#zuko *was* a child when he believed this

[ssreeder]

I saw that other ask about Zuko ending up firelord in LIAB and I'd just like to add on to that my thoughts abt it in the original show- was it just me or did it feel really out of character for Iroh to try and push Zuko into a major leadership role at 16?? Like how did he possibly think that was a good idea, what with all the seriously heavy burdens that it would bring on to Zuko? Not to mention Zuko has had barely any chance to be a regular teenager for a second throughout the show, what with the 3 year banishment and then he's immediately pushed to be firelord.. Also the fact that firelord feels really unfitting for Zuko?? He's shown to not be a good leader. I feel like coming out of a 3 year banishment and awful childhood I don't think he'd want to be surrounded by constant reminders of his abusive father and not to mention be in the same role his *abusive father* was in... Sorry for the impromptu and slightly incomprehensible rant... this is still one of my biggest gripes in the show. Btw your writing is wonderful and im so excited for the next chapter of LIAB! Have a great day :D

Hiiii!! (here is another impromptu & very incomprehensible rant)

I think Zuko would have been a good fire lord if he was given the proper training & support. But I have to say I think it was completely in character for iroh to do that to Zuko…

I enjoy iroh but I think his character is EXTREMELY flawed & his way of helping zuko develop from a young angry hurt 13 year old boy could have been handled a lot better. Yeah yeah he isn’t zukos dad but he signed up to mentor and be there for Zuko so he could have mentored him a little more. (a lot more - I don’t think is was likely Zuko had any growth from 13-16 because he was pretty awful at season 1 and disrespected everyone including iroh and was in so much denial about his situation it was SCARY)

I could go on & on about iroh and his missed opportunities with zuko but I think irohs “Zuko will overcome and he is good inside” way of thinking is what prompted him to plop his teenage nephew on that throne even though he was like 3 days into his redemption (ok yeah it was maybe a month? Idk but not very long). The anger, sadness, self doubt, unhealthy coping mechanisms were all still there - but iroh is very…. ‘He’s got this I believe in him’

Even if it means zukos going to struggle and stumble over himself and work extra hard to try and be a good leader with (let’s face it) almost no healthy leadership experience. (5 minutes into being aangs fire bending trainer he is yelling at him. his idea of how to get aang to take training more seriously is to attack him - yeah let’s give him a fucking country! Yiiipeeeeeeee)

If iroh cared about Zuko he would hang up his tea uniform, take his RIGHTFUL place as fire lord and have Zuko become his crowned prince and start learning how to be fire lord while UNCLEEEEE took the initial burden of becoming fire lord right after the war. But nahhhh let’s invent boba or whatever he was fucking doing in BSS

*deep breath* sorry… I promise I LIKE iroh… I just….. DISAGREE with his methods.

Sorry about my rant anon haha

[shopcat]

as much as i enjoy conceptually the whole Everyone finds out how zuko got his scar tropey thing bc i agree it's a strange little knowledge gap for them to have to be happily exploited for like, patting him on the head, but i also feel like it's just like. well OBVIOUSLY it's an excuse to throw some love at him which is good and i like it but when people use it as a way to like ... have people tell him it was Wrong and Bad well that's just stupid. the literal entire point of his confrontation with ozai during the eclipse is zuko TELLING his father that himself and then leaving to follow his own path. it's one of his biggest moments as a character and IS his most defining moment of deciding to take a stand against his father. like he knows it was bad he came to that conclusion himself he literally even said it was cruel!!! "how could you possibly justify duelling a child. it was cruel and it was wrong"!!!! he doesn't need people telling him Child Abuse Is Bad Zuko like. he knows. it's kind of part of his whole arc.

[hella1975]

So so so so so normal about the Tams fire siblings like your inner child is something you are missing so bad you wish it'd hurt/you only remember that kid when you are cornered and desperate and tired and hurt, and it's like you're trying to be together in this you want to you are even, but how are you supposed to reconcile with that? Hoe can you despite all you did, all you've been through, you're still so fundamentally far away. Would it be better if you weren't?

LITERALLY like to some extent zuko and azula are still those children that are so fundamentally pitted against each other like even through all this new love and fondness and allegiance they are still being opposed by their father's hatred and what it did to them and despite all the hardship and danger that made them tough and formidable they're still just kids

[floatyflowers]

Dark Platonic! Fire Nation Royal Family x Non-bender Reader

With Ozai:

At first he didn't accept the fact that you, his youngest child, is a non-bender, and ignored your existence.

That was until he noticed how his older brother, Iroh, spends time with you, Ozai got extremely jealous.

And decided to spend time with you, only to realize that you are his favorite child, and felt like an actual father.

Yes, you can't firebend nor do you even have the ability to protect yourself.

But why would you need to protect yourself when your father is going to be the Phoenix king of the fire nation?

Ozai will burn down the world for you.

"You, my sweet child, will grow up in the presence of a very powerful father"

With Ursa:

When Ursa found out that you couldn't bend, she became overprotective of you to the point of paranoia.

Since childhood, she refused to allow you to play with anyone except Zuko.

One time, one of her handmaidens scolded you harshly for playing outside without your mother's permission which resulted in you bursting into tears.

The next day, that handmaiden was fired and Ursa made sure that she gets no other jobs.

While thinking of escaping, she thought to take you with her.

However, Ozai has forbidden that from happening.

"When you find out the truth, promise to come find me"

With Azulon

While still alive, he made sure you had the best education and guards.

Azulon also made sure to have you believe that the fire nation is without mistakes or faults.

He tried manipulating you into believing that just your loyalty to your people is enough duty.

However, you are kind, too kind.

Yet, he Azulon didn't hate you for it even if he considered a weak trait to have in the royal family.

He also still has the flower crown you made him stored away safely so it doesn't rot.

It is rumored that the last word he muttered was your name.

With Iroh

Uncle Iroh isn't really as possessive as the other characters, but he focuses on advising you from time to time.

You enjoy drinking tea with him and gossiping about everything.

Even though, Ozai has forbidden him from speaking with you, you would sneak behind your father's back to drink tea with him.

After the loss of his son in the war, Lu Ten, Iroh felt depressed.

Yet you managed to comfort him with your cheerfulness and playful attitude.

It reminded him of his son.

"The best quality in a princess is her kindness, something which your sister clearly lacks"

With Zuko

Zuko thought you would be like Azula but you have proven him wrong.

You are kind, gentle, and nurturing just like your and his mother.

That's why Zuko always found himself by your side, being your playmate...being your protecter.

His mother told him that it's his duty to protect you from danger considering that he is your older brother.

Even though Azula has never hurt you, but Zuko was always wary of her, especially after his mother disappeared.

When Ozai challenged him to an Agni Kai, you were the first to cry out and plead with him to let Zuko off, but Ozai felt jealous of your relationship with Zuko and was determined to teach his son a lesson.

However when your brother got banished, Zuko took you with him in secret not wanting you to be left with Azula.

"I know the journey will take long but once I restore my honor we can return home together"

With Azula

Azula was extremely jealous when you were born, thinking that you will take all the attention from her.

But she realized that you deserve all the attention.

You didn't treat her like a monster, you weren't scared of her.

Instead you showed her love and called her 'big sister'

You would cling to her as a toddler, whenever there was lightning, you would secretly sneak to her room and sleep beside her.

"How can you be scared of lightning, we control it, silly"

Mai and Ty Lee saw how Azula softens whenever you are around.

And when Azula discovered that you have left with Zuko, she destroyed everything in her way and burned a few servants.

"She's mine, and only MINE"

[ecoterrorist-katara]

Zutara, romance novels, and the female gaze

Okay so I’ve been thinking about the female gaze a LOT so I checked out a subreddit about romance novels, despite never having read one. I came across this meme (which was initially a Tumblr post and then got posted to Instagram and then to Reddit and I’m now bringing back to Tumblr — Internet telephone, pls never change):

And…what is The Southern Raiders, if not a platonic grovel? Katara’s pain is central to the episode. It’s central to Zuko. Zuko asks Katara what he can do to make up for his betrayal; she demands the impossible. He reads between the lines, cockblocks her brother to get the necessary information, and then waits outside her door overnight (which he also did for Iroh, the one person we know for sure he loves). He basically makes himself a receptacle for her rage, and he holds space for her by coming with her on her revenge quest and carrying their bags and not saying a damn thing about what she should and should not do beyond like…asking her to rest. And obviously the grovel works! She forgives him and then they’re thick as thieves, bantering and fighting and saving each other’s lives, etc.

On a different note, I’ve been told that enemies to lovers is one of the biggest tropes in romance novels, similar to YA lit and fanfic. Here’s something else I found in the romance novel discourse:

And…yeah. In TSR, Katara really does show Zuko her worst self, because she doesn’t feel the need to perform for him. She doesn’t feel the need to perform moral perfection OR cold blooded vengeance. She bloodbends in front of him and he just goes with it. She doesn’t kill Yon Rha and he just goes with it. He doesn’t treat her any differently afterwards. Maybe they talk about it off screen, but I kind of like the idea that they don’t, because Katara doesn’t need to explain anything. And it’s so interesting, because some people in the ATLA fandom have a totally different read on TSR. They think Zuko was encouraging Katara to get revenge (by what, keeping his mouth shut?), and that Aang is the one who acts as her moral compass. I believe that either Bryan or Mike said in the DVD commentary that Aang is the angel on her shoulder the entire time. And this interpretation does make sense if you see it from the male gaze, where Katara as an object of affection is acting in an angry, irrational, threatening way. But if you see it from the female gaze, you recognize that actually it’s probably the most emotionally taxing experience Katara has to go through, and she doesn’t owe it to be nice or perfect to anybody. Katara’s formative trauma literally comes to a head, and she has to make a decision — no, a discovery — about who she is in relation to the tragedy that defines her life and even her identity (as a waterbender, as a parentified child who becomes the mom friend, as a genocide victim), and she’s accompanied by someone who trusts her judgement and validates her feelings.

