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ankhlovebot · 2 years ago

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"Justice For Kaixa" is the rawest depiction of trauma in Tokusatsu History.

Hello, I am Wil Justifaiz and this is my first ever attempt at structuring something for Tumblr so please be patient with me. Faiz has been my favourite show in all Tokusatsu, maybe my favourite piece of television ever, despite is very notable flaws. The story of finding your place in a world that refuses to accept you and will villainize you, that will treat you like a monster no matter what you do, the story of overcoming trauma that Faiz represents really speaks to me.

Every single character in Faiz is a victim of severe trauma that shapes their story throughout the entire show but none of them manages to foil and progress the show in the way that Masato Kusaka does. In my completely honest opinion, Kamen Rider Kaixa is the best anti hero the franchise has ever seen and no other character has ever managed to even remotely capture the complexity of his character. A complexity that is on full display in his focus episode, Episode 37: Justice for Kaixa

//SPOILERS FOR THE ENTIRETY OF KAMEN RIDER FAIZ!!!

Justice for Kaixa takes place shortly after Takumi's secret identity as an Orphnoch is revealed to the rest of cast, an event that fundamentally shakes up the dynamics of the tightly knit friend group that Faiz is known for. The episodes prior to this primarily focus on how this impacts Takumi's relationships with Mari, Keitaro and Yuji as they all struggle to truly adjust to this change. However prior to this episode, there is very little exploration of what Kusaka, Takumi's biggest detractor and the primary hater of Orphnoch's, thinks beyond it just being a justification for his hatred. This is addressed directly in this episode as Justice for Kaixa serves as an explanation and an elaboration of WHY kusaka is the way he is, why he has all those unexplained quirks and why he tends to get defensive and begins to gaslight people whenever he feels like his control over a situation is questioned.

During the following conversation with Kiba, Kusaka accidentally slips up when talking about Takumi, his hatred of Orphnoch distracting him from the possibility that Mari and Keitaro could take offense from that. This is unusual of the always reserved and calculated Kusaka who tries to always appeal to Mari and Keitaro in order to sustain a social control over them, something which shows to us as the audience just how deep Kusaka's hatred of the Orphnoch goes. But why...

Kusaka during the rest of the scene tries to reassert his dominance over the discussion by comparing Takumi to Sawada, even if his point is very much false, something he may or may not be aware of (depends on how you interpret his view on orphnochs, he could genuinely mean this, I am not sure), however Kusaka's logical stance and well worded points that directly draw from Mari's personal struggles is exactly what Kusaka thrives on. The reason he gets away with everything he does in the show is because he can CONSISTENTLY make a good case for himself and KNOWS how to justify his place there depending on who he is talking to. This is Kusaka's strong point, the core of Faiz's drama and THE MOST IMPORTANT DETAIL OF KUSAKA'S CHARACTER THAT SO MANY PEOPLE GET WRONG, Kusaka's need to be in control of everything in his life is the DIRECT RESULT of his trauma and it's what shapes him into the toxic and controlling piece of shit that he is. (and why I really like his writing 98% of the time.) Kusaka, as well worded as his points were, slowly comes to realize that, he didn't succeed in persuading Mari that Takumi needs to die. This is the set up to what I believe to be the best depiction of trauma induced panic attack that I've ever seen in a piece of media. Mari calling Takumi even if Kusaka's told her to stay away is what makes Kusaka realize he is losing control over the situation, a situation which hits VERY CLOSE to the most traumatic moment of his life.

The next shot we see of Kusaka is him aggressively cleaning his hand, a trait that he has displayed ever since his debut, as he mumbles in frustration as to why Mari can trust an Orphnoch so willingly, the very thing that got them all killed all these years ago. Kusaka is very much aware that Mari has no recollection of the event but the irony of it all, how she shows such unconditional love to the very thing he has been trying to protect them from just sets something off in him. Along with that Kusaka begins to feel frustrated that all his efforts to impress Mari, the only person Kusaka seems to have any real feelings of affection for, the only person who Kusaka is willingly to do anything for and the only one who he desires affection from, is seemingly betraying all his efforts without even acknowledging ANY of them. This is the part of the essay where I need to point out, Kusaka's entitlement to Mari's affection is OBVIOUSLY a toxic trait that is very much KUSAKA'S FAULT, just because I will rationalize WHY he has this tendency doesn't mean that Kusaka is JUSTIFIED in any of this. Kusaka's mommy issues and desire for Mari's affection often times has Kusaka disregard Mari's feelings for the sake of comforting himself. Kusaka isn't exactly an incel like Micchy gaim but his unhealthy obsession with Mari is very much a fundamental character flaw.

