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#you can see why I gave people a heads up to blacklist certain tags lol
t4t-lumpygrab · 2 years
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ID: a digital drawing of Lemongrab 1 and 2 based on their segment from the videogame “Explore the dungeon because I don’t know.” The border around the image consists of Lemongrab 1 standing on the left, covering his left eye with his hand while crying.The top of his head has been removed, exposing his brain. His right arm has been mutated into a cotton candy creature, made out of differently coloured warped flesh with a huge hand at the end, his arm forms the border around the image, with his huge hand behind his head. The centre of the picture is Lemongrab 2 strapped to an examination table in a straight jacket. The top of his head has been removed, exposing his brain which has various writing on it. He is on the verge of passing out with blood dripping from his nose and mouth, where it has left smears on his skin. He is crying. Princess Bubblegum is stood behind him though only her hands are visible. She is lifting his head up with one hand, and holding an eraser in the other to erase his memories of her experiments. She is wearing a white labcoat. ED.
Inspired by the Lemongrab level from the video game “Explore the dungeon because I don’t know”, and the fact that Pb can cannonically erase Lemongrab’s memories. 
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miraculouscontent · 4 years
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Ask Explo--
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...you know what, you’re right. Name change effective immediately.
Askplosion #10:
(unrelated to everything by the way but I DEMAND THE ANON WHO MENTIONED “REMARRIED EMPRESS” A WHILE BACK COME FORTH AND ANSWER FOR THEIR CRIMES. IT’S SO GOOD BUT IT’S UNFINISHED AND I’M HOOKED, HOW DARE YOU)
Asks responding to previous posts:
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It’s okay! I figured that was what it was but it’s been so loooong.
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Ah, wow.
Um, that’s definitely not a part 2; I think that’s more like a four-parter/five-parter or something.
Sorry! No can do!
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That’s totally fair!
I think the reason I so quickly agreed with it is like--
I’ve been watching the Inuyasha sequel and it’s not like I don’t think the narrative’s apparent punching bag Moroha (who is fourteen years old) shouldn’t be punished when she does something wrong/sneaky/manipulative, but they punish her as if she’s Miroku (who was eighteen years old).
Basically, I want the punishment to take the age into account, or at least only affect Marinette on a more personal level and not be “Heart Hunter” where they take totally understandable feelings of heartache (remember, it wouldn’t have mattered which miraculous she took because Hawk Moth got the Miracle Box and Fu regardless; even beyond her emotions, I feel like she chose the best option available to her considering which temps she knew the location of) and then punish her for them by memory wiping Fu and taking away all of her temps and giving Hawk Moth the grimoire translation.
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Yes!! I really wanted to respond to this one, thank you! (It’s this one and then there was another one talking about Luka and Adrien, then talked to me about how I refer to Luka as “soft” but not in a bad way; I unfortunately don’t remember the whole thing.)
Ahaha, and yeah, I feel you. Anti-salters are a very strange conundrum I still haven’t figured out; like, I get not liking salt, but...
I mean, when I don’t like certain content, I just blacklist it. If I end up seeing it anyway due to cross-tagging or a lack of tagging, then I just blacklist the person themself. You won’t see me going after people for that very reason; I only see what people send/ask me if it’s content I don’t like.
I’m glad you’ve found some peace in this blog! Hopefully it continues to be that way for you in the future!
(and yay, a fellow INTJ!!)
New Asks:
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There are female writers? ;P I just assumed they were all locked in a closet until the male ones were like, “okay, pretend to help us here, we need one female writer to claim girl power.”
As for Ladybug all like, “Cute, isn’t she?” I think it was rhetorical (she could also be messing with him but “Glaciator” tells us that she didn’t know he crushed on her so who knows). The writers do this thing where Marinette is all panic-y and occasionally self-conscious as herself, but then as Ladybug, she suddenly gets a bit of an ego. I think it’s meant to be there in order to make Chat Noir look less... idk, “obnoxious” when he starts boosting his own ego; trying to balance the two by giving them both big heads, so to speak.
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Honestly, I feel like Adrien needs less screen time. :|
Even when he’s not on-screen, characters are usually talking about him, or you see his face in Marinette’s room/somewhere in Paris. I’m become so jaded by the guy that I don’t even think it’d matter if they remade the series and gave it a “totally good and interesting Adrien.” That’s how badly the show has made him out for me; “Adrien Agreste” the character is just... sigh, I’m so done with him.