I’m not saying TSR is explicitly romantically coded, but when it conforms so well to romance novel tropes…is it any wonder that so many people thought “yes this is her man?” And then he takes lightning in the heart for her and reaches for her when he’s literally dying, I will never be normal about that either

[awakefor48hours]

I truly do not understand how we're on the mental illness site and there's still people on here that unironically believe that Azula doesn't deserve redemption arc.

Azula is a 14 year old girl who was born in the middle of a war. When she was a kid, she saw her older brother's face get mutilated and then was banish all because he mildly sassed their father. She would later go on to be very reserved and only keep certain people close, these people would later go on to betray her.

Her mental health starts to deteriorate quickly and she even gets scared at the idea of being "treated like Zuko." All of this leads up to the moment when Katara finally beats her and we get this moment

Even Katara feels bad for her.

I just don't understand how anyone can watch this scene and think she doesn't deserve to be redeemed. We are not watching a villain getting their just desserts. We are watching a 14 year old girl weep and scream in agony. She's not mad that she lost, she's terrified of disappointing her father, the only person in the series who supported her (not even Iroh supported her). Even Grey DeLise (Azula's voice actress) mentioned she can't rewatch this scene because of the raw emotion she put into this (and it shows).

Azula is not evil, she's a child and a victim of war.

[vidduality]

SPOILERS for Episode 6 of the Avatar Live Action series

AKA why this episode makes me SO grateful for this adaptation (re: the Zuko flashbacks and the Agni Kai).

----

Wow.

I admit, I was really worried at the idea that Zuko might potentially fight back in the Agni Kai against his father in the live action. I expected to HATE it, and it's certainly a bold change, but it fits in SO WELL with why Zuko is the way that he is (and why he works so hard to push down his empathy whenever Aang tries to reason with him).

The Agni Kai - Zuko obviously did NOT want to fight his father. He still tried to apologize and beg for mercy, but in the end he was just too terrified of his father to disobey a direct order.

But when Ozai left him an opening to see what he'd do with it, Zuko couldn't bring himself to actually land a blow that might burn him. Making his lack of ruthlessness the weakness that Ozai ends up mutilating him for - even straight up telling Zuko that compassion is weakness and then demonstrating by holding his own child down and lighting him on fire - adds a layer of depth that only enhances the original scene (and in another stroke of genius, we see Ozai nearly in tears himself. He's convincing himself of this lesson as well as Zuko, which was likely passed down to him by his own father). Honestly, this to me is even more heartbreaking than Ozai burning him for refusing to stand and fight. Zuko did everything his father asked and he still failed, because his family has distorted what it means to be honorable and believes Zuko's capacity for mercy to be a shameful weakness unbecoming of an heir to the throne.

The 41st Division - And here come the waterworks. Assigning the very people Zuko was hurt so severely for trying to save to his ship as it's being cast out of the fire nation (presumably forever, with the Avatar not having been seen in 100 years) is SUCH a brilliant addition. His crew resents Zuko for being stuck on this impossible mission with this bratty, angry child. And Zuko is too ashamed of his "weakness" to explain why they were assigned to him.

I can totally see Zuko's hurt at their lack of respect making him even more angry (especially after everything he went through to save them from being sacrificed), and his seemingly irrational anger at them just continuing to make them resent him more in a neverending feedback loop of anger and disrespect that's been growing and festering for 3 years.

Which makes the scene at the end when Zuko's crew finally learns about how he saved their lives (as well as why he's obsessed with the avatar, why he's banished, what his scar means and why he's trying so very hard to rid himself of empathy, even if he can never quite manage it when it counts) so much more impactful. I SOBBED when the 41st Division stood at attention and showed him their utmost respect and loyalty, possibly for the first time since they've been on that ship. Zuko's soft "what's going on?" at finally being honored by his crew is just imprinted on my brain.

The seed of the idea that his compassion may NOT actually be what was shameful about his banishment afterall can finally begin to take root.

I just, damn, I love this episode so much.

[burst-of-iridescent]

i really hate it when people act as though zuko is being selfish or self-serving in some way when he tells aang in the finale that the only choice he has is to kill ozai because a) at this point, zuko is right and b) zuko's brutal honesty here is coming from a place of fear for both aang and the world.

are we all forgetting that unlearning his own idealization of his father and realizing that ozai never had been, and was never going to be, the person zuko thought he was, was a significant part of zuko's own arc? it took him sixteen years to understand that giving ozai any grace or understanding or forgiveness was a mistake, because it would be just another tool for ozai to manipulate him with. and that's not zuko's fault, because he was an abused child growing up in an incredibly damaging environment, but it does make sense that he doesn't want anyone else, especially aang, doing the same thing.

zuko is harsh on aang here because he sees in aang the person that he used to be - the innocent, naive kid who wanted so desperately to believe that ozai wasn't a monster, that there was any shred of humanity within him at all to be appealed to. it's not a coincidence in this show so rife with parallels that aang goes to face ozai at around the same age that zuko has his agni kai. and what did it get zuko, when he threw himself at his father's mercy and counted on ozai's non-existent humanity and compassion to save him?

zuko isn't coming down hard on aang because he's angry that "aang won't do his dirty work for him" or whatever other bullshit version of this argument i've seen zuko antis make - he HAS to impress upon aang how dire this situation is because he knows better than anyone that believing for even a second that ozai can be redeemed is incredibly dangerous. aang cannot give ozai an inch because it will only be used against him (and indeed, this does happen in the final battle when aang turns down the opportunity to redirect lightning at ozai and in return ozai presses his advantage to the point where aang would almost certainly have been killed if not for rock ex-machina).

furthermore, this idea that zuko wanted ozai dead for self-serving reasons doesn't really have much basis either, because if that was the case zuko could have just killed ozai himself during the solstice. he doesn't because at that point, he still had an alternative: aang (and you'll notice his word choices never explicitly refer to what ozai's fate will be; it's only "i'm going to help him defeat you" or "taking you down is the avatar's destiny"). as with many abused children, it's likely that zuko himself didn't really know if he wanted his father dead, but when it came down to the final battle without any other viable options presenting themselves, it was something he had to resign himself - and aang - to.

zuko himself does not lack faith in others (in fact, his whole journey is about understanding that his love for and belief in humanity is a strength, not a weakness) but he's learned the hard way that having this faith in the wrong people can result in devastating consequences, especially when the stakes are so high.

i imagine it terrified zuko to see the echoes of his younger self in aang, knowing he's sending him to face his father at the height of his power. at this point, with no knowledge of energybending or any alternative way to defeat ozai, well aware that a fight with his father can only end in bloodshed, zuko has no choice but to give aang the reality of the situation: kill, or be killed and doom the world alongside you.

[illycanary]

What Aang’s Relationship With His Kids Tells Us About His Relationship With Katara

Bumi: “Oh, boo-hoo. Must've been real hard for you, flying around the world with dad, riding elephant-koi all day.”

Tenzin: “Oh, so that's what this is all about.”

Kya: “That's what it's always been about. You think you're some savior who has to carry on dad's legacy.”

Tenzin: “Who else is going to do it?”

Kya: “How about all of us?”

Bumi: “Yeah, we're Aang's kids too.”

The whole problem with this family is, Aang didn’t believe that.

Aang has a long, undeviating track record of never questioning anything he believes about the Air Nomads. Who the hell has a perfect and complete understanding of their society, government, international relations, education system, religion, morality, genetics, and reproduction at age 12? According to Aang? He does. 

The entire lynchpin of Aang’s Book 3 arc is all about how Air Nomads are pacifists and cannot ever under any circumstances harm a life. (We’re going to ignore the body count Aang’s already wracked up over the first two seasons for the sake of preserving his feelings because those were soulless NPCs or something.) 

And yet Aang never questions this…

Monk Gyatso’s bones surrounded by a pile of Fire Nation soldier bones. The picture doesn’t fit Aang’s image of Air Nomad peace and harmony, so he ignores it entirely. It NEVER comes up despite its overwhelming relevance to Aang’s internal conflict and the sorts of advice he seeks from authority figures in the third season (despite Monk Gyatso being the penultimate authority figure in Aang’s life).

Another thing Aang never questions?

There’s no such thing as a non-airbending Air Nomad. They’re just all born that spiritual. And spirituality is the golden key that unlocks bending. (Because Bryke said so.)

Despite Guru Pathik not being a bender. Despite the fact that Zhao, literal spirit murderer, is one. Despite Toph—the most un-spiritual, cynical, feet-on-the-ground-head-nowhere-near-the-clouds member of Aang’s friend group—being the most powerful bender of the lot. Despite Hama being a waterbender equal to none but Katara while completely cut off from her culture and turning her back on everything we believe about water bending’s inherent ties to community, connectedness, and love (Iroh’s words). Despite Azula mastering the god-tier lightning technique BECAUSE she’s practically dead inside and values life least of all things. Despite the fact that Princess Yue has the literal MOON SPIRIT THAT IS THE SOURCE OF ALL WATERBENDING living inside her, and yet she still somehow manages to not be a bender.

Despite the fact that Air Nomads roam all over the world, sewing their wilds oats throughout every nation, yet no airbending toddlers ever crop up in Fire Nation or Earth Kingdom preschools. 

Despite the fact that non-monogamous societies where men have multiple partners father more children and boost the population faster than in societies that favor “attached” relationships, yet the all-airbending Air Nomads still somehow have the smallest population of any ethnic group in the world. 

Despite the fact that Aang’s twin, Ty Lee, is RIGHT. THERE. with her unparalleled aura-seeing, chakra blocking spirituality and her GRAY EYES in a world where color coding is ~totally~ not a thing… *sigh* 

But nope. Air Nomad parentage = airbending child. Always.

