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Went to take this picture of this insane bigfoot sex sign and only after opening my camera did i notice the entire flock of little chickens chilling in the dirt. life is good again

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scenery in china

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scenery in china

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To be glib, it's no wonder that fictional idols are competing with real ones nowadays. Idols have become so commodified and over-produced they're indistinguishable from fiction, and once they're able to reproduce the illusion of authenticity and human connection with fictional characters, well... Cartoons doesn't need privacy, will never age, won't cause controversy or scandals you're not in control of.

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Cosplayer performing water sleeve dance

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Shoutout to the maned wolf, which is technically neither wolf nor fox but has its own genus called Chrysocyon! Why -

why are your legs so long?

I mean, intellectually, I understand that it’s because you live in grasslands and have evolved to be able to see over the grass, but emotionally… why? Are they?? Like that??? Surely there was a way to make your body more cohesive and proportional-looking?

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It's really bizarre watching the people grasping with "am I allowed to enjoy stories featuring a cop" when I assumed "you're allowed to enjoy morally depraved fiction forever and always" would automatically encompasses that.

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The Insider and Outsider Detectives

So there's a lot of discourse about detectives floating around, ever since 2020 shifted a lot of people's Views on the police. Everyone likes a good mystery story, but no one seems to know what to make of a detective protagonist- especially if they're a cop. And everyone who cares about this kind of thing likes to argue over whether detective stories hold up the existing order or subvert it. Are they inherently copaganda? Are they subversive commentary on the uselessness of the police?

I think they can be both. And I think there's a framework we can use to look at individual detectives, and their stories, that illuminates the space between "a show like LAPD straight-up exists to make the cops look good" and "Boy Detective is a gender to me, actually".

So. You can sort most detectives in fiction into two boxes, based on their role in society: the Insider Detective and the Outsider Detective.

The Insider Detective is a part of the society they're investigating in, and has access to at least some of the levers of power in that society. They can throw money at their problems, or call in reinforcements, and if they contact the authorities, those authorities will take them seriously. Even the people they're investigating usually treat them with respect. They're a nice normal person in a nice normal world, thank you very much; they're not particularly eccentric. You could describe them as "sensible". And crime is a threat to that normal world. It's an intrusion that they have to fight off. An Insider Detective solving a crime is restoring the way things ought to be.

Some clear-cut examples of Insider Detectives are the Hardy Boys (and their father Fenton), Soichiro "Light's Dad" Yagami, or Father Brown. Many police procedural detectives are Insider Detectives, though not all.

The Outsider Detective, in contrast, is not a part of the society they're investigating in. They're often a marginalized person- they're neurodivergent, or elderly, or foreign, or a woman in a historical setting, or a child. They don't have access to any of the levers of power in their world- the authorities may not believe them (and might harass them), the people they're investigating think they're a joke (and can often wave them off), and they're unlikely to have access to things like "a forensics lab". The Outsider Detective is not respectable, and not welcome here- and yet they persist and solve the crime anyway. A lot of the time, when an Outsider Detective solves a crime, it's less "restoring the world to its rightful state" and more "exposing the rot in the normal world, and forcing it to change."

Some clear-cut examples of Outsider Detectives are Dirk Gently, Philip Marlowe, Sammy Keyes, or Mello from Death Note.

Now, here's the catch: these aren't immutable categories, and they are almost never clear-cut. The same detective can be an Insider Detective in one setting and an Outsider Detective in another. A good writer will know this, and will balance the two to say something about power and society.

Tumblr's second-favourite detective Benoit Blanc is a great example of this. Theoretically, Mr. Blanc should be an Insider Detective- he's a world-famous detective, he collaborates with the police, he's odd but respectable. But because of the circumstances he's in- investigating the ultra-rich, who live in their own horrid little bubbles- he comes off as the Outsider Detective, exposing the rot and helping everyone get what they deserve. And that's deliberate. There is no world where a nice, slightly eccentric, mildly fruity, fairly privileged guy like Benoit Blanc should be an outsider. But the turbo-rich live in such an insular world, full of so much contempt for anyone who isn't Them, that even Benoit Blanc gets left out in the cold. It's a scathing political statement, if you think about it.

But even a writer who isn't trying to Say Something About The World will still often veer between making their detective an Insider Detective and an Outsider Detective, because you can tell different kinds of stories within those frameworks. Jessica Fletcher from Murder She Wrote is a really good example of this-- she's a respectable older lady, whose runaway success as a mystery novelist gives her access to some social cachet. Key word: some.

Within her hometown of Cabot Cove, Fletcher is an Insider Detective. She's good friends with the local sheriff, she's incredibly familiar with the town's social dynamics, she can call in a favour from basically anyone... but she's still a little old lady. The second she leaves town, she might run into someone who likes her books... but she's just as likely to run into a police officer who thinks she's crazy or a perp who thinks she's an easy target. She has the incredibly tenuous social power that belongs to a little old lady that everyone likes- and when that's gone, she's incredibly vulnerable.

