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They’re both freaks

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JUDAS ISCARIOT | Official Trailer

Judas Iscariot is an animated retelling of The New Testament of the Holy Bible, featuring details from the Apocrypha (The "Unofficial" Gospels) with a fresh stylized reinterpretation of the story's core figures. The goal of this project is to illuminate this text for both a religious and non-religious audience, placing it back into the historical context of Jesus’s role as a political figure during the Roman occupation of Judea. This film explores mature themes pertaining to love, devotion, and control. The film is expected to be 15-20 minutes long, depending on how much can be raised with the kickstarter campaign. It is expected to take 1-2 years to finish writing, storyboarding, animating, and painting assets for this project, with an additional period of time devoted to film festival screenings before it is ready for the public.  Judas Iscariot will be the second short film written and directed by Charles Kugler, who has worked in the animation industry for clients like Adult Swim, Cartoon Network, and FOX. 

Kickstarter campaign link:

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DEMO ✝ BACK-UP ACCOUNT

Wealth. Power. Death.

The Ballad of the Young Gods is a dark academia interactive fiction story, with dark fantasy and psychological thriller themes. Some of the romances also contain tropes and storylines which may be disturbing to some readers.

It is based on media like “Ninth House” by Leigh Bardugo, “The Secret History” by Donna Tart, “Masters of Death” by Olivie Blake, and SYFY’s “Deadly Class”.

It is rated 18+ for depictions of swearing, sexual themes, violence, and death.

Getting into an Ivy League school is a dream that thousands of American students nurse from a young age. Luckily for you, that dream is your reality. Four years of continuous hard work and pressure have made you a proud freshman at Yale University. And as if that wasn’t enough, you have been handpicked to attend Rathore College, whose selection process is revered across all the nation’s top educational institutions. But you should’ve known this stroke of luck came with a catch.

Yale is a crucible of power, where secret societies wield arcane magic and the dead are far from silent. The illustrious House of Styx wants you and this is a situation that not even your money can get you out of.

They are powerful, elite, and most of all, controlling beyond recognition. They are also the heart of the eight secret societies that attach themselves to Yale. From the White House to Hollywood’s most acclaimed stars, their influence reaches farther than anyone can dare to imagine.

A sinister conspiracy brews under Styx’s watchful gaze, one that threatens to unravel the fragile balance between the living and the dead. But in a graveyard of secrets, you and your accomplices are the ones with the shovels. You’re now in a world where the past is never truly dead, and the lines between life and death blur with each passing day.

But some secrets are better left buried, and some prophecies are destined to drag you to hell.

Cédric Armand Lacroix / Céline Armelle Lacroix (M/F)

Vindictive. Conniving. Ruthless.

As the heir to the Lacroix fortune, C is every bit as arrogant as their bloodline demands them to be. Even after the messy divorce of their parents which further led to their disownment by their father, Alain Lacroix, they refuse to give up on their dignity. They’ve vowed to destroy him one day and take what’s rightful theirs, brick by brick. The world bent to C’s whims, what money couldn't buy them, those pale green eyes probably did.

There is nothing that they can’t have, especially if they set their mind to that. That is until you came along and stayed one step ahead of them every time in everything that mattered. It wasn’t just the fortune or the legacy at stake; it was the bruising of their pride, the constant reminder that someone—anyone—could outmaneuver them. But beneath the layers of resentment and anger, there’s something more—something darker, even more dangerous.

An obsession takes root, one that blurs the line between hatred and fascination. And they vow to spend their whole life despising you for everything.

Romance trope: Enemies / Academic Rivals to Lovers.

Vance Kasper Næsholm / Vanessa Karina Næsholm (M/F)

Pious. Haunted. Disillusioned.

Raised under the oppressive influence of a rigid, fire-and-brimstone faith in a Danish Catholic orphanage, they were taught to see demons in every shadow and sin in every touch. Forever haunted by the visions provided by a wrathful God they can neither fully grasp their mind around nor escape from, their only reprieve came on the day they got adopted at the age of six and diagnosed with schizophrenia. But the truth of their ‘psychosis’ may be far more sinister than any medical diagnosis could account for.

As the tides become even stormier and their medications become ineffective when they arrive at Yale, all V can do is hold on to the last threads of control over their lives. Your first meeting almost makes them teeter over the edge.

Now that they’re your roommate, they’re bound to you by fate or folly, but whether they’ll be a stable ally remains to be seen.

Romance trope: Roommate Romance.

