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Choices when talking to Ralsei in Deltarune feel like this

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The gamer...

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I don't think Deltarune and Dota 2 would mix very well...

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Where does the name "Eram" come from? I have no reason to think you're wrong, but I don't think I ever saw it referred to as that in game. Is it the sprite name? Did I miss something?

(Idk if it's been long enough to not have to spoiler this but just incase. Deltarune Chapter 3 and 4 spoilers)

I talked with a friend about what object Eram could be, and came up with a conclusion/theory on it

So what IS Eram...?

I think that Eram could be Kris' horn headband And it would make sense. Eram becoming a cape with horns in the Dark World if they really ARE Kris' horn headband actually kinda works for a lot of reasons Both because it makes you think that's the Shadow Mantle and because it has that sort of child whimsy where a kid would tie something to them like this to make themselves look as if they're wearing a (superhero) cape Also this door

Alongside this, it would makes a lot of sense in terms of why ERAM is connected to Ramb and why (at least assuming) they drag Ramb away Ramb belonged to Asriel. Eram belonged to Kris, so they have sort of a connection

+ If Kris wanted to be like the Dreemurrs, it'd explain why Eram's attacks are so fire-themed considering that the Dreemurrs have fire magic in UT, and DR focuses a lot on the fact it's UT's Parallel Story (probably a stretch, but worth noting)

Edit: Already said this in replies, but to those who are stating that it's JUST the Shadow Mantle, it can't be. It's just holding it

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acceptable ways to correct yourself if you misgender a trans person

“I went to the store with her–him”

“He and I–sorry she and I went to the movies”

“He’s–I mean they’re a big fan of Marvel Comics”

not acceptable ways to correct yourself if you misgender a trans person

“She really likes–oh my god I mean he, I’m so sorry, I just don’t have it down yet, you need to give me time, I mean, I’m getting it, I promise, it’s just so hard sometimes, and I don’t even know where that came from, and I’m so sorry, I really didn’t mean to, you just have to go easy on me, I’ve never done this before, it’s just, I’m getting it, it won’t happen again, it’s just hard, you get it, right?”

this has been a psa

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happy gay month everyone!

and remember:

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Op turned off reblogs

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Fuck it, I didn't want to make a post on this but it's bugging the hell out of me so let's exorcize the thought.

Lilo and Stitch is an extremely good children's movie. I've been working at a daycare for over five years now, and out of all the children's movies I've shown to an auidence of twenty or so school-age kids (i.e. between the ages of 5 and 12), the only movie that's held their attention as well as Lilo and Stitch is The Emperor's New Groove, and the only one that's held it better is An American Tail. Of those three, Lilo and Stitch has won the vote of "what movie we will watch" the most. It not only entertains kids, but emotionally captivates them from start to finish, because it very thoroughly understands how to engage children on their level. It's a smart, tightly written children's movie.

The feat of story-telling genius it pulls of lies in its ability to reach both where children's imaginations want to go and where their lived real-world experiences lie - most children's movies focus on one or the other, but Lilo and Stitch dives deep into both. On the imagination side, there's Stitch's whole plotline of being a little alien monster being chased by other weirdo aliens onto earth because they want to stop him from running amok and causing havoc (which, of course, happens anyway in fun cartoony comedy/action spectacle). On the real-world side, you have Lilo's plotline of being a troubled little girl who has an abundance of very real problems that, like an actual child, she struggles to comprehend and deal with, as well as the many adults in her life that care about her to some degree but all struggle to fully understand her. Kids want to be Stitch and run amok and cause cartoony havoc. Kids, even the least-troubled kids, relate to Lilo, because all of them have been in a similar situation as her at least once in their lives.

Balancing these two very different stories, with very different tones and scopes to their respective conflicts, is a hard writing task, but Lilo and Stitch manages to do it in a way that seems effortless with one very powerful trick. The two plots are direct mirrors to each other, complete with the characters involved in each having foils in the respective plot. To break it down:

Stitch, the wild and destructive alien gremlin who everyone has labeled as a crime against existence, is Lilo, the troubled young girl who's viewed as a "problem child" by all the adults in her life. In both plotlines, Stitch and Lilo are facing the threat of being "taken away" from the life they know because they act out, and in both plotlines, we see that this is an unfathomably cruel thing to do to them and will not actually solve the problems they have.

Dr. Jumbaa, the mad scientist who made Stitch because making monsters is what mad scientists do, and who had no intentions of ever being nurturing or parental to anything or anyone in his life, is Nani, Lilo's older sister whose parents died when she was young and now is forced to act as a parental substitute despite not being mentally or emotionally prepared for that responsibility yet. Both Dr. Jumbaa and Nani are trying to get their respective wild children in line with what society wants them to be, and both are struggling hard with it because they in turn have a lot of growing to do before they can actually accomplish that.

