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Luke Edward Hall (British, b. 1989), The King’s Tulips, 2021. Gouache on paper, 60.1 x 42.3 cm.

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For the last time :)

It is not a neutral “conflict”. Palestinians don’t have:

an army

police officers littered around the streets fighting off attacking settlers

$3.8B funding from the US

bomb shelters

homes (hello they’re being evicted and bombed?)

immediate access to medical care (settlers are blocking ambulances and throwing grenades)

citizen acknowledgement from the government that supposedly wants to help them

means of defending themselves

the right to properly mourn (a funeral was recently attacked by settlers)

justice

Anyone who chooses to claim neutrality is choosing to claim the side of genocide. Neutral = complicit. The number of Palestinian deaths remains staggering and I promise, the occupying state’s numbers are nothing compared to it. Thousands more deaths and fatalities have occurred to the Palestinian people. When the death toll defers by roughly 9,000, I think it’s safe to say that the situation isn’t neutral.*

I repeat, if you are neutral, you side with genocide.

*x

As a bonus:

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OSCAR ISAAC as LLEWYN DAVIS in INSIDE LLEWYN DAVIS (2013) dir. Coen Brothers

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THE HALF OF IT (2020) dir. Alice Wu

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The Farewell (2019) dir. Lulu Wang

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this is maybe the funniest thing i’ve ever seen

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ANYA TAYLOR-JOY Photographer: Ryan Mcginley Client: Vanity Fair

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Jurnee Smollett for Backstage Magazine (2021, ph. Gari Askew II)

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get to know me: (3/?) favorite movies -> TRAIN TO BUSAN | dir. Yeon Sang-ho

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PEDRO PASCAL by Doug Inglish for GQ México, January 2021.

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SOUL (2020) dir. Pete Docter

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That’s a bingo! 

Inglourious Basterds (2009) dir. Quentin Tarantino 

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The Mandalorian (2019) season 1 created by Jon Favreau

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PEDRO PASCAL GQ USA (july 2018)

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ZOË KRAVITZ IS THE NEW YORK TIMES BEST ACTOR OF 2020. “To love Zoë Kravitz is to fear two minutes of screen time a pop. The longer she’s got, the smokier and more incandescent she gets. “High Fidelity,” a series remake of the 2000 movie, is almost all her, simmering as a heartsick record-shop owner named Rob. She moves through her breakups and bad decisions serenely unfazed. In Episode 5, Rob goes to town on a mansplaining lech who doubts she knows her Bowie and McCartney. My pulse shot up. Kravitz’s seemed fine. We were watching a star casually announce herself. Hulu, sadly, canceled the show. But not before we saw what Kravitz could do with something intended as all hers: own it.”

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JAKE GYLLENHAAL British Vogue / 2020 › ph. Christian MacDonald