twunkydluffy - Tumblr blog

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[images ID: three images of a comic titled "one must imagine sisyphus happy" by druid-for-hire. it is a visual narrative beginning with someone with wrist pain (depicted by bright orange nerves) working at a drafting table. the reader is shown the same wrist as the person uses it for many everyday tasks such as carrying a grocery basket, pushing elevator buttons, typing, and doing dishes, until the pain dissolves all the panels into chaos. the person then performs several physical therapy exercises until the pain subsides. they sit back down at a desk with their laptop, sigh, and begin typing. a small spark of pain reappears. end id]

a fun little piece i made during the semester and submitted into our school comic anthology! (which you can buy at the Static Fish table at MoCCAFest in NYC ;] ). it's about artists and injury

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ref: @/aliyahInterlude on twitter/insta 💖⭐️🎀

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just two weeks left at the job draining my soul

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i drew my cat soup!!!!

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Lil' leg bounce animation

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Clownlifeizzo

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“Drawing techniques for the structure and appearance of the fingers when the hand is extended”

Source: Twitter

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parking lot

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Drawing clouds is so therapeutic I swear I love how customizable the brushes are for autodesk sketch book

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Javert who?

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And some of my older ones for mouse girl Monday bc why tf not baybeee 🧀🧀🧀

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Delphin Enjolras (French,1857-1945)

Self-Portrait on a Palette, 1921

Oil on wood palette

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wapeach fan art bcuz she looks like a nen user

ooh someone should give her nen abilities 0_0

(she dented her racket fucking up that question mark box)

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This is my primary ds9 takeaway

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  early morning mist in Venice - © Carsten Heyer

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The Road Goes Ever On embroidered by seejor.

“After 100ish hours of work, I’m so happy to say this beast is done!!

For the most part, I had an idea that I thought would be cool, drew it up, and transferred it to fabric (here’s the hoop pre-stitching). Prior to this piece, I’d only done florals – some from patterns I bought online (Namaste Embroidery) and some of my own design – so really I just wanted to see if I could embroider a dragon. I hadn’t been embroidering long but was feeling ballsy.

So that’s the pattern… as for color choices: the mountain, clouds, fog, and trees were entirely a product of I’d bought a bunch of floss I thought was pretty and kind of went together and figured why not give it a try. I love how the mountain came out. The gold for the text was my favorite gold I’d worked with in a sunflower piece (I have an entire floss organizer of just shades of yellow because of that piece, so the gold pieces pretty much just followed). Smaug’s colors and pose in general were inspired by an illustration of Smaug Tolkien did that I’ve always loved.

Process in general: I kind of made most of it up as I went along. I knew what effect I wanted in various sections and if I couldn’t figure out a way to make it look the way I wanted with stitches I knew, I’d go googling. The pile of gold Smaug is on is all seed stitch (I don’t know if it’s technically seed stitch, but that’s what I’m calling it) and literally caused me to set this piece down for two years.

- the implement I used to transfer the design was a Sakura Gelly Roll white pen. In a pinch, the gel ink can be removed (like when I edited out the two other mountains)

- I wore a reasonably high powered, rechargeable headlamp for a lot of this project in an attempt to have my stitches be as precise as possible. It ain’t pretty, but it worked pretty well!”