beatlepaul4ever

[beatlepaul4ever]

[beatlepaul4ever]

Is Paul standing on a vibrating plate?

i’m OBSESSED with how loud john’s part is its so funny😭😭 bless he’s trying

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Hey! @fagaday Two for the price of one here!

Guys this is so true

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i found this paul quote in a 1985 interview when i was looking for something else and i cannot get it out of my mind. it was balls with smart.

[beatlepaul4ever]

"The look of love" 💞

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PAUL MCCARTNEY Get Back (2021) dir. Peter Jackson

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You’ve got to love Pinterest for throwing out nuggets like this.

But leave me to cry alone over needing the rest of the article.

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Did George not get sweaty then? (She says, missing the point of the post.) He’s dressed, chatting with fans, and on his way out, and the two freaks are still in the dressing room prancing about in their underpants?!

After the set Wooler said, 'Come on, I'll take you to meet the lads.' It was so exciting. He grabbed us and we threaded through the audience backstage where George Harrison was standing in the corridor talking to a very good-looking blonde girl. He was wearing a fantastic black leather coat, and later walked out of the Cavern with her, already like a rock star. In the dressing room John Lennon and Paul McCartney were in their undies, getting changed. They were drying themselves with towels because they had just come offstage and were dripping with sweat. They were very handsome. Apart from our brothers, we'd never seen men in underpants before, so us four teenage girls just stood there staring at them. They were very down to earth, and Paul was particularly kind. 'Hiya girls, y'all right?' he said, while John sat there looking at us in a way that was direct and penetrating. Bob Wooler told them, "This is the Liverbirds, they're gonna be the first all-girl group." 'What a great idea,' said Paul, but Lennon was sarcastic. 'Girls don't play guitars,' he said. After we left the dressing room we huffed, 'The cheek of it! We're going to prove him wrong.' Years later we found out more about Lennon, that although he often made sardonic comments he was also sensitive and intelligent, an artist who regretted his disdainful treatment of women in his early career. 'We can't have a revolution that doesn't involve and liberate women. It's so subtle the way you're taught male superiority,' he said in 1971, in an interview with Tariq Ali and Robin Blackburn for the underground paper Red Mole. It's clear his feelings about women evolved, but we also wonder if what he said that day in the Cavern dressing room was meant to test us, provoke us into making a success of the band. If so, it certainly worked.

The Other Fab Four by Mary McGlory & Sylvia Saunders

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July, 1964: Paul, George, and Ringo record a promotional spot for the radio music show Top Gear and fool around with Paul’s posh voice versus Paul’s “ordinary” voice.

PAUL: [posh broadcaster voice] Good evening, ladies and gentlemen, this is the BBC announcer speaking, and I’d like to tell you about a new program which will be coming on your sets, your radio sets. I’m speaking now with a very posh voice, because BBC announcers— [George and Ringo heckling in background] —BBC announcers— You’ve got to have a posh voice! RINGO: [slurring] What’s the matter with these songs yer— PAUL: Look. RINGO: Look, Paul. PAUL: What. GEORGE: Let’s tell ’em, proper. None of this! PAUL: Now look, George, you gorra have a very posh voice if you’re on the BBC. They all do. GEORGE: No. RINGO: Anyway, the sixteenth— [starts speaking gibberish] PAUL: [posh broadcaster voice] Ladies and gentlemen, we— GEORGE & RINGO: No! RINGO: It’s not you, then. What about your image? [laughs] GEORGE: They never – they can’t understand that. See, if you just say it’s on on Thursday night, the sixteenth, and it’s on from ten o’clock until eleven fifty-five—” PAUL: Okay, look, I’ll try that— GEORGE: —and that Brian Matthew’s on it— RINGO: [chiming in] Good old Brian. GEORGE: —and that we’re on it – that’s us, ‘cause we’re The Beatles – and also Dusty Springfield, and our good friend Carl Perkins— RINGO: Oh, good ol’ Carl. Remember Carl? I dig his record, you know… [trailing off] GEORGE: —and Mark Wynter. And you see, you just tell it like that, and get it, and it’s much – ’cause they can understand it, you know. They can’t understand that! PAUL: Just in me ordinary voice, then? RINGO: Yeah, just in your— PAUL: [pronounced posh voice] Ladies and gentlemen— GEORGE & RINGO: No! RINGO: No, no, that’s not it. Your ordinary voice – the other one. 

