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Cher by Richard Avedon via Popular Noise magazine by Byron Kalet

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Eve Arnold. Horse training for the militia, Inner Mongolia, 1979.

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Amy Sherald, 'A God Blessed Land (Empire of Dirt)', oil on linen, 2022

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By Pelle Cass

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Cy Twombly — Bacchanalia-Fall (5 Days in November), 1977.

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Celebrating Kenyan Culture, Bold Textile Patterns Disguise Subjects in Thandiwe Muriu’s Portraits

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Infrared Light Enhances Versailles, Provence, and the Beaches of Normandy with Dreamy Shades of Pink

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“Strange Angel”

 Fin Argus by Alex Stoddard

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Bored Couples - Martin Parr

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“If you take a flower in your hand and really look at it, it’s your world for a moment.”

— Georgia O'Keeffe (via light-and-salt)

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Myoung Ho Lee - Tree, 2006-2016

Situated somewhere between botanical field studies, studio portraiture and billboard advertising, Myoung Ho Lee’s tree studies pay homage to the everyday object and transform nature’s craft into a work of art worthy of careful study, as one would view a framed work of art. The tree “portraits” play with ideas of scale and perception, creating an image within an image that both highlights and obscures the relationship between object and photograph.

For the Tree… series, Mr. Lee photographs solitary trees growing in the landscape against a constructed white canvas backdrop, which isolates the tree from its surroundings and makes ambiguous its scale. After selecting a tree for its unique formal qualities and distance from other landmarks, the artist constructs a temporary photography studio on site with the help of a large production crew and heavy cranes. Using a large-format camera, Lee photographs each tree and oversized canvas in the center of the image, allowing the natural environment to fill the rest of the frame.

After photographing the tree, minor components of the canvas support system, such as ropes, poles or assistants’ hands, are removed from the image through minimal digital retouching. Small tears and folds of the canvas and shadows of his helpers remain as evidence of the performative and installation aspects of Mr. Lee’s photographs. [Yossi Millo Gallery]

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Équilibre   Personal project by Akatre 2021 www.akatre.com

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Nighttime Skies Serve as the Dreamy Backdrop for Sophia Ahamed’s Saturated Flowers

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Håvard Homstvedt (Norwegian, b. 1976), Le Marais, 2010-11. Oil on linen over panel, 230 x 200 cm

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Once upon a time in the West, Julius Hirtzberger