This is where it happens, one of my favourite scenes in the entire genre, Kusaka PTSD triggers as we finally receive the pay off to his little hand washing quirk as the blood of that night is covering his hand. Seeing this scene for the first time gave me chills, everything about the way things unfold, the score setting in the panic, the build up to it, the eventual "jumpscare", the incredible directing work and of course the highlight that makes it all work together so nicely, the sheer horror in Kusaka's face, an absolutely phenomenal performance by Kohei Murakami that manages to PERFECTLY portray just how scary this hallucination is to Kusaka, just how desperate he is to suppress that night from his brain. All of it is simply brilliant. The show does not try to soften or stylize or shyly draw an allegory to it, Kusaka's panic attack is raw, it's scary and it's very real. They did not shy away from showing just how helpless the all powerful and calculated Kusaka becomes during these episodes, being "reduced" to a screaming and panicked mess, lashing out at his surroundings as he smashes anything his way in this panicked state, trying everything in his power to convince himself that this night never took place.

The scene is chaotic, Kusaka violently trying to scrape the blood of his hand but no matter how hard he scrubs it the blood just won't come off, he fidgets he tries to look away, his breathing becomes heavy and erratic, the sharp violin and the thuds keeping you at the edge of your seat as we see this character who has always been in control breaking down as all his efforts accomplish nothing. No matter what he does, nothing will ever scrape off the warm, crimson blood from his hands and that is terrifying. It's a constant reminder that no matter what Kusaka attempts he will never EVER be able to overcome this event, he will never be able to clean off that blood from his hands. This scene explains EVERYTHING about why and how Kusaka is the way he is, this moment of sheer panic ends as abruptly as it started but it's message is still clear, the blood is something only Kusaka can see, a trauma he can't clean off, even if it's not visibly there anymore, his hand will never be rid of the blood it touched that night, Kusaka will NEVER be able to get rid of what happened to him that night. That's what makes Kusaka's character so tragic, that no matter what he does, he will never find peace.

Even if his hand is clean, Kusaka has been so shaken up by this very moment that he is still manic and unable to compose himself no matter how hard his tries as his panic attack continues. Kusaka looks disgusted and completely shaken up during this entire sequence as he gets up and begins to just smash shit up before he spots the only other thing in existence that acknowledges that he was there that night, the poster with his name written on it. Nothing and no one else in the entire world knows what happened but that poster, the only thing that forces his to acknowledge that night AND THUS if he destroys it, then nothing else can force him to acknowledge that night. The way Kusaka drops on the floor as he desperately tries to erase his name from the poster with a box character almost makes you feel bad for him because he isn't angry, he is desperate and that's what makes it feel so sad. Kusaka is reduced to a complete mess that is completely alien from his usual self because of how debilitatingly traumatic this memory is for him.

The roughness of how he gets to cutting up the poster is pure directing brilliance that is exclusive to it's time, the very wide shots that make Kusaka look small, the way Kusaka can't even compose himself to place it on the table, throwing everything around in his attempts to place it on the table, the messy and very rough attempt to tear out his name. All of it is genuine scary and sad to watch.