And yeah, this whole idea about, “Marinette is [x], we need more AAAAAADRIEN!” comes off really bad, lol, especially when Adrien has very little going for him.
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(this ask ends off like there should be a part 2 but there isn’t one in my inbox, so sorry if there’s meant to be something else!)
The exact lyrics according to the wiki:
My wish for a cat who's in love, with our own Ladybug. Is that he'll get what he's always wanted! She doesn't know she loves him, only sees Adrien, But Christmas miracles always happen!
Yeah, especially nowadays, those lines bothers me. Not only does it imply “true selves,” but that it’s Chat who should be getting what he always wanted and Ladybug is the one with a problem.
Like, excuse me?
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Probably Stormy Weather, even in the first episode. Ladybug and Chat Noir couldn’t even touch her until they arrived on top of the TV station.
+ With all those effects and shots, it made it feel more action-y than typical episodes.
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Marinette, Aurore, Luka, Anarka, Jagged...
basically any name that I haven’t really heard before (”Luka” makes me think of Vocaloid but the Luka there was female), or a name that relates a lot to the character (like “Aurore” for “aurora” since she loves weather things).
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dfjbghfkdgfdgnjfdg this anon really like, “I NEED ANSWERS!!!”
It’s as if these characters hit 18 or something and just grow overnight, I swear. I’m hypothetically fine with some more variety in character height (it’s not like the show tries to be realistic, after all), but maybe don’t give us official heights if they’re gonna be this weird/inaccurate.
Especially when they change it just for the sake of a shot anyway. If you watch “Simon Says” when Ladybug and Adrien stand next to each other while looking at the picture of Adrien’s mother, the very next close-up has an obvious difference in their heights from what you just saw.
They’re 3D models!!! This shouldn’t happen!
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I... honestly never thought of the “less threatening” thing! Dang!
And yeah, Marinette isn’t helpless or incompetent, but because of the Adrien crush, it makes her that way at times since she’s always falling on him and--
...ugh, actually, yeah, don’t wanna think about those implications. Hard pass.
Gross.
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I’m not familiar with that one, though Astruc deletes his tweets all the time (there was one tweet where he confirmed that Luka was poor and it only exists in screenshots now because it didn’t get archived and he deleted it almost like he realized that he was pointing out the blatant classism in the show, oops).
Yeah though, I haven’t seen anything like what you’re describing. Sorry!
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It’s okay! Sorry for having you clarify but him choosing and Marinette deciding to never give it back are very different things.
I don’t recall Chat Noir having much purpose in the final fight (in terms of both contributing and actual fighting; I know Cataclysm broke the object to release the akuma but was it needed?) so Marinette might either go cat-less or get a temp. Plagg could also be helpful in his own right because he’s small and blends in with the night, so he could hypothetically sneak up on the bad guy.
Afterwards, there’d need to be a new cat, but Adrien would also have to reconsider his actions and really think about what happened. I could also see Plagg going to Adrien’s house, half to apologize for giving the idea to Adrien that Adrien leave without telling Ladybug, but also half to call him out for giving up without consulting anyone. Adrien is a lot of conflicting things (see Adrien’s passivity compared to Chat Noir’s recklessness) so he’d have to find a middle ground within himself.
Marinette might carry Plagg around in her purse for a while and let Plagg have a say in who he goes to. Plagg might grieve for a bit over not having Adrien around (even if Adrien was flawed, Plagg didn’t ask for any of this so Marinette is doing her best here).
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O-oh.
That’s always the rough patch with “endgame ships.”  Once it’s obvious to the audience that they’re endgame, no more effort needs to be put into them.
The other thing too is how Kagami, for example, is friends with Marinette. Even once Adrimi sinks, she’ll presumably stay friends with her. Luka, meanwhile, is Juleka’s brother.
They have lives outside of their love interests. Adrien is so into Ladybug that he doesn’t have that; I mean, Nino is Adrien’s best friend like once in a blue moon.
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The entire class is just watching an episode and then calling on raised hands to answer what was wrong with what they just watched.
“Everything?”
“I mean, yes, but I’m sorry, you have to be more specific to get credit.”
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I think Aeon herself is fine. It’s mostly just her transformed and that transformed name that I have a problem with (she doesn’t even look uncanny so I don’t get it). I heard there was something wrong with the name “Aeon” but searching the name doesn’t give me anything I would qualify as such so I have no idea. I just wish she was given a little less “I’m programmed to--” (makes her seem less sentient) and more “[anything that doesn’t have to do with pushing the love square]” because I feel like they might’ve done the latter to make her more “likable”? I think fans of anything usually like the “matchmaker” character provided it’s for a ship they like. Also strange that they make her a robot but Max and Markov don’t extensively interact with her, but that’s a nitpick and not a criticism of her character.
