat the world like their playground?
Crucially, the DCAU version is also capable of realizing when she's prioritized the wrong threat- she's capable of re-evaluating and de-escalating. She's got a foil on that show, a guy who starts from the same place of concern as her but isn't capable of course-correcting because he's too much of a belligerent paranoid maniac. That guy is General Wade Eiling. And in a version of MAWS that doesn't need to set Sam Lane up for a redemption arc, I would have Waller as the one in Sam's position, as the well-meaning extremist who loses control of the monster she created and gets frozen out in favor of a significantly less principled hardliner in the form of Eiling. Alas.
The fundamental thing about Waller, at least to me, is that she's uninteresting as a ground-floor antagonist. While I've yet to get around to the original Suicide Squad run where Waller originated, I'm confident in my understanding that it was a postmodern project from the word go, exploiting years of ossified genre convention and rogue's gallery bloat to make the points that it was trying to make. This is part of why I think the first Suicide Squad film went over like a lead balloon- it tried to wish that built-up continuity into existence out of nowhere, whereas the second movie was simply a lot more naturalistic about faking that larger context. This show feels like it's doing something similar on a meta-level- exploiting decades of audience familiarity with Waller and how plots involving her tend to go, in a way that papers over how weirdly early in the progression of this continuity they've brought her into the fray. She usually isn't the joyless jackboot on the frontline trying to snuff out the incipient heroic age- she's the beleaguered repairmen brought in years after the novelty has worn off, after the superheroes have had their goddamn chance, with all the ups and downs and near-misses that entails, so that she can make entirely novel mistakes in reaction to that context. As it stands, she's kind of 0 to 100 in this, and something about it feels off.
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