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writing tip #3827:

start

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Y'all don't know SHIT about doomed Yaoi

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guys i fucking love starkid

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this comment made me take psychic damage

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She's petty but she may have a point, Adrien.

Epilogue - Reflekdoll Part 5 First < Previous > Next Season 1, Season 2, Season 3, Season 4, Season 5 Ep 41, Ep 42, Ep 43, Ep 44 Ep 45, Ep 46, Ep 47, Ep 48, Intermission, Ep 49, Ep 50, Ep 51, Ep 52, Ep 53

Ko-fi

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episode 1:

episode 30:

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tragedy that i haven't seen anyone post this clip from the latest make some noise

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Imagine for a moment you’re one of Lou Wilson’s new neighbors. This guy moves in driving the joker-mobile. He gives you his number and when your call goes to voicemail you’re treated to a full gospel choir. One day you catch a glimpse through his window and he’s just scratching hundreds of scratch-off lottery tickets. He owns two jet skis.

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he's free now

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vic michaelis, the madlad that you are

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Sure, Paul might be Pokey's trophy, as he's the titular guy who didn't like musicals, but Emma is the one Pokey hates the most.

The opening number (and Emma's presence in it) points to the entirety of TGWDLM being an in-universe musical to lure new members to the hive (in the form of us, the audience). So Emma and Paul are only being puppeted to echo their resistances, over and over and over.

Paul is distressed the whole time, but he's also a hero, he tries to save everyone (and fails, of course), while Emma is left to bleed and limp and scream. She's puppeted in a mockery of her fear and agony. Other deaths are bloodier, but hers is drawn out.

And this makes perfect sense for Pokey. What's the main thing we know about him?

He hates any voice that isn't his own.

Paul is outspoken about disliking musicals, but otherwise is a pretty passive guy. He doesn't make waves or stand out, he's too shy to even ask Emma out until the end of the world.

Emma is loud, opinionated, defiant. She has a very distinct voice.

Paul escapes Pokey for so long because he just doesn't like musicals, helping him avoid the traps that probably caught most of the townsfolk early on. If he liked musicals, or even tolerated them, he'd probably have been consumed by the goo pretty quickly.

Emma actively defies the hive. She starts the story in a job where she is literally required to sing and dance, and instead of just going with it she says fuck you and quits. She even clarifies that she could do it if she wanted, but she just doesn't want to.

Pokey has constructed the entire show to lure in new victims and also torture Emma specifically. In this essay I will

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Got reminded again of my old coworker who was a massive misogynist but also trans inclusive. Told me he believed trans women are indeed women because "only women would be stupid enough to want to be women"

I wonder what he's doing now

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i need feminism because when jesus does a magic trick it’s a goddamn miracle but when a woman does a magic trick she gets burned at the stake

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My favorite thing about Cinderella’s Castle is how unapologetic it is about revenge as a theme. We’ve all seen story after story about the pitfalls of revenge where characters are chastised for their anger and punished by the narrative. I love how, when asked what she truly wants Ella isn’t allowed to shy away from her feelings, no matter how ugly they might be. There’s something powerful about an eldritch god seeing someone who is actively being hurt and saying “you deserve the chance to fight for yourself and for those who have been taken from you”

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true 2000′s nonsense was finding an amv with a cool song and revisiting the amv for the song instead of actually looking it up