Pleakley, the nebbish alien bureaucrat who ends up being assigned to help Dr. Jumbaa despite being mostly uninvolved in creating the whole Stitch situation, is David, the nice but mostly ineffectual guy who's crushing on Nani and wants to help her but doesn't really have much he can provide except emotional support. Ultimately Pleakley and David prove that said emotional support is a lot more helpful than it seems on the surface, as they give Jumbaa and Nani respectively a lot of the pushes they need to become better in their parental roles.

The Grand Councilwoman, who runs the society of aliens that is trying to banish Stitch forever for his crime of existing, is Cobra Bubbles, the Child Protective Services agent who is in charge of deciding whether or not Lilo needs to be taken away from her home forever for, ostensibly, her own good. Both are well-intentioned and stern, with a desire to follow the rules of society and do what procedure says is the most humane thing to do in this situation, but both lack the understanding of Stitch/Lilo's situation to actually help until the end of the movie.

Finally, we have Captain Gantu, the enforcer of the Galactic Council who is a mean, aggressive, sadistic brute but is viewed as a "good guy" by society because he plays by its rules (well, when he knows can't get away with breaking them, anyway), who is the counterpart of Myrtle, the mean, aggressive, sadistic schoolyard bully who is viewed as a "good kid" by other adults because she plays by the rules they established (well, when she knows she can't get away with breaking them, anyway). Both Gantu and Myrtle are, in truth, much nastier in temperament than Stitch and Lilo, but are better at hiding it in front of others and so get away with it, and often make Stitch and Lilo look worse in the eyes of others by provoking them to violence and then playing the victim about it - in fact, both even have the same line, "Does this look infected to you?", which they say after goading their respective wild-child victims into biting them.

The symmetry of these two plotlines allows them to actually feed into each other and build each other up instead of fighting each other for screentime. The fantastical nature of Stitch's plot adds whimsy to the far more realistic problems that Lilo faces so they don't get too heavy for the children in the audience, while the very real struggles of Lilo in her plotline bleed over into Stitch's plot and make both very emotionally poignant. When both plotlines hit their shared climax, they reach children on a emotional level few other movies can match - the terror of Lilo being taken away from her family, and the emotional complexity of that problem (Cobra Bubbles pointing to Lilo's ruined house and shouting at Nani, "IS THIS WHAT LILO NEEDS?" is so starkly real and heart-breaking), is matched and echoed in the visual splendor and mania of the spectacular no-way-this-is-going-to-work chase scene where Stitch, Nani, Jumbaa, and Pleakley all team up to rescue Lilo from Gantu.

The arcs of the characters all more or less line up. Nani confronts her own failures to be a guardian and parent to Lilo and resolves to do better and learn from her mistakes. Jumbaa, who through most of the movie protests to be evil and uncaring, nonetheless comes to not only care for Pleakley, but more importantly for Stitch too, and ends up assuming the role he never wanted but nonetheless forced himself into from the start: he is Stitch's family. Hell, the moment that reveals this is really clever - Stitch goes out into the wilderness to try and re-enact a scene from a storybook of The Ugly Duckling, hoping, in a very childish way, that his family will show up and love him. Jumbaa arrives and, coldly but not particularly cruelly, tells Stitch that he has no family - that Stitch wasn't born, but created in a lab by Jumbaa himself. But in that moment Jumbaa is proving himself wrong - because Stitch's creator, his parent, DID show up, and did exactly what happens in the story by telling Stitch the truth of what he is. It can't be a surprise, then, that later in the movie Jumbaa ends up deciding to side with Stitch, to help him save Lilo, and to stay on Earth with his child.

David and Pleakley go from being pushed away by Nani and Jumbaa respectively to essentially becoming their partners in the family. The Grand Councilwoman and Cobra Bubbles finally see how cruel their initial solution of isolating Stitch and Lilo from their family would be, and bend the rules they are supposed to enforce to protect and support this weird found family instead of breaking it apart. Gantu and Myrtle are recognized for the assholes they are and face comeuppance in the form of comedic slapstick pratfalls. And most importantly, Stitch and Lilo both get the emotional support and understanding they need to thrive and live happy lives as children should be allowed to do. It's like poetry, it rhymes.

It's a very precise, smartly written movie. It's a delicate balancing act of tone and emotions, with a very strong theme about the need for family and understanding that hits children in their hearts and imaginations. It's extremely well structured.

