bunnymi1k

[bunnymi1k]

my art style is having an identity crisis so don't be surprised if my next comic pages drastically change in style 😭😭

[bunnymi1k]

Don’t ask why Hoshi isn’t also kidnapped with Aika, he just thought Ziras coming out party was more exciting😭

Twitter meme redraw lol, Original under cut

[bunnymi1k]

What really ticks me off when talking about ai is when people are like "it's unavoidable" or "you'll have to learn to use it someday" or "its going to be part of the future" like no it's plenty avoidable actually if you have a spine stronger than a dandelion. You simply say "no" and continue to use your own goddamn brain.

[bunnymi1k]

i am nooooot locked the fuck in. im locked the fuck out. call the locksmith

[bunnymi1k]

You know what, enough time has passed and I've given media reviews/reccs in the past, so I'm gonna recommend Pixar's Win or Lose as seriously worth a watch.

I came into the show with zero expectations a few months ago and was pleasantly blown away by the writing, art direction, and character dramas.

Win or Lose is an original drama mini-series created by Pixar that follows a co-ed middle school softball team and the week leading up to a big championship game. Each episode picks one character, either a kid or an adult, and focuses on their perspective/storyline during that week. So in the first episode, we notice a lot of weird mysteries or threads in the background (Why is this character crying uncontrollably? Why are these two fighting?). As the show progresses, we get to see each character's sides of the story and how they interconnect with and affect each other. It's very, very well written and well crafted.

Each episode also tackles a pretty mature and at times distressing theme about growing up and parenting, similar to Inside Out. Here's a one sentence synopsis of each episode's general conflict and theme to give you an idea. Spoilers ahead:

Laurie, who's terrible at softball, desperately wants to impress her father, the team coach, but is dragged down by anxiety, visualized by a growing blob that whispers intrusive thoughts.

A geeky, middle-aged middle school teacher tries to get over a break-up with online dating.

Rochelle, who's the eldest "forced-to-grow-up-too-fast" daughter of a struggling, social media-obsessed single mother, must raise money on her own to pay for her team fee, falling into dangerous situations with older teens.

Following the perspective of the single mother during the events of episode three, we see her side of the story and the complicated ways she works to fend off judgmental parents and support her daughter.

An imaginative but lonely little brother of a softball player becomes friends with a group of teenage outcasts, for better and for worse.

A boy and a girl on the softball team begin dating, but undergo relationship troubles when the boy's insecurities about coolness, honesty, and masculinity cause him to lash out.

Kai, a Black, trans-coded girl on the team, must balance her self-confidence and love for softball while appeasing her sports-loving father, who pressures her to always be her best.

The culmination and climaxes of each episode's arcs and conflicts collide in the big championship game, with a main focus on the team coach/father from the first episode, who's ready to burst from the stress and tension of an impending divorce, his anxious daughter, the game, and mid-life feelings of worthlessness.

Each episode also features a creative way of externalizing and visualizing emotions, concepts, or mindsets like anxiety, e-dating, and pride. Rochelle transforms into a tall business woman with shoulder pads when she goes into money-making-mode. Gravity flips and disappears when she feels like she's losing control of her life. Some episodes even feature completely different animation styles. As a result, each storyline is presented through an unreliable and exaggerated perspective that prioritizes the protagonist and skews reality, often shown through the eyes of a child.

These screenshots really don't do the animation justice, you need to see it in motion to get the appeal. The dialogue is snappy and fun too, and the characters are immediately charismatic and likable. Here's a clip from the first episode.

The two biggest controversies this show had were 1. its art style and 2. the censorship.

The art style was ridiculed and criticized online for looking "grub-hub commercial-ish," which has been said about previous Pixar movies as well (Luca and Turning Red). The characters are extremely cartoony, with sometimes weirdly exaggerated proportions. And admittedly, some of the designs are not it (the noseless barista...). But I think a lot of people and artists will agree that even if the art direction looks strange to you, it grows on you quickly. Pixar knows how to animate and they know how to work with their own models. Plus, given the limitations and labor of a 7-episode show, it makes sense that things had to be simplified. With the gorgeous lighting, textures, and colors, the show's style really reminded me of stop-motion or Nintendo games. It's just fun.

Secondly is the report that Disney made Pixar censor and re-write Kai's episode, which was originally supposed to be an explicit exploration of her trans identity as a young girl and an athlete. The animatic of the original version of the episode was leaked online. The news and decision is extremely disappointing, worsens the final show, and really reveals how careless and conservative Disney is about representation. But if you watch the actual episode, you'll notice all the ways the crew tried to circumvent Disney and maintain Kai's trans identity through coding and nods to gender dysphoria/guilt/expression/affirmation/euphoria. (Her storyline made me cry too.)

I don't want to come across like I'm defending the censorship. An episode dedicated to a POC father-daughter relationship as they navigate Kai coming out as trans while playing sports on Disney+ would have been so powerful and important for family audiences. And they try to supplant the trans storyline with a clumsy softball vs. baseball edit. But I've seen talk about how this storyline was completely erased or how this show is straight up transphobic, and that's just not true. The crew did their best with a truly shitty situation.

If you like shows like Craig of the Creek or Bluey or Steven Universe, you'll probably like this one too.

[bunnymi1k]

Miku but u draw her with ur non dominant hand

the skimbly

[bunnymi1k]

Su cast as I remember them.

[bunnymi1k]

[bunnymi1k]

nnsg vet-sama nya~♡

i realized i hadn't drawn her in all of the years i have watched the series >_<

i really hope i made her justice since she's so iconic nya~ (*≧д≦)

lol also a screencap from when i was drawing her while actually watching nnsg p(^-^)q

[bunnymi1k]

[bunnymi1k]

These two's friendship is unhinged (affectionate)

[bunnymi1k]

(person who learned from childhood to make themself as small and unimportant as possible to avoid being a burden) yeah its okay we dont have to do my thing if you dont want i dont mind

[bunnymi1k]

It's still sinking in that The Owl House was about a girl running away to a fantasy world, all because of the ripple effects of losing her father at an unfairly young age — only to eventually learn that the fantasy world itself was made of the bones, and the flesh, of a loving father who'd protected his child with one of his final actions, before dying and giving life to that fantasy world. And eventually, in his truly final action, even giving life to Luz herself. Luz ran away to the Boiling Isles, all because of a single book that her dad gave her — and unknowingly, she spent every day walking over ground that embodied parental loss. A world that was born from a parent's death, a parent who had to leave their child far too soon — and not just any child, but Luz's own new best friend, in all of this new magical world. And King and Luz were only ever brought together because of their fathers' deaths — before they even realized they had anything in common to grieve. Before they realized a reminder of that grief had been beneath their feet this whole time.

But, at the end of the day... their fathers both gave them parting gifts. Their fathers both gave them the key to come of age in a world full of people who'd care about them — maybe not the only world where they could've been happy, but a world they wouldn't want to imagine missing. Their fathers gave them the chance to meet each other. To understand each other. And, ultimately, to heal and grow up together. Until the ground beneath their feet stops feeling so heavy, like grief — and starts feeling lighter again, like a gift, and a happy memory.

[bunnymi1k]

Life sucks, let’s make Lars of the Stars predictions instead

[bunnymi1k]

gave soda an awful dad

[bunnymi1k]

as requested (by that one poll) The Pink Triunvirate

[bunnymi1k]

i'm sure it's been brought up before but i love the juxtaposition of this scary tall dictator whose closest companions are cute and pink

Their dynamic is one of my favorites! lol