PAUL: The ordinary one? GEORGE: No, that’s it, go on— PAUL: I’m acting, now, though! GEORGE: Your ordinary voice, go on. PAUL: Ordinary voice. [somberly] Ladies and gentlemen. Ladies and gentlemen, this new program, called— GEORGE: What? [pronounced accent] Fab? PAUL: —called Top Gear— GEORGE: Gear? PAUL: No, Top— GEORGE: It’s fab though, innit? RINGO: Fab Gear, Top Gear. PAUL: [sniggering; trying to regain composure] —called Top Gear, is on… When is it on, George? GEORGE: It’s on at ten o’clock, Thursday night, the sixteenth, and it’s on ’til eleven fifty-five, so it’s almost two hours, and Brian Matthew’s on as well. PAUL: Oh yeah, Brian, and Dusty Springfield – Dusty Springfield, she’s nice – and— GEORGE: Mark Wynter. PAUL: Yes. RINGO: So run out and buy your portable radio now, folks. GEORGE: And good old Carl Perkins! RINGO: Good ol’ Carl – I like Carl… [muttering] PAUL: [posh broadcaster voice] This is the BBC announcer speaking to you in his posh voice, telling you that Top Gear – look out for it now, folks, won’t you. I don’t think it’s a very good posh voice. RINGO: I don’t, Paul. See, us Northerners— PAUL: Anyway… [Ringo laughs] GEORGE: Speak in your Paul McCartney voice. PAUL: [thick Scouse accent] Ladies and gentlemen, I hope you like this program. And it goes off. GEORGE: ‘Cause – well, we’re on it anyway. PAUL: Well, yes! But don’t let that put you off. RINGO: Say more about Carl Perkins, I like Carl Perkins. PAUL: Carl Perkin’s on it, Dusty Springfield… oh, it’s a lovely program. Anyway, remember to listen in. Top. Gear. GEORGE: On Thursday. RINGO: On the sixteenth of July. PAUL: We’ve established that fact, I think. RINGO: Have we? Well, we’ve got to keep telling ‘em, you know what they’re like. PAUL: Keep plugging it.

[beatlepaul4ever]

I want to bite him.

Paul McCartney photographed by Richard Avedon on On August 11th 1967, in London.

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You just know he has a dressing up box in his bedroom, don’t you.

[beatlepaul4ever]

THAT’s why Paul didn’t want to fix his, he had the same as John now!

i really like his chipped tooth and creepy ass british smile ENOUGH.🤧😣

John’s chipped tooth🤧🫶💕

[beatlepaul4ever]

Brian trying his hardest to protect his boys.

It wimdy

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You can see why they got sick of the stupid questions : Did you put the helmets on over the haircuts? : I mean, really, what sort of idiot thought that one up?!

November 13th, 1963 (Westward TV Studios, Plymouth): Stuart Hutchinson talks to the Beatles about Paul’s recent flu, and the group’s recent photo opportunity wearing police helmets outside a Birmingham theatre. (Note: This was conducted a day after this interview, which included a noticeably queasy Paul.)

GEORGE: —take this off, I’m sick, I’ve had this on for years—

PAUL: George is taking it off, he’s – quick, get your coats off! George is taking—

RINGO: [teasing] No, we’re cold.

JOHN: We’re cold.

RINGO: We’re not well.

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He looks just as good from the back as he does from the front. No wonder Johnny was a goner. 💕

Paul McCartney ❤️🍑👀

[beatlepaul4ever]

Is "Six O'Clock" another McLennon song?

Six o'clock in the morning, you've just gone to sleep,

I wipe a tear from my eye.

It can't be the kind of company i keep,

That keeps me askin', you keep me askin',

You keep me wond'rin' why.

I don't treat you like i'd like to treat you,

Ev'ry planet in the sky is in your eyes,

But i don't treat you like i,

No, i don't treat you like i,

No, i don't treat you like i should.

It could be the comfort going to my head,

That makes me wanna dream of you.

But while you're sleeping softly in your bed,

I wanna tell you, i'd like to tell you,

I'd love to tell you too.

I (i) don't (don't) treat (treat) you (you)

Like i'd like to treat you,

Ev'ry diamond in the sky is in your eyes,

But i don't treat you like i,

No, i don't treat you like i,

No, i don't treat you like i should.

I know you would say, you love my way,

It's good enough for you.

But i know for sure, i could do more, (more) more. (more)

I want to tell you, i'd like to tell you,

I'd love to tell you too.

I (i) don't (don't) treat (treat) you (you)

Like i'd like to treat you,

Ev'ry diamond in the sky is in your eyes,

But i don't treat you like i,

No, i don't treat you like i,

No, i don't treat you like i should.

I listened to it recently and can’t get this Lucy in the Sky with Diamonds reference out of my head

Ev'ry diamond in the sky is in your eyes

It’s got to be, doesn’t it.

[beatlepaul4ever]

Director Franco Zeffirelli, envisioning a modern take on Romeo, believed McCartney embodied his ideal Romeo and met with him to discuss the role.

“You look absolutely how I see Romeo. It would be perfect. Come to Rome and we make a film, it will be beautiful.”

Paul McCartney 1964

“…turn him into stars and form a constellation in his image. His face will make the heavens so beautiful that the world will fall in love with the night and forget about the garish sun.” ― William Shakespeare, Romeo and Juliet