Wilhelm Johann Ostendorf / Wilhelmine Johanna Ostendorf (M/F)

Exhausted. Abandoned. Lost.

What does the world think of you when you’re a product of brilliance and neglect at the same time? With an Oscar-winning filmmaker for a father and a mother ensconced on the American board of directors at the Louvre, their pedigree is undeniable, yet it is a legacy more hollow than it appears. While their parents sculpted their careers into masterpieces and amassed accolades, they left W to be raised by their paternal aunt and uncle. A sizeable trust fund and periodic checks served as their parents’ only gestures of care, a shallow substitute for the love and attention their only child so desperately craved.

The only times they had felt more than someone who was deeply unlovable were the summers you spent on rusty swingsets and fast bicycles with training wheels. But the swingsets have long been dismantled, and the bicycles have been traded for cars.

The only questions remain—are you the same kid who saw them, really saw them, beyond the reality of being unwanted and the suffocating looks filled with pity that came with their name? Or will this reunion only serve to confirm their deepest fear—that they are, and always have been, truly alone?

Romance trope: Forgotten Childhood Friends to Lovers.

Dumitru Constantin Diaconu / Dumitra Constantina Diaconu (M/F)

Charismatic. Reckless. Guarded.

D’s name is the one that comes up in almost every conversation about Yale’s wildest parties. A natural-born rockstar charmer with a magnetic presence, they effortlessly draw people into their orbit, collecting hearts and bodies with the ease of someone who’s always been in the center of the gold rush. Despite the countless admirers and the trail of broken hearts left in their wake, you’ll always find them with a Marlboro between their lips and a new person in their arms to warm their bed at night. Their smile is a promise, and their laughter a siren call. In the haze of flashing lights and the thrum of bass that pulses through the walls, they are a heartbreaker in every sense of the word.

Feelings are a complication they don’t allow, a line they never cross. They’ve perfected the art of detachment, of keeping their connections strictly no-strings, because to let someone in would be to risk the vulnerability they’ve long since sworn off.

Will you be the only person they'd let peel back the barbed wire surrounding their heart? Or will you be left with nothing but the faint scent of cinnamon and a tale that wasn't meant to be?

Romance trope: Friends with Benefits / Sex First, Feelings Later. [You will only be able to unlock their romance route through a hookup.]

Maxwell Edmund Whitlock-Singh / Maxine Edythe Whitlock-Singh (M/F)

Duty-bound. Noble. Untouchable.

Politeness and decorum are second nature to M. They are the embodiment of manners, a living testament to the art of subtlety in a world where spectacle often trumps substance. They are the sort of person who commands attention without seeking it, a product of both royal blood and rigorous self-discipline. Dubbed the “Paragon of Styx,” M is a modern Plato, someone who finds as much solace in philosophical debates as in the classical texts they’ve devoured in multiple languages. As the second-born child of the Crown Princess of Wales, they have always understood that their life would be one of service with every action scrutinized, and every word weighed.

Their intellect is vast, but it is their passion for the esoteric that sets them apart. For all their convictions, there is a restlessness within M that even they cannot fully articulate. It is the paradox of their existence—a life of privilege that feels at times like a gilded cage, a role that demands both reverence and obedience. Indeed, heavy is the head that wears the crown.

Will you make them realize that life is more than duties and expectations? Or will you become yet another figure in the background, another reminder of the golden cage they were born into?

Romance trope: Forbidden Royal Romance / Secret Relationship.

Step into the shadows as the wealthy heir apparent to a billion-dollar industry who is just starting at Yale University as a freshman.

Be a part of Yale’s most enigmatic secret society, the House of Styx.

Fully customize your character including: pronouns, gender, physical appearance, personality, sexuality, and more.

Romance 1 out of 5 love interests (all of them are gender-selectable). Or not. Platonic relationships are valid too.

Study forbidden knowledge, practice dark magic, and try not to fail at your actual coursework.

Test your mind, body, and soul in rituals that blur the line between reality and nightmare.

Learn about the secrets that your mother took to her grave. Is she really the same woman you remember so fondly from your childhood?

Will you rise to navigate the sinister plans brewing under the nose of the House? Or will your actions drag you and your companions to the fiery depths of Hell.

