#yes yes yes to all of that yes?? lmao

[pissed-whizard]

my blog is a gateway drug to cooler and better blogs (my mutuals)

[nessieartss]

Another sibling au featuring megumi (they finally met and sukuna already made yuuji cringed)

Also happy new year!

Part 1 | Part 3

[artist-rat]

my sister finished her first bg3 run, here's evil gang reunion photo <333 (withers invented polaroid for the occasion idc)

[nouverx]

Pov the cannibal overlords are judging your outfit (or discussing how they're going to cook you tonight, your choice 👀)

Based on very cool outfits for them I saw on twitter! Here's Alastor and here's Rosie

[sopuu]

HAPPY LET PAPYRUS SAY FUCK DAY 🎉

[audio source]

[lass-us-slay]

So I read a prompt about how Wonder Woman found Danny in a trash can (don’t remember which one) and I was bored.

So I took that lil info and made it into an AU.

So basically, Danny get yeeted into this unknown universe and has no where to live. And no where to live means no money. No money means no food. No food means Danny can’t keep his human half sustained.

So what does he do?

Decides to not change into a human and live in a trash can.

Yes you heard that right, live in a trash can.

Because he’s a ghost, he doesn’t have to worry about the germs and stuff. But that doesn’t mean he lives in just any trash can! He lives in a clean one ☝️

AND he also decorated it with his name so other people know it’s his!

And so Danny has been here for a while now and realizes

Holy shit there’s hero’s here- you know what, why doesn’t he have hero’s back home?!

And being minorly annoyed jealous (but he’s never admitting that)he thought:

Well since there’s hero’s here already, guess I’m not needed.

.

.

.

Good. I’m tired af

And so Danny caries on his life, being content with his trash can and scaring whoever comes into his alley. It’s fun. Sure he sometimes needs to ugh overshadow people to feed his human side, but other than that.

It’s going great.

But Danny doesn’t realize that with Amity gone (or smth, you choose) which was his haunt, he slowly makes the trash can into his new haunt.

And slowly but surely, Danny’s beloved haunt trash can starts to become other worldly kinda.

Yk because of the ectoplasm.

So now Danny’s lovely trash can haunt has more space inside and- Hey Danny can actually sleep in it better!! And he got some company too!

In the form of blob ghosts.

Two actually.

They keep his trash can clean and help purifying some corrupted ectoplasm that he finds. Because for some reason this universe’s ectoplasm seems half way artificial and tastes a bit weird. Which is where the blob ghosts help out in.

Everything was great.

Danny was loving the trash can life style.

He has two blob ghosts friends. Which he named Sam and Tucker, and yea they couldn’t talk but that was fine.

He wasn’t lonely, he wasn’t. He had two very much talking friends like Sam and Tucker.

However one day two weirdly dressed people- oh they were hero’s.

Well anyway they found him, one woman stripper and one furry guy.

But it was on accident! He was just peaking out of his beloved haunt trash can, and they spotted him.

He stared, they stared back.

Then the woman stripper asked him questions, even when he said:

“Don’t mind me, have a nice day!”

But they just kept bother him and giving him weird looks and glances.

Which- rude.

Didn’t they see his mark on his haunt trash can? Obviously it means it’s his home, so they shouldn’t be bothering him still. He’s safe as can be.

Plus.

It’s not like he’s looking at them in suspicion and weirdness, I mean look at them! What kinda cheep knock off vampire fury mix and American stripper style clothing are those!

They should mind their own business!

———

Just a silly lil drawing of this lmao, don’t mind me.

[ruubesz-draws]

Godzillas need trimming too, I believe. Too bad Minus One hates it...

From this:

[saragrosie]

Some really stupid season 3-4ish mag sketches plus obligatory crumpling Jon up into a ball (And also s1 Jon is there writing his gay little statements whatever).

I say s3-4 cuz Helen ya know here's another Helen under the cut my beloved they could never make me hate you. You are the not a who but the moment the icon the legend:

I'm sharing some more dumbass things I've drawn in another post cuz there are early season 5 references (I'm on MAG 169) so check that out if you're caught up to there if not begone no spoilers for you ok byeeeee

[mirensiart]

now that I’ve successfully infiltrated the lu fandom I can share my dumb shitposts

I’m sorry, it will happen again

based on this meme:

[maskofnova]

You weren't invited to this party but theyre gonna do a cool pose at you anyway until you leave the room.

[lilybug-02]

Wrong Door…

@akanemnon a thing popped into my head and I am very impulsive. ❤️

[youwerethedefeated]

Can't wait to see how gay this is gonna look animated

[bastardlybonkers]

feetman

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[elbdot]

LITTLE COMIC based on how I made a friend at 1 am while crawling on the ground, picking up Maybugs to save them from getting squished by cars.

PRETTY SURE I must've looked like a strange little gremlin to any onlookers passing by. Also yes he held a bug like a CHAMP. He passed my test. We still hang out 😂

Patreon

[buggachat]

honestly just in general it's very exhausting to try to analyze media that is literally meant to be analyzed, only for the replies to be filled with people arguing not against your analysis, but against the premise that the media can be analyzed at all.

i don't even know what to say about it without starting to really betray my frustration, so i'll just settle with— just don't engage with analysis posts? I'm serious. if you're typing a response to a media analysis post, reread what you've written and ask yourself "is this comment/response against the very concept of analyzing the media at all?" and if the answer is yes then delete it all and go sit in the shame corner. throw your curtains away if you want to so bad and stop telling me that I'm not allowed to hum and haw at the fact mine are blue