...I’m rambling, my bad lol.
(Ohhh, she was supposed to be a mummy? Like, foreshadowing her “dying”?? That went right over my head but I guess that’d be where the name Uncanny Valley came from? No clue.)
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Best case scenario is probably the middle or the end of Season 4.
And yeah, it really doesn’t matter to me what they do with the love square. Marinette had gone through too much suffering and the show goes out of its way to show how much stress Marinette is being put under (and also keeping Luka away during episodes like “Gamer 2.0″ even when it makes sense for them to be there, as if trying to make sure Marinette doesn’t have enough moments with him to forget Adrien).
Like, ah, yes, I totally believe that Marinette is in a position where she can make reasonable decisions about her love life while all circles of her life are on fire.
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If the Sonic movie of all things can have an interracial couple, there’s no reason why this show can’t, just saying.
And, even with Marinette, she’s white-passing (according to what basically everyone says, I’m really awful about recognizing race so this isn’t my field; I wasn’t aware that Ondine was Asian, for example).
Does Nadja count? Manon’s dark-skinned (I’m still not over the fact that all the kids in this show are dark-skinned; it’s not like it’s a problem from a representation standpoint - though all the kids are also all generically bratty/whiny so there’s that - but the percentages in this show are weird) while Nadja is really light-skinned, meaning either a dark-skinned husband or Manon is adopted.
Though I guess the problem then is that we don’t know, so there’s no established couple there.
Non-Miraculous Asks:
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w-who gave you the right to say such things????
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Uhhhh, that might be too broad of a question, I’m sorry!
I know this isn’t satisfactory, but I will say that my favorite genre is Fantasy/Romance (it’s why I adore Red Shoes so much; by the way, an anon asked for my opinion on that a while back and I will get to it! I’d need to watch it again to get screenshots) and my least favorite is probably Tragedy/Horror.
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I don’t think I’ve watched enough to really be able to say? I’ve kind of been all over but I’ve never fully gone through any of them outside of Miraculous. I’ve seen bits of Sailor Moon, Tokyo Mew Mew, Star VS the Forces of Evil (don’t know if that counts), and I meant to watch Yuki Yuna is a Hero but never got around to it. I saw the entirety of Puella Magi Madoka Magica but you guys know how I feel about that one.
Maybe Cardcaptor Sakura by default then? It was definitely not perfect but I liked some of the character dynamics (I also have a clipcut of it - basically where I go through a series/movie and cut out parts I don’t like so it’s only good stuff - so I’m cheating a little) and the male love interest was a tsundere type that I actually ended up liking, which is really rare.
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!!! That sounds sweet~ I know Sailor Moon is popular so I’ll definitely take your word for it on that one.
I would also accept a “reincarnated”/”destined lovers” trope if maybe the ship themselves are the one who set it up in the first place. I have a Lukanette AU, for example, where they basically got together and then prayed to the shrine of the renewal god that they’d “always be together,” which ended up allowing them to reincarnate over and over (as if they set up their own soulmate AU ;P) and continuously find each other.
Though I guess that’s not technically a “meant to be trope,” but still, it’s a form of it but where it was totally consensual on both sides.
Also, I finally thought of a show that ended with the ship I wanted: Gargoyles. I didn’t see the entire series, mind you, but I saw most of it and Goliath and Elisa were just... quality, I adored them.
+ With Beauty and the Beast being my favorite Disney movie, they fit right in with my tastes.
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I forget that AangToph (I think the “official” name for the ship is Taang, but don’t quote me on that) exists sometimes, maybe because I’ve never shipped Aang with anyone; I’ve got no problems with the ship though.
Ugh, and this is what I mean when I talk about people who set up these reasons behind people shipping something based on what they saw a few people do. It’s like, “you only ship Adrimi/Lukanette to spite Adrienette!!”
Meanwhile, me having shipped all three at one point and then dropped off the love square.
Also, me shipping Zutara has nothing to do with it being dark/edgy because I’ve never seen it that way (intriguing, sure but dark and edgy? lol) and also avoid dark/edgy ships like the plague.
I still laugh at people who are like, “you can’t ship it because it’s not endgaaaaame!” as if shows can dictate how and why I enjoy something. Like sure, if you want to let a show/movie spoonfeed you how you’re supposed to feel, then by all means, go ahead.
