peeking through gold dusted curls, she sneaks down corridors, her step but a whisper, in nothing but a satin sheet of the pharaoh, whose slave labour gave her life.
Don't wanna be here? Send us removal request.
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Ruth Asawa creating her interactive wire works.
Image: Nat Farbman/Time & Life Pictures © GettyImages
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Ruth Asawa sketchbook drawings (from the book Ruth Asawa Through Line — see more here)
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Ruth Asawa (American, 1926-2013) - Untitled (Dancers, BMC.107) (ca. 1948-1949)
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"RUTH ASAWA, SCULPTOR" IMOGEN CUNNINGHAM // 1952 [gelatin silver print | U/D]
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Marguerite Duras, from The Easy Life
Text ID: I was no one, I had neither name nor face. Moving through August, I was: nothing.
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I'm currently reading Prisoner of Love (1986) by Jean Genet, which is a memoir about his time spent in Palestine and with the Black Panthers. This is a quote from a Palestinian man whose monologue about Palestine's treatment by the West Genet has written down.
(Caveat for anyone interested: Genet's morals and thematic obsessions are very weird and not at all straightforward, nor are they totally altruistic. Not that he's attempting to exploit either group in any underhanded way, more that his reasons for support are based in his strange personal ideology rather than a true belief in their causes.)
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Uchiwa-e 団扇絵 - peintures sur éventail de
Utagawa Hiroshige 歌川広重 (1797 - 1858).
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Kineo Kuwabara. Asakusa Park, Asakusa Ward, 1937.
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The Studio Wall, 1872 by Adolph von Menzel (German, 1815–1905)
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The Independent Record, Helena, Montana, January 3, 1926
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Más allá del amor, from La Esfera Magazine by Manuel Bujados (Oct. 1915)
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Cats with entwining tails. The great small cat, and others. 1914. Chapter header.
Internet Archive
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