W̶̗͖̝͆h̷͕̲̑̎̓̍̄̎͠͝a̵̢̛̫̾̓͗t̴̙̫͛̐͆̾̀̓̔̊͝ ̴̪́́̈́͛̂̉̀͒̊́ạ̸̗̯̲̘̬͗̀ͅr̸̢̪̜̭̼̠̟̜͚̂̈́͋͋̅͑̉́̎͝e̸̩̯͉̿̊̔͛̃̎͝ͅ ̵̢̹̜̤͍͙̩̬̰̜̏̃͝͠y̷̢̨͇̘͍̌́͐̍̆̓̑̐ǫ̶̢̧̡̛̥̤͉͎̟̃̏̍̓̒ͅu̷̓̂̾̇̇͜͝,̸͎̖̮̲̳̻̱̬̎̒͑͝ ̸̡̛̰̌͐c̶̛̪̗̰̻̜̲̘̺͗͊h̴̡͔̦̘̤̖͊̿̓̇i̵͉̘͙̥͍̼̜̐̐̄̅͝͝ĺ̶̡̧̧̼̦̦̗̰̝̼̓̊̀d̸̡͎͔͔̰̖̿̐̈́̓͊̌̃̓͜?̷̩̗̲̫̮͕̍̈́́̽͜͝͝

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WRITTEN BY: axel (he/him)

CODED BY: @albywritesfiction (they/them)

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shout out to all the black and brown kids who were marked with "behavioral issues" despite actually being autistic the whole time because the healthcare/medical system has racial bias.

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WHY IS WRITING IS SO FUCKING HARD?

Ten types of fuckery that stop you from writing the thing:

1. Imposter syndrome

You think you're not good enough or everyone else is better than you and you're just winging it AKA ye olde imposter syndrome bullshit. Yeah nah you're fine. No really, you're exactly where you need to be right now, and you'll keep getting better and better so long as you don't stop. Chances are, if you're filled with doubt about your abilities it means you've actually improved to the point where you can really start to understand what makes good writing. It means you know where you wanna end up and goshdarn it you're gonna get there.

Read this: 4 tips to kick imposter syndrome in the face and also genitals

And also this: How to silence the inner critic

2. Fear of rejection and/or failure

Yeah, us too. It fuckin sucks. BUT. Not all rejections are equal. And rejection is a necessary part of the process. Sometimes it takes a rejection to realise that a story isn't ready. Sometimes a rejection is entirely subjective and has ZERO reflection on the quality of your work. But shying away from the very idea of possibly maybe hypothetically getting rejected is only going to hold you back from even trying. And knowing why you got rejected and how to learn from it is one of the most valuable writing skills.

Read this: The different types of rejection (and how to deal with 'em)

Then read this: How to cope with rejection

And also this: Writing lessons from Groundhog Day

3. Not enough planning / too much planning

Leaping into a new story with nothing but a glimmer of an idea is exciting as heck (and can sometimes be a great way to begin) but at some point you're gonna need some sort of outline or plan to keep you on track. HOWEVER. Planning your story to within an inch of its life can also sometimes be a hindrance - leaving you stuck in the hypothetical stage of the process where your story doesn't quite exist yet (and therefore avoiding the prospect of it sucking). The sweet spot is in the middle. Having just enough of a plan to know where tf you're going, but enough freedom and flexibility to let the story lead the way...

Read this: Planning vs pantsing

Then read this: Five plotting techniques

And also this: The perils of overplanning

4. Your WIP just isn't working

Sometimes things just fall flat. Sometimes you work on the same story for yeeeeears and then it just kinda... dies. Sometimes you have the best plans (see above) and the best intentions and things still don't work out. Sometimes it's just time to move on. And sometimes it's not! Sometimes a story can be revived, fixed or changed. Sometimes you just need time. Sometimes YOU'RE the one that's changed and this isn't the story you need to be writing right now. Many variables. Muchly personal. Read the things below for more advice cos this is a big question:

Read this: What to do when your WIP isn't working

And also this: Give it space - how to grow a story in your head

Or how about this? Editing 101

5. You keep deprioritising it

Ah the irony of writing being the thing you love/want to do most of all AND YET the thing you procrastinate over and avoid and shove to the very bottom of your to-do list all the freakin' time. Maybe it's the comodification of art destroying our freedom to create without pressure. Maybe it's late capitalism sucking up all our available time and energy. Maybe it's a lack of self-belief subconsciously telling us our 'little hobby' doesn't really matter. Maybe it's maybelline. Whatever it is, you have the power to reclaim and revalue your writing. To say, "I'm a fucking writer, goddamnit!" and mean it. To ringfence your creative time so nothing and nobody gets to interrupt it. To do that thing you love.