So when Katara births a child that is… not an airbender? Not any kind of bender at all, in fact. There’s only one logical conclusion (in Aang’s mind). 

That is not Aang’s child. 

Aang never had a problem traveling with non-airbenders before. He was non-exclusionary by nature. Katara and Toph and Zuko were welcome. Sokka and Suki were welcome. The more, the merrier, in fact. Because Aang loves nothing as much as he loves an adoring audience.

Yet Bumi never travelled with Aang.

Bumi’s as old in this picture as Aang was in the first series. He had an entire decade in which he should have been the most important thing in his parents’ lives. His personality was already more or less formed (not completed, but the groundwork was laid) by the time Tenzin came along. Bumi’s inferiority issues began long before there were any airbending children around to siphon Aang’s attention for training purposes. 

Aang and Katara didn’t have another child until Bumi was on the verge of adolescence because Aang was convinced that Katara cheated. And I’m guessing it took Mr. “Let Your Anger Out, And Then Let It Go” about ten years to forgive his wife and give her the chance to get it right. (Which is at least four years longer than he gave her to forgive her mother’s murderer, in case you forgot.)

Acolyte: “Sorry, I thought you were the servants.”

Bumi: “We’re Tenzin’s brother and sister!”

Acolyte: “Avatar Aang had other children? The world is filled with more airbenders?!”

Kya: “We’re not airbenders.”

Acolyte: “Oh… I’m so sorry.”

The Air Acolytes—whose whole identity, purpose, lifestyle, and religion center around every detail of this man's life and beliefs—didn't know Aang had more than one child.

The best case scenario here is that Aang simply pretended his older children didn’t exist because he was ashamed of them and made Katara keep them shut away at all times. 

And maybe that could have worked… If Aang and Katara had ever had any privacy in their relationship. But they didn’t.

The Air Acolytes have been following Aang and Katara since the comics. They’ve been there at every step of Aang and Katara’s life together. Observing. Fangirling. Emulating. Diefying. Looking for weaknesses in the relationship because Katara was only his “first girlfriend.” 

Yet, somehow, they didn’t know Aang had three children. 

I can’t imagine a way for them not to know unless Aang actively told people, “Those aren’t my kids,” and let Katara bear the shame and stigma of having the world believe she was unfaithful. 

All because Aang couldn't entertain the idea that he was wrong about some facet of a society he never understood clearly.

[idolomantises]

One thing about ATLA I really do appreciate compared to other, more recent cartoons that try to tackle the concept of genocide and war is that the show spends a lot of time focusing on the communities that are the most victimized by it. The war is never a backdrop for these characters or played off as a joke, its a constant presence.

I remember my biggest frustration when watching SPOP was Adora very rarely actually engages with the people she's supposed to protect. at times the war feels more like an inconvenience to her than a genuine threat, because the victims of war are never given focus, just the soldiers and the royals.

it doesnt really surprise me that a lot of ATLA fans have a hard time grasping discussions around characters like iroh, zuko and azula because the show goes out of its way to show the impact of their actions. I've criticized azula fans for refusing to understand why she never got a redemption, but i notice a lot of zuko fans act like he was only doing terrible things to appease his father and not also because he genuinely believed the fire nation were in the right and has literally burned villages (hell zuko says it OUTRIGHT and fans still blame everything he does on his dad).

I don't know. its interesting. its like people really arent well equipped to handle the topic of war when it isnt used as a metaphor for child trauma and mental illness.

[zvtara-was-never-canon]

I believe Aang was right to end the war by sparing Ozai. But the only (imho) valid reason some people say he should have done it is because they wanted Aang to realize that pacifism is flawed.

I'm gonna disagree with you here, because a lot of the flaws fans talk about pacism and how ATLA in particular handles it as a concept are 99%:

1 - People being ignorant/racist and not knowing the difference between pacifist monks and "make love, not war" hippies.

2 - People being ignorant/racist and refusing to understand that there are different kinds of pacifism, even within the same cultures/people groups.

Aang is very clearly not the type of pacifist to go "You can NEVER react with ANY kind of violence towards someone else, even if it's to defend yourself/someone else" (which does exist, both IRL and in the show, just look at the owl spirit in "The Library").

We see him fight, and even be quite aggressive in said fights, in a lot of episodes. We also see he has no issues with invading the Fire Nation. More importantly, for the longest time the Avatar State was a result of him being pissed off enough at some kind of injustice that it makes him lose control, meaning he is very clearly affected by the horrors of war to the point of RAGE.

What makes him a pacifist is the way in which he doesn't WANT to lose control, doens't WANT go from aggressive to full on cruel, and, yes, wants to defeat his enemies, but not kill them.

And as I keep repeating, the show DOES make him question that last boundary he set for himself. He gets told by a past Avatar, who was also an air-nomad before anything, that, when there is such a large threat to everyone's life, including his own, he has to put aside his own spiritual needs and take a life - provided there isn't another option. But there was, so Aang took that, even after he decided that, yes, if there was no other way, he WOULD kill Ozai.

What people don't like is that Avatar, although questioning some types of pacifism, is far more interested in questioning the way people are WAY too eager to use violence to solve their issues, and, more importantly, expect someone else to get their hands bloody.

Fire Lord Sozin starts the war because he, according to himself at least, wants what's best for everyone and would like to share the Fire Nation's glory and great life with the other nations. He tries to do by invading foreign territories, killing his best friend, and commiting genocide. The fucker even has the dragons, an obvious Fire Nation symbol, to be hunted to extintion.

When Jet is angry at the Gaang for ruining his plan to free a village from the Fire Nation's control by blowing up a dam, Sokka asks "Who would be free? Everyone would be dead."

Zuko is banished because he spoke out against a Fire Nation higher-up's plan to use soldiers as fresh meat to bait the enemy into a more vulnerable position, thus assuring the nation's victory in that battle. He openly says "These men love and defend our nation, how can you betray them?"

When Zhao wants to kill the moon spirit, Iroh tries to stop him by pointing out that the Fire Nation needs the moon too (seriously, if it wasn't for Yue's sacrifice and Zhao's death, the Fire Nation would have had to create a word for "Big-ass wave that wrecks everything and kills people" like Japan did).

When Aang is deliberately trying to trigger the Avatar State because he doesn't want anyone else to die in the war, Katara, who had her life ruined by said war, is against it because while she opposes the Fire Nation, she cares about Aang and, in her own words, seeing him in so much pain and rage hurts her too. When Aang can't force himself to go nuclear, an Earth Kingdom ruler attacks Katara and makes both her and Aang, two very traumatized child soldiers, think he is going to kill her.

More importantly, when Ozai wants to burn down Earth Kingdom cities, he says "A new world will rise from the ashes, and I'll be supreme ruler of everything", to which Zuko concludes that, if they don't save the world before his dad takes over, there won't be a world to save.

And what does he say to Aang when he is about to kill him? "You're weak, just like your people. They didn't deserve to live in world, in my world."

Avatar does questions pacifism, and is critical of it on ocasion (again, watch "The Library"). But it's biggest theme is being critical of VIOLENCE, of resorting to it immediately without considering any other option and acting like it doesn't have long-lasting negative consequences, both to the person suffering it to the person inflicting it (see Azula's breakdown, Zuko's angry outburts only making him more miserable, Jeong Jeong growing to resent being a firebender, Zhao accidentally burning his own ships, etc)

The show is constantly highlighting that, yes, sacrifices need to be made for the greater good - but that CAN'T be normalized because it inevitably leads to a never-ending cicle of cruelty, as well as suffering to the one who has to do the dirty job (because lets not forget there's a big difference in how a soldier that is constantly in battle sees the war and how a king that just gives the orders but never goes into the actual combat sees the war).

The show embraces pacifism, despite knowing some versions of it are flawed, because the narratives themes are:

1 - EVERYONE is capable of great good and great evil

2 - No group has the right to impose it's own lifestyle onto others

3 - If everyone is either dead, mentally (and physically) scarred for life, or preparing to kill someone as revenge, then being killed by someone who wants to avenge that person, who will themselves be killed for revenge later, then the "greater good" you're sacrificing everything for doesn't actually exist because NO ONE will have a good life in a world that is stuck in the cicle of violence.

[rifari2037]

When , did you , Start Paring Aang and Toph and why do you pair them, Together are there similarities between the Two .?

"Do you really think friendships can last more than one lifetime?"

Unlike Zutara that I remember well when I started ship them, I don't really remember when I started ship Taang (and Sukka). But, it was long time ago because I found them so cute together.

Taang have potential, but it needs time or another season to develop their feeling. Because, while Zutara had some romantic moments, Taang didn't have moments like that so it would be forced if they ended up together in season 3 (just like canon).

Then, how could they have potential if they didn't have romantic moments?

Their connection

Aang had connection with all his master bending. Katara was there to saved him, Zuko was there to captured him. Their connection with Aang makes these two characters always face each other and had their own development.

Meanwhile, Toph wasn't in the connection between Aang with Zuko and Katara. She had her own connection to Aang. In the swaps episode, Sokka and Katara saw a vision of their past, but Aang saw a vision of Toph before even meeting her in person.

There's an interesting theory that Aang not only saw a vision of his future, but also his past. Because in Nightmares and Daydreams episode, Toph has no face in his dream. It was parallel with Avatar Kuruk's lover that her face stolen by Koh.

Instead of water, Aang was connected to earth, Toph's element. Even though earth was a difficult element for Aang at first, but it was element that Aang often used in battle after mastering it.

In final battle, earth was the element that re-opened his chakra and made him enter the avatar state.

They compliment each other

Just like fire and water, air is the opposite of earth. They are different, but compliment each other.

Air is the element of freedom. Aang is free person. He is Toph's first friend and also the one who offered her freedom, something she really wants and needs.