This is also why a lot of Sherlock Holmes adaptations tend to be so... divisive. Holmes is all things to all people, and depending on which stories you choose to focus on, you can get a very different detective. If you focus on the stories where Holmes collaborates with the police, on the stories with that very special kind of Victorian racism, or the stories where Holmes is fighting Moriarty, you've got an Insider Detective. If you focus on the stories where Holmes is consulting for a Nice Young Lady, on the stories where Holmes' neurodivergence is most prominent, or on his addictions, you've got an Outsider Detective.

Finally, a lot of buddy detective stories have an Insider Detective and an Outsider Detective sharing the spotlight. Think Scully and Mulder, or Judy Hopps and Nick Wilde. This lets the writer play with both pieces of the thematic puzzle at the same time, without sacrificing the consistency of their detective's character.

Back to my original point: if you like detective fiction, you probably like one kind of story better than the other. I know I personally really prefer Outsider Detective Stories to Insider Detective Stories- and while I can enjoy a good Insider Detective (I'd argue that Brother Cadfael, my beloved, is one most of the time), I seek out detectives who don't quite fit into the world they live in more often than not.

And if that's the vibe you're looking for... you're not going to run into a lot of police stories. It's absolutely possible to make a story where a cop (or, even better, an FBI agent) is an Outsider Detective-- Nick Angel from Hot Fuzz was originally going to be one of my 'clear-cut examples' until I remembered that he is, in fact, legally a cop! But a cop who's an Outsider Detective is going to be spending a lot of time butting heads with local law enforcement, to the point where he doesn't particularly feel like one. He's probably going to get fired at some point, and even if his badge gets reinstated, he's going to struggle with his place in the world. And a lot of Outsider Detective stories where the detective is a cop or an FBI agent are intensely political, and not in a conservative way- they have Things To Say about small towns, clannishness, and the injustice that can happen when a Pillar Of The Community does something wrong and everyone looks the other way. (Think Twin Peaks or The Wicker Man.)

Does this mean Insider Detective Stories are Bad Copaganda and Outsider Detective Stories are Good Revolutionary Stories? No. If you take one thing away from this post, please make it that these categories are morally neutral. There are Outsider Detective stories about cops who are Outsiders because they really, really want an excuse to shoot people. There are Insider Detective stories about little old people who are trying to keep misapplied justice from hurting the kids in their community. Neither of these types of stories are good or bad on their own. They're different kinds of storytelling framework and they serve different purposes.

But, if you find yourself really gravitating to certain kinds of mysteries and really put off by other kinds, and you're trying to express why, this might be a framework that's useful for you. If your gender is Boy Detective, but you absolutely loathe cop stories? This might be why.

(PS: @anim-ttrpgs was posting about their game Eureka again, and that got me to make this post- thank them if you're happy to finally see it. Eureka is designed as an Outsider Detective simulator, and so the rules actively forbid you from playing as a cop- they're trying to make it so that you have limited resources and have to rely on your own competence. It's a fantastic looking game and I can't recommend it enough.)

(PPS: I'm probably going to come back to this once I finish Psycho-Pass with my partner, because they said I'd probably have Thoughts.)

(PPPS: Encyclopedia Brown is an Insider Detective, and that's why no one likes him. This is my most controversial detective take.)

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Watching the kangaroos as the sun sets.

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so i wore a pride flag pin to work the other day and the kids were all interested (obviously) (find me a classroom of preschoolers who are not obsessed with rainbows) (i'll wait) so they crowded around to see.

"aww!" they said, "it's a flag!!"

but the thing is: they're little. a lot of them don't really have a handle on all their mouth sounds yet.

such as, notably, that tricky tricky "L" sound.

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the insane experience of missing a fictional character . like you can always go back and reread the book , replay the game , rewatch the show or movie , you can always go back & see them , but you can never experience them & their story for the first time again . its absurd to miss them because they'll always be there , but you'll miss when there were still new things for them to say .

for a small time they were real & growing and changing and you hung onto every new word, but now all they can do is repeat the same story forever&ever & they're not real anymore because you know everything they're going to do. & you miss them. its fucked man...

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Every well made donghua just shove in action scenes like they're trying to prove they know how to animate, even when it's totally unnecessary... Which honestly often makes it much harder to watch than lower budget ones.

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The most dramatic moment during my Camp Counseling career at an all girls camp was when a girl got a letter from a friend saying that Zac Efron had died and one of her bunkmates ran out of the cabin and shouted “ZAC EFRON IS DEAD!!!!!” and the camp immediately fell into chaos girls were crying in the middle of camp and running around spreading the news everyone was yelling and the counselors had to look up wether or not Zac Efron was dead (this is a wireless camp so the girls couldn’t access the internet and check for themselves) and then get out a megaphone and be like “ZAC EFRON IS NOT DEAD PLEASE REMAIN CALM” outside of all the cabins it was insanity. 

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There's a genre of Asian-American person I keep running into where they have American left wing politics but as a result of trying to reconnect with their home culture accidentally(?) buying into the extremely reactionary nationalistic politics of their motherland under a leftist guise

And like I definitely understand the temptation to embrace nationalism as a part of embracing cultural pride in a country that has Failed To Be Normal About Asians since the dawn of time, but also like. Resist that temptation anyway idk what to tell you

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submitted by @sadsukeh

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you know, reindeer, those things that famously have forward facing eyes

DCU Holiday Special (2008)