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ETA: additions to this post (and fic recs!) are in this tag!

YOU KNOW WHAT THE BEST THING EVER IS? IT’S SOULMATE AUS LIKE GOD DAMN I HAVE SEEN SO MANY ON FFN/LJ/AO3/TUMBLR OVER THE YEARS LIKE:

the one where you only see color once you meet your soulmate(s) (so you don’t know them until you see them), and it goes away when they die

the one where you don’t know your soulmate(s) until you touch them

the one where you don'y know your soulmate(s) until you hear them speak, or hear them speak a certain word; your name, for example

the one where you get the name of the person in their handwriting on your body somewhere at a certain age

the one where the first thing they say to you appears instead

the one where you get each others’ fingerprints

the one where you get matching marks/symbols/tattoos

the one where your marks or words that change depending on what’s going on with your soulmate(s)

the one with the clock that counts down the time until you meet your soulmate(s) (multiple clock for multiple soulmates? one click until you meet them both? unexpected third soulmate showing up after the clocks drop?)

the one where when you sleep you dream of whatever they’re experiencing from their point of view until you find them, or AFTER you find them

the one where you can straight up talk to them in dreams until/after you find them

the one where you form a telepathic/empathetic link until/after you find them

the one where you share extreme physical sensation until/after you find them; if one of you hurts the other one hurts, if one of you is getting lucky the other one gets a little hot and bothered

the one where the closer you are to them the more aware of them you become, and you find them playing a hot/cold game; for instance, colors get brighter and brighter the closer you are and fade into gray when they’re too far away

the one where once you turn a certain age/one night a year you swap bodies with them for one night and you have a limited amount of time to leave/collect clues to their identity

the one where being next to your soulmate(s) can heal you from things people don’t normally heal from

the one where only your soulmate(s) can kill you (maybe you can still be killed by age/disease, maybe not, maybe you become vulnerable only after you lose your soulmate(s))

the one where reincarnation is also a thing and meeting your soulmate(s) either unlocks or erases memories or your past lives until the next one

the one where in universes with magic meeting your soulmate(s) activates your powers/unlocks more powerful magic

SOULMATE AUS WITH COMPLICATIONS:

blind characters who can’t see if the world’s in color or black and white

characters like x-men’s rogue who literally can’t touch people; characters who have been through trauma who don’t want to touch people

hard of hearing characters like clint barton who can’t hear their soulmate speak without hearing aids/at all or on the flipside characters who can’t speak; maybe it still works in sign language, or maybe it doesn’t

people who can’t read/can’t read the language the words on their body are in

characters like bucky barnes who’ve lost hands and/or had their fingerprints removed

soulmate clocks that time out in the middle of the crowd; there’s an entire craigslist category for finding who else was there that day with a clock that timed out too

famous characters speaking to or performing for a crowd and suddenly their world is in color/their clock times out/etc and every member of the audience pretends to be this celebrity’s soulmate and a cinderella type situation ensues with the finding

soulmates playing the hot/cold game and they kEEP MISSING EACH OTHER

insomniacs who rarely sleep, much less at the same time/different time than their soulmates

soulmate ot3s/ot4s/otmores where you dream in varying people’s povs every time you sleep and get super confused

people who get sick or injured and frantically search for their soulmates so they can survive

people who need to be in medically induced comas and their soulmates have to stay away so they don’t accidentally wake them up

the one where soulbonding is actually a choice and someone chooses to bond with someone they may not know or like to save their lives and have to figure out if they can unbond or if they have to live with the situation (and of course learn to love one another either romantically or not)

new souls who don’t get memories of past lives because they don’t have one and panic

muggles/people without powers who of course CAN’T get them upgraded or unlocked

COMBINATION AUS:

the one where you one or both of you have to do all three (see your soulmate(s), touch your soulmate(s), hear your soulmate(s)), or all three have to happen at least once between the 2+ of you

or it’s completely random how you find your soulmate(s): one of you gets a name and the other gets a fingerprint, one of you has to hear your soulmate and one of you has to see them, etc; particularly useful if you happen to be blind or deaf

same for characters with other disabilities/who have “complications”: they get or find a different way of finding their soulmates, not better or worse, just different

