I'm Elisa, 26 Trans girl from the very center (a little bit on the east) of Spain, yet truly, what I am is an anxious mess. I kinda love a lot of things like videogames, the night sky, jolly people with beards, cats, flowers, and I guess trees too.
Titania Glyph I had the pleasure of drawing for Warframe's Community Art Pack I. This was a lot of fun, the process was a breeze! More information here.
Edeleth is my first drawing for my valentines challenge! The ship won both f!Byleth's and Edelgard's polls!
I wanted to draw something that could have happened during the Crimson Flower route, before the s-support. An almost confession that is interrupted by someone (Hubert maybe?)
I've seen pieces from this extra comic before, but never read the full thing until today. And holy shit does it hammer home just how much the story is about class.
Multiple times, when food comes up in this comic, it’s also in context of money:
I've seen this last panel on the right brought up before in context of like, dungeon meshi's relationship with fat and eating, but in the full context of the comic it really hits how much adventuring directly consumes bodies for money.
As much as this has been part of the story the whole time, showcased as early chapters 19 and 20...
It never fully hit me before how often adventuring comes down to having no other way to make money but to throw yourself into death repeatedly. To be used, whether it’s by individual selfish people (like the resurrection group that is happy to try and get Kabru's group to kill each other to get extra gold from them in chapter 32), or by the greater cog of the Dungeon Economy in general.
Which, to be clear, is all too often how things work in the real world, too. So many jobs burn through the health and lives of workers. Dungeon Meshi just makes it literal in a new way: by making the healing and resurrection, a core part to the adventuring loop, directly use fat, muscle, and energy from the body being healed.
Imagine Amazon, but if you got injured at work, they could literally burn up some of your body to get you back to working sooner. And that was seen as an advantage of the job.
And then you have Laios, thinking about eating monsters:
Not just because he likes monsters a lot. But because it would help. He says something similar in the actual manga too, during the chapter discussing his dream with the Winged Lion
Laios wants to be able to make a home for Falin. He wants to give her a place where she never has to eat alone. And when he gets a party, he wants to give them a way to eat well. And when he runs a country, well…
He wants to ensure that everyone has enough to eat.
Food is political. Food ties into class, and money. What is deemed "proper" to eat, what is a luxury, what is crass… so much of it comes down to money.
Being judged for eating what's available, when what is “proper” isn't affordable, is already a thing that happens. People forced into work that consumes their energy is already a thing that happens.
Dungeon Meshi has a lot of fantastical elements, but boy is its examination of food and class very real.
you start watching dungeon meshi and you see how marcille acts and it's like "great... another show where the girl character is fussy and dramatic and easily grossed out compared to her male counterparts :///" and then you continue watching and meet other female characters who are not at all like that and it's like "ah, she's not like that because she's a girl, she's like that because she's italian"
I don't think I could be trusted with shapeshifting powers bc I would just turn into a bear and attack things with my claws at any minor inconvenience. it would be my go-to solution for everything
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