Read this: Prioritise your writing

Read this: How to write in 30 second bursts

6. Shiny Thing Syndrome

You know that feeling when you're just getting stuck into a writing project and then — SQUIRREL! — you get distracted by another, better, more shiny writing project? Or maybe you're deep in the editing phase and your current WIP just isn't feeling very shiny at all and pretty much ANYTHING seems more exciting? Or you simply can't decide which of the many squirrelly writing ideas to actually start? You, fine writerperson, may be suffering from Shiny Thing Syndrome (STS). But fear not! There are a few ways to combat it, depending on the cause, and most of them involve embracing the squirrel-brain and injecting a bit of fun into your writing, like so:

Read this: Shiny thing syndrome - a writer's malady

Aaaand read this: Get excited about your writing again

And also this: Write like a kid

7. Perfectionism/self-sabotage

Look. Writing is scary as shit. What if someone READS it? What if they don't like it? What if they see into your soul and gain a deeper understanding of you through your words? Writing your truth, being vulnerable, smearing your heart juice all over the page? No thank you. But also, that's where the good shit is, so actually yes please. Just make sure you smear responsibly. And rest assured, even the most 'successful' and experienced writers ALSO feel like this sometimes, so you're in good company. It's just part of the art, bruh.

Read this: Why writing is scary (and why that's a good thing)

Read this: Beginning a story - what stops us starting?

And also this: Get out of your own way

8. The dreaded blank page

Oh godddd the blank page. It should be an exciting palimseset of possibility but is somehow also the most terrifying thing known to humankind. You wanna write something but where to start? HOW to start? You type that first line and immediately delete it. You watch the cursor blinking at you—taunting you—until you just give up and shut your laptop again. It's probably tied up with a bunch of things we've already covered so far: perfectionism, imposter syndrome, fear of failure, maybe a lack of planning or faith in your story or whatever. But it doesn't have to be this way. A blank page IS exciting and full of possibility. We just have to get over ourselves and learn to embrace the unknown...

Read this: Don't fear the blank page

And also this: The moaning method

9. Not enough time/energy/motivation/gnuuuughh

Dude, same x 1000. But you don't have to get up at 5am, do hot yoga, drink a kale smoothie and write a thousand words before sunrise to be a Proper Writer. You don't even have to write every day. But what you can do is hack your writing brain and figure out when, where, how, and why you write most effectively. Then tweak your schedule, your habits, and your attitude to ensure you're making the most of your time. Productivity is a big ol' lie but finding the secret to getting in your own personal writing zone is actual MAGIC.

Read this: Maximise your writing time

And also this: Get in the writing zone

And also unto this: The Writers' HQ Guide to Productivity

10. You're just fucken stuck

Got the writing morbs? In need of some literary sudafed? Stuck as a pig in a poke? Writing is a whole puzzle of a process—and to be honest that's what makes it so fun and exciting and addictive, because your writing brain is hardwired to both create AND solve the wordy puzzles within your story. Sometimes the answer is time. Sometimes it's a second opinion or a fresh eye. Sometimes a totally different approach or just a hefty kick up the bum. But whatever the problem, there IS a solution. You just gotta keep going and trust that you'll find it...

Read this: Troubleshoot your writing - why are you stuck?