Mari catching him during this episode is another great choice to really add onto just how hard it is for Kusaka to control himself during one of these episodes, Mari confronting him as he fails to properly compose himself for long leads to one of the only moments where Kusaka gets violent with anyone that isn't an orphnoch, Takumi or Yuji as his composed and friendly facade COMPLETELY dissipates when confront with his trauma. Not even Mari, the most important person in his life is safe from this need to repress that memory at all costs. This shows Kusaka's need for control in full display because it provides us with the reason, Kusaka losing control of a situation reminds him all too much of that day where he was too helpless to save Mari or himself. Kusaka's need for control is a self defense mechanism, that night left him incapable of ever being vulnerable again whether its socially or physically, Kusaka is a character which every bit of his backstory serves as a reminder to the audience that this is a man who has gone through INDESCRIBABLE trauma without ever receiving any professional help to mend his broken psyche. This is why I find myself able to like Kusaka's character because, even if his actions are unforgivable they are all very rational once you understand who he is and why he is like this. Kusaka is an asshole who was forged through trauma. A narrative that often gets overlooked in recent media is how not every traumatized character is innocent and soft and just needed a big ol' hug to become a good guy. Don't get me wrong, I love characters like that too but Kusaka portrays a really ugly truth that genuinely makes me question why he is such a rarity. He is a traumatized person that never got the help he should have received, he never resolved his traumas and if I may mention a previous episode, his only guidance in life, his adoptive father enable and directly leads him into his path of self destruction, a topic I could and probably will go on about in my inevitable Kusaka deep dive, however the core of this message is how Kusaka is a bad person because he never resolved the issues he had, he never got the help he needed and he has never felt safe since that day, his entire life is a series of unfortunate events. A lot of people forget that Kusaka is an orphan as well, the reason he cares for Mari so much is because she provided him with the protection that he was looking for from his deceased(or maybe she just left him) mother.

Kusaka is what happens when a traumatized person never finds a way to healthily resolve his problems, that gets encouraged to indulge in his darkest thoughts in order to feel safe. This is what makes him such a perfect foil and anti hero. Takumi is also traumatized and yet, while takumi resolves his issues by finding people that will unconditionally love him and bonding with others like him while Kusaka isolates himself further and tries to find a way to be above others so he doesn't get hurt.

This is also why I get so pissed when people call Kusaka a villain, he is very much not that. A big part of kusaka's appeal to me atleast is how he is an anti hero because, much like you and me, he is a normal human. He isn't some sort super villain, he consistently fights for a just(on paper) cause, he is a hero who is a bad person. That's what makes him so unique. He is a bad person that isn't evil.

I'm running out of images so I won't go into as much detail about the rest of the episode + this is what I wanted to talk about mostly but yes, Mari telling Kusaka that Takumi could be the orphnoch that ruined his life is a vital piece of information that in his mind justifies all his hatred against Takumi but in order to assure this theory he needs to calm down, this is where we see Kusaka slip back into his usual persona to ease Mari into sharing the information he needs.

The drama sparked from this episode is just phenomenal and the character work it does for Kusaka is equally as good, I do heavily suggest to people that feel like they still don't fully understand Kusaka to take a look into his 2 character songs, Existence~KAIXA-nized Dice and Red Rock. Both of these songs delve deep into Kusaka's ideology, Existence explores his belief that only he knows the reality of the world, that only he can change fate for he is the only one who is truly "aware". To simplify it, Kusaka sees himself as the main character and everyone else is an npc he has to befriend or take down, that only he knows what's best. Meanwhile Red Rock explores Kusaka's need to be the victor in the end along with the previously stated inability to be vulnerable around others, in a world where people can betray you, Kusaka finds it impossible to confide in anyone for he may be caught of guard and be hurt once again by it. Kusaka wants his peace and does not trust ANYONE to help him with it. So until he wins, he will keep on fighting, he will fight until he has full control over fate itself. That's what makes Takumi such a good foil for him, because Takumi questions said authority while displaying no real drive of his own. It's a fight between the most driven and determined man who is set on revenge vs a man who has no ambition beyond maybe seeing tomorrow. Their rivalry is peak.

The reveal of the blood not being shed by Kusaka and instead being Mari's blood that Takumi supposedly shed is just a great touch, it recontextualizes Kusaka's protectiveness of Mari during the events of faiz while being a genuinely shocking and REALLY well shot scene.