Earth is the element of substance. Toph is persistent person. She is the one who taught Aang to be tougher and stand his ground, something he really needs to get out of his comfort zone.

They have same vibes

Toph and Aang are still kids and they act like kids. They like to have fun. That isn't something wrong. In fact, they have the same vibe so that neither one is having fun, while the other is taking care of him.

Yes, Aang is the one who makes Katara child again, but still they don't have the same vibe. Katara has a motherly nature, so Aang's childish nature makes their relationship like mother and son.

It's different when Katara with Zuko. Zuko is more mature, so when Katara is with him, she doesn't have to act motherly. Instead, it's Zuko who look after her, brings her things, and reminds her to rest.

Their Culture

Believe me or not, I found this from Aang/Kataang stand and it made me wonder. If Katara and Aang's cultures are different, then what makes them suitable to be together?

Cultural differences actually don't matter if they can respect each other, but this is Aang's expression of water tribe culture.

Katara : Bato, it looks like home! Sokka : Everything's here, even the pelts! Aang : [Sarcastically.] Yeah, nothing's cozier than dead animal skins.

And this is Aang's expression of water tribe food

Hama : I wanted to surprise you! I bought all this food today so I could fix you a big Water Tribe dinner. Of course, I can't get all the ingredients I need here, but ocean kumquats are a lot like sea prunes if you stew them long enough. Aang : [Sticking his tongue out in disgust.] Great!

According to the post I got, Aang can wear Earth Kingdom clothing because it doesn't use animal materials. He can also wear fire nation clothing, but I don't think all types of fire nation clothing, because there are fire nation clothing made of leather.

The people of Earth Kingdom aren't vegetarian, but not all of their food from animal based. Aang doesn't seem to have a problem with their food.

Btw, Aang has problem with Fire Nation food too.

Aang : [Looking at a meat display. Disappointedly.] Oh, we're going to a meat place? Sokka : Come on, Aang, everyone here eats meat. Even the meat! [Points at a hippo cow eating a piece of meat swarming with flies.]

So, yeah, for me Aang and Toph not only have potential in the story, but also have chemistry with each other.

[starlight-bread-blog]

Three Books, Two Characters, One Story

An essay on Zuko and Katara's characters and character arcs

——————

Zuko and Katara, fire and water, red and blue, one rises with the sun, the other rises with the moon. And yet, they are similar, tied together and grew closer than they could have imagined. In this essay I will discuss Zuko and Katara's characters in Avatar: The Last Airbender. I intend to touch on their shared traits and backgrounds, on their development and on their points of convergence in their over overarching story. Now, without further ado, let's begin.

——————

The Common Ground

Zuko and Katara share their core traits and core events in their respective lives. Firstly, their loss of their mothers. Zuko lost his mother, Ursa; and Katara lost her mother, Kya. But if you ask me, it goes deeper than that. For Zuko, the loss was a loss of shelter from the cruelty of his father and the bliss of being a child. In Zuko Alone, we see how Ursa took care of Zuko, played with him, and gave him a proper childhood.

With that gone, he remained almost completely unprotected. But more importantly, he lost his childhood. (It is true that he still had Iroh, but Iroh can help to an extent. He can’t be at the dinner table when Ozai tells Zuko he was lucky to be born).

Similarly, when Katara’s mother died, something in her internalized it. As Sokka says in The Runaway:

We see Katara help fill the void many times in A:TLA. Namely in The Desert, where she takes care of the Gaang in ways ranging from giving her bending water to endangering herself to pull A\ang out of the Avatar State. Katara doesn’t like to be viewed as someone who lost her childhood, as her reaction to Sokka’s speech was to join Toph and go scamming. However, Kya’s death is an integral part of who she became. She wants to cling to her childhood, and she partly succeeds,but that speech was made for a reason. A part of it was gone with Kya.

Another parallel between their similar grief is sacrifice. Zuko’s mother left to save his life from Fire Lord Azulon’s ruthless order. Katara’s mother died when pretending to be the last waterbender of the South Pole when a Fire Nation raid came looking for her. Both of their mothers left because they protected them, saving their lives from the cruelty of the Fire Nation. In these parallel narratives, the themes of sacrifice against them are intertwined.

But beyond their grief, I believe that at their center, they are very similar. Zuko and Katara are filled with righteous anger and empathy even towards strangers. Although clearly everyone in the Gaang is a good person, doing their part in ending the war, it’s not a defining trait as it is for Zuko and Katara. In The Painted Lady, Katara insists on helping a Fire Nation village while Sokka pressures that they’ll leave to make it to the invasion, while Toph and A\ang remain natural. Her compassion clashes with the Gaang. When Sokka scolds her for being impulsive with her attempts to aid the village, Katara angrily responds with this:

Similarly, the thing that kicked off Zuko’s arc was this righteous anger. In The Storm, we learn that Zuko’s scar came from him standing up to a general who suggested sacrificing a division of rookies for an operation.

You can't sacrifice an entire division like that! Those soldiers love and defend our nation! How can you betray them?

It is their shared compassion and anger at the injustices around them that makes them and the way they interact with the world so similar. Iroh described Zuko as “an idealist with a pure heart with unquestionable honor”. How well does this describe Katara?

Moreover, it is not only their anger. They are both incredibly strong willed with how they act on their anger. In The Waterbending Master, when Katara found out master Pakku won’t teach her because she’s a girl, she didn’t give up. She challenged him, a master, to a fight to prove that she can do everything a boy can do. And Zuko’s strong will is almost over talked about. When A\ang escaped his ship, he jumped on his airbender staff. In Zuko Alone, Ursa said to him “That’s who you are, Zuko. Someone who keeps fighting even though it’s hard”.

To sum up, Zuko and Katara’s foundational events and personality traits are parallels to one another. They both lost their mother when they sacrificed themselves for them, and it marked the end of an era for them. They are both driven by compassion and righteous anger and have a strong willed personality. They are guided by their morals first and foremost. They are parallels to one another.

The Development

Zuko and Katara’s character arcs serve as parallels to each other, and bring them closer together. Zuko’s redemption arc is, to put it simply, about unlearning Fire Nation propaganda and coming to realize the horror his country inflicted on the world. In book 2 Zuko sees the harm they caused first hand, and in The Day of Black Sun he fully rejects the Fire Nation.

Zuko: Growing up, we were taught that the Fire Nation was the greatest civilization in history. And somehow, the War was our way of sharing our greatness with the rest of the world. What an amazing lie that was.

He rejects the lie that the Fire Nation is somehow helping the world - that it’s inherently good. His arc was about unlearning Fire Nation supremacy.

Katara’s arc is not as easy to pin down, but it’s nevertheless there. Her arc is about idealism, hope and a change in perspective. Katara started her journey as an idealist, the literal voice of hope in the opening, and with a black and white view of the world - the Fire Nation is evil, and everyone else is good. Throughout the show, Katara encounters both good people from the Fire Nation, and bad people from around the world of Avatar, such as Long Feng, Jet and Hama. In The Puppetmaster in particular she learns that waterbending can be just as destructive as firebending, if not more so. Her arc is about unlearning naivety and Fire Nation inferiority.

The symmetry comes from them learning to lean on the other’s view across the seasons. In book 1, they are rigid in their view. Zuko is still working a full time job tracking the Avatar, while Katara still clings to her black and white view of the world, such as when she had a conversation with a Firebender who told her firebending is inherently destructive. In book 2, Zuko becomes a fugitive and sees the Fire Nation’s horrors for himself, while Katara sees that the one safe haven from the Fire Nation can be evil too. In book 3, Zuko goes back to the Fire Nation to see that it’s not what he’d imagined at all, while Katara goes to the Fire Nation to find people just like her.

Not only are their arcs symmetrical, but they are what allows their bond to flourish. Katara can only forgive Zuko after she’d let go of her ideals, and Zuko can only seek to redeem himself in her eyes after he’d let go of his idealization of the Fire Nation. Their bond is a true testament to their arcs.

The Encounters

Zuko and Katara’s relationship carries a lot of narrative weight. Their journeys are intertwined on many occasions. For Katara, it’s significant that after Katara masters waterbending, it is Zuko whom she has to defend herself to. It’s significant that she sees humanity in Zuko, despite him being the face of the Fire Nation. It’s meaningful that she goes to find her mother’s killer with Zuko, and even bloodbends before him. And finally, it’s meaningful that she spends the 4 part finale with him.

For Zuko, it’s significant that when he truly connects with someone other than his uncle, it’s with Katara. It’s significant that he learns through Katara that revenge doesn’t always help. It’s significant that Katara is the last member he has to earn forgiveness from. And it’s meaningful that jumping in front of a lightning bolt to save Katara is his last act of redemption.

While Sokka and Zuko for instance never interact in book 1 besides some one liners, Katara and Zuko had a subplot around Katara’s necklace. Although their stories do diverge, such as most of book 2, they always return to spend the season’s finales together. They don’t drive each other’s characters forward as much as they represent milestones in each other’s stories. You cannot remove their scenes together and have the rest of the show make sense.

——————

In conclusion, Zuko and Katara’s characters follow a story of mutual suffering, personal development, and deep friendship. They have a common experience of sacrifice, sorrow, and unflinching compassion. These experiences have narrative weight because they act as development, redemption, and forgiveness catalysts, creating a connection that ultimately serves as a reminder of how far they’ve come.

[longing-for-rain]

what exactly is Aang's toxic masculinity that you're talking about? there are no examples of such behavior on his part in the show. he is not an ideal person, he is a child who sometimes behaved incorrectly, just like all the other children in the show (Katara, Toph, Sokka), and this is normal.

in addition, we see how he regrets some of his wrong actions and gets better, while Zuko does not regret his toxic behavior, doesn't apologize and doesn't face the consequences of his behavior (racist jokes about Aang, demands that Katara forgive him as if he has the right to her forgiveness, an attack on Aang to "teach him a lesson" and many other things).