THEN THERE’S SOULMATE AUS THAT DON’T HAVE TO CONFORM TO LIFELONG MONOGAMY:

the ones where you have more than one romantic soulmate at the same time or you get a new soulmate after the first dies

the ones where people have multiple soulmates of different types and it’s color coded; a red name/mark/etc for love, a blue one for friendship, etc; for the ones where you start seeing color you get a new one for each soulmate

the ones where some people have romantic soulmates and some don’t, and those that don’t are still perfectly happy anyway, maybe in a relationship anyway, maybe not

the ones where some people have multiple romantic soulmates who may or may not also be soulmates with each other

aromantic or asexual people who have soulmates who are not and they manage to work it out

romantic and sexual people who don’t have soulmates but find happiness anyway, either with someone like them or someone not like them

SOULMATE AUS THAT EXPLORE THE RAMIFICATIONS OF SOULMATES BEING A THING:

the ones where soulmates are for everyone and get legal aid to help stay together, like if their in-laws try to keep them apart/someone risks getting deported/someone gets drafted/whatever

the ones where soulmates are super super rare and TECHNICALLY get exempted from shitty things like “people of different races/the same sex/etc can’t get married/have relations/etc” but maybe still face a lot of prejudice and they fight to get those types of awful laws lifted for everyone

agencies that exist to help you find your soulmate(s) or figure out which soulmate thing you have but some of them are just shams, bonus points for this being in a verse where the thing is exceedingly rare to begin with

people pretending to be soulmates to take advantage of the laws, for good or ill; the couple who loves just as fiercely as a soulmates who will do anything to stay together, or the shitty people who try to claim they’re mated to people who’ve rejected them so they “have” to stay together

tabloid mags photoshopping matching soulmate marks or following big legal cases where someone tries to prove or disprove that they are soulmates with someone else

soulmates in universes where they’re a rarity or rare soulmate types like ot3s/ot4s/otmores in dodging government officials because they don’t want to become lab rats

people who don’t believe in soulmates until it happens to them, or people who believe hardcore and want to find theirs but they don’t necessarily have one, or don’t have a romantic one

little rituals that make finding your soulmate more likely, like shaking hands with people as often as possible even with the cashier ringing up your groceries, repeating each other’s names after you’re introduced, etc

just give me alllll the soulmate aus ok, give me people finding each other in spite of complications, give me all the delightful plot twists, give me detailed worlds where this changes the norms, give me it working out in the end whether romantically or not, bonded or not

feel free to reblog with sources! (or MORE AUS.) a little over half of these are things i’ve seen elsewhere over time and i cannot remember where they are all from

haha or if you’re into this sorta thing you could just take pity on me and reblog it anyway this took an embarrassingly long time to type up oh my god ;;;;;;;;;

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I know tag wranglers do a lot of work connecting tags etc. Is there anything authors can do to make their jobs easier for them like trying to mostly use canonical tags or not making tag comments?

Thanks!

This is a great question, and I'll do my best to answer it but I do hope that some wranglers add on in the notes! I'm also just going to preface this with the fact that you should still tag however you like to tag. This list isn't meant to be a checklist or anything. It's just info I've picked up over the years and you can take or leave each piece as you see fit.

Okay, so the first thing that most non-wranglers should know is that wranglers see tags separately from the fic. They get a big bin full of tags to sort through and match up in the system, but they'll only see your fic and the other tags you've added to it if they decide to go look.

That's important to know because sometimes a user will tag something like [character] is so sexy and then also tag by which I mean they're a huge dork. The wranlger won't see that second tag and won't know that they're connected so your sarcastic tag will end up synned (matched up to) sexy!Character or whatever the canonical is, as if that was the meaning you were going for.

Another good thing to know is that tags can only be synned if they only have 1 idea in them. So if you tag, say, [character] is gay and autistic then the wrangler can't actually syn that to either [character] is gay or character is autistic because it only half-fits either tag. To have them synned in the database, you would need to tag those two ideas separately.

You might have already seen the post I made referencing the fact that you don't have to tag multiple versions of the same idea (unless you want to for the aesthetic) because the synning that wranglers do makes sure that tagging one idea allows users to filter for all versions of that idea. But in case you didn't know that, now you do!

