binkyphd

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Guess what time it is! Time to read about the Revulsion and the Self!

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https://www.youtube.com/watch?v=Rpoqr6TZR3o

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Between Bodies : Abjecting Human and Spatial Bodies by Russell Moreton

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Sharp Objects by Gillian Flynn // Powers of Horror by Julia Kristeva

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Any idiot can like something thats good. It takes a real genius to like things that suck ass

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A MACEDONIAN GHOST STORY "HORRORS' - Milcho Manchevski

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YOU WONT BE ALONE - GORAN STOLEVSKI

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THE NEED TO BELIEVE AND THE ARCHIVE: INTERVIEW WITH JULIA KRISTEVA

Karen Mock

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EXPLORING DISGUST IN NURSING: A CONCEPTUAL ANALYSIS

Maryam Salmani Mood and Ahmad Nasir

"Disgust is a multicomponent emotion encompassing affective, cognitive, and physical aspects that can be elicited by a diverse array of stimuli such as food, odors, animals, bodily excretions, human sexuality, dismembered body parts/corpses, death, and poor hygiene [1, 2]. e initial evolutionary perspective on disgust focused on its role as a problematic means of avoiding pathogen contamination [3]. Recent research has shown that although pollution stimuli reliably evoke disgust, other stimuli unrelated to pollution also evoke disgust"

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♦️can't see straight♦️

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‘‘ I am unclean ’’ from Nosferatu 草图

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THE UNCANNY VALLEY: THE ORIGINAL ESSAY

Masahiro Mori

"More than 40 years ago, Masahiro Mori, then a robotics professor at the Tokyo Institute of Technology, wrote an essay on how he envisioned people's reactions to robots that looked and acted almost human. In particular, he hypothesized that a person's response to a humanlike robot would abruptly shift from empathy to revulsion as it approached, but failed to attain, a lifelike appearance. This descent into eeriness is known as the uncanny valley."

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THESES ON FAECES: ENCOUNTERS WITH THE ABJECT

Journal of Extreme Anthropology 2017

"Theses on Faeces: Encounters with the Abject emerged out of Lill-Ann Chepstow-Lusty’s art photography project and in particular the responses to it - typically those of enormous disgust, revulsion and hathos, a paradoxical attraction towards something one cannot stand. These reactions came as a surprise to us, especially given that art has had a long history of engaging with shit and other bodily fluids, with the disgusting, and the abject."

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AGAINST ABJECTION: VIOLENT DISGUST AND THE MATERNAL

Imogen Tyler 2009

"This article is about the theoretical life of the abject‘. It focuses on the ways in which Anglo-American and Australian1 feminist theoretical accounts of maternal bodies and identities have utilised Julia Kristeva‘s theory of abjection. Whilst the abject has proved a compelling and productive concept for feminist theory, this article cautions against the reiteration of the maternal (as) abject within theoretical writing and questions the effects of what Rosalind Krauss terms ‗the insistent spread of ―abjection‖ as an expressive mode‘ (1999:235). It contends that employing Kristeva‘s abject paradigm risks reproducing histories of violent disgust towards maternal bodies. In place of the Kristevan model of the abject, it argues for a more thoroughly social and political account of abjection. This would entail a critical shift from the current feminist preoccupation with thetransgressive potentialityof ‗encounters with the abject‘, to a consideration of consequences of being abject within specific social locations. By asking what it might mean to beagainst abjection‘, the central aim of this article is to make an intervention into feminist debates about abjection and thus clear the way for alternative understandings and applications of this important concept to emerge."

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AI ABJECTION: TWO PATHWAYS FOR DISGUST

Michelle Santiago Cortés on metabolizing new technology.