I suppose people may be theoretically happier that way, but it doesn’t make for an analytic mind.
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I legitimately thought that “AssClass” must’ve been the actual name for something until it registered with me what it actually meant.
And eh, I guess it depends on the comparison and how accurate the comparison actually is? Like, comparing Puella Magic Madoka Magica to Miraculous... they’re not really close at all, but comparing... idk, Bunnyx to Homura or the concept behind “backfiring wishes”... maybe?
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(note that the rest of this post is more Puella Magi Madoka Magica salt so you can stop reading here if you’re not interested in that; I’m not sure if this is all the same anon but I don’t mind letting people vent so I let them go off~)
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why can’t we just have nice things
I agree, and I give a little eyeroll every time it’s like, “oh, this person had [miraculous]”
+ even just in general, I feel weird about any show that mentions/implies that real world famous people are [x] or [y] in their show. It breaks my immersion; real world locations are one thing but when it’s specific people (unless they’re made up characters like Santa Claus) or games just--break me.
I also don’t know what to think when there aren’t magical boys but you have these magical girls in this frilly outfits/skirts. The demographic is girls so I presume the reason must be like, “you can look pretty and still beat people up” (;P) but having so many magical girl shows without a hint of a magical boy makes me suspicious that it’s for fanservice. Sailor Moon has Tuxedo Mask but I also don’t know what that guy did outside of the meme of him doing nothing so I’ve got no clue.
(edit: I should correct myself that I’m not talking about Sailor Moon specifically; I don’t know magical girls that well, though I do know there are ones clearly intended for fanservice (you could say that for anything, to be fair, but still). It’s just that I see things like super short skirts or very “questionable” shots and I’m just like, “hm”)
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Hmmm, good question. I feel like there has to be a lot but I’m also the type who doesn’t watch a lot of TV lol. I’m just familiar with cliches and tropes and such.
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The reason I try not to use “ism”s of any kind is mostly because it’s too broad. Like, you know how the English language only has one way of saying, “I love you,” but other languages like Spanish have multiple?
It’s like that, and sometimes I think it’s too easy to throw those words out there. A “small” (possibly completely unintentional/misunderstood) offense is sexism, and then a “large” offense is called the exact same thing. I’d rather go into why something is sexist than just call it that, y’know? The only exception I make is “classism” because I feel like that’s not as... I dunno, divisive?
Anyway, for that same reason, I can’t answer firmly that, “Madoka Magica is sexist.” I will however say that it makes me uncomfortable with how the show makes out the girls being emotional because they’re young and female and then proceeds to make their life a living hell before they’re old enough to properly answer to it (I know that’s the point but that kind of makes it worse?). It doesn’t help with how all the girls have different personalities, so it’s not like you have only “crybaby girls” who are being taken advantage of; it’s basically like... all girls.
Not helped is the fact that their soul gem not only deteriorates naturally, but it can also do so faster if the girl falls into despair, which then turns them into a monster (and I know it’s kind of like an akuma thing, but the fact that it’s only girls is... I dunno, it comes off wrong?). It seems cheap that the soul gem deteriorates no matter what so it constantly needs fed even if the girl is consistently happy.
I would probably opt for the show being centered more around Kyubey being new to this or something - like, magical girls are a new thing - and then have Kyubey being surprised because they presumed that the soul gem would deteriorate naturally since “emotions are powerful but destructive to the person having them,” but then all the girls team up and help each other work out their problems. Maybe the reason magical girls are usually alone isn’t even because of the grief seed (I think that’s what it’s called?) thing not being able to be shared, but because Kyubey intentionally separates magical girls so they can’t do what the main group is doing, but Madoka is so into the idea that, “We shouldn’t have to be alone,” and so she’s constantly pulling all the girls together, which keeps them healthy.
Maybe Homura’s backstory could be that Madoka originally was more sheepish and more afraid to put herself out there, especially since she was a magical girl (who are encouraged to go it alone), which is why their soul gems were both deteriorating; they were friends but kept more of a distance, or maybe they were a team but that’s all they were. Then Madoka gives Homura the last grief seed to save her and that’s what inspires Homura and makes her see Madoka as something more than a teammate, which is why Homura actively tries to save Madoka specifically (which then encourages Madoka to want to keep everyone together as friends).
In the case that Kyubey doesn’t separate them out of concern of fRiEnDsHiP, but for another reason altogether, and then it’s ultimately their own downfall when they allow the girls to hang out and realize that it’s doing a lot of good for them.