Wranglers are often members of the fandoms they wrangle, but they aren't always. Sometimes they'll take on a fandom that doesn't otherwise have a wrangler because they like to do research or because they like small fandoms or for many other reasons. But that means that if you're tagging your OCs by name, you should add (OC) to the end so that they know it's not a canon character that they aren't familiar with. This is double true in huge fandoms like Star Wars where there are millions of canon characters and just as many OCs.

Wranglers don't "seed" tags in fandoms. For a tag to exist, users need to create it. The rule of thumb is at least 3 fics from 3 separate authors, but that's very much the minimum and in fast-moving or huge fandoms the bar is probably higher. Also, for brand new fandoms, it's entirely possible that they won't know you exist until you tell them. Back in January I was the first person to write in a brand new fandom so I knew I had to start the tags, and I waited until there were 25 or so works by 15 or so creators before I emailed Support because I know I have to be patient - but I'm still impatient by nature lol.

Another thing to know is that tags are kind of like proton packs - they can't cross the streams. If you put a tag in the Character field by mistake, wranglers can't move it to the Additionals. This can also work in your favour, though, because if you have a minor character or minor relationship that you want to tag because there's some kind of fandom drama happening and people want to be able to avoid them, you can tag them in the Additional Tags so that people can know they're in there, but the people who like that character or ship can still filter the Character and Relationship tags without seeing a bunch of works that don't really focus on them.

This got super long, so I'll end with your question about tag comments. I know people worry that it makes extra work for tag wranglers if you get all chatty in your fic tags but I've been reassured by more than one wrangler over the course of several years now that it's no extra work. They just shovel those tags into the gaping maw of the Unfilterable Beast - which is the same thing they do with those tags that have multiple concepts in them. If it can't be synned, then that's where they go.

(keep tagging that way, though, if you like to because that's how new concepts get created and eventually canonized)

Alright, I that's all I can think of off the top of my head, and the list was actually longer than I thought! Wranglers: please do add on with other things you wish users knew, and please correct me if anything has changed since the last time I delved into this topic!

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💥 Small Writing Habits That Genuinely Changed How I Write 💥

listen. i’m not here to sell you a productivity system or convince you that waking up at 5am will make you a novelist. i am deeply Not That Girl. HOWEVER, here are 5 chaotic little writing habits that quietly rearranged my brain chemistry:

✏️ typing BEFORE i know what happens i used to think i had to outline everything before writing. wrong. i get more done when i let the scene surprise me. just start with vibes and a line of dialogue. the rest shows up once you start moving.

🗣️ saying the scene out loud like a play no joke. talking my scenes out like a script?? life-changing. the pacing, the emotion, the rhythm of it all makes more sense when i act like i’m gossiping about my blorbos in a voice memo.

⌛ 20-minute timers (not for productivity, just to start) i tell myself “just 20 minutes.” sometimes i stop. sometimes i blink and it’s 2 hours later and someone’s been emotionally eviscerated in chapter 12. this one’s black magic. use wisely.

🕯️ re-reading my WIP like a book no editing, no judging, just reading through with snacks like it’s already published. changes how i see the pacing and emotional arcs. also reminds me it doesn’t completely suck.

🧂 leaving in the messy parts i used to delete scenes that felt “off.” now i just write a little comment like “THIS IS BAD BUT KEEP GOING.” turns out momentum matters more than vibes. shocking, i know.

anyway. tiny habits. huge mental rewiring. 10/10. highly recommend.

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Tips on Writing Breakup Scenes

✦ People don’t always cry. shocking, I know. sometimes someone just sits there like a polite zombie, nodding and saying “okay” while their soul quietly packs a bag and moves out the back of their skull. They might want to cry, but also they might just go numb and stare at the salt shaker for ten minutes. Both are valid guys.

✦ Most breakups aren’t a single moment, they’re a slow unraveling that ends in a conversation, so even if your character feels blindsided, it should still carry that surreal “I should’ve seen this coming” haze. Because breakups rarely just drop out of the sky.