...

So it'd be kind of colossally fucking stupid to remake it and start fucking around with the core structure of it, chopping out pieces and completely altering others, with no real purpose beyond "Well, the executives thought it might be better if we did this."

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To sum up: they still think that trans peoples human rights are an online conversation, and expect the series to run for 10 consecutive years.

So let's get ahead of this right now.

I propose a media-wide blackout of everything Harry Potter related when the first season is released. No tweeting about it, not even to trash it. No posting online about it at all - No Instagram stories or posts, no TikToks, no snaps, no memes on FB, not a word on here, nothing. They will not commit themselves to 10 consecutive years of something if the first season flops. They might attempt a second season, but we can shoot that down, too.

I cannot still be dealing with the hate this woman has for us in 10 years. I cannot still be having this conversation when I'm in my mid-30s. I need her to be dead & forgotten by then, or used as a cautionary tale after her death. We can revive the fandom after she has died, depending what her will stipulates will be done with her bloodmoney. Okay? Is that a good enough compromise for you? You just have to wait for her to die, and not leave her estate & bank account to anti-trans stuff, and then you can get back to loving Potter. Deal?

But in the meantime, we need Warner Bros. to see that they cannot make money from this show. We need them to lose money. We need them to lose enough money that even JKR funding the entire project won't be enough for them to take the risk. Right now, they're saying that JKR's reputation & blatant transphobia have not impacted their ability to find more than enough people to audition for the series. We need them to rethink that. We need them to see that this is not the next Marvel-length franchise to get rich on.

Since I know some of you haven't participated in a media blackout protest before, here's how it'll work:

Don't hype the series / fandom / author / cast up in the lead-up to the series being released. Don't trash it, either. Ignore it. Forget about it. || This means that they won't get good word-of-mouth rates online, which means they will need to really push advertising to get enough people interested.

Don't watch the adverts online. Don't like or comment on the videos, not even with hate or pro-trans stuff. || Engaging with online ads or videos in any way gives them positive data, because it feeds the algorithm & let's them make money from the adverts. We don't want that.

When the series is released, don't watch it. Don't talk about it. Don't tweet about it. Don't post about it. Don't tiktok about it. Don't complain about it. Don't trash it. Pretend it doesn't exist. Ignore it. Forget about it. || They need their launch to earn them money, and even if you're posting about how bad it is, or posting anti-JKR content using the show's hashtags, even if you're watching it in order to know exactly what to complain about & critique, you are still giving them money. They still earn royalties from you watching it, regardless of your intentions. They still get word-of-mouth and clout from you posting about it, even if what you're saying is negative. You know the expression "There's no such thing as bad press"? This is what that refers to. It doesn't matter if you're sharing love or hate for the franchise, because you're still promoting it by saying its name. Also, an overwhelming amount of negative press online can and does lead to other people deciding to watch it to see why everyone is complaining, and arguing about it online, all of which feeds the creators more royalties. We don't want them to earn money from this.

Spread news about other shows & films & franchises & books. Get a fandom which has been dead for 10+ years trending again. Get anime shows & Futurama & ATLA & Adventure Time & Owl House & Over the garden Wall & some really obscure franchises trending across all social media platforms. Get something from the 80s trending in the Top 3 on Twitter. Engage with fandoms you're not even part of. Get BL shows trending in Netflix's Top 5. || This will completely skew analytics online, and it will flood people's dashboards with cmenough content that they won't see promotional content for the series we are blacking out. It will also show spikee data for which genres & shows are more popular & getting more attention & more royalties.

Share media with transgender actors / directors / crew. Share media with LGBTQIA+ storylines. Share pro-trans & pro-LGBTQIA+ content. Share & donate to fundraisers which help Trans & LGBTQIA+ people. Share Trans & LGBTQIA+ history. Show & Share Trans & LGBTQIA+ positivity & love & pride. Do all of this without acknowledging the series or creator we are blacking out. || This will show overwhelmingly positive & inclusive analytics, which will prioritise showing more of the same content. This is what we want the data to show.

Do not give in to temptation to look the show up. Do not look up the cast. Do not look up the directors or producers or executives. Do not look up the soundtrack. Do not put anything remotely related to the series into a search bar of any kind. || Search algorithms still store data, and if enough people look the same stuff up, it will show positive online engagement. We do not want this.

Do not give the actors hate. Do not tag them in hateful content online. Do not abuse them & do not bully them. || This is just unnecessary.

Give the blackout a cool-down period. Continue to ignore it for at least 10 days after the launch. || This forces the show's analytics to fall into negatives. If you suddenly start engaging with something immediately after blacking out the launch, the analytics show a delayed uptake - but it still shows them that people will engage with it, and that they will make money from it. We do not want this.