Hi anon, thanks for the ask! This is a very good illustration of what I was talking about in this post when I mentioned that I feel toxic men are overlooked more often for appearing “nice” than they are for being conventionally attractive.

No examples of toxic behavior in the show? What do you call this then?

I know what I (and the law) call it:

But you see, he’s “nice” right? This is just a misbehaved child, as you put it? Yah, no. He knew better and still did it because he was possessive; this whole interaction started because he was jealous that an actress playing Katara was interested in men other than him. And the show proceeded to frame the situation in a way that made Aang sympathetic, despite being the aggressor and the one behaving irrationally. How much more “toxically masculine” can you get than that? But he put on a flower crown once so we’re supposed to think he’s a soft uwu feminine boi (even though he was absolutely enraged that a female actress played him).

I also find it very interesting that you describe Katara and Sokka as “children” while Zuko is omitted from that list despite being the same age. Are you admitting you agree he’s more mature, or are you admitting that you hold him to different standards?

But, anyways. You asked about toxic behavior on Aang’s part, which I’ll get further into now that the most egregious example is out of the way.

Let’s break down what you consider unforgivably toxic behavior on Zuko’s part and compare it to Aang’s behavior in similar situations.

1. “Racist” jokes

I’m guessing this is made with reference to the “Air Temple preschool” comment. How exactly is this racist? In context, Aang is the one trying to force his beliefs on others, and Zuko makes this comment to a) tell him to back off and b) point out that Aang is, in fact, a child who doesn’t have any business telling Katara how to feel.

This point is particularly interesting to me, because it implies that the simple fact that Zuko doesn’t agree with the philosophy of Aang’s culture makes him racist. By this logic, Aang is also racist against Katara’s culture, because he clearly disagrees with her philosophy and is openly telling her that his culture is morally virtuous over hers. And well. That’s even more believable considering Aang’s previous reactions to Water Tribe culture.

Ah, yes. Playing with a cultural artifact like it’s a toy because you were upset about not being the center of attention for once, and telling everyone how disgusting you think cultural food is, what great ways to show the supposed love of your life how much you respect her culture!

I know your response to this point would be something like “uwu but he’s a kid he didn’t knowww” ok well. The same logic can be applied to any alleged “racism” on Zuko’s part.

2. “Demanding” forgiveness

Zuko: What can I do to make it up to you?

Ah, yes. How demanding of him. He’s clearly so self-centered and only thinking about his own values and agenda here.

It’s not like he…

…told his friend how she’s allowed to process her grief and try to impose his own morals…

…or demanded to know if his crush liked him back, wouldn’t accept “no” as an answer, and forced a kiss on her…

…or told an abuse victim he was wrong to want to kill his abusive father for trying to commit a genocide…

…oh, um. Yeah. Sorry, but after actually watching the show it’s very clear to me which character doesn’t seem to regret or see the flaws in any of his actions at the end of the show, which is when all of these examples took place.

3. Training in the finale

“Attacking Aang to teach him a lesson” … wow, that’s a very dishonest way of phrasing that situation. I’m impressed, I have to say. I’ve seen lots of dumb takes from Aang stans over the years but this is a new one.

Well, luckily I actually watched the scene in context, so my reaction was the same as all the other characters’ reactions in canon when they learned the context behind this “attack”:

They agree with him. Yeah. Obviously, when nobody is taking training seriously when the world is about to literally go up in flames, you might need to do something to get their attention.

“But it was dangerous!” you might argue. Well… yeah. When magic and bending is in the equation, training in the Avatar universe has been shown to be somewhat dangerous at times. As an example, from this very same episode, Toph very nearly smashed Sokka with a giant flaming rock. That was way closer to hurting someone than Zuko was in this incident. If you’re going to fault characters for making their training exercises too dangerous, I guess Toph is mega cancelled.

Now back to Aang. What was his reaction in this situation? How did he react to the end of the world being days away? He ran away with absolutely no plan. Just like he did at the very beginning of the show.

I mean, think about it. This is a critical flaw (and toxic trait) in Aang that is literally never addressed, because he starts and ends the show the exact same way: he’s faced with a problem, he runs away from it, then he’s saved by an in-universe equivalent of an Act of God. Wowie, such great character development. Not fixing your core flaw and having a mythical plot device materialize into existence to solve your problems for you. Aang’s whole arc is a big blah, because the writing fails to address any of his flaws or have him meaningfully question any of his values.

Meanwhile, Zuko has consistently been a fan favorite because he’s the opposite. His flaws are meaningfully addressed, he does admit he’s wrong and fix his flaws, and his character shows a critically acclaimed change throughout the show. His arc is written so well that despite being a cartoon character, Zuko is widely considered the poster child for a good redemption arc across all forms of media.

So anyways, miss me with the double standards… there is a reason why Zuko is the fan favorite, and it’s not just his abs 🔥

[cecilysobsessions]

DESTINY (m.) | zuko

↬ fem!reader, protector!reader & protected!zuko

↬ genre: fluff / smut

↬ one bed trope, reader & zuko are adults (i am not writing no minors), fake dating for like one second, suggestive language, mild swearing, awkward cannon zuko, submissive zuko, typos but pretend you didn’t see them

↬ word count: 6k

↬ summary: you are hired as fire lord zuko’s personal bodyguard. being the stubborn man he is, he doubts that you can protect him. you’re going to prove him wrong. 

↬ a/n: i was upset i couldn’t find any sub!zuko fics so i said screw it and wrote one myself.

m.list

Destiny is a funny thing. And, of course, Fire Lord Zuko knows all about it. After firmly believing for so long that his destiny was to kill the Avatar, the world threw him a curve ball and he ended up joining the Avatar’s team to defeat his own father.

So when his palace staff appoints you, an experienced assassin, as his personal bodyguard, he rolls his eyes at your stupid destiny that just so happened to intertwine with his. 

When he became the Fire Lord, Azula almost immediately tried to get rid of him so that she could steal the throne by hiring you to kill him. Of course, she would have done it herself if she weren’t thrown into an asylum after their Agni Kai. However, after one of his staff overheard the conversation between you and his sister, they offered you twice as much payment as Azula did, and you couldn’t refuse the offer. Besides, what was Azula going to do? At this point she had already been taken away.

Although it seems shallow and a low blow to betray Azula because of money, you had to do what you had to do to get by. Growing up an orphan on the streets wasn’t always so good on you financially. You discovered you had a talent for stealing things for money, and even though you weren’t proud of it, it was the only way to survive. After running into some gang members who had heard about your talent, you began to work for them. Eventually you went from stealing for money to killing for it. Although it was not the life you wanted, it was the life you lived. 

So how did you end up coming to the royal palace as Zuko’s personal bodyguard with questionable work experience and blood on your hands? Simply put, you were skilled. As one of the few fire benders known to use lighting, you were pretty good at it. Being able to both generate and redirect it impressed those around you, and word went around with some saying you were even better at it than Azula. 

•••

“A bodyguard? I’m not a child; I don’t need protection.” Zuko rolled his eyes, his voice echoing through the large meeting room. 

“Nobody said you were a child,” his advisor clarified, his voice filled with anxiety. Zuko always had a short temper. 

“I can protect myself just fine. Besides, what will people think if they see the new Fire Lord with a body guard stuck to my side all the time? They’ll think I can’t handle myself.” Zuko was offended that his staff thought he needed a personal bodyguard to be near him 24/7. Sure, he was young, but he is capable. He rolled back his shoulders in an attempt to calm himself as he tried to explain his thought process. He has never been good with words, and he was already losing his patience.

“No, the people will know that you are taking your job seriously. And besides, we found an excellent fire bender that is able to both generate and redirect lighting! She’s excellent, and—”

“You already hired one without asking me first?!” Zuko cut off his advisor abruptly, his loud and stern voice rising along with the wall of fire in the room. He was already fired up and upset at the thought of having a personal guard, but the fact that his staff had already hired one without telling him first set him off. 

“Please, think about this.” his advisor’s calm and collected voice soothed his rising anger a bit. “As your staff, we are dedicated to protecting you and making sure you are safe at all times. The girl is a strong and smart bender and might even be able to teach you some things. Please, give her a chance and reconsider.” his advisor lowered his head in obedience and hoped for an answer.

After a moment of silence, with the only sound being the low flames in the room, Zuko took a deep breath and spoke. “Fine, but let me test her first. If I am able to knock her down, she leaves and you’re not allowed to hire a new one.”

•••

“He wants to fight me? Zuko?” you let out a fake laugh filled with arrogance as you stared down at his advisor. 

“Fire Lord Zuko,” he corrected you. “And well, yes. He is against the idea of having a personal bodyguard and the only way he will accept it is if you are able to fight him and not be knocked down.” the man explained, gesturing to the training courtyard outside the hallway window in the palace.

You followed his eyes and focused in on the former prince in the courtyard, eyeing his grown out hair. While you understood that Zuko wanted to make sure you were as good as his advisor said you were, you found it ridiculous. As far as you knew, he was constantly being bested by his younger sister. Although you weren’t as good a bender as his sister, you knew for sure you were better than him.

“Alright,” you shrugged as you began to make your way to the courtyard, his advisor following your steps. “Whatever makes him feel better. Wanna bet I can knock him down in sixty seconds?” a smirk grew on your face. You were not cocky in your ability, but confident. If you were being honest, you could probably knock him down in thirty seconds.

“I’m sure you can, but I’m not betting with you on whether or not you can knock the Fire Lord down in a minute. That’s inappropriate!” his advisor shushed you.

•••

Although you had seen the man from afar, you never realized how short Zuko was. You were almost taller than him (not that it mattered, it just made you feel superior when you were taller than men). 