And also this: Break through the writing blockage

And also also this: Write yourself into a pit (and then dig your way out again)

~~~~~~~~~~~~~~~

Alright, that's it for today. Now go write, you flithy animals.

(And if we missed anything, stick a question in our ask box or check out the rest of our shit here)

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"The Forest"

An illustration I painted and turned into an animated gif. This was very tedious but I like how it turned out.

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still thinking about dream in dexerto’s video he looked so perfectly soft and huggable :(( 🫂🩵

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I know this isn't ninjago guys but I finished this 17 hour painting for my art class and I was proud of it so...enjoy.

I love Egypt fun fact about me. :)

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the tragic thing about john doe is that he was doomed from the start.

he was likely born in a low- or mid-tier district: new bostin high's old king, zirian, was the only one john had trouble beating, before he figured out how to amplify abilities, and at the time he beat zirian, zirian was a 3.7. zirian, pre-john, was considered incredibly powerful, nigh unbeatable. in new bostin, someone who was barely an elite was considered incredibly powerful.

god-tiers are already incredibly rare. they're even more rare than high-tiers, and whenever remi, blyke, and isen visit a low-tier district as vigilantes, everyone regards them almost as royalty - unbelievably powerful, unreachable, divinity on earth. they are with dozens, and they’re terrified of a single, non-hostile girl. also, some of the background characters say: “what’s a high-tier doing in branish?” “yeah, they would never come to a place like this.” most low-tiers likely have never even seen a high-tier in the flesh, let alone a god-tier.

add to that that wellston is supposed to be the most powerful school in the province, at least, and before john, there were only two god-tiers in attendance: an 8.0 and a 6.3. and before arlo became king, rei was, and rei was a 5.8. the king of the strongest school in the province was a 5.8.

jane doe was raised in a god-tier family. she knows, presumably, what it means to be a god-tier, when everyone around you is weaker than you, and not by a little bit. but jane has been gone since john was a toddler - and the only person left to raise him was his father. his cripple father, who has lived his whole life being spat on, disregarded, considered less than.

and then you have john. john first discovered his ability in his last year of middle school. unordinary doesn't give us an exact timeframe, but it is mentioned that he first uses his ability towards the end of the school year. if we assume that the education system in unordinary is comparable to the us education system, then that makes john about fourteen years old. it is never mentioned when most kids discover their abilities, but sera mentioned that she got martial arts lessons for a few years when she was a young child, but stopped when her ability came in. assuming sera's development is normal and abilities usually come in at the same age regardless of level, that would place the average age well before ten. another thing: everyone around john seemed to assume he would never get an ability. they considered him a cripple. which either means that late-bloomers are so incredibly rare that it isn't even considered a possibility, or john was so far past the age of ability manifestation that no one thought it was possible.

of course, his dad was also a cripple, and since genetics are a thing in uno, it would make sense for people to assume john would be a cripple even before he passed the manifestation age. (and treat him accordingly)

john got expelled in his second year in high school. when, exactly, doesn't really matter. once again assuming that the uno education system works like the us education system, that would place john at 15-16 years old.

so you have this kid, sixteen years old, who's had his ability for about two years. he spent most of his life being considered the lowest of the low - spat on, disregarded, less than. his dad, his only parental figure, has had those exact same experiences, and the only thing he can tell his child is that that is just the way the world works. it's unfair, but that's life.

but then he gets an ability. and within two years, he is almost twice as strong as the second strongest kid around. none of the adults have ever met someone as strong as him. him, the former cripple, with the cripple father. former lowest of the low, now a god amongst men. the kids, though, his classmates, his peers, they don't really understand his power. how much stronger he is than them. to tell the truth, he doesn't either, not fully. he's never met someone as strong as he is, at sixteen. but his classmates, they just remember when they used to walk all over him. when they would beat him bloody and then complain about getting his disgusting cripple blood on their shoes. and now he dares to stand above them?

they don't like him. of course they don't. cripples aren't able to become gods. they can't comprehend that john did.

and john, obviously, lashes out at his former bullies. he finally has a chance to pay them back, for all the cuts, bruises, broken bones he'd received from them over the years. he's stronger than them, and it's his turn to make them hurt. he goes farther than they did - their abilities are useless against the might of his power - but he doesn't really care. (they never held back, so he doesn't either, and the damage he does is much, much worse. the adults are mad, and he doesn't get why. he's only doing what everyone else does.)

the adults have no idea how to handle him. he's out of control. but they've never seen an ability this powerful before, except on tv, or in stories. high-rankers are supposed to keep order. (but no one listens to john. why would they? he's just a cripple, the lowest of the low, who managed to cheat the system.) his dad, kind-hearted william doe the cripple, has no idea how to help him. he can't relate to his problems at all. (is there even a problem? who wouldn't want to be powerful? for william, for adrian, for claire, it'd be a dream come true. it used to be, for john.) there is no one around who even vaguely knows what it's like to be a god-tier, or even a high-tier, or even just a high-ranker in general, except for zirian, who's barely a high-ranker at all, and who hates john for dethroning him. there is no one who understands him.

so then you have john. sixteen years old. god-tier. angry at the world, and the world is angry at him. how was he ever supposed to win?

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And finally!

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I don't believe in DNI lists because, sadly, a small itemized list does NOTHING to repel awful people away from you.

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genuinely think the queer “community” online cares too much about labels and maybe it’s worth trying to like . deconstruct that . but anytime you try to say this you get a million people going “so you hate queer people who like labels??? you think you’re better than us? labels are harmless anyway why do you even care??”

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The bride and the ugly ass groom

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my (24m) friend (27m) thinks i cucked him, but he and his gf were already broken up when i talked to her. aita?

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farewell sweet girl