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“cute and innocent”
That was exactly it. It’s on Kyubey’s trivia section on the Puella Magi Madoka Magica Wiki.
Before the anime's first dark plot twist aired, head writer Gen Urobuchi said on his Twitter account that the "Kyu" in Kyubey's name comes from the English word "cute". This was a lie meant to further mislead fans into thinking that Madoka Magica is an innocent happy show. In a later episode, it was revealed that "Kyubey" is, in fact, short for "incubator".
In my personal opinion, a spoiled plot can’t be “ruined” if it’s a good plot. If you told me that Kagome was trapped in the Modern era for three years and then decided to stay with Inuyasha at the end of Inuyasha, it wouldn’t/shouldn’t decrease the value when I finally see it for myself because it’s good. That’s not to say that everything should just be spoiled right out of the gate, but it’s saying that maybe your plot isn’t good if you have to rely on shock value to make it work??
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I FEEL THAT “ASSIGNING IT TO THE WHOLE GENDER” THING SO BAD. It just adds to my “the girls all have varying personalities so it’s not like Kyubey’s only after emotional crybabies or anything” salt.
I have no idea about any of the stuff about the writers so I can’t confirm or deny them. I will very much agree on the target audience thing though, especially with the whole “keeping the dark plot a secret” because really? Who is this for then? Like, the first two and a half episodes are for one demographic and then the others are--???
I dunno. Me personally, I just like feel good stories. I do like some good conflict and drama (for context, Remarried Empress is basically a webtoon that gives you things to feel salty about and then makes its own salt fic as its plot, allowing for endless streams of feels and catharsis, so I’m definitely not against drama), but there are other times where I just want to feel good watching something.
I feel like the show expects the characters to be selfless/perfect and then punishes them even though it’s their writing that’s causing them to act out. I can’t really talking about “out-of-character” but sometimes it’s just obvious where “we did this because we needed a plot/conflict.”
Like, hello? We don’t need the main characters screwing up; why can’t we just have some feel good thing where they take the day for themselves (seriously, imagine a Miraculous episode where Chat Noir actually tells Ladybug to take a couple days for herself, like maybe someone else gets the earrings for a few days as a temp while Marinette gets to breathe; IMAGINE IT). Not everything needs to be high-stakes to be interesting and you need those calmer moments so that the action-packed ones feel more intense.
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SAYAKA DESERVES BETTER.
I feel like the magical girl genre as a whole can be way more complex than it’s made out to be. I think people hear the word “magical girl” and think “cute girls in short skirts talk about girl problems and fight evil with the power of friendship and accessories.”
Ugh, just the mention of Rebellion makes me sigh internally.
Congrats on working on your own magical girl story! I hope it goes well for you!
I know it’s not technically a magical girl show, but there was also Totally Spies that Astruc worked on to some degree (I think there was some characters who were based on/a loose reference to the mains from that show but I don’t remember exactly).
The thing about the female characters suffering is that they could make for good lessons on positively directing one’s emotions (like Usagi from Sailor Moon, for example, maybe having a problem with taking her anger out on her friends, but learns that she can save that rage for the bad guys; “Gamer 2.0″ from Miraculous could’ve done that, honestly, by having Ladybug absolutely WRECK all of her gaming opponents in “violent” (cartoon violence obviously) fashion). It’s just a shame that it’s not taken advantage of.
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Sayaka??? Selfish???????
*does not compute*
(Also, I wasn’t tired of them, don’t worry! It was a little overwhelming in my inbox but it’s me who’s allowing all the asks to flow in so the blame isn’t on you lol.)
I’m not sure where this obsession came from with, “you have to be selfless and you’re not allowed to use your powers for yourself.” It’s like the world’s going to end if a character leaves to go Self-Care or something. I think what happened is that shows got this idea that promoting only the giving of others is great and it’s not important to take time for yourself (even with “Gamer 2.0,” it was still Marinette playing games with everyone else, and they treated her dedication and seriousness like a bad thing when she literally did not have time to waste and they didn’t give a reason why it was good for her to take a break, only that she should).
This usually leads to the “demonization” of characters who sport a lot of self-confidence or any sort of ego. It works on both sides; Marinette is a punching bag because of her anxiety and occasional lack of confidence, but if she had an ego as Ladybug, there are parts of the fandom who deem her “obnoxious” (i.e: “Reflekdoll”). There’s a delicate balance between “be confident” and “be humble” and it’s a tightrope act.
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