“Your royal majesty,” you sarcastically greeted, your deep and exaggerated bow earned you a scowl from the Fire Lord. You were unsure of why you had chosen your first words to Zuko to be sarcastic and cocky, but you knew you wanted to show that you were a capable bender and not some little girl who knew how to throw a fireball. 

“Your bending better not be as horrible as your attitude,” he stared into your eyes, unamused at what you thought would be taken as a joke. “Let’s get this over with. Try and knock me down, if you can, and I’ll reconsider having you protect me.” you might have imagined it, but it seemed like Zuko didn’t believe you could beat him. You smirked, excited to prove to the royal that he was wrong and you are in fact the better bender.

“Aw, you think I can’t knock you down. That’s cute.” you winked, distancing yourself from him and taking a fighting stance, readying yourself. “Well your majesty, I’m ready when you are. Take the first move too, I’ll let you have that.” 

Zuko clicked his tongue in annoyance. “Only because I want to get this over with,” he widened his feet and took a stance, his arm coming down to shoot fire at the ground, coming towards your feet. 

As he shot his first move, you took a deep breath, rolling your eyes to show him what you thought of his predictable and easy to avoid move. Avoiding it simply, you punched the air, sending red flames towards him. But what he didn’t know was what you were going to do next. Distracted by your punch of fire, you quickly generated lighting through your fingertips, taking a deep breath before you aggressively pointed your hand towards where he was standing, making sure to miss him on purpose. As quickly as you sent the first shot of fire, Zuko saw a large lighting strike heading his way. Too slow to react and try to redirect it, your strike burned the spot on the ground next to him, the blackened spot on the ground inches from where he stood. 

“How,” he started in disbelief. “How did you generate lighting so fast?” his eyes widened as he looked at you. Still in shock from how quickly you created lighting and nearly killed him, you moved quickly, running towards him and jumping in the air and sending multiple strikes of fire at him through your hands. Still focused on how you created lighting through your fingertips with such speed, he held his arms up to block you. His attempt was sloppy and weak, and you knocked him down to the ground and stood over him. 

Zuko grunted, sitting up quickly and looking through the bright rays of sun blocking his view of you. “No way,” his hand came up to shield his eyes from the sun rays. 

“How long did that take me? Definitely less than a minute, right, Mr. Advisor?” you hollered over at the staff who was standing off to the side. You crossed your arms and stared down at the royal man below you. 

“You lasted less than a minute in this fight and I barely tried. Hopefully you’re not like that in the bedroom, Fire Lord Zuko.” you smiled down at him crookedly, a laugh escaping your lips as you started to walk off. “I’ll see you when I officially begin tomorrow, sir.” you bowed once again exaggeratedly. You couldn’t help but beam, you already knew you were going to win, but you didn’t expect to feel this good. Zuko was a handsome and talented fire bender, so something about beating him at something he is good at made you smile.

•••

It has been three years since you began to work for Zuko and he has learned three things in those three years. 

One. You never refer to him using his title as you should be doing because you apparently hate all “royal blooded bitches” as you say. But if Zuko was being honest with himself, he was pretty sure it was just because you simply didn’t want to. The staff around you always shot you looks when you yelled out his first name to grab his attention, but you never cared. He admired that about you. You didn’t care what other people thought of you, something Zuko himself always struggled with. 

Two. You were an absolute thug. What did he expect? You’re an orphan with a criminal background and a couple bodies on your list of people you’ve killed. Past Zuko would’ve thought you were some low life peasant, but that’s not what he thought of you at all. With a questionable past himself, he knew not to judge you for your past actions and choices. After all, some of his own past choices were questionable.

Three. You wear your heart on your sleeve and have a massive crush on him. So naturally, you make it known. As someone who doesn’t have a lot of relationship experience, or experience with women in general, Zuko never knew how to respond to anything you ever said to him that was even the tiniest bit flirtatious. After the breakup with his ex Mai, he had told himself to focus on his people and to stay out of relationships. When you first made it known to him that you fancied him, he thought you were joking. 

“So, Zuko,” you had begun while escorting him to a meeting. “People are asking if you’re courting anyone. You’ll need a Queen soon.”

“I’m not interested in that right now,” he sternly told you. “And besides, nobody’s interested in me at the moment.”

“Well, that’s where you’re wrong. I am.”

Zuko shook his head, pushing away the past conversation that confused him because did you actually like him and were you just casually confessing your feelings out of nowhere? Or did you only say all that because you pitied him?

She flirts with every guy here, he told himself (not true, but telling himself that helped convince him that you did not in fact like him even though you did and expressed that on multiple occasions). There was just no way you could ever like someone like him. He was easily upset, always busy with his royal duties, and only had one eyebrow. Literally. The scar his father gave him convinced him that he wasn’t handsome or in any way attractive. Who would ever want to love someone with a scarred face? 

“Zuko,” you barged into his quarters, shutting the door behind you as you interrupted his inner thoughts. “Are you ready?” you stood there, feet firmly planted on the ground like you didn’t intend on going anywhere.

“Do you not know how to knock?” he stood and looked at you, gesturing to his small luggage sitting on his bed. “I’m ready.”

The two of you were going on a secret mission (actually it was just him and technically you were just coming along to protect him) to spy on an unknown enemy of Zuko’s, most likely someone who did not want him on the throne. He had wanted to do it himself, saying that he needed to get a good look at the person who wanted to dethrone him. 

“Just because I’m your bodyguard, that doesn’t mean I’m also your servant,” you eyed his belongings. “Carry your own shit.”

•••

You and Zuko quietly arrived near the location in a close forest of the unknown person who was apparently planning to rebel and dethrone Zuko. Tightening your hood, you created a small flame in your hand and searched around for any sign of danger. It was midnight and the two of you were planning to camp here for the night before resuming the mission in the morning to search for the unknown person. 

“Stay close to me,” you instructed in a whisper.

“I know that.”

“Then come closer to me, idiot.” you aggressively grabbed onto his sleeve, yanking him closer to you as you quietly stepped around the area of trees.

“Ow, can you please be gentle?!” he complained, attempting to pull away from your gorilla grip but failing.

“Zuko, shut the fuck up.” you warned.

“I don’t take orders from you.” 

“One more word and I’ll burn the shit out of you.”

“You wouldn’t.”

“Oh yeah? Then—” in the middle of your banter with the Fire Lord, you saw a flame heading towards the two of you. Reacting quickly, you pushed Zuko behind your back and pushed away the flame with your hands before throwing a punch and firebending towards the threat.

“Who’s there? One step and I’ll burn you,” you threatened, eyes frantically searching the dark for a sign of life. 

You felt Zuko behind you, chest pressed up against your back and heart rapidly beating against your body. He was nervous and scared and if you didn’t feel his panicked heartbeat, you wouldn’t know. You had to get out of there.

“Relax little girl, I only want what’s in that satchel.” you heard a gruff voice that came from a few feet in front of you. Zuko gripped the satchel around his body, debating if he wanted to just give it up to the intruder or help you fight him. 

“You want it? Come and get it,” Zuko taunted, standing in front of you and kicking a flame towards the mysterious man. 

“Zuko!” you warned. “Get behind me!”

“You might be my bodyguard, but I don’t always need your protection.” He spoke with determination in his voice as he stood firmly, his hands in the air and ready to firebend at any second. 

“Your bodyguard is a woman?” the mysterious man cackled, jumping out of the dark and attacking Zuko with fire. 

“Yeah, and what about it?” he shot back, easily defending himself against the wannabe thief. You stepped back, wanting to see how Zuko would protect himself. They began to fight close up, engaging in hand to hand combat, which you knew Zuko was good at. You had seen him at times training and were impressed. He easily overpowers the man, knocking him out with a swift kick and turns back to you, the unconscious man laying on the ground. 

“If that were me, I would’ve beat you.” you commented.

“I know,” he responded, searching the man for any weapons. After patting him down, he takes a knife from the man’s pockets. 

“That was hot,” you said, winking at him in the dark and hoping he’d see it. You grabbed the knife from him and started walking.

Apparently he didn’t see the wink. Wonder why. “Well yeah, fire is hot.” Zuko responded. 

You did a mental facepalm. “I know fire is hot, you dumbass. I was talking about you being able to defend yourself. That was hot.” you repeated. How many times would you have to hit on this guy for him to understand you liked him?

“Oh…” he trailed off, unable to form his confusion into words. Why would you find that hot?

You sensed he didn’t know what to say, so you spoke first. “Let’s go to a nearby village and hope that we can find a place to stay there. It’s too dangerous to be out in the woods.

•••

Luckily the two of you wandered into a village not too far from the forest, and were able to find an elderly couple kind enough to house the two of you for the night. 

“It’s so late, a young couple like the two of you shouldn’t be out and about at this hour.” the woman lectured after seeing the two of you walking down the street and hurrying you in her home.

Zuko wanted to correct the woman. “We’re not a cou—” 

“Thank you for your kind hospitality. We really appreciate it. We were a little lost on our way and are traveling.” you cut him off abruptly and offered a kind smile to the lady. You grabbed his arm, squeezing it aggressively as a warning to shut up.

After showing you to their guest room, Zuko lit the only candle in the room, the low lighting barely bouncing off his porcelain skin. 

“Why did you let her think that we’re a couple?” Zuko questioned, shutting the door behind him.

“Are you stupid? It’ll be suspicious if we tell her we’re just two people traveling together. It’s easier to just pretend we’re a couple so no one questions us.” you explained, but secretly you were happy the lady called you guys a couple.

You set your bag down by the door, taking in the small bedroom. There was an open window across from the door, the bright moonlight shining into the room. Other than a dresser and a chair, a small mat that was big enough to fit two people laid in the center of the room. Eyeing the singular mattress, the silence turned into an awkward moment of hesitation between the two of you. While Zuko probably felt awkward, you were happy. The thought of snuggling up to him claiming you’re cold as an excuse to be close to him crossed your mind. You were secretly excited.

