artemis--writes

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one page into Don’t Let The Forest In by CG Drews and I know for a fact my writing style will not make it out of this one unscathed

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Greetings bugs and worms!

This comic is a little different than what I usually do but I worked real hard on it—Maybe I'll make more infographic stuff in the future this ended up being fun. Hope you learned something new :)

If you are still curious and want to learn more about OCD, you can visit the International OCD Foundation's website. I also recommend this amazing TED ED video "Starving The Monster", which was my first introduction to the disorder and this video by John Green about his own experience with OCD.

The IOCDF's website can also help you find support groups, therapy, and has lots of online guides and resources as well if you or a loved one is struggling with the disorder. It is very comprehensive!

Reblog to teach your followers about OCD

(But also not reblogging doesn't make you evil, silly goose)

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EVERYBODY GO WATCH A NIGHT'S TALE - A JEGULUS SHORT FILM BY MISCHIEF MANAGED ON YOUTUBE RIGHT NOW.

IT IS THE BEST THING EVER IT WILL CHANGE YOUR LIFE.

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just saw this on pinterest and it hit me like a truck

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Instagram credit: chaptersofshau

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I'm on my third reread of Red White and Royal Blue and wow I will never tire of it. This is literally one of my favorite books of all time I love it!!!

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Lmao I can attest to the American one (being American myself has its perks) and yeah there's a reason we say it so much

bastard sounds great in an irish accent. if an irish person calls you a 'daft bastard' it just feels right

the welsh have the monopoly on things ending in hell. fuckin hell and bloody hell hit different in a welsh accent. its like music to my ears

the scots have piss and shite for sure. "its pishin it doon out there" "this is a load of shite" absolute poetry

if i may speak for the english i think we do penis related words very well. dickhead, knobhead, bellend, etc.

and for all the shit we give them, you gotta admit that no one can deliver a 'goddamn' quite like an american. theres a certain weight to it that you just cant achieve in other accents. when an american says goddamn you know shit just got real

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a list of 100+ buildings to put in your fantasy town

academy

adventurer's guild

alchemist

apiary

apothecary

aquarium

armory

art gallery

bakery

bank

barber

barracks

bathhouse

blacksmith

boathouse

book store

bookbinder

botanical garden

brothel

butcher

carpenter

cartographer

casino

castle

cobbler

coffee shop

council chamber

court house

crypt for the noble family

dentist

distillery

docks

dovecot

dyer

embassy

farmer's market

fighting pit

fishmonger

fortune teller

gallows

gatehouse

general store

graveyard

greenhouses

guard post

guildhall

gymnasium

haberdashery

haunted house

hedge maze

herbalist

hospice

hospital

house for sale

inn

jail

jeweller

kindergarten

leatherworker

library

locksmith

mail courier

manor house

market

mayor's house

monastery

morgue

museum

music shop

observatory

orchard

orphanage

outhouse

paper maker

pawnshop

pet shop

potion shop

potter

printmaker

quest board

residence

restricted zone

sawmill

school

scribe

sewer entrance

sheriff's office

shrine

silversmith

spa

speakeasy

spice merchant

sports stadium

stables

street market

tailor

tannery

tavern

tax collector

tea house

temple

textile shop

theatre

thieves guild

thrift store

tinker's workshop

town crier post

town square

townhall

toy store

trinket shop

warehouse

watchtower

water mill

weaver

well

windmill

wishing well

wizard tower

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In the past fifty years, fantasy’s greatest sin might be its creation of a bland, invariant, faux-Medieval European backdrop. The problem isn’t that every fantasy novel is set in the same place: pick a given book, and it probably deviates somehow. The problem is that the texture of this place gets everywhere.

What’s texture, specifically? Exactly what Elliot says: material culture. Social space. The textiles people use, the jobs they perform, the crops they harvest, the seasons they expect, even the way they construct their names. Fantasy writing doesn’t usually care much about these details, because it doesn’t usually care much about the little people – laborers, full-time mothers, sharecroppers, so on. (The last two books of Earthsea represent LeGuin’s remarkable attack on this tendency in her own writing.) So the fantasy writer defaults – fills in the tough details with the easiest available solution, and moves back to the world-saving, vengeance-seeking, intrigue-knotting narrative. Availability heuristics kick in, and we get another world of feudal serfs hunting deer and eating grains, of Western name constructions and Western social assumptions. (Husband and wife is not the universal historical norm for family structure, for instance.)

Defaulting is the root of a great many evils. Defaulting happens when we don’t think too much about something we write – a character description, a gender dynamic, a textile on display, the weave of the rug. Absent much thought, automaticity, the brain’s subsconscious autopilot, invokes the easiest available prototype – in the case of a gender dynamic, dad will read the paper, and mom will cut the protagonist’s hair. Or, in the case of worldbuilding, we default to the bland fantasy backdrop we know, and thereby reinforce it. It’s not done out of malice, but it’s still done.

The only way to fight this is by thinking about the little stuff. So: I was quite wrong. You do need to worldbuild pretty hard. Worldbuild against the grain, and worldbuild to challenge. Think about the little stuff. You don’t need to position every rain shadow and align every tectonic plate before you start your short story. But you do need to build a base of historical information that disrupts and overturns your implicit assumptions about how societies ‘ordinarily’ work, what they ‘ordinarily’ eat, who they ‘ordinarily��� sleep with. Remember that your slice of life experience is deeply atypical and selective, filtered through a particular culture with particular norms. If you stick to your easy automatic tendencies, you’ll produce sexist, racist writing – because our culture still has sexist, racist tendencies, tendencies we internalize, tendencies we can now even measure and quantify in a laboratory. And you’ll produce narrow writing, writing that generalizes a particular historical moment, its flavors and tongues, to a fantasy world that should be much broader and more varied. Don’t assume that the world you see around you, its structures and systems, is inevitable.

We... need worldbuilding by Seth Dickinson

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The fact that The Hobbit is such a lighthearted family-friendly book, especially when compared to LOTR, actually breaks my heart when you consider that it is Bilbo’s writing. That journey was anything but a fun trip for him. He went through real dangers and horrifying moments. He saw violence for the first time. At the end of it, he lost his love. And he went home traumatized, heartbroken, and forever changed.

Yet when he wrote the story down, he emphasized the more successful and fun parts, and glossed over the depth of his pain and grief when the losses happened (even leaving Fíli and Kíli’s deaths to a throwaway line.)

Because what else could he have done? Nobody else could possibly understand his pain. Bilbo wasn’t like Frodo. He didn’t have a Sam who he shared the experience with and could talk to about it every day afterward, to help him work through writing down the details of the darker parts of the story. And his other friends lived far away and could only visit occasionally.

And the hobbit children were all full of wonder about Elves and dwarves and trolls, so he put the focus on that.

I feel like that was his way of dealing with his trauma.

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Also if anyone cares I just updated literally my entire intro post, so go check it out; it's wayyyyy better now lol

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I've been super obsessed with dragons recently, and it's great because I'm finally getting into worldbuilding and developing my fantasy world and the race of dragons more, but like... I have school. That I'm currently slacking off on to be able to work on dragon stuff more. So.

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Ugh I'm so sick of college and school work I'm actually just going to give up this is horrible

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Horsie

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that post thats like “you’re not unlovable you’ve just been spending a lot of time alone in your room” is true for everyone but me. i’m unlovable i’ve just coincidentally been spending a lot of time alone in my room

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I just finished the first season of Game of Thrones, after starting the show like 2 days ago and let me tell you. I am in awe, and also devastated, and also Game of Thrones is going on my list of favorite tv shows immediately. I love it sm