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1. Automobile: https://anomiecampbell.tumblr.com/post/187333364807/consider-the-car-as-a-kind-of-human-body-with-the
2. Soft Portrait: Inorganic: https://anomiecampbell.tumblr.com/post/189702114827/1-a-series-of-insular-gestures-transform-the
3. Soft Portrait: Organic: https://anomiecampbell.tumblr.com/post/189702259422/a-piece-of-raw-silk-was-left-outside-for-a-week
4. Soft Portrait: Support, Armature, Pedestal: https://anomiecampbell.tumblr.com/post/189702126532/1-a-cardigan-is-pierced-by-a-twenty-foot-long
5. 1000 Elements: https://anomiecampbell.tumblr.com/post/189702105842/pools-of-sugar-and-cherry-coca-cola-are-mixed-to
6. Object as Sculpture: https://anomiecampbell.tumblr.com/post/189702141892/no-title
7. Forces: https://anomiecampbell.tumblr.com/post/189702099187/1-a-dried-potted-plant-is-carried-around-in-a
8. Immaterial Process: https://anomiecampbell.tumblr.com/post/189702250007/20190710175853
9. Site-Based Sculpture:https://anomiecampbell.tumblr.com/post/189702176597/1-a-performance-score
10. Self-Directed Presentation: https://anomiecampbell.tumblr.com/post/189702196757/1-notes-towards-a-non-comprehensive-theory-of
11. Self-Directed Sculpture: https://anomiecampbell.tumblr.com/post/189702203622/1-a-grafting-of-the-seriality-of-the-quilt
12. Self-Directed Sculpture: https://anomiecampbell.tumblr.com/post/189702212242/1-an-embodiment-of-david-getsys-notion-of-a
13. Self-Directed Sculpture:https://anomiecampbell.tumblr.com/post/189702216607/1-a-second-exploration-of-the-quilt-objects
14. PDF Portfolio: https://drive.google.com/file/d/1ZgldxvjnNV-kikIjdo0R1W9K59c2kQP5/view?usp=sharing
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A piece of raw silk was left outside for a week
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1. A second exploration of the quilt objects, further integrating the grid.
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1. An embodiment of David Getsy’s notion of a queer form.
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1. A grafting of the seriality of the quilt form onto an object which ultimately functions between painting and sculpture. Imposing into the space, its placement in the hallway necessarily places the viewer incredibly close to it, prioritizing an affective and bodily response.
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1. Notes towards a non-comprehensive theory of twink-dom: A re-framing of the gay porn category as way of being; a productive mode of abjection interrogating the ageist/racist imagination of the ostensibly white and bourgeois ‘gay’ community.
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1. The constructed chair as well the documentation of its building are sublimated into a larger archive of appropriated video footage representing the two disparate modes of reproductive and nonreproductive labor explicated in Marx’s Grundrisse.
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1. A cardigan is pierced by a twenty-foot-long steel rod which is placed flush against the ceiling. The ever present sea breeze causes the cardigan to drift from the top of the steel towards the ground; the apparatus thus becoming a crude anemometer.
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1. A series of insular gestures transform the courtyard of the sculpture building into an active viewing space. Clothing is stranded throughout, miming bodies stranded along lines of flight.
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Pools of sugar and cherry coca-cola are mixed to create paste over several inkjet prints of Michael Fassbender’s emaciated frame in the Steve McQueen film ‘Hunger’. The pools of coke and sugar are measured out to total nine hundred and ten calories per image, an embodiment of the amount of calories consumed by Michael Fassbender during filming. The body in its excesses is thus reduced to a machine: food is taken in and fat is either produced or burned.
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1. A dried, potted plant is carried around in a plastic bag throughout the day; subject to the many forces encountered during my daily travels.
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Consider the car as a kind of human body with the capacity to recognize itself. Under these conditions the car’s continuous cycle of intake/excrement can be charted along the lines of bulimia. To illustrate this, the car sits in the center of the space while a person sits next to it on a stool with a milkshake. As objects are put inside of the car, the milkshake is eaten As the car is emptied, the milkshake is vomited.
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