“So I guess we have no choice but to sleep next to each other,” you started, trying to hide how happy you were feeling. 

“What? I’m not going to sleep next to you!” he complained.

“Then where are you sleeping?” you questioned, gesturing to the singular mat. “There’s only one.”

“I’m sleeping on that mat. You can sleep on the chair.” he motioned to the uncomfortable looking chair in the corner. 

“What?” there was no way you were going to let him take the mat for himself. “But I’m the woman! You should let me have it.” 

He was already pulling out his sleeping bag. “You’re my bodyguard, so sleep on the chair and protect me. A man needs his beauty sleep.”

“Beauty sleep my ass,” you were beginning to grow tired and cranky and laid on the mat next to him. “It’ll be easier to protect you if I’m physically closer to you, don’t you think?”

Zuko’s eyes widened, his eyebrow furrowing in annoyance. “Whatever. Just don’t touch me.” he sighed in defeat, turning his back against you and pulling his blanket up and laying on his side his scar is on.

Your eyes trace the lines of his back muscles that are showing through his thinly made shirt. His shoulders are broad, hair covering his nape. Combing his hair behind him, you get a whiff of his shampoo. You can’t help but stare, even though he isn’t facing you. And suddenly you feel nervous. Too nervous to say anything, too nervous to do anything, too nervous to even breathe. The room is filled with silence, the only faint noise being the single candle in the corner of the room burning. What if you’re breathing too loudly? What if he can hear it? What if he thinks you’re a loud breather? 

“No weird pickup line?” Zuko’s voice suddenly breaks the silence and your inner thoughts, his voice soft and low in a careful attempt to not wake the elderly couple.

Has his voice always been laced with such sultry and sexiness? Why was he suddenly making conversation? You thought he wanted to sleep, so why is he asking why you’re not flirting with him? Does he know you’re nervous? 

“I thought you wanted to sleep,” a lame excuse, but some part of it was true.

Zuko’s body shifts and he turns on to his other side to face you, laying on his arm as his golden eyes search for yours in the dark. When he finally looks at you, you unintentionally hold your breath. The way he is looking at you makes you nervous. His eyes are staring into yours as if he’s all yours and you’re all his. As if you two are lovers and are sharing an intimate moment of eye contact before a kiss.

“The mattress is a little uncomfortable.” he whispers, his voice small and soft. 

Was he already laying this close to you? 

A beat of silence passes between the two of you, and his eyes refuse to break contact with yours. “What a spoiled royal,” was the only thing you said, you were feeling a little awkward and unsure of what to say. Normally you felt confident flirting with him, but something about tonight made it feel different.

“Of course you’d say that,” he lets out a small chuckle at your comment, his eyes moving down your body as if he is checking you out. 

“You smell nice.” you say after a beat. You don’t know what came over you. Only that you thought it and wanted to say it.

“You’ve always been so straightforward,” he says and you’re not sure if he means that as an insult or compliment. “I admire that about you.”

Zuko admires you? You always thought he didn’t think much of you, but maybe you just thought that way because he never actually voiced his opinion of you.

“These last three years have been different,” he continued. “Good different. Ever since I took the throne I’ve been busy with my duties and haven’t had much time to relax. But spending time with you and getting to know you has been really… great.” Zuko has always been a little awkward, understandable since he often does not speak about his feelings. 

“That’s it?” you laugh at his awkwardness. “Just great?”

“I think you’re amazing. Getting to know you has been so fun for me. And I’m starting to feel really comfortable around you. You make me feel safe.” 

You make Zuko feel safe? Your heart swells at that compliment. “Well, I would hope so. I’m supposed to keep you safe, too.” you joke, and his eyes light up as he smiles. Or maybe it’s just the candle.

“I’m sorry I doubted your ability to protect me. You are a talented bender and an amazing bodyguard. But I want you to know, I will always be there to protect you, too.” he whispers, voice sweet like honey as he leans closer to you, his eyes moving down to your lips for just a moment before meeting your eyes again. 

Zuko is even closer to you now, his face lit up by the moonlight. His tongue peeks out and he licks his bottom lip for a second, wandering eyes flickering down to your lips once again. 

“You look beautiful in this light,” you comment, your eyes scanning his features. 

“Are you saying I don’t look beautiful in any other light?” he asks, a teasing smile plastered on his face. 

“Yeah, you only look this good when it’s almost completely dark and the only source of light is the moon.” he laughs at your response, a low chuckle escaping his lips. 

“Can you see my scar?” he asks, insecurity in his voice.

“Yes, and it looks good. Scars build character.” As someone who’s received scars from living out on the streets and constantly getting into fights to rob people, you have a couple scars yourself. Although they may be an imperfection on the skin, all your scars tell a story and are unique to you. 

Zuko wonders if you knew that he was feeling insecure about it. He has always been insecure about it since it’s a reminder of what his father did to him, and it’s never helped that he hears people always whispering about it in the palace.

“Do you have any scars?” he asks, unsure if the question is crossing a boundary.

“A couple.”

“Can I… Can I see them?” he anxiously asks you, his voice softer and more submissive. He is afraid you’re going to say no and afraid if you do that it will be awkward.

“Do you just want to see me naked, Zuko? You could’ve just asked.” you tease.

His eyes practically jump out of their sockets. His face flushes and his embarrassment travels down to his neck, red and and feeling even more awkward and nervous than before. 

“W-What? That’s not what I meant! I was just—I didn’t mean for it to come off like that! I was only asking that because I’m insecure about my scar and—” Zuko keeps speaking, faster than before and more panicked. You chuckle, amused by how he tries to back himself up. He continues to rant and stutter a bit before you hold up your hand to shush him.

“You know, Zuko, for someone who doesn’t say much, you’re saying an awful lot right now. And you’re not even saying much. You're just rambling on and on.” you lecture, raising an eyebrow to prove your point.

“I’m just a little nervous,” he confesses.

“Why’s that?”

“Because. I can't tell if you’re joking with me when you say the stuff you say.”

“What do I say?”

“You know.”

“No, I don’t. What kind of stuff do I say to you?”

He sighs in frustration. He doesn’t want to say it. “Like, like when you called me hot… earlier.”

“You thought I was talking about the fire.” 

“Yes, and then you said that you weren’t.” he says all confused; all you’re doing is trying to get him to stop beating around the bush and be straightforward, but it’s too nerve wracking for him.

“Because I wasn’t.”

“Right,”

“Right.” you agree.

“So, then you said—you said you were talking about me.”

“I did say that.”

“Yeah…” he trails off, unable to form a sentence.

“What’s your point? What are you trying to get at?” you’re teasing him. You know exactly what he wants to ask. You know he wants to ask if you have feelings for him, but he’s too afraid you’ll say no and he’s afraid to make it awkward. 

Cute.

“I guess what I’m trying to ask is… if you, maybe, perhaps, possibly…”

“Like you?” you finish his question for him. Because if you don’t, he’ll take all night.

He stops himself from saying anything, face full of uncertainty and confusion. He stares at you, waiting—hoping that you will speak first. You have always led the conversations between the two of you, so now that he has to do it, he is lost and looking for help.

“What do you think?” you ask, turning the question on to him. You want to see what he will say. 

“I…” Zuko trails off once more. “I would hope so.” His voice is hushed, low and subtle. If you weren’t listening so closely and weren’t so close to him physically, you wouldn’t have heard him. Through his whispering, he sounds hopeful, almost as if he is asking—begging you to feel something for him.

“You would hope so?” you repeat and he nods in response. “And why is that?”

“Because… I think I would feel upset if you didn’t like me.” he confesses, taking a deep breath. He looks as if he is trying to control his breathing. Is he nervous? Turned on? Or does he just have trouble breathing?

You smirk. “Why would you feel upset, Zuko?”

A faint pout forms on his pretty lips. His eyes droop and he looks like he is about to complain. “Are you really going to make me say it?” 

You nod.

“I would feel upset because I like you. I like you more than just my bodyguard. I like you more than just a friend. I like you more than just a talented bender who can take my life with a single lightning bolt. I like you more than you can even imagine.” Zuko finally confesses, releasing a breath he didn’t realize he was holding in.

“You like me? More than you like your honor?” you joke; you don’t want him feeling so tense around you.

“Yes. A lot more.”

“Good,” is your only response before you lean in. His lips are warm and soft and inviting. You feel your loud heartbeat through your ears and it feels as if the entire world has paused just for the two of you to kiss. 

To him, your kiss is intoxicating yet sweet. Addicting, so addicting he wants more. Zuko has never felt aroused by a simple kiss until now. He tilts his head, hopeful to kiss more of you. He feels himself losing control, his thoughts are wandering yet he is still staying put, his hands to himself because even though he wants more, he doesn’t want to make the first move. You have always led the conversations, so he is hoping you will lead this kiss too. Trying to control his breathing through his nose, he can’t help but moan quietly into your mouth, heat reaching his cheeks in embarrassment. He feels you smirk against his lips, tilting your head to deepen the kiss. Your soft fingertips cup his cheek, gently caressing his scarred skin with a tender love he has never felt before. 

His hands hesitantly make their way to your waist, gently wrapping around your middle as he pulls you in closer to him. Zuko presses himself against you, desperate to feel more than just your lips against him. You feel his heart beating hard against your chest, the right grip on your waist firm. He quietly moans against you, slight whimpers being held back as he pushes himself into you, desperate for more. Desperate for something, anything.

“Ah,” he quietly whimpers, his hand grabbing at yours and holding it to his chest. You flex your hand slightly, taking the opportunity to feel his pecs. Someone has been working out. “Please,” he begins. He sounds so desperate; you’ve never heard him like this before, but you like it. “More, I want more. Please, do something.”