✦ The dumbest details stick, like seriously, no one remembers the whole speech, but they’ll remember the scratchy napkin, the weird buzz of a light, that their ex had mustard on their cheek and didn’t notice.

✦ You can always feel a breakup coming. no one says “we need to talk” out of nowhere, because people act different right before. overly nice. extra distant. weirdly cold or weirdly warm. characters should notice that, even if they can’t quite name what it is yet.

✦ Sometimes people still love each other. like, actually still love each other. it’s not always about the love being gone, no. It can be timing, fear, baggage, a hundred other things that get in the way. let your characters say “I love you” and still not stay. It hurts and it’s real.

✦ Closure? lol. most people don’t get it. a lot of breakups end with “wait, that’s it?” or a message that never gets sent or that one thing you almost said but didn’t. There’s rarely a satisfying ending.

✦ No one speaks in perfect sentences mid-breakup. people ramble. they say sorry three times and mean something different every time. Someone’s trying to keep it light. someone else is cracking. sentences trail off. someone forgets how to use words entirely.

✦ After it’s over, people don’t always sob into a pint of ice cream. Some people shut down, some go out and party, some clean their entire room, rewatch a comfort show, or post a spicy selfie with “new era” energy. Everyone breaks differently, so let your characters be weird about it.

✦ And if your character is the one doing the breaking up, let them feel complicated... just because they’re ending it doesn’t mean it’s easy. They might feel guilty and relieved, or they might cry after. Maybe they might mourn the version of the relationship that only existed in their head.

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5 Tiny Writing Tips That Aren’t Talked About Enough (but work for me)

These are some lowkey underrated tips I’ve seen floating around writing communities — the kind that don’t get flashy attention but seriously changed how I write.

1. Put “he/she/they” at the start of the sentence less often.

Try switching up your sentence rhythm. Instead of

“She walked to the window,”

try

“The window creaked open under her touch.”

Keeps it fresh and stops the paragraph from sounding like a checklist.

2. Don’t describe everything — describe what matters.

Instead of listing every detail in a room, pick 2–3 objects that say something.

“A half-drunk mug of tea and a knife on the table”

sets a way stronger tone than

“There was a wooden table, two chairs, and a shelf.”

3. Use beats instead of dialogue tags sometimes.

Instead of:

"I'm fine," she said.

Try:

"I'm fine." She wiped her hands on her skirt.

It helps shows emotion, and movement.

4. Write your first draft like no one will ever read it.

No pressure. No perfection. Just vibes. The point of draft one is to exist. Let it be messy and weird — future you will thank you for at least something to edit.

5. When stuck, ask: “What’s the most fun thing that could happen next?”

Not logical. Not realistic. FUN. It doesn’t have to stay — but chasing excitement can blast through writer’s block and give you ideas you actually want to write.

What’s a tip that unexpectedly helped with your writing? Let me know!! 🍒

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at a conference I attended recently, a researcher pointed to the difficulty of finding material in archives because so much depends on the metadata and the terminology used to describe things changes over time. "it would be so helpful," the researcher said, "if I typed 'lesbian' into the library of congress database, it would also show me results that were categorised in the 50s, when the materials were interpreted as 'intimate female friendships'"

which is what tag wrangles at Archive Of Our Own do incredibly effectively: searching for "omegaverse" also leads to "alpha/beta/omega dynamics" and "alternate universe: a/b/o" and so on. but ao3 achieves this frankly incredible categorisation and indexing system by the power of countless volunteers putting in hours and hours of unpaid and unthanked free time, and it's completely understandable that most archives do not have that kind of infrastructure, but also how incredible that a fan-run website has better searchability, classification, and accessibility than the library of congress

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good rule of thumb if you're writing third person limited: if you yourself would not be able to see your own eyes reflect light (like unless you're literally standing in front of a mirror and flashing a flashlight at your eyes to watch the light reflect off them), you probably shouldn't have your POV character remark on their eyes reflecting light. this also applies to other things, such as saying your cheeks turn red. you can assume they turn red because they feel hot, but you probably won't be able to see them actually turning red. so just say "his cheeks burned with embarrassment," or "i wouldn't be surprised if my cheeks were bright red with how hot they felt."

this doesn't apply, of course, to parts of your body you can see: your arms, your chest, your knees, etc. but you probably won't be able to see your own face, so if you wanna ensure you don't yoink your reader out of the character's head, stick to describing your facial appearance in other ways than sight.