After the cool down period, mock it. Remember the mocmery that the Velma show got? And you've seen the mockery of the Rachel Zeigler version of Snow White is getting? And how that is impacting the ratings for Songbirds & Snakes because people don't want to watch her, at all, in anything? That is what we need to create on purpose. || If a show gets hate, the creators can use it to feed controversial interest in the show - 'Come watch this to see why people are hating!'. It's as beneficial as positive reviews. They can recover from it. But mockery? Mockery & dismissal is far more difficult to recover from, as it does more damage to their names and reputation. People do not want to be associated with a project which was mocked after it lost them a lot of money. Audiences are also much less likely to engage with a series which has been publicly mocked, compared to hated.

Only mock it for the same amount of time as the cool-down period. || This prevents the series from getting a large spike in analytics.

After this, ignore it. Move on. Talk & post about other stuff. Watch other stuff. || This will result in the show's analytics returning to negatives, and remaining there.

This is a strategy which is proven to work. It has worked for multiple franchises. It is behavioural analytics. It will work for this, but only if we commit to it & get enough people taking part.

All we have to do is:

Do not watch the HBO HP series

Do not post about it online

Ignore it

Do not play, stream or buy any games related to HP

Do not rematch the movies on a streaming service - JKR will still earn royalties from that

Do not post about JKR during the media blackout

Share pro-trans & pro-LGBTQIA+ content & history instead

Support trans creators & actors

Mock the series after the cool down time & then move on

Stick to this method. It WILL work.

And to dispute any attempted justifications for engaging with it:

"But she won't be involved!" || She is listed as an executive producer for the show

"But it's not the actors' fault!" || Actually, it is. The adult actors should know better than to involve themselves with this franchise, and the child actors' parents should know better than to exploit their children's desire to be famous &/ or their love of the series, because the adults should be socially aware enough to know that this franchise will harm their children in the long run.

"But what about my childhood nostalgia!" || What about trans people's human rights & dignity? What about trans children who don't think they'll make it to 18? What about the fact our Prime Minister is selling out transgender rights of his people for Trump? Wht about all of the trans people in the UK who are now facing the possibility of losing more of our rights? What about all of the little trans girls & boys & envies who saw those TERFs celebrating stealing their legal right to identify as their gender, with champagne on national TV? What about trans children who won't be able to go on 100% reversible hormone blockers because JKR funded the vitriol which made them illegal? What about all of the trans women & girls who just lost their legal rights this week? What about our right to legally exist? What about privacy rights and medical & legal autonomy for women & afab people in the UK? What about all the trans people who just watched 21 years of work & progress go down the drain in one afternoon? Are we not worth as much as one of the many memories of your childhood?

Nobody is saying you're not allowed to watch the DVDs or pirate it or read the books or listen to CDs or records of it. Just do not use streaming services for any of it, do not use YouTube, do not talk about it on Twitch & don't post about it online.

We need this franchise to die. We need the producers to see they can't make enough money from this to justify continuing it after the first season. We cannot still be having this argument in the mid 2030s.

We need to get ahead of this right now and stamp the fire out before it kills more trans people.

You understand that buying a Tesla = supporting the Elongated Muskrat & Trump. You understand that buying McDonald's or Starbucks funds Isreal & harms Palestinians. You understand that watching Sandman supports Neil Gaimen. You understand that watching Aquaman funds Amber Herd.

So why is it so hard for you to apply that exact same logic to JKR, when you can see the harm she is causing in real time to real people?

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my rage increases with everything i hear about the live action lilo and stitch

what do you mean nani gives up custody of lilo.

what do you mean no jumba redemption— and he’s the twist villain???

what do you mean no pleakley in drag.

what do you mean no nani and david romance subplot.

what do you mean no gantu.

what do you mean no ugly duckling scene.

what do you mean no anti-tourism theme.

what do you mean jumba just sounds like some random american guy.

what do you mean cobra bubbles isn’t the social worker

not to mention nani’s actress being in brownface.

and more than anything— showing an indigeneous family being separated by the government, and having it be shown as a “happy ending.” the original ending was perfect. nani kept custody and gained a support system.

disney’s rise in conservatism is showing bigtime

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Omg Ralsei haaiiii :з

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This was an important point in my Lilo and Stitch post, but I've seen other people completely misconstrue the criticism around Nani's choice so here we go

Going to college and raising your sister are NOT mutually exclusive choices. While she wouldn't be able to go to California, being Lilo's official guardian does NOT prevent Nani from getting a degree to achieve part of her dream