Zuko wraps his legs around yours, pushing his hips forward to meet yours, his body desperate for more affection and more friction. He is starting to slip, becoming more and more desperate each passing second. You can feel him through the thin material of his pants, dick hard and pressed up against your body. You take a deep breath in an attempt to calm yourself. Looking into Zuko’s eyes, you can see everything he is feeling in them. Aroused, in love, submissive, and breedable desperate. 

“Would you like to see my scars?” you ask, earning a gentle smile from him. 

“Only if you would like me to see.”

“I don’t mind.” you smile back, pulling away from him and lifting the blanket. Eyeing the wet spot on his crotch, Zuko quickly pulls part of the blanket onto his lap, embarrassed that you noticed.

“Sorry,” he says shyly.

“I’ll take that as a compliment,” you grin, sitting up and lifting part of your shirt to expose your lower stomach. “See this?” you ask. Zuko sits up with you and leans in slightly to look at your lower stomach. He can’t tell if you have been stabbed or sliced, but whatever happened, the scar looks deep and painful. “Got it in an assisination mission.”

“It must’ve hurt,” he whispers, his fingertips reaching out towards it. He looks up at you, eyes asking for permission to touch your scar. When you nod, his fingers gently ghost over the imperfection, feeling it slowly.

“Well I killed him, so he was probably in more pain than I was.” you laugh, remembering the man you killed.

“Do you have any more?” His eyes are full of curiosity, eager to learn more about your past and about your body.

“I have one on my thigh,” you tell him.

Zuko eyes your pajama pants. “You don’t have to show me. I don’t want you to feel uncomfortable.”

“Oh, so you don’t want me to take off my pants?” you joke. “I see how it is…” 

“No! Of course I would like to see. Please?” he smiles shyly, hoping you’ll say yes.

“Hmm, I don’t know… you don’t seem very desperate to see…” 

Zuko shakes his head in defeat, giving into you as he leans in. He kisses your cheek sweetly, his lips slowly moving down towards your neck. “Please,” he whispers. He leaves slow and sweet kisses, his hand coming up to your thigh to caress it. His large hand glides upwards on your thigh, nearing where you want it the most. “Please, show me…” his hand stops, gripping your thigh.

“Since you wanna see that bad, I suppose I could show you.” you begin to unlace your pants. 

“You just wanted to see me beg,” 

“Well, yes. And it was nice. I quite enjoyed it.” you laugh, kicking off your pants so you’re wearing nothing but your underwear and your top. Zuko looks, stares, admires your beauty. He looks down at the scar, smaller than the one on your stomach, but it still looks painful. 

“I got stabbed. Another assassination.”

“Did you end up killing them?” 

“Yeah, so no biggie.”

Zuko is quiet, unsure of what he should do. Should he let you talk about it, or should he ask about it? You’re quiet and he doesn’t know if that’s because you want something else, or if you don’t want to talk about it. Unsure, he leans down, his lips leaving a gentle kiss on your scar. At the same time, he eyes your underwear, a wet spot forming where he wants to kiss the most. He looks up, feeling himself grow hard again. 

“Even with your scars, you are still beautiful.” he whispers, leaning up to leave a kiss on your lips.

“I know that, Zuko. I never said I didn’t feel beautiful because of my scars.”

“Oh,” he feels so stupid. Why did he assume you felt ugly with all your scars? You were not like him. “Sorry.” 

“If you’re so sorry, make it up to me.” you smirk and lift your shirt up, exposing your breasts to him. 

His eyes begin to wander, trying to memorize the curve of your breasts and where your scar is on your stomach. Leaning down, he buries his face into your chest. He leaves a gentle kiss on one of your nipples, his hand coming up to massage the other. His entire hand wraps around your breast, squeezing and kneading as he opens his mouth around your nipple, sucking on the skin. He leaves wet kisses as his lips move down on your body, stopping to kiss your stomach scar. Laying you back down, he starts kissing your lower stomach as his fingertips tease the band of your underwear. Your hips jerk up, signaling to him that he needs to do something. Gently pulling your underwear down and off, he crawls between your legs, eager to please you. 

You spread your legs, exposing your wetness to his lips. He leans in, tongue carefully licking at you. You let a breath out, tugging on his locks to where you need him the most. He moans, almost more excited than you are and sucks on your clit. When you pull his hair, desperate for him to be tougher, he moans again, his hips grinding against the mattress in an attempt to relieve himself. Zuko pulls away for a second, sitting up in front of you. He pulls at his pants, impatiently yanking them down as he frees himself. His cock springs upwards, and he moans in relief.

“Can I touch myself?” he begs, his voice a whimper as he leans back down, face in between your legs again.

You nod and he leans back into you again, his tongue working at your clit again and sucking on it. One of his hands grips your thigh, slowly making its way to your entrance. His other hand strokes himself, his hips bucking into his own hand as his other hand begins to tease your entrance. You’re practically dripping, hips bucking up into his face as he pushes himself into you. Zuko’s fingers rub at your entrance, a mix of his saliva and your arousal allowing him to push a finger into you. He moans into you, his finger curving as he strokes himself faster. His hips desperately fuck into his hand as his lips desperately suck on to your clit. He moans, excited to please you as he also pleases himself. Feeling him moan and whimper against you and seeing him so desperate for his release he touches himself has you gripping his roots and pulling him into you. Your grip on him is strong and hurts, but arouses him more and his moans begin to grow louder.  

“Ngh, fuck,” he pants, his hand stroking his dick. “You taste so good.”

“You’re too loud, Zuko,” it’s late at night and the elderly couple housing the two of you might hear and that would be absolutely mortifying.

“I’m sorry, I can’t help it.” he moans again, pulling away to bite down on his lip. His hair has been messed up and there is a blush on his cheeks, his lips wet with your arousal and his saliva.

He leans down again, inserting a second finger and curling them, making you let out a loud moan. You cover your mouth with your other hand as the other one continues to grip his hair. He licks at you in desperation, eager and determined to make you orgasm. His long and thick fingers move in and out of you as he continues sucking at your clit, licking and tasting it as you move your hips towards him faster. 

“Ahh,” he whimpers again, moaning against you as you desperately buck your hips upwards, the vibrations of his moans and the sweet sound of his whimpers sending you over the edge. Your legs wrap around his neck and he continues to finger you, his own hips moving faster as he fucks himself. The moans you let out make him move faster, desperate to hear you as he pleasures himself. He shakes, thrusts staggered as he finishes off of your moans and your own orgasm. The only sounds in the room are your heavy breaths and Zuko’s kisses he leaves on your thigh and stomach again, making sure to kiss your scars as well.

“So…” he begins. “Do you like me? Or….”

“What?” you ask, out of breath.

“Well, you never said if you do or not.” he questions, sitting up and reaching for his bag to look for something to clean you up. 

“Oh my god,” you laugh, leaning in to kiss him. “I thought it was obvious.”

“It’s not.”

“You’re so clueless,” you smack his head playfully. “Yes, I do. I wasn’t lying the previous times I hinted at it.” 

“Good,” he breathes a sigh of relief before kissing you again.

•••

“I told you that you were too loud!” you nag Zuko, angrily shoving his shoulder as the two of of you walk down the road in the middle of the night after being kicked out of the elderly couple’s house.

“Me? You were the one who wouldn’t shut the fuck up!” he rubs his shoulder in an attempt to soothe it. You were much stronger than you looked.

“No stupid, that was you! You were louder than me and got us kicked out! See what you did!” you yelled.

“Oh, shut up! You liked it!” Zuko fires back, rolling his eyes.

••• a/n: bye i didn’t even mean to write smut it j happened 💀

m.list

[aangarchy]

Ok but the fact aang is a child. And thinks u have to forgive someone who killed ur family. I bet Monk gyatso and the others were rolling in their graves devastated they can't ever tell Aang the real deal that he would've been told when he got older.

Monk gyatso probably: NO AANG. ITS JUST ABT LETTING GO

Ah, yet another shining example of someone who missed the entire point of the show.

If you think monk Gyatso would be "rolling in his grave" (which he doesn't even have, and i'm pretty sure air nomads don't do graves anyway) to see Aang grant Ozai mercy, you have completely misunderstood what air nomad culture represents. Air is the element of freedom. Yes, it's about letting go, not having any attachments. But not having attachments also means letting go of your feelings of hatred, letting go of grudges, and not letting your feelings consume you. Aang understands that remaining angry and bitter will not bring his people back. All he can do, is try his best to preserve and protect his culture, and part of that culture is an oath of pacifism. Aang choosing to spare Ozai does not mean he forgives him, or his predecessors for what they have done to the world. Instead, he lets go of his anger and hatred towards them so he himself can be free. Maybe eventually Aang will forgive them, but i personally don't believe it's then and there.

If anything, monk Gyatso would be proud of the decision Aang made in the end. It's the ultimate middle finger to the fire nation to show that they failed at destroying the air nation. Aang is not only a symbol of hope for the other remaining nations to end the war, but also for his own culture to prevail, and keep existing in whatever limited form Aang can preserve.

I think what you're referring to is TSR, with "thinks u have to forgive someone who killed ur family", when he tried to teach Katara about letting go and forgiving. Aang wasn't doing that bc he's against Katara getting justice. If anything, he agreed Katara needed to face Yon Rah for her own closure. But he's not trying to teach Katara forgiveness so he can save Yon Rah, he's doing it so he can save Katara. He knew that if Katara went through with this she'd get consumed by hate and anger for the rest of her life. Zuko even admitted in the end that Aang was right about what Katara needed, and it wasn't killing her mother's killer. And Katara did end up forgiving someone at the end of the episode, namely Zuko. Katara still learned and accepted Aang's lesson by the end, when at first she insisted forgiveness was impossible.

Also I think you're forgetting that Air nomads swear a non violence oath. Gyatso swore this oath as well. So again, idk where you're getting this idea that Gyatso would be "rolling in his grave" to see Aang stick to this oath.