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Taking a cue from these, women in India began to wear a stitched short jacket to cover their upper torsos. Wholesale Sarees OnlineSuch jackets are shown in many sculptures of this period in Mathura and in the caves of Ajanta. In time, this jacket became more compact and snugly fitted the bosom in the case of women who wore the saree and longer, more flowing in the case of women who wore the kurta. The shorter, tight fitting blouse acquired the name choli. SantDnyaneshwar (1275-96 AD) has written the words ‘chandanachicholi’ in his composition proving that the choli was known in the early years of this millennium. The Persians also introduced to India the art of encrusting fabrics with pearls and precious stones. While women of all classes wore simple cholis, those of the upper classes used this art for special embellishment of their silken ones.

Others followed, using less precious materials like glass and wooden beads and embroidery to decorate their cholis.Visit this site to get more infoMany royal women commissioned weavers and craftsmen to produce exquisite examples of their art to make their jackets. Costume historians have recorded that such gem-encrusted clothes, which combined the art of weaving and embroidery, were called Stavaraka in those days. In spite of these advancements, the saree and choli evolved very slowly through the ages. Its final form, as is seen today, came about only in the Moghul period when women's garments went through one more major revolution. The Moghuls had perfected the art of stitching and with their royal riches and absolute power, the cities they established flourished, with people emulating their way of life and their way of dressing. They wore long coats made of silk and brocade with narrow trousers.

Their turbans were objects of great beauty and were studded with invaluable jewels. Despite the fact that the majority of men of those ages changed their lifestyle and began to wear a trouser and a coat instead of the loincloth, the unstitched, Wholesale Bazaarmagical saree still came out the winner as far as the women were concerned. Miniature paintings of several schools and hand-illustrated manuscripts of the medieval period of Indian history showed the diaphanous garments of women developing into the gracefully draped saree of today for the first time. The paintings of this era, when compared with the sculptures or frescos of the earlier centuries, suggest that the saree in its modern form finally came into existence in the post-Moghul period and could have been a natural mixture of the three-piece unstiched garment of the earlier times and the stitched clothing which the Moghuls brought into India.

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The Moghuls wore brocades of such exquisite quality that throughout the world this fabric came to be described as Kinkhwab or 'Golden Dream'. Wholesale SareesOnlineThe Europeans who imported this fabric turned this name into Kinkob. To this day, brocade is known by this name in many European languages.As far back as the Biblical age, India's dyeing processes and the results they could produce were considered dazzling by connoisseurs even in Rome and Greece. The luminescent hued silks worn by high class women in India were the envy of the world and many a traveller wrote glowing accounts of what he saw during his visits to the flourishing empires. In the golden age of Indian textiles, all the dyes were made from vegetables or other natural sources. It is reported that in the earliest age of dyeing during the Moghul era, there were over five hundred kinds of natural dyes.

These traditional dyes were made from turmeric, the indigo plant, barks of several trees, gums, nuts, flowers, fruits and berries.Visit this site to get more infoThe silk cotton tree, for example, was reputed to yield a gentle yellow-orange colour called kesari, which was favoured not only by royal families for their raiments, but also for the robes made for the idols in many famous temples. The colours navy blue, khaki, mustard yellow, rust, rani pink and pista green seem to have originated during these years and have stayed on as names for identifying colours even now. Fabrics were dyed in various ways. They were wholly dipped in tubs of dyes or separately dyed in different colours for a magical, shaded effect, or yarns were dyed and then used in the weave to create specific patterns. In the age of the Moghuls, both hand block printing and tie-and-dye techniques reached their zenith and added new dimensions to the Indian textile industry's flourishing trade.

The Bandhanis and Leheriyas made with the tie-and-dye process were used for the most colourful turbans and the festive sarees and odhanis later.Wholesale BazaarWith the advent of synthetic dyes, the number of natural dyes used by the industry began to dwindle considerably so that today there are hardly sixty varieties of natural dyes in use. Though these methods of traditional dyeing continue to create ethnic fabrics for sarees and headgear, the chemical dyes imported from other countries together with newer techniques of dyeing and printing have given Indian women sarees of a vast variety in an unimaginable spectrum of shades. Many new designs and techniques of weaving, dyeing and printing came to India with the repeated invasions of various clans. For instance, the tie-and-dye method of fabric dyeing was brought into Gujarat and Rajasthan by the nomadic Central Asians.

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The various prints used by designers showed the influence of European motifs which were more gentle and subdued compared to the ornate, rich Indian motifs.Wholesale Sarees Online This was the first time; too, that fabric by the yard could be duplicated by the printers. On the other hand, combining the use of various blocks into myriads of permutations, they could also economically produce an unimaginable variety of prints in innumerable colour schemes. However, by the time the industrial revolution brought power looms into the weaving industry together with mechanised printing, the traditional weavers and dyeing experts were on their way out. These descriptions prove that the weavers and designers of India were the masters of their craft for many centuries. Nimble fingered and ever alert to new concepts, they created a treasurehouse of ideas which continue to support and inspire millions of weavers in India even today.

Indisputably, the greatest heritage these weavers gave to the Indian woman was the saree, five and half metres in length and about one and one-eighth metres in width. Visit this site to get more infoThey created such a vast variety of sarees that if a woman wore a different saree each day, the weaves, prints and designs would tally up to more than the days of her entire life span. Very often, the sarees she would wear, could be exclusive, one-of-a-kind creations made from the most humble, rough woven cotton to the finest hand crafted silk tissue spiked with soft gold threads. This relatively small length of fabric has since then become the canvas upon which every imaginable kind of creative experiment has been made by the way of weaving, printing, embroidery, appliqué and gold, silver and precious stone work.

Though centuries have passed since the saree was conceived as the Indian woman's hereditary costume, the charm of this beautiful and extraordinary feminine garment, suited to the youngest of girls or the most elderly among woman, Wholesale Bazaarhas not waned. In fact, even with each new decade of technological progress, it has been well accepted by even the most modern women of the subcontinent. Today, its chequered history has become hazy and lost in the distant past. In spite of the limited scope for any change in the garment, it seems to have a limitless future because of the endless experimentation used to recreate its beauty for every new generation of women. Thus, in the modern world, it continues to be an economical and easy-to-wear garment, suitable for work, leisure or luxury. Over a period of time, several cities in India have become renowned saree manufacturing centres.