Nani is allowed to have her own life and dreams, but it needs to be remembered that Lilo is an important part of that

There is no reason why it had to be a choice

The original already had Nani gain a bit more freedom after Jumba and Pleakley become part of the family. They could've just expanded Nani's character by stating that now that she has more people in her life, she's decided to reconsider going to college in addition to taking care of Lilo because they're willing to share some of the responsibility

I keep focusing on this point for a reason. Nani didn't need to pick one over the other. She could've had both. And keeping custody is not just a piece of paper. It's to make sure that no one else can just move Lilo to the heart of Texas and force Nani to watch that happen because she has no legal right to her safety or well-being. Whether or not her adoptive family would do that is irrelevant. It's the principle of protecting your family

Better ending: Cobra Bubbles, and/or Nani's old surfing coach help her get a scholarship to a Hawaiian university on a work/study program. She gets to attend classes and get a paycheck as a coaching assistant. Jumba, Pleakley, David, and new neighbor offer to take turns watching Lilo so Nani has the time to do it. Having Stitch is extra protection. She is never forced to surrender custody because the support system around her allows her to HAVE IT ALL

And Nani should be allowed to have it all

People aren't mad because Nani went to college but because they made it seem like Lilo was the burden holding her back. Pass it on

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I don’t care for tagging spoilers for the Lilo and Stitch remake because I want people to get spoiled so that they don’t see it. They don’t need to waste their time and money, just like how I didn’t waste mine and I’m grateful for it. Don’t give your money to literal propaganda that says “Hey, maybe you should give your family up and leave your native homeland !”

Nani gives Lilo to the foster care system but she’s being fostered by David’s grandmother so that’s their way of saying “See, she might be in the system but she’s with David’s family !” even though that didn’t make it any better

Nani leaves Hawaii and goes to college in California, the aliens give her a portal so that she can technically still see Lilo whenever she wants but people native to Hawaii can go to college for free so there’s no reason for her to leave Hawaii, they did that shit on purpose

Gantu isn’t the villain anymore, Jumba is, which doesn’t make sense because Jumba was also a criminal and loved his creations and only hunted Stitch to get his sentence reduced before he and Pleakley joined Lilo’s family as her aunt and uncle

There’s no aunt Pleakley or uncle Jumba

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I am spoiling the live action Lilo & Stitch. And I am doing it up front and plainly.

Do not fucking see this movie. Do not waste your money on this. Period.

They made Nani give Lilo up to the American government. They made Nani LEAVE Hawaii and pursue being a marine biologist. They made a native Hawaiian character give up her sibling to pursue a dream that she originally did not have. This is imperialist propaganda at its FINEST.

The original fucking movie is about family staying together. It's about indigenous people being able to stay with each other and stay in their home and be together! That's the whole fucking point! Nani is Lilo's last living relative on her homeland—it is jarring, it is disgusting and disturbing that Nani would not only leave her last blood relative alone, give her up to the very government that is harming native Hawaiians TODAY, but also travel to the "mainland" for her dream!

Not to mention, Nani's actress isn't fucking Hawaiian. She's much paler in photos and real life. They fucking darkened her for this movie.

Don't even get me started on the transgender subtext of Pleakley's "human" disguise from the original movie being completely erased in favor of him being played by a regular ass white man. Jumba doesn't have his accent, they made him more villainous, and his "human" disguise is a non-fat white man—which part of his original joke, I know, is that he was bigger and was more clumsy in the movie because of his size, but to have the main shape of his character completely removed is also fucking weird.

This live action movie is a desecration to the original. I encourage you to not see it, please. Don't give Disney any of your money on this one. Just watch the original. Please just watch the original.

The new message in the live action movie is disturbing and gross.

This is one of the most disrespectful live actions I've seen and heard of. I implore you to not watch it.

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I fucking despise when things fake being higher quality than they are. I don't mean like slapping a slightly misspelled brand name onto an identical non-designer product for purely aesthetic reasons I mean like rivets or thread that are actually glued down rather than punched or stitched. Fake pockets on jeans that are actually just an extra seam. Heavy looking chain that's plastic or very soft flimsy metal rather than anything sturdy. I bought boots which looked like they had a stitched sole 8 months ago and lo and behold the glue holding the sole on is revealing itself by falling apart. You PUT a STITCH IN THERE. YOU HAD THE NEEDLE AND THREAD. AND YOU DIDNT ACTUALLY STITCH DOWN THE FUCKING SOLES. Oh it makes me so mad. Cheap cunts taking the aesthetics of durability or practicality while handing you a product that won't last you the year