The episode ends in Kusaka trying to resolve his problems by avenging mari's life along with his. In his mind executing Takumi is the only way he can find peace as he prepares to kill him, only held back by Yuji's attempt to rescue Takumi.

This episode is quite honestly one of my favourites in all tokusatsu and what makes Kusaka go from just an asshole that brings forth REALLY GOOD drama, to a tragic, three dimensional character who I can understand and empathize with while rooting against him at every turn. He is truly the most nuanced anti hero in the franchise and there will never be a character like him. I'm so glad that Kohei Murakami thinks so too, often referencing his role as Kaixa and celebrating KAIXA-day every September. He is a one of a kinda character that I genuinely think people should genuinely take another look at and try to see more to him that just how much of a dislikeable asshole he can be. How kaixa's belief that he determines fate is the grave act of hubris which leads to his eventual demise... Thank you all for reading! Faiz is my favourite piece of tokusatsu to ever come out of Toei and it means a great deal to me. I only now realized I never took a deep dive of it before so I thought I should give it a go by analyzing one of my favourite episodes. If you liked it please let me know, I really appreciate all the support! Also kusaka in my mind is 19 and no ancient site from 2003 can convince me that he is actually 21, that's stupid and weird. THANK YOU, BYEEEE!!!!!

#kamen rider faiz #faiz spoilers #YEAHHH 🔥🔥🔥#long post

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ankhlovebot · 2 years ago

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Okay. Well. Geats 38❤️

Considering ryo kitamura got the (in)famous flower pics, I won't be watching geats unless Niram somehow comes back (and then I'll catch up probably), but I'll keep up with major plot points through my friends' liveposting anyway. So it's fine lol

ANYWAY, moving on, I think the Niram scenes were really good this episode. He got shot by samas? With an ACTUAL GUN?? This also reframes her conversations with him about Ace a little, doesn't it. Assuming she's known more than him this entire time. So that's fun, I hope she gets to transform or something, despite the Murder.

So it's been practically confirmed by this point that he didn't know much about mitsume becoming the Goddess, he commented that Suel "twisted a woman's love into a fictitious tale about a Goddess"- something along the lines, so he wholeheartedly believed in what he told Ace in 32 right? That also explains their decision to show him being shocked about her shrieks in that same episode. That entire thing ties in to the fact that he didn't know Ace was her son (perhaps didn't know she had a son in the first place), so it adds up to me. Fun!! He tried to protect Tsumuri there too, as I guess it would be a bit too fictitious to force her into becoming the Goddess as well wouldn't it. I'll rewatch that entire scene with TVN's subs later to get a better picture of what was being said.

Lots of playing into his fixation with realism and fiction here, first it leading to his death (saying that he "turned good" is kinda funny. It's more so just that his fixation has intensified to the point he's ready to defy Suel, at least that's how I see it), and also it being connected to the way he died. While Girori was just... Fired and disappeared and Chirami died through a rider fight, Niram died by. Uh. Gun. Something that could very much happen in Our real life isn't that crazy? Most realistic way to die in Geats. And I'm pretty sure that somewhat played into the fact that he was so damn smiley and happy while dying.

This one is just obvious but Suel pointing out that Niram has been affected by this world, direct parallel to Niram saying that Girori was affected by the main 4 way back. Meeting these people, interacting with them, all that, clearly led to Niram attaching himself strongly to his Ideals, just as Girori did. I'll just put this from the blog real quick

Anyways !! I am satisfied with Niram's character for the most part, honestly. As much as I wish we could have gotten one more scene of him eating or being bitchy again, I do get that this is a sort of fitting end, at least in the grand scheme of things with Geats. There are some little things that remain unexplained but I do get if they don't really want to explore them; Niram served his purpose as a character. Of course, there is a tiny bit of hope within me that he'll be back nonetheless if at least for some kind of prequel or post-show special. But for now... I'll have to work on updating the Niram supercut :3

#kamen rider geats #geats spoilers #once again i did not proofread this lol hope it makes sense #i want to expand on something they didnt directly touch upon this episode #which is his whole happiness thing which i feel was somewhat referenced in the punkjack special #but ill have to get to that later too #chris lightbulb moments

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