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I am in tears laughing. my sister sold her couch on marketplace and accidentally gave them her cat too

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good news i'm the most fuckable person at this vehicular manslaughter

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”I have this artistic idea but not the skills to achieve it to the standard I want.”

congrats! Now you have a motif! A recurring theme! A focus for your art! Something to haunt you!

Seventeen still lives of dandelions? Three hundred poems about grief? A sketchbook dedicated to your grandmother’s house? Two books trying to unravel the complexities of familial relationships?

Don’t let the fear of it not being perfect on the first try stop you from being Weird About It!

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this is so rogue but does anyone have the poetry template that went semi-viral on twitter a while back? it was designed for kids but someone gave it to their mother who has dementia and she wrote a really moving poem about her experience.

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Writing advice you're not going to like.

People sometimes send me Asks wanting writing advice.  I suck at it.  I don’t really know how I do the writing, or how one should do the writing, or what one should do to get better at the writing.  All I can ever think to say is “write a lot of stuff and you will get better at the writing.”  Which is true, but hardly a bolt from the sky.

Well, as it turns out, I do have one piece of Legit Writing Advice, and I am going to share it with you, right now.  If you were in any of my writing workshop groups at a con, you’ve heard this advice already.

Warning: you’re going to fucking hate it.  But if you do it, you will thank me.

If you have a piece of fiction you’re serious about, something you might want to actually shop around, or just something you really are into and want to make it as good as you can…do NOT edit it.

Repeat.  DO NOT EDIT.

REWRITE.

As in, print out the whole fucking thing and re-enter it, every word (or use two screens).  Retype the whole thing.  Recreate it from the ground up using your first draft as a template.  Start with a blank page and re-enter every. single. word.

I hear you screaming.  OH MY GOD THAT’S INSANE.

Yes.  Yes, it is.

It is also the most powerful thing you will ever do for a piece of fiction that you are serious about.

Now, let’s get real.  I don’t do this for most things.  I don’t do it for my fanfiction.  But if it’s something original, something I might like to get to a professional level - I do it.  You absolutely COULD do it for fanfiction.  It’s just up to you and how much time you want to sink into a piece.

You can edit, sure.  But you WILL NOT get down to the level of change that needs to happen in a second draft.  You will let things slide.  Your eyes will miss things.  You will say “eh, good enough.”

The first time I did this, on someone else’s advice, I was dubious.  Within two pages, I was saying WHY HAVE I NOT BEEN DOING THIS ALL THE TIME.  I was amazed at how much change was happening.  By the time I got to the end, I had an entirely different novel than the one I’d started with.  When you’re already re-entering every single word, it’s easy to make deep changes.  You’ll reformat sentences, you’ll switch phrases around, you’ll massage your word choice.  You’ll discover whole paragraphs that don’t need to be there at all because they became redundant.  You’ll find dialogue exchanges that need reimagining.  Whole plot points will suddenly be different, whole story arcs will reveal their flaws and get re-drawn.

You cannot get down to the fundamental level of change that’s required just by editing an existing document.  You have to rebuild it if you really want your story to evolve.  You will be AMAZED at the difference it will make.

It will take time.  It will seem like a huge, Herculean task.  I’m not saying it’s easy.  It isn’t.  But it is absolutely revolutionary.

Try it.  I promise, you will see what I mean.

*PSA: Tipsy!Lori wrote this post.  In case you couldn’t tell.

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"If my book is not perfect then-"

Then what? People will actually discuss it? fill your plotholes with fanfiction and headcanons?

People dont care about perfection. perfection is boring. if your story is perfect people will forget about it. its how we are wired. we remember the strange, the weird and all things left open.

Perfection isnt the goal, interesting is

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You don’t have to be a perfect writer to start writing. The more you write, the better you become.

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by far the funniest thing about reading fanfiction as a political professional is that I can always tell exactly who has and hasn't been to a fundraiser or gala based on how they